Tag Archives: Tadias Magazine

Letter From Harar: Dr. Clyde Kindell’s ‘Fond Memories of Ethiopia’ — Photos

Tadias Magazine
By Tadias Staff

Updated: Thursday, May 9th, 2013

New York (TADIAS) – In the summer of 1966 when Dr. Clyde R. Kindell, the last American President of Alemaya College of Agriculture and Mechanical Arts in Ethiopia, was preparing to return home to the United States, he received a letter from the Governor of Harar whom he had befriended during his eight-year stay in the country, which he kept as a memento.

The document, shared with Tadias, was written on June 11th, 1966 and signed by Fitwarai Tewahade Woldeyes. “Dear respected friend, I am very sorry to hear from your letter of 30th Ginbot 1958 EC [Ethiopian Calendar] that you are completing your term as the president of the Agriculture College of Alemaya and going back to your country,” it said. “I consider your departure as losing one of those highly esteemed Ethiopians not as a foreigner going back to his country.”

The governor goes on to inform Dr. Kindell that had he been younger he too would have chosen to enroll at Alemaya College. Nonetheless, “I am very grateful to learn from your diligence, honesty, and tact of making others work through cooperation,” he wrote. “Please, therefore, accept my heartfelt thanks and I wish you a bright future in all your endeavors.”

Upon his return to the United States, Dr. Kindell became president of Murray State College in Oklahoma, where he worked for 27 years until he retired in 1994.

In a recent phone conversation with Tadias Magazine from his current home in Denison, Texas, Dr. Kindell, now 86-years-old, shared his recollections of Ethiopia.

“To this day I am still in touch with the children of Fitwarai Tewahade, including Mel,” he said, referring to filmmaker and businessman Mel Tewahade, producer of the documentary Point Four, which explores the history of America’s “Point Four” foreign policy and its impact in Africa and Asia.

“I have fond memories of Ethiopia and the Ethiopian people,” said Dr. Kindell, who traveled to Ethiopia under Oklahoma State University’s Point Four agricultural program in the late 1950s. “My daughter was born in Jimma.”

Mel Tewahade told Tadias the letter was penned by his late father as a farewell and thank you to Dr. Kindell. “Since my father was the Mayor of the city of Harer and governor of surrounding region, he had frequent interaction with the American staff at Alemaya and that’s how the two developed their friendship,” he said.

Mel said that part of his father’s job was “to ensure that Americans were safe and any misunderstanding between them and the residents living around Alemaya was quickly and peacefully resolved, as well as security matters, such as attempting to reduce the use of Khat (Chat) in and around the school and developing a market for Alemaya grown potato.”

Dr. Kindell, who was 31-years-old when he first arrived in Ethiopia, served for two years as the Director of Instruction and Research at the Jimma Agriculture Technical School before taking the helm at Alemaya in Harar. He noted that he reported directly to Emperor Haile Selassie, who was the Chancellor of the nation’s university system.

“The Emperor was like a father figure to me,” Dr. Kindell said. “He would scold me from time to time, mostly for not learning Amharic fast enough.”

Dr. Kindell shared his “vivid memory” of an encounter he had with Emperor Haile Selassie in November 1963 as the Emperor prepared to leave for Washington, D.C. to attend President Kennedy’s funeral. “The Emperor had great respect and admiration for John F. Kennedy because they had met and Kennedy had sought his advice,” he said. “He was very saddened by his death.”

Speaking of Kennedy, Mel added that he has released another movie called Peace Corps in Ethiopia highlighting one of Kennedy’s legacies. “It was screened at Kotebe Teacher Training College in September 2012,” he said. “It was shown at the 50th year reunion of returned Peace Corps volunteers who served in Ethiopia and Eritrea.”

“The film is the history of Peace Corps involvement in Ethiopia from 1962 to 1976” Mel said. “We interviewed several volunteers and asked them to share their experience. Senator Harris Wafford of Pennsylvania and former director of Peace Corps in Ethiopia, outlines the contribution that Emperor Haile Sellasie made to the success of the program, and the support that Peace Corps got from President Kennedy and the director of Peace Corps Sargent Shriver.”

As to his own reminiscence of growning up near the school, Mel pointed out that the view from his father’s car window still remain fresh in his mind. “My most favorite of this time was the drive I used to make with my dad to Alemaya,” he said. “The lake was beautiful and there were plenty of fruit stands around the town of Alemaya. It was breathtaking.”

And back on the phone Dr. Kindell recalled, “So one day my wife and I had the Emperor over for dinner and all his family and other dignitaries were present,” he said. “I finally manged the courage to say, ‘Your Majesty, Ene bizu amarigna memar alchalkum.'”

Dr Kindell continued: “He sort of chuckled, and never bothered me about my language skills again.”

Below is a digital copy of the letter courtesy of Mel Tewahade:

Photos: Dr kindell hosting Emperor Haile Selassie and Jomo Kenyatta at Alemaya College


To learn more about Mel Tewahade’s film “Point Four,” please visit the website www.pointfourethiopia.com.

Related:
Filmmaker Interview About the Movie ‘Point Four
Haile Selassie in America: Q & A with Professor Ted Vestal

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The International Leadership Academy of Ethiopia: Q & A with Haddis Tadesse

Tadias Magazine
By Tadias Staff

Published: Sunday, May 5, 2013

New York (TADIAS) – The International Leadership Academy of Ethiopia (ILAE), which opens in September 2013 on the campus of Hope University in Addis Ababa, began as a vision of Ethiopian American social entrepreneurs living in the Seattle, Washington area, including Haddis Desta Tadesse, the Country Representative for the Gates Foundation in Ethiopia. “We had found success in the U.S. and like many Ethiopians, we still have strong ties with and care deeply about the future of Ethiopia,” Haddis said in a recent interview with Tadias Magazine. “We admire how developed countries harness their land, labor, capital and infrastructure.”

Haddis added: “We also admire Ethiopia’s quest for prosperity and recognize the role that strong, capable leaders play in making that happen. We therefore thought that one contribution we could make to Ethiopia would be to establish a school for the academically talented girls and boys from around the country, and offer them an education that would prepare them in leadership skills equal to the best schools in the world.”

To this end, Haddis said, the group has launched a preparatory program for 20 students who are attending weekend and summer classes to prepare them for high school.

Below is our Q & A with Haddis Tadesse:


Haddis D. Tadesse (Photo courtesy Bill & Melinda Gates Foundation)

TADIAS: We understand that the school is one of the first of its kind to be set up in Ethiopia. Please tell us about the challenges and opportunities facing the new leadership academy.

Haddis Tadesse: We may be unique in today’s Ethiopian environment but the concept is not new to Ethiopia. General Wingate Secondary School played a similar role and produced many leaders in various disciplines. We also understand there is one other school in Ethiopia currently that targets gifted students. From what we know, we believe that our approach is unique in Ethiopia. While using the Ethiopian curriculum as a base and preparing students for the national exams, our curriculum is developed by experts taking best practices from around the world, introducing academic rigor, critical thinking at many junctures, responsibility for the environment through service programs both on and off campus, a strong sense of community within the student body based on collaboration and developing leadership skills. So far, the students seem ready and receptive to this program, as are their parents. As students will come from various school systems across the country and different proficiency levels, development and skills, they will require individual attention. That requires hiring capable teachers who know how to educate and nurture very smart kids and that requires capital to execute effectively. So, the financial burden will be our challenge.

TADIAS: How does admission to the school work?

Haddis: Similar to most selective, high quality independent schools around the world, admission is based on various criteria, including the student’s academic record, recommendations and interviews which examines the overall capacity and potential of the student. We have experts who are helping us with this effort including people who helped establish the Oprah Winfrey Leadership Academy for Girls in South Africa.

TADIAS: Is it tuition based? If so, are there scholarship opportunities available for those who cannot afford it?

Haddis: The majority of our students would come from poor environments and they will not pay any tuition. However, we will have some paying students from families who can afford to pay and seek high quality education as well as from other country nationals who reside in Ethiopia.

TADIAS: Does the school have a relationship with other institutions of higher learning that would allow the students to continue their education after they graduate from ILAE?

Haddis: We have a relationship in Ethiopia with Hope University College, as we share their campus, facilities and to some extent will be exchanging teachers, but also have a primary relationship with the Northwest School in Seattle, an established, prestigious independent school. We will be having student exchanges through technology, and through them, will also have partnerships in Spain, France, China, Taiwan and El Salvador. In addition, we have a relationship with the University of Washington and Cascadia Community College. But our goal is not to send our scholars abroad. Our hope is that they will enter college in Ethiopia and other great universities in Africa and return to Ethiopia in positions of leadership and write a new chapter in the long history of the country.

TADIAS: What’s your vision for the academy five years from now?

Haddis: Five years from now we will have graduated our first class. We will most likely be on our own campus with dormitories, and have a student population from around the country. Every year after that, we hope to graduate students who will become CEOs of major business, political and social leaders, noble prize winner scientists, and many others.

TADIAS: Is there anything else that you would like to share with our audience?

Haddis: We are profoundly moved by the potential of these talented students and happy that we can affect the lives of at least a few people in Ethiopia. We deeply appreciate the generous support we have received to date. I also want to thank Tadias for your interest and support. I am a big fan.

You can learn more about The International Leadership Academy of Ethiopia at www.ilacademy.org.



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National Mental Health Awareness Month – Community Forum In DC

Tadias Magazine
By Tsedey Aragie

Published: Thursday, May 2nd, 2013

Washington, DC (TADIAS) – This is Mental Health Awareness Month and I will be moderating another public session on the topic on Monday, May 6th at the Shaw Library in D.C. The conference is the latest in a series of events on the subject designed to spur outreach and awareness efforts in our community. We especially encourage people with skills in health care to participate in the forum. During our last meeting it was highlighted that there is an under-utilized wealth of Ethiopian & Eritrean medical professionals among the East African populations in the Washington, D.C. metropolitan area. Often behavioral health experts are at the forefront of this fight and your input is essential in our ongoing conversation.

“It is up to all of us to know the signs of mental health issues and lend a hand to those who are struggling,” President Obama said in the proclamation making May Mental Health Awareness Month. “Shame and stigma too often leave people feeling like there is no place to turn. We need to make sure they know that asking for help is not a sign of weakness — it is a sign of strength.”

The organization My Love in Action, which is currently conducting a needs assessment survey in our community, is hosting the upcoming town hall. As you know, particularly among Ethiopian and Eritrean immigrants, the stigma associated with mental illness has led to many unnecessary tragedies and it is important for us to uproot this problem as a shared responsibility. We encourage everyone to take part in the dialogue. We have some great programs, workshops and speakers lined up. And as always, your feedback is going to be very valuable.

For those who live outside Washington, you can still partake via a conference call (see info below) or follow the discussion live online.

IF you go:
Date: Monday May 6th
Time: 6pm sharp
Address: 1620 7th St NW, Washington D.C. 20001
Location: Watha T. Daniel Shaw Library (downstairs)
Phone conference: (267) 507-0240 pin #939807
Live Stream Link: http://www.ustream.tv/channel/filmstockinc
More information at www.myloveinaction.org
Follow updates on twitter @MyLoveInAction.

Related:
Report From Second Community Forum on Mental Health – Video
Dr. Welansa Asrat on Mental Health Taboo in the Ethiopian Community

Watch: Video Clips – ‘2nd Community Forum on Mental Health,’ December 15th, 2012


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Meskerem Assefa Advocates for Ethiopian Women in the Middle East

Tadias Magazine
By Tigist Selam

Updated: Wednesday, May 1st, 2013

New York (TADIAS) – One year after the video-taped beating and eventual suicide of Alem Dechasa in Lebanon that shocked and galvanized the Ethiopian community worldwide, domestic workers rights advocate Meskerem Assefa of Beirut recently traveled to New York to highlight the continuing problem in the region. She was invited by the Ethiopian Social Assistance Committee as one of the featured guest speakers at the organization’s annual Women’s History Month panel on March 23rd in Manhattan focusing on Ethiopian women in the Middle East.

“Every time I get the opportunity to speak to the media in Lebanon, I say stop abusing our girls,” Meskerem said in a follow-up interview. Meskerem, who moved to Beruit 11 years ago with her husband, is a Lebanese national by marriage.

“I have a bit more rights than most Ethiopian women in the country so I speak on their behalf whether they like it or not because silence and fear are the worst enemy,” she added. “And as an individual that’s the least that I can do.”

Meskerem said there are an estimated 80,000 Ethiopians living in Lebanon alone, half of them illegals operating under the radar of both the Ethiopian and Lebanese governments. She pointed out that this group is the one that is most exposed to abuse. Furthermore, there is a growing crisis of immigrant children that are born out of wedlock by domestic workers.

“These kids are not citizens of the country, they have no rights, no education, or access to medical insurance,” she said. “For me this is most heartbreaking.”

“Over time we are getting help from the Lebanese people and various local NGOs that working to change the law and improve the situation on the ground,” Meskerem said. “We can only get a solution by continuing to organize and speak out.”

“I wish that I could also do more to help the children,” she said. “I have tried to organize games, dance, and other activities for some of them; I know that’s not enough but there is no budget.”

Meskerem emphasized the necessity for more Ethiopians to step up and get involved. “I am asking that all those who can assist should contribute to solve this issue together,” she said. “Even those in Ethiopia with the intellect and resources must do their part. What’s the point of being Ethiopian if you do not feel this piercing your heart.”

“Stop sending these girls without basic training and their full knowledge of what they are getting into,” she asserted.

Meskerem noted that she had opened an information center in Addis Ababa a few years ago. “I paid rent for two years out of my own pocket and I had to close it because there was no help and interest,” she said.

Woizero Zewditu Fessehaa, chairperson of The Ethiopian Social Assistance Committee, who hosted Meskerem during her New York stay, agreed that lending a hand to activists like Meskerem and establishing an officially sanctioned certification center in Ethiopia ought be a priority. “The young women in Ethiopia need be told before they leave their country not to expect to be fed butter with a spoon when they reach their destination,” she said. “That requires collaborative efforts from each and everyone of us.”

Related:
Ethiopia Cancels 40,000 Work Visas for Saudi Arabia-bound Housemaids (Arab News)
Changing Ethiopia’s Media Image: The Case of People-Trafficking (TADIAS)
Photos: BBC Uncovers Untold People-Trafficking, Torture of Ethiopians in Yemen
In Memory of Alem Dechassa: Reporting & Mapping Domestic Migrant Worker Abuse
Photos: Vigil for Alem Dechassa Outside Lebanon Embassy in D.C.
The Plight of Ethiopian Women in the Middle East: Q & A With Rahel Zegeye

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Julie Mehretu: ‘Liminal Squared’ Opening Soon in New York and London

Tadias Magazine
Events News

Updated: Monday, April 29, 2013

New York (TADIAS) – There are two major upcoming solo exhibitions in New York and London featuring works by Ethiopian-born painter Julie Mehretu entitled Liminal Squared. The NYC event will mark the artist’s inaugural show at the Marian Goodman Gallery, which is scheduled to open on May 11th and remain on display through June 22, 2013, while the presentation in England will take place at the White Cube Bermondsey from May 1st to July 7th, 2013.

“A series of new paintings will be on view as well as a suite of five new etchings,” the announcement from Marian Goodman Gallery said. “The works were created over the past three years in New York in the aftermath of events of the Arab Spring which were the point of departure for the monumentally scaled Mogamma (In Four Parts), 2012, recently presented at Documenta (13), 2012, Kassel.”

According to the gallery the paintings “follow a group exhibition In Praise of Doubt at Punta dell Dogana, Venice in 2011; and a recent presentation of her Mind Breath and Beat drawings at our Paris space in January-March 2013.”

In London, White Cube gallery said it is pleased to present an exhibition by Julie Mehretu. “This is Mehretu’s first major solo exhibition in London and will feature new and recent paintings, some of which will be presented within a specially constructed environment designed by David Adjaye in close collaboration with the artist,” the gallery said in a press release. “Described by curator Douglas Fogle as ‘perfect metaphors for the increasingly interconnected and complex character of the 21st century’, Mehretu’s large-scale paintings, which are built up in layers, employ a broad lexicon of drawing techniques together with a precise, muscular abstraction to investigate the intersection of politics, architecture and history and the way these forces shape the formation of our social identity.”

Julie, who was born in Addis Ababa in 1970 and immigrated to the United States with her family in 1977, is one of two Ethiopian-born artists whose work is part of the permanent collection at the Museum of Modern Art — along with Skunder Boghossian. She has received numerous international recognition for her work including the American Art Award from the Whitney Museum of American Art and the prestigious MacArthur Fellow award. She had residencies at the Core Program at the Museum of Fine Arts in Houston (1998–99), the Studio Museum in Harlem, New York (2001), the Walker Art Center, Minneapolis, Minnesota (2003), and the American Academy in Berlin (2007).

Below is a link to a highlight of Julie’s forthcoming New York and London show in Vogue Magazine.

Photos: Julie Mehretu in May 2013 issue of Vogue Magazine

If You Go:
New York
JULIE MEHRETU
LIMINAL SQUARED
MAY 11 – JUNE 22, 2013
Opening reception: May 11, 6-8 pm
MARIAN GOODMAN GALLERY
24 WEST 57TH STREET
NEW YORK, NY 10019
TELEPHONE 212-977-7160
FAX 212-581-5187
Email: Goodman@mariangoodman.com
Learn more at Marian Goodman Gallery.

London
JULIE MEHRETU
LIMINAL SQUARED
1 May – 7 July 2013
South Galleries, Bermondsey
144 – 152 Bermondsey Street
London SE1 3TQ
Learn more at White Cube.

Related:
Interview with Julie Mehretu (TADIAS)

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Vipassana Meditation in Ethiopia

Tadias Magazine
Reader Submission

By Yacob Gabremedhin

Addis Ababa, Ethiopia – Imagine sitting quietly at a retreat center in Debre Zeit for 10 days, meditating for more than 11 hours a day. That’s where I had my first real experience in meditation.

I started out in January 2009, a year after the first Vipassana meditation course had been offered. And there I was sitting cross-legged, eyes closed, in complete silence with 30 other participants receiving instructions both in Amharic and English. The first course in Ethiopia was organized in 2008 by former students who took similar lessons abroad.

Having been born and raised in Addis, where I attended Cathedral and Saint Joseph schools, and later part of the Technology Faculty at Addis Ababa University, I read and dabbled a bit in such things, this was not my first introduction to meditation. But it would prove later to be the most meaningful and lasting.

Ten days of silent meditation from 4 AM to 9 PM — no reading, no talking, no cell phones, internet or music. This is Vipassana meditation. It means ‘seeing things as they really are.’ Vipassana is one of India’s most ancient meditation techniques. It is the process of self-purification by self-observation. One begins by observing the natural breath to concentrate the mind. With a sharpened awareness the person then proceeds to notice the changing nature of body and mind, and experiences the universal truths of impermanence, suffering and egolessness. For this reason, it can be practiced freely by everyone, at any time, in any place, without conflict due to race, community or religion, and it will prove equally beneficial to the individual and those around them.

In the last 45 years alone business and national leaders across the globe including the President of India have taken Vipassana training. The Roman Catholic Church has allowed more than 6000 priests and nuns to take the course. There are coachings especially tailored for executives as well. Not to mention that federal governments of different countries, such as India, Israel and the US have come to understand the effectiveness of the technique and started teaching it in prisons as well. An introduction to Vipassana as rehabilitation was filmed in 2007 inside a maximum-security prison called the Donaldson Correctional Facility in Alabama. The documentary, The Dhamma Brothers, was featured on Oprah the same year and was awarded ‘Best Documentary’ prize at the “Wood Hole Film Festival” in Massachusetts.

Courses are run solely on a donation basis. There are no charges for the classes, food or accommodation. All expenses are met by contributions from those who, having completed a lesson and experienced the benefits of Vipassana, wish to give others the same opportunity.

All trainings given around the world are completely identical in format, timetable, activity and organization. The only difference is in the cuisine as each country serves mainly local dishes. All selections, however, must be vegetarian. In Ethiopia, we prepare yetsome megib (fasting food); injera or bread with shiro and misir wot, salads and cooked veggies.

The initial Vipassana mediation course in Ethiopia was led by former students who had studied with S.N. Goenka, who started teaching in 1969 after learning the tradition from Sayagyi U Ba Khin of Burma. In Debre Zeit approximately 30 students enrolled in the first retreat held from January 30th to February 11th, 2008.

To date, eleven such gatherings have been held in the country. Though those who come to attend are mainly Ethiopians residing in Addis and other large towns, students have also come from other nations in Africa, Europe, Asia the US, Canada and more. A number of Ethiopians residing in America have also taken classes here.

Having had an unforgettable experience at the end of my first session four years ago, I still continue to practice regularly whenever time and other resources allow, including a couple of workouts in Northern California and Georgia where I traveled to visit family and friends.

Today, as meditation continues to grow in Ethiopia, so are efforts to strengthen the establishment of a Vipassana Trust. Vipassana is not for adults only. There are also trainings designed for children. The program offers young people, between the ages of 8 and 16 years, an introduction to Anapana meditation, which is a practice of the observation of natural breath to focus the mind.

Those seeking to get in touch can contact us at: info@et.dhamma.org.

For more information about Vipassana Meditation courses in Ethiopia and rest of the world, readers can visit the website: www.dhamma.org.

Below is a slideshow of images from Debre Zeit:


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How the Name “Mulugeta” Got into Social Media Frenzy

Tadias Magazine
By Tadias Staff

Updated: April 27, 2013

New York (TADIAS) – Prior to the massive manhunt across Boston last week that eventually zeroed in on the two Chechen-born brothers suspected in the Marathon bombings, there were some cringing moments for the Ethiopian community during the media’s now infamous frenzy when tweets begun to appear with the name “Mulugeta” apparently picked up from local police radio communications.

According to The Atlantic Magazine at 2:14am Eastern on Friday, April 19th, “an official on the police scanner said, ‘Last name: Mulugeta, M-U-L-U-G-E-T-A, M as in Mike, Mulugeta.’ And thus was born the newest suspect in the case: Mike Mulugeta. It doesn’t appear that Mulugeta, whoever he or she is, has a first name of Mike. And yet that name, ‘Mike Mulugeta,’ was about to become notorious.”

“A single tweet references Mulugeta at the time his name was said on the scanner. A Twitter user named Carcel Mousineau simply said, ‘Just read the name Mike Mulugeta on the scanner.’ It was retweeted exactly once. In the unofficial transcript of the scanner on Reddit, at least as it stands now, the reading of the name was recorded simply: ‘Police listed a name, unclear if related.'”

What came next was a rapidly unfolding of false news. “This is the Internet’s test of ‘be right, not first’ with the reporting of this story,” Greg Hughes, who had been closely following developments online, tweeted. “So far, people are doing a great job.” Then, as The Atlantic noted, at 2:43am he declared, “BPD [Boston Police Department] has identified the names: Suspect 1: Mike Mulugeta.”

Tadias became aware of the trending conversation on Twitter when another post from the user Whodini Bolero turned up later that morning:

“The information was spreading like crazy,” the report added, quoting Kevin Michael (@KallMeG), a cameraman for the Hartford, Connecticut CBS News affiliate, who tweeted, only seven minutes after Hughes’ announcement, that “BPD scanner has identified the names: Suspect 1 — Mike Mulugeta.” The unconfirmed identification was subsequently retweeted by several media professionals, including Andrew Kaczynski at BuzzFeed, reaching “far and wide.”

The Atlantic also highlights that last week’s “Misinformation Disaster” was not limited to Twitter and Facebook. Cable Television and wire services, such as CNN, Fox News and the Associated Press all wrongly reported two-days early that an arrest had been made, earning a rebuke from the Federal Bureau of Investigation.

Click here to read The Atlantic Magazine’s story.

Related:
UPDATE: Suspect Charged in Boston Bombing
The FBI Criticizes the News Media After Several Mistaken Reports of an Arrest (NYT)
Mistaken reports highlight dangers for media (Tampa Bay Times)
NBC’s Pete Williams: Media Hero of the Boston Bombing Coverage (The Atlantic)

Watch: Pete Williams Reports for NBC’s Nightly News

Visit NBCNews.com for breaking news, world news, and news about the economy

Video: Boston bombing suspect finally in custody (NBC News)

Visit NBCNews.com for breaking news, world news, and news about the economy


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Ethiopian Airlines Ready to Return 787 Dreamliner Service

Tadias Magazine
By Tadias Staff

Published: Friday, April 19th, 2013

New York (TADIAS) — Ethiopian Airlines is awaiting FAA’s consent to return its grounded 787 fleet back in the skies.

According to the Associated Press, Ethiopian CEO Tewolde Gebremariam said the airlines anticipates to hear from America’s Federal Aviation Administration in the coming days.

Per Reuters: “U.S. regulators are close to approving a key document that could start the process of returning Boeing Co’s grounded 787 Dreamliner to service within weeks, according to several people familiar with the matter.”

Ethiopian Airlines put the planes out of service for inspection following a safety warning issued by the FAA back in January requiring that all Boeing 787 jets should not operate until the risk of battery fires is addressed. The crisis began when one of the planes owned by the Japanese All Nippon Airways was forced to make an emergency landing in Japan when a cockpit warning indicated a battery problem and a burning smell.

“Ethiopian Dreamliners have not encountered the type of problems such as those experienced by the other operators,” the airlines said at the time. “However, as an extra precautionary safety measure and in line with its commitment of putting safety above all else, Ethiopian has decided to pull out its four Dreamliners from operation and perform the special inspection requirements mandated by the US FAA.”

Ethiopian airlines has been operating the Dreamliner since mid-August of 2012.

Related:
Exclusive: FAA nears decisive step in restoring 787 to flight (Reuters)
Ethiopian Airlines readies grounded 787 for flight (AP)
Ethiopian Airlines Grounds 787 Dreamliner

In Pictures: Ethiopian airlines 787 Dreamliner lands in D.C. (Photos: Tadias File – Aug 2012)


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Photos from Three Goats Org Inaugural Launch at Ginny’s Supper Club

Tadias Magazine
Events News

Published: Monday, April 8th, 2013

New York (TADIAS) – Below are photos from the launch of Three Goats org at Ginny’s Supper club on Sunday.

The New York based non-profit was established by model and philanthropist Maya Gate Haile inspired by her visit to Togowichale, Ethiopia two years ago. She had traveled to the small border town located between Ethiopia and Somalia to deliver much needed resources collected from a fundraiser she had hosted with her husband, Marcus Samuelsson, at their home in Harlem in November 2011. In return for her efforts the people of the town gave her three goats as a token of their appreciation.

“I was very touched and although I could not bring the gift to New York, I promised to bring the story with me,” Maya said at Sunday’s gathering in Harlem. “That’s how the organization was named.”

Three Goats aims to promote and support social entrepreneurial projects in various regions of Ethiopia. Programs include providing access to clean water via wells and innovative water purification systems as well as focusing on increasing retention rates and access to education for young girls.

Here are images from the launch event at Ginny’s Supper Club in New York on Sunday, April 7th, 2013.



Related:
Three Goats Org Inaugural Launch at Ginny’s Supper Club

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Tadias Interview: Alemtsehay Wedajo, Founder of Tayitu Cultural Center

Tadias Magazine
By Tadias Staff

Updated: Saturday, April 6, 2013

New York (TADIAS) – Washington, D.C.-based Ethiopian actress, playwright and poet Alemtsehay Wedajo has composed over 400 Amharic lyrics for many legendary singers from Ethiopia, including Mahmoud Ahmed, Aster Aweke, Muluken Melese and the late Tilahun Gessese. But she is best known for her signature works in theatrical productions, such as Yalteyaze (Available). Last year scenes from this play were selected for performance at the University of Southern California’s celebrating “Voices from the Black Diaspora” — a USC Arts and Humanities initiative exploring “Visions and Voices” the multiple ways that identity is transformed and articulated in a global world.

“Early in my younger years, 13 to be exact, my teachers recognized my interest and talent in the arts particularly in poetry, playwriting and acting,” Alemtsehay told Tadias Magazine.

Later when she immigrated to the United States after working for several years as an actress and as the first female director at Ethiopia’s National Theatre in Addis Ababa — where at same time she launched the ‘children theater section’ at the Ministry of Culture serving as its head for nearly a decade — she said her parents were still not pleased. “With all these accomplishments in my profession as a performer, my family, particularly my father, were never satisfied since I did not complete a university education,” Alemtsehay said.

“So, after I came to America, working two jobs and raising two children, I started attending college and completed my Bachelor’s degree in Business Administration.”

Alemtsehay is also the founder of Tayitu Cultural Center, formerly known as Tayitu Entertainment, a U.S.-based non-profit organization which held its first book release event and reading session in Washington D.C. in August 2000. Since then, the program has become one of the primary platforms for Ethiopian drama presentations in the United States. For the past 13 years Tayitu Cultural Center has put together more than 30 stage shows and traditional musical concerts. Alemtsehay emphasized that the center conjointly trains young Ethiopian-Americans in Amharic-poetry writing and acting. Tayitu has nurtured a number of aspiring artists and comedians in addition to hosting a popular monthly poetry night called YeWeru Gitm Mishit, showcasing emerging and veteran talents not only in literature, but also in painting, filmmaking and music, as well as highlighting various communities.

“Regardless of the trauma of adjusting to a new life in America and supporting my family, my love for my profession never faded away,” she said. “Being a woman is not easy.”

The association was named after Empress Tayitu Bitul who is famous for her historic role at the battle of Adwa during the Italian invasion of Ethiopia in 1896. “My two big dreams are to build a statue of Tayitu in Addis Ababa and to establish a permanent Ethiopian Cultural Center in Washington D.C.,” Alemtsehay said. “My other female role model is the beloved great actress and singer the late Asnakech Worku.”

As for the current generation of young people who want to follow in her own footsteps, “Have faith, dream high, be strong and do not quit,” she advises.


Photo from African Poetry night organized by Tayitu Cultural Center. (Courtesy photograph)


Alemtsehay Wedajo (Courtesy photo)

You can learn more about the artist and Tayitu Cultural Center at www.tayituentertainment.com.

Related:
Taitu Cultural Center Opens Amharic Library in D.C.
Netsa Art Village: Ethiopia’s Cutting Edge Contemporary Art Movement

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The Significance of the 1896 Battle of Adwa

Tadias Magazine
By Ayele Bekerie, PhD

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Published: Friday, March 1st, 2013

Mekelle, Ethiopia (TADIAS) – In 1896, eleven years after the Berlin Conference, the Ethiopian army decisively defeated the Italian military at the Battle of Adwa. It was a resounding victory because it aborted Italia’s ambition to establish a colonial foothold in Ethiopia. On March 2, 1896, The New York Times reported with a headline: “Abyssinians Defeat Italians; Both Wings of [General] Baratieri’s Army Enveloped in an Energetic Attack.” On March 4, 1896, The New York Times featured another story about “Italy’s Terrible Defeat.” NYT also stated “three thousand men killed, sixty guns and all provisions lost.” It further indicated how high the defeat’s impact has reached by referring to the Pope who “is greatly disturbed by the news.” “The terrible defeat” sent shock waves throughout Europe and the colonized world. It was the first time that a non-white people had defeated a European power. According to Teshale Tibebu, the victory the Ethiopians had achieved over Italy was different than other battles won by African forces. This was permanent.

While Europeans saw the defeat as a real threat to their vast colonial empires in Africa, Asia, the Americas and the Caribbean, the colonized subjects in these territories understood the event as the beginning of the end of colonialism. Adwa as Davidson aptly puts it has become a prelude to decolonization in Africa. Clearly the victory at the Battle of Adwa lends itself to multiple meanings and interpretations, depending upon perspectives and stances in relation to colonialism. The purpose of this piece is to look into the interpretations of the event from the perspectives of the colonized and how the victory brought about the idea of global Ethiopia. It can be argued that the Battle has further enhanced the symbolic significance of Ethiopia in Africa, the Americas and the Caribbean. Ethiopia has become a symbol of the anti-colonial movements throughout the world. The Battle may have also given geographical and historical certitude to Ethiopia. The Battle of Adwa is another significant symbol in the imaginary of the idea of Ethiopia. This paper looks into the symbolic importance of Adwa in the conception and development of pan-African solidarity and identity.

Ethiopia at the time of the Battle was a highly traditional empire-state where kings and nobilities ruled over a predominantly agrarian people. Modes of rules were not only dictated by customs and personal whims, they were also exploitative. Adwa then ushered a new paradigm to alter or reform the tradition, to replace it with a modern system of centralized and unified government. While the symbolic significance of the Battle successfully echoed the call for freedom and independence and an end to colonial domination abroad, the full meanings of Adwa have yet to be fully realized within Ethiopia. Adwa suggests the power of indigenous multiple voices voluntarily cooperating to defeat and challenge the European colonial order.

Virtually all the regions, religions, linguistic groups, aristocrats and peasants pulled their resources together to formulate and execute a strategy of victory. By their actions the Ethiopians were not only affirming the power and immense possibilities of unity in diversity, but they were placing issues of freedom and internal reform at the top of the national agenda. Adwa necessitates a new set of directions interspersed with broader definition and application of freedom so that all those who participated in the Battle would be able to participate in the affairs of their country. As Maimre puts it, “from the perspectives of the thousands who participated in the campaign of Adwa, the resistance to the Italian invasion embodies the aspiration for freedom, equality and unity as well as the rejection of colonialism.”

Adwa reminds the Shoan nobility to let freedom ring from northern highlands to the rift valleys, the river basins, the plain lush fields of Arussi and the salty Danakil depressions. Adwa presents a unique opportunity to reconfigure the empire-state. Unfortunately, absolutism and imperial glory overshadowed and undermined the emancipatory route suggested by the historic event of Adwa. Adwa presses on the monarchy to modernize and to let the people involve in the political process through constitutional means. Unfortunately, the leaders resisted internal reform or introduced ineffective and nominal elements of modernity. Absolute monarchy, imitative and nominal modernization and detached and non-transformative tradition were pursued and, to this date, insist on clinging to the status quo. The status quo is the cause of immense poverty and disenfranchisement for the vast majority of the people in the country.

Adwa’s magnificent victory is a model in as far as people of various cultures, religions and languages willingness to assemble for a purpose. 100,000 Ethiopian troops took positions on the fields and mountains of Adwa to encircle and defeat the enemy. The multi-cultural army paid the ultimate sacrifice when about nine thousand of its soldiers died at the Battle. With their sacrifice, they set the stage for the birth of a new Ethiopia where the reach of freedom, politically and economically, would be more egalitarian. The model, unfortunately, was not pursued in post-Adwa Ethiopia. The model of voluntary cooperation and coexistence has yet to be implemented in the twenty first century Ethiopia. The model has yet to break the cycle of poverty and endless violent conflicts in the Horn of Africa.

While the victory is certainly a major milestone in Ethiopian history, Menelik and his successors failed to fully appreciate and adopt the new reality that emerged (locally and internationally) as a consequence of the victory. The meaning and reach of freedom hampered by intolerance to internal criticism and resistance to reform the monarchy. Internationally, most historians agree that Adwa opened the way for the ultimate demise of colonialism in Africa and elsewhere.

Adwa is significant because it disturbed the colonial order in the world. Colonial subjects interpreted Adwa as a call to resist and defeat colonialism and racial oppressions through out the world. With Adwa, they have a permanent symbol and a constant reminder that colonialism was wrong and it ought to be defeated. No system is just in as long as it treats human beings as objects and fodders to exploitative and profitable economic systems. Citizen subject is a right that cannot be denied and that should be exercised if at all freedom is a universal right of peoples and communities. Adwa, to most historians, is an African victory. The 1884-85 Berlin Conference was convened to divide up the entire continent of Africa and assign colonial territories to European powers. The Europeans allocated the Horn of Africa to Italy. Italy’s unsuccessful military push in Ethiopia was a part of the European colonial order in Africa.

In preparation for this essay, I conducted field and library research in Ethiopia and abroad. I visited the town of Adwa in September 2006 and March 2012. Adwa is only 25 miles west of the ancient city of Aksum. I made the journey to Adwa in search of memorial markings, to participate in the 116th Battle of Adwa Anniversary, to pay tribute to the war heroes and heroines, to converse with residents and to visit relevant institutions and museums. The Battle of Adwa is known locally as 1886, the Ethiopian calendar year for 1896.

I also had a chance to examine archival documents in the Institute of Ethiopian Studies at Addis Ababa University and the National Archive in Addis Ababa, Ethiopia. The National Archive has, among other books, manuscripts and papers written in local languages and scripts, a rich collection of documents encompassing the 18th, 19th and early 20th centuries of the Common Era in Ethiopian history. I particularly read and copied relevant documents from the archival collections of Belata Mersea Hazen Wolde Qirqos, Doctor Dejazemach Zewde Gebre Selassie, Dejazemach Kebede Tessema, and Aleqa Taye Gebre Mariam. Recent publications of memoirs in Amharic by former palace officials or associates, such as Fitawrari Tekle Hawariat Tekle Mariam and Dejazemach Zewde Retta, have also helped a great deal to elucidate historic events. Tsehafe Tezaz Gebre Selassie’s Tarike Zemen Ze Dagmawi Menelik Neguse Negest Ze Ethiopia (Historical Period of Emperor Menelik II of Ethiopia) is a useful source of the Battle. Gebre Selassie served as a personal chronicler of the Emperor.

The collection donated to the National Archive by Belata Merse Hazen Wolde Qirqos includes a critical essay entitled Atse Menelikena Ethiopia (Emperor Menelik and Ethiopia) written by a great Ethiopian scholar, Gebre Hiwot Baykedagn. His essay criticizes Ethiopian historians for failing to engage in critical interpretations of the past. He also points out the achievements and failures of Emperor Menelik II. Another scholar who was trained in Europe, Afeworq Gebreyesus wrote the biography of Emperor Menelik. The work is regarded as serious and fruitful. Gebre Hiwot Baykedagn criticizes the book for lack of balance in the appraisal of the leadership of Emperor Yohannes II in comparison to Emperor Menelik. In addition, almost ten years ago, I participated in a book project to celebrate the centennial anniversary of the Battle of Adwa. The book, One House: The Battle of Adwa 1896-100 Years, edited by Pamela S, Brown and Fasil Yirgu, has contributors, such as the Late Laureate Tsegaye Gebre Medhin, Richard Pankhurst, and Teshale Tibebu. My contribution is entitled “How Africa Defeated Europe.”

Menelik’s (Abba Dagnew) success at the Battle of Adwa may be attributed to the following factors: One, he surrounded himself with great advisors, such as Empress Taitu Bitul, Fitawarari Habte Giorgis Dinegde (Abba Mechal) and Ras Mekonnen, a nephew and father of Emperor Haile Selassie.

Menelik was a popular leader, skillful diplomat, and good listener. Menelik believed in reconciliation. Those who revolted against him once defeated they were immediately pardoned and allowed, unfortunately, to retain their original privileged position. Menelik was keenly aware of the colonial expansionist ambition of the French, British and Italians in the region. As a result, he actively sought and acquired modern weapons from Europe. He even bought a large quantity of weapons from the Italians. He also fully exploited the rivalries among the three colonizers. More importantly, out of a long war experience, together with his ministers, regional kings, he developed a winning war plan.

Menelik’s war declaration was widely heeded and welcomed throughout the country, a clear affirmation of his popularity. Menelik’s declaration is an important literary document in the context of preparation, the will to fight and become victorious at the Battle of Adwa. Menelik appealed to love of family, religion and country. He reminded Ethiopians that the intention of the enemy is to take away the core values and traditions cherished by the people. Menelik declared (translation mine):

“Up until now, through the grace of God, who permitted me to live by destroying my enemies and expanding the territorial boundaries of our country. It is also through the grace of God that I am ruling. Therefore, I have no fear of death. More importantly, God has never let me down and I am confident that he will let me be victorious again.”

“At this time, another enemy has entered our territory by crossing our God given sea. His objective is to destroy the country and to change the religion. As a result of a major cattle disease that devastated a large number of our livestock and brought great sufferings to our farmers and pastoralists in the last few years, I remained quiet and patient to numerous hostile provocations. And yet the enemy continued to dig dipper in the ground like a hog.”

“Now God willing or with God’s help, I will not surrender my country. My fellow country folks, I do not believe that I disappointed you in the past. You have not also disappointed me. If you are strong, then help me with your strength to fight the enemy. If you are not strong, I seek your moral support for the sake of your children, wife and religion. If, on the other hand, you seek lame excuse not to join the national campaign against our enemy, I will be upset and I will not have mercy on you, I will punish you. My campaign begins in October, and I expect volunteers from Shoa to gather in Woreilu by mid October.”

This article is well-referenced and those who seek the references should contact Professor Ayele Bekerie directly at: abekerie@gmail.com.

About the Author:
Ayele Bekerie is an Associate Professor at the Department of History and Cultural Studies at Mekelle University.

Related:
The 1896 Battle of Adwa: Empress Taitu Bitul, The Visionary Co-Leader
Call for the Registry of Adwa as UNESCO World Heritage Site (Tadias)


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Women’s History Month 2013: Spotlight on Empress Taitu Bitul

Tadias Magazine
By Ayele Bekerie, PhD

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Updated: Friday, March 1st, 2013

Mekelle, Ethiopia (TADIAS) – Empress Taitu Bitul was actively involved in Menelik’s government. She exemplified the possibility of reform and transformation from within. She was a persistent critic of the nobilities and ministers of Menelik. Born in Wollo from a Christian and Muslim family, Taitu had a comprehensive early training in traditional education. She was fluent in Ge’ez, the classical Ethiopian language. Mastering Ge’ez was a rare achievement for a woman at that time. Education is often the privy of male children, who continue their traditional schooling in the churches and monasteries for an extended period of time. Those who passed the arduous levels of scholarship would be allowed to serve as deacons and later priests in the thousands of churches and monasteries throughout the country. Their studies include Ge’ez literature, chant, choreography and translation. Besides, Taitu was a great benefactor of the Ethiopian Orthodox Church. She contributed land and building materials to several important monasteries. She also supported the Ethiopian Church in Jerusalem, Israel.

Taitu was married to Menelik at the age of forty-three and she was four years older than him. Apparently Menelik’s reverence for Taitu was in part dictated by custom. He was being respectful to an elder. On the other hand, the deference might have been earned as a result of the loyalty Taitu brought to the marriage from important northern regions of Begemedir, Lasta and Yeju. Clearly the marriage was more than romance; it was in fact, a political marriage intended to calm the competing Rases of the northern region. According to Qegnazematch Tadesse Zewelde, Taitu was co-equal with Menelik, who consulted her prior to making important decisions.

Taitu was known for her courage and uprightness. She urged the Emperor to reject the now infamous Wuchale Treaty of 1889 as soon as the discrepancies between the Italian and the Amharic versions were discovered by Aleqa Atsme Giorgis, a historian and a councilor to the Emperor. Taitu led her own battalion at the Battle of Adwa. At the Battle of Mekelle, she advised Ras Mekonen to cut off the water supply to the Italians in order to disgorge them from their entrenched and heavily fortified positions at Endeyesus Hill on the eastern part of Mekelle City. Tadesse also identifies Taitu as the receiver and analyzer of intelligence information collected by spies, such as Basha Awalom Haregot and Gebre Igziabher. Historians characterize the intelligence data obtained by Awalom and Gebre Igzabher as crucial importance to the Ethiopian victory at the battle. The information enabled Menelik to attack the Italians, at a site of his choosing, at Adwa instead of Adigrat, near the Eritrean border where the Italians expected to have a relative logistical advantage. The Italians were hoping that he would meet them in Adigrat, close to where they had a well-protected military base.

Because of the many absences of the Emperor from the capital city, Taitu virtually managed the affairs of the government in consultation with key ministers. Menelik conducted several campaigns both in the north and southern part of the country against his old and new rivals.

From the royal residence in Addis Ababa, a city that she founded, Taitu made a concerted effort to break the monopoly of political power by Shoan nobility. She used every opportunity to diversify the power base through marriage and other means. Through weddings, she weaved a complex web of partnerships between the Shaon nobilities and those of the northern highlands. It is true that she favored her relatives to be close to power. She presided over many arranged marriages favorable to her cousins whom she anticipated to take over from Menelik. And yet she spoke her mind and consistently defended national interests. Regardless, her removal from power at the end of Menelik’s reign and his prolonged illness soon after the battle, the opportunity to further pursue the full meaning of Adwa was not seized.

Following the war Taitu and Menelik shared the enormous task of building a newly reconstituted country with diverse population and cultures. Differing qualities of two great Ethiopians crystallized into an effective and successful leadership. Independence and cooperation defined Taitu’s relationship with Emperor Menelik II. Their marriage was that of equals characterized by trust, respect and reciprocity.

Taitu Bitul was an authentic Ethiopian leader. Her deeds at a critical moment in Ethiopian history not only saved Ethiopia from European colonization, but it also paved the way to decolonize Africa. Her advice and action resulted in the defeat of the Italian army at the 1896 Battle of Adwa. Taitu epitomized Ethiopian leaders at their best. She consistently fought hard for the public good. She knew and defended national interests by overcoming challenges both from within and from without. Her leadership immensely contributed to the process of nation building and modernization at the beginning of the 20th century.

Unfortunately, Taitu was forced out of power unceremoniously during Menelik’s long illness and later death. Lij Iyasu, the heir to the throne, failed to cooperate with her or at least to seek her counsel. Iyasu was overthrown by anti-Taitu group of Shoan nobility, three years after he assumed power at the age of fourteen. To her credit, Empress Zewditu who succeeded Iyasu maintained good relations with Taitu, but power had shifted to Ras Taferi, the regent who became Emperor Haile Selassie.

Taitu’s pioneering and enduring work in politics, economics, culture, social welfare, military have added to the definition and implementation of a national agenda. She pushed for common issues that united Ethiopians. The founding of Addis Ababa as a new capital city allowed people to migrate and settle in this new town from all regions of the country.

While the two books made an effort to document the biography of Taitu, Ambassador Mengiste Desta offers a more detailed chronology and contextual explanation than Tadesse Zewelde. Tadesse, on the other hand, utilizes primary sources and eyewitness accounts in his readable narrative.

Mengiste also turns his publication into a campaign to build a memorial for Taitu in Addis Ababa. He is urging committees organized to carry out the project to bring it to fruition. In an attempt to highlight the importance of a public tribute, the forward of Mengiste’s book is written by the Coalition of the Ethiopian Women Association that was established in 1996.

Menelik’s skills of military strategy and diplomacy are combined with Taitu’s good judgment, loyalty and vision of seeking and maintaining cohesive national interests. Taitu, unlike Baafina (the ex-wife who sought to undermine the king), consulted, caucused, shared and reinforced strong leadership with the Emperor. The married couple and partners became formidable leaders to face and resolve many challenges both in times of war and peace. They made Ethiopia’s transition to modernization an irreversible march of time.

It is also important to remember that Taitu brought to the union her northern experience and knowledge given her link to Gondar, Semen, Begemedir and Yeju nobilities. In addition to her insight of the inner workings of Atse Yohannes and Atse Tewodros’s palaces. In other words, the marriage can be characterized both as political and as the saying goes yacha gabecha.

Taitu insisted on remaining a respected person (not a dependent) by seeking ways to improve her life through education, a rare and groundbreaking approach given our entrenched and backward notion and praxis on gender. She studied Ge’ez in Gojam at Debre Mewe monastery. She also composed poetic verses both in Ge’ez and Amharic. Taitu, who is known as the light of Ethiopia, also played harp and kirar (a remarkable combination of spiritual and secular musical instruments) and designed decorative curtains for churches and monasteries.

What is more impressive is Taitu’s contribution to governance and nation building. She fully engaged herself in activities that significantly contributed to national interests. She named Addis Ababa (New Flower) as a permanent seat of the central government. She ran the administration during the frequent absences of Menelik from the Capital, originally located at Addis Alem before it was moved to nearby Entoto. She built a house in a land fenced to mark holding by the Shoan king, Negus Sahle Selassie, who is Menelik’s grandfather. The building commenced while Menelik was in Harar in a military campaign for an extended period of time. Upon his return, he approved the initiative and moved with her into the new house in Addis Ababa. (Negus Sahle Selassie shares credits with Taitu in regards to the founding of the city)

Taitu opened Addis Ababa’s first modern hotel, now known as Itege Hotel, a little more than a century ago and she also became its first manager. The restaurant serves local and international cuisines. Again Atse Menelik supported her entrepreneurship by becoming a regular customer of the establishment and by encouraging the nobilities and government officials to patronize the business. Besides inaugurating yengeda bet, she has launched and encouraged both local and international tourism.

In an attempt to modernize the Ethiopian economy and to counter the heavy handedness of the Abyssinan Bank, a foreign firm, Taitu started a domestic financial institution where indebted traders were able to obtain loans and continue commerce.

She set up the first wool factory in collaboration with experts from Turkey and India thereby paving the way for possible Ethiopian industrial age. Taitu also used local raw materials to manufacture candles. Church costumes were designed and made by tailors in an organized fashion thanks to her innovative efforts.

On a religious front, Taitu established the historic Menbere Tsehay Entoto Mariam church. She also commissioned the construction of a multi-storied home in Jerusalem to be used by priests and pilgrims from Ethiopia.

These are some of the accomplishments of Taitu. By any measurement, she is a treasure that deserves a national monument and her legacy continues to inspire the young generation to know, build and defend the country.

This piece is well-referenced and those who seek the references should contact Professor Ayele Bekerie directly at: abekerie@gmail.com.

About the Author:
Ayele Bekerie is an Associate Professor at the Department of History and Cultural Studies at Mekelle University.

Related:
Today in History: 117 Years Ago Colonial Ambitions Were Put in Check
Call for the Registry of Adwa as UNESCO World Heritage Site (Tadias)

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Tikur Sew World Tour: Teddy Afro Performs at B.B. King in New York

Tadias Magazine
Events News

Published: Saturday, February 23, 2013

New York (TADIAS) – Teddy Afro performed live at B.B. King Blues Club in New York last night in continuation of his current Tikur Sew world tour. Teddy was the first Ethiopian artist to perform at the acclaimed Manhattan venue that is renowned for showcasing world-class musical talents.

Brooklyn-based musician Tomás Doncker opened the evening featuring collaborative work with guitar legend Selam Woldemariam.

Teddy’s latest album, Tikur Sew (black person) is on pace to become the number one selling Ethiopian album of all time.”

Video: Tikur Sew – Teddy Afro – HD English version – Ethiopia Music (2012)


Related:
In Pictures: Teddy Afro & Abogida Band in South Africa
Interview With Tamirat Mekonen: The Person Behind Teddy Afro’s Music Video ‘Tikur Sew’

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Teddy Afro Live at B.B. King Blues Club

Tadias Magazine
Events News

Updated: Wednesday, February 6, 2013

New York (TADIAS) – Teddy Afro and Abogida Band will perform live at B.B. King Blues Club & Grill in Manhattan later this month in continuation of their current world tour, which included a concert in support of the Walyas at the 2013 Africa Cup of Nations in South Africa. Organizers said Teddy will be the first Ethiopian to perform at the acclaimed NYC venue that is renowned for showcasing world-class musical talent.

Brooklyn-based musician Tomás Doncker will open the evening highlighting his traveling musical production that pays tribute to Ethiopia’s role during World War II and featuring collaborative work with guitar legend Selam Woldemariam.

The event’s announcement noted that Teddy, who has dominated the Ethiopian music scene for nearly a decade, has garnered a global base of loyal and adoring fans as well as political foes who are opposed to his iconoclastic views expressed in his socially conscious lyrics that cover topics including politics, history, peace, love, justice, and equality.

The iconic Ethiopian artist was born in the Kuas Meda area of Addis Ababa, on July 14, 1976. “His late father, Kassahun Germamo, was a renowned Ethiopian songwriter, while his mother, Tilaye Arage, was a professional dancer,” the press release said. “Despite his parents being involved in the entertainment industry, they discouraged Teddy from becoming a musician.”

The announcement added: “Since signing with an Ethiopian record label in 2001, the pop star has officially released 6 albums: Abugida (2001), Tarik Tesera (2004), Yasteseryal (2005), Yasteseryal Edition 2 (2005), Best Collection-Nahom Volume 14 (2006), Tikur Sew (2012). His latest album, Tikur Sew (black person), smashed Ethiopian record sales and is on pace to become the number one selling Ethiopian album of all time.”

If You Go:
Teddy Afro with Abogida Band
February 22, 2013
B.B. King Blues Club
37 West 42 St (212) 997-4144
New York, NY 10036
Showtime @ 11:59PM
Doors Open @ 11:00PM
Tickets $40.00 in advance, $50.00 day of show
Reserved VIP Booth on floor available for 4 & 6 people
$50 adv/$60 Day of Show per ticket – Must buy entire booth
A booth for 4 = $200/$240
A booth for 6 = $300/$360
Click here to learn more.

Video: Teddy Afro – Lambadina

Watch: Teddy Afro New 2012 – Tikur Sew official music video


Related:
In Pictures: Teddy Afro & Abogida Band in South Africa

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From California Comes Arada Fashion

Tadias Magazine
By Aida Solomon

Updated: Sunday, February 3, 2013

Los Angeles (TADIAS) – Long before Ethiopian fashion became vogue in the U.S., California resident Henock Abey, also known as Henock Arada, 26, has been producing innovative apparel designs that incorporate elements of Ethiopian culture with western style. He started his Arada Fashion collection in 2001 to meet the growing demand, especially among young people in the Ethiopian community and beyond, of merging traditional patterns and symbols into elegantly casual, trendy street styles.

Born and raised in the Arat Kilo neighborhood of Addis Ababa, Henock says he “learned how to hustle” at a young age. That explains why it did not take him very long to dive into his art and business after immigrating with his family to Los Angeles as a teenager in 1999. Henock attended Westchester High School, where he says his interest in design, fashion and video communication was sparked.

“I wanted to combine our culture with a modern look to give people something they have never seen before,” Henock says, speaking of his work that includes a popular mini-dress.

He started-out with branded t-shirts depicting the Arada logo and humorous captions such as “I am Arada” and iconic Ethiopian crosses, mostly marketed to a niche customer base at various festivals, online, as well as in stores targeting the African Diaspora community. More recently he has expanded his portfolio to include skirts and bags.

As to his parents’ reaction to pursue his entrepreneurial ambitions at such an early age? Henock laughs before he answers: “My parents are used to me coming up with new ideas, so they weren’t that surprised.”

What started out as a hobby selling graphic t-shirts soon began to grow into a full-time work. By 2002 Henock had staged his first fashion show in Los Angeles to a widely positive reception in the community.

And soon afterwards he took his Made in Arada collection on the road showing in Washington D.C., Chicago, Phoenix, Atlanta, and Dallas. His designs proved to be a hit garnering a following, which includes over five thousand on Facebook. He says his next fashion show will be at the 2013 Ethiopian soccer tournament in Washington D.C. in July.

Henock’s future plans include opening his own store in the U.S. and Addis Ababa as well as giving back to charity and church. “Set yourself apart and don’t listen to the negativity,” he said.

Below are photos courtesy of Arada Fashion Wear.



You can learn more about Arada Fashion at Facebook.com/Made.IN.Arada.

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Mikias Tefera: Promising Young Life Cut Short by Mystery Accident

Tadias Magazine
By Tadias Staff

Published: Thursday, January 31, 2013

New York (TADIAS) – 18-year-old high school senior Mikias Tefera Tibebu was looking forward to college in California next Fall and dreaming of one day becoming a medical doctor when his young life was cut short this past December in an accident that police in Schaumburg, Illinois, a suburb of Chicago, say was a hit-and-run yet to be solved.

Family members say Mikias had gone out with three friends for a movie and dinner on the evening of Friday, December 7th, 2012, but did not return home. His father, Dr. Tefera Tibebu Beyene, told Tadias he had spoken to Mikias only an hour before the incident and he was expecting his son’s arrival at any moment when instead he received a visit from police bearing bad news in the early morning hours of Saturday, December 8th.

Mikias’ body was discovered lying in a roadway less than two miles from his house at around 12:38 a.m., only minutes after he separated from his friends.

“We lost our son and our hero,” his father said. “We are still in shock and devastated by this tragedy. We wish this not to happen to anyone.”

According to the Chicago Tribune, authorities have checked nearby surveillance cameras but said there is no footage of the incident at that intersection. “If we had a piece of a headlight or a bumper, then we can say, ‘This was a blue car,’ or, ‘This came from a Ford,'” Schaumburg police Sgt. John Nebl told the paper. “There’s two different questions here. Who ran him over, and where are they? And why was he lying in the roadway?”

The investigation is still underway, but his father said the family has also retained a private investigator to help them find “the truth,” and hopefully closure. And they are offering more than $10,000 reward for information that might help solve the case.

Mikias, who grew up in the Chicago suburb, was born in Ethiopia in 1994 and came to the United States in 1996 when he was two years old. His friends and teachers remember him as a nice and bright student with a promising academic future and a rising athlete at Schaumburg High School where he was a member of the Track & Field team in addition to being an outstanding student who received Presidential Academic Excellence awards from President George Bush in 2007 and President Barack Obama in 2009. Mikias was recognized as an Illinois State scholar in 2012.

He was “a dedicated student with exceptional academic honors,” Schaumburg High School Principal Tim Little told the media. “A beloved friend and athlete, Mikias was also a committed member of the cross-country and track teams. Our thoughts and sympathies are with Mikias’ family and friends during this difficult time,” the Principal said.

Dr. Tefera said his son was also preparing for an interview at Pomona College in California where he was a finalist to receive a full scholarship for fall 2013. “Mikias was a great asset to his family and to his country,” Dr. Tefera said. “All people who knew Mikias have expressed how great a leader and role model he was.”

In an essay not long before his death Mikias wrote: “Both my parents are natives of Ethiopia and arrived in the U.S. in 1996. Coming from this culture I have gained perspectives that others are not as privileged to have. I have witnessed the sacrifice and hard work my parents have gone through in order to provide me and my siblings with a brighter future. But most important, I have come to realize the value of opening yourself to a diverse group of people as it allows you to be more aware of the world around us.”

Perhaps no one said it better than his former running teammate Brian Flight, who described the loss on his Facebook page: “Our buddy Mik is gone. And I sure wasn’t ready for him to leave. I know none of us were. He was a great man and sure as hell deserved better than this. Mik will be in our hearts and minds forever, but that doesn’t make it any easier to bear. We love you buddy and we’ll never stop.”

Our thoughts and prayers are with Mikias’ family and we urge our readers to extend your support to them.
—-
You can learn more about the case and provide assistance to the family at www.mikiastibebu.com.

Video: NBC Chicago on Mikias Tefera Tibebu – Local News Coverage

View more videos at: http://nbcchicago.com.


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Journalist Bofta Yimam Wins Emmy Award For Excellence in Reporting

Tadias Magazine
By Tadias Staff

Updated: Monday, January 28, 2013

New York (TADIAS) – Ethiopian American Journalist Bofta Yimam, who is a reporter for Continue reading Journalist Bofta Yimam Wins Emmy Award For Excellence in Reporting

Nigeria Tops Ethiopia, Advances in African Cup

AFRICA CUP OF NATIONS
By TALES AZZONI, AP Sports Writer

Updated: Tuesday, January 29, 2013

RUSTENBURG, South Africa (AP) — Nigeria went from the brink of elimination to a place in the quarterfinals at the African Cup of Nations on Tuesday after striker Victor Moses converted two late penalties to earn a 2-0 win over Ethiopia.

The Chelsea striker scored in the 80th and 90th minutes, sparing the two-time champions an early exit with a scoreless draw at Royal Bafokeng Stadium.

Ethiopia, in its first tournament appearance in more than 30 years, finished bottom of Group C. Defending champion Zambia also was eliminated after a 0-0 draw with Burkina Faso, which won the group with five points. Nigeria also ended with five points, but had a worse goal difference.

Read more.

Coach Sewnet Says Ethiopia Likely to Miss Top Players in Key Match


Ethiopia’s head coach Sewnet Bishaw gestures during a news conference at the Royal Bafokeng stadium in Rustenburg, South Africa, Monday, Jan. 28, 2013. (Photo: AP)

By TALES AZZONI

AP Sports Writer

RUSTENBURG, South Africa (AP) — Ethiopia’s chances at the African Cup of Nations have taken a hit with the team’s two top players expected to miss the decisive Group C match against Nigeria on Tuesday.

Ethiopia coach Sewnet Bishaw said Monday that midfielders Asrat Megersa and Adane Girma may not recover from the injuries they sustained in the first half of the team’s match against Burkina Faso.
Ethiopia is last in the group but will still have a chance of advancing if it beats Nigeria in Rustenburg.

Ethiopia is last in the group but will still have a chance of advancing if it beats Nigeria in Rustenburg.

In its first tournament appearance in more than 30 years, Ethiopia earned a surprising 1-1 draw with defending champion Zambia in the opener, then fell 4-0 to Burkina Faso after Asrat’s and Adane’s injuries.

“Two very important players were out and I’m afraid that they are not coming back,” Bishaw said. “Adane and Asrat are not in a good position right now. It will be up to the doctor’s decision before the match.”

Read more.

Africa Cup: Coach Sewnet Says Ethiopia Looking Ahead to Next Game With Nigeria


Coach Sewnet Bishaw says his team will aim for goals in its next Africa Cup clash with Nigeria. (MTN)

Tadias Magazine
News Brief

Updated: Sunday, January 27, 2013

South Africa – After a 4-0 defeat by Burkina Faso on Friday following 1-1 opener against defending Champion Zambia earlier in the week, Ethiopia will face Nigeria on Tuesday for its third and final game in the first round in Group C at the current Africa Cup of Nations underway in South Africa.

The Walya Antelopes still has a chance to advance to the quarterfinals but they must win the next match. The remote possibility also depends on the outcome of the Burkina Faso and Zambia contest scheduled for the same day.

Coach Sewnet Bishaw says he was surprised by the trouncing on Friday but promised to go on the offensive on Tuesday against Nigeria.

“We didn’t expect this result from the very beginning. We hoped that we would play again like the first game and take a point against Burkina Faso,” Coach Sewnet told reporters.

“We’re not going to the field to defend, because defending will only give you one point. Now we must try to play against Nigeria to score goals to have three points.”

He added: “Maybe if we have three points, totally we will have four points, and we may qualify to the next stage. “Not only will we just score one or two goals, we need to score lots of goals also, otherwise, it is a matter of dignity and to maintain the level of football of our boys.”

Burkina Faso Beats Ethiopia 4-0 in African Cup


Addis Hintsa Tekle of Ethiopia and Djakaridja Kone of Burkina Faso compete for the ball during the 2013 African Cup of Nations match between their teams at Mbombela Stadium on Friday, January 25, 2013 in Nelspruit, South Africa. Burkina Faso won the game 4-0. (Gallo Images/Getty Images Europe)

Tadias Magazine
News Brief

Updated: Friday, January 25, 2013

South Africa – Ethiopia lost 4-0 against Burkina Faso on Friday in its second game in Group C at 2013 Africa Cup of Nations.

The dominant performance by Burkina Faso included two goals by Alain Traore who led the 10-man Stallions into victory over the Walya Antelopes. The third score came from Yusuf Kone on the 80 minute mark and the final by Jonathan Pitroipa at the end of the game.

This time, it is was the Burkinabe goalkeeper Abdoulaye Soulama who was red-carded. He was dismissed around 60 minutes into the match for handball outside his penalty area.

Ethiopia used substitute goalkeeper, Zerihun Tadele, in place of Jemal Tassew, who was suspended for two games following his red card last Monday during the Walyas opener against Zambia.

Matthew Kenyon of BBC Sport in Nelspruit says “Ethiopia haven’t been at the Nations Cup for 31 years and this is a lesson in what happens in tournament football. It’s not fair — it’s presumably not fun — but it’s why we love the game so much. Burkina Faso have been superb tonight and thoroughly deserve an awesome victory. Man of the match must be Alain Traore – but Pitroipa and the skipper Kabore run him close. Burkina Faso top the group.”

It is also the first time the Burkinabe have ever won a game outside of Burkina Faso.

The website Super Sport noted: “Burkina’s last victory in the continental showcase came way back in 1998, but Traore ended that sorry state of affairs in style to push the west African nation to the top of Group C and within touching distance of the last eight.”

“With quarterfinal qualification going down to the wire, Burkina Faso take on Zambia here while Ethiopia face Nigeria in Rustenburg, with both matches scheduled for Tuesday.”
—-
Related:
The Stallions silence Walya Antelopes (Yahoo News)
Burkina Faso trounce Ethiopia (SuperSport)
Burkina Faso 4 – 0 Ethiopia (BBC)

Ethiopia, Burkina Faso Face Off


Adane Girma of Ethiopia battles with Chris Katongo of Zambia during the 2013 Africa Cup of Nations match at Mbombela Stadium in Nelspruit, South Africa on Monday, January 21st. (Reuters)

Tadias Magazine
News Brief

Updated: Friday, January 25, 2013

South Africa (TADIAS) – Fresh off their spectacular return to Africa Cup earlier this week, after more than three decades of absence and an impressive 1-1 opening against defending champion Zambia, the Walyas who electrified Ethiopian fans around the world are preparing for their next game today against Burkina Faso at Mbombela Stadium in Nelspruit, South Africa.

For audiences in the United States the game will be televised on ESPN3 beginning at 1 p.m Eastern and can be watched on the Internet and mobile devices.

In South Africa coach Sewnet Bishaw told the Associated Press that his team’s strategy is in place for today’s match. “We will try to play as many passes as possible because the Burkinabes are huge and physically very strong,” coach Sewnet said. “We will have a better team for the second game and use players with speed and good passing abilities.”

Meanwhile, the Confederation of African Football has slapped Ethiopia’s football federation with a $10,000 fine for unruly behavior by fans last Monday, which included throwing plastic bottles, cups vuvuzelas, and other objects onto the field. The organization said it will suspend half of the penalty if the Ethiopians behave for the rest of the tournament.

It all began as a protest when goal keeper Jemal Tassew was given a red card for an aggressive tackle involving Zambia’s Chisamba Lungu. Jemal was taken off the field on a stretcher. His sending off started the wild outcry causing a security alert and delaying the game by several minutes. Jemal will not play against Burkina Faso on Friday as he is also suspended for two games.

According to AP: “Ethiopia drew by far the largest support base for Monday’s Group C double-header, with thousands of Johannesburg-based immigrants bussing in for the occasion. Sewnet predicted that the number of fans would double for the team’s next game.”

Burkina Faso coach Paul Put told BBC that after Monday’s performance his team can’t afford to take Ethiopia lightly. “We have a lot of respect for the Ethiopian team,” the coach said. “Any team that can draw with Zambia after playing against them with only 10 men after 30 minutes, that says a lot.”
—-
Related:
Ethiopia aim high ahead of Burkina Faso match (AP)
Burkina Faso vs Ethiopia (BBC)
Ethiopia seek to deepen Burkina’s Cup woes (AFP)
Great Start for Ethiopia at Africa Cup of Nations (TADIAS)

In Pictures: Photographs of the Walya Antelopes – Ethiopia’s National Soccer Team


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Black History Month: NYC Exhibition on the African Diaspora in India

Tadias Magazine
Events News

Published: Saturday, January 26, 2013

New York (TADIAS) – In celebration of Black History Month the Schomburg Center for Research in Black Culture will host a five-month exhibition highlighting the history of Africans in India, which is scheduled to open for the public on February 1st.

“The exhibition will feature the extraordinary achievements of Africans who made their mark on Indian history,” the Schomburg Center said in a press release. “At the Africans in India preview, on January 30th, 2013, Her Excellency Ambassador Nirupama Rao of India will give remarks.”

This historical showcase, curated by Dr. Sylviane A. Diouf, curator of Digital Collections at the Schomburg, and Dr. Kenneth X. Robbins, collector and co-editor of African Elites in India: Habshi Amarat, is the first of its kind that retraces the lives and achievements of the many talented and prominent Africans in India.

“Since the 1400s, people from Ethiopia, Eritrea, Somalia, and adjoining areas, have greatly distinguished themselves in India. The success was theirs but it is also a strong testimony to the open-mindedness of a society in which they were a small religious and ethnic minority, originally of low status,” says Dr. Sylviane A. Diouf. “ As foreigners and Muslims, Africans ruled over indigenous Hindu, Muslim and Jewish populations.”

Besides the presence of written documents, Africans have been immortalized in the rich paintings of different eras, states, and styles that form an important component of Indian culture.

“Although they were a common sight for centuries, the Africans who were an integral part of the history and culture of the Indian subcontinent have not received, in the present, the recognition they deserve,” the announcement said. “This groundbreaking exhibition brings out of obscurity the lives and achievements of some of the talented and prominent Sidis of yesterday and inscribes their unique story in the fascinating history of the global African Diaspora.”

Related Programs:
First Fridays at the Schomburg
Friday, February 1 at 6 p.m.
Featuring DJ Rheka playing classic Bhangra and Bollywood

Curator’s Talk with Dr. Sylviane A. Diouf
Tuesday, February 12 at 6:30 p.m.
Join Curator Diouf on a tour of the exhibition

Talks at the Schomburg: Dr. Kenneth X. Robbins and Dr. John McLeod
Thursday, March 21 at 6: 30 p.m.
Robbins and McLeod will discuss the history of Africans in India

Bengali Harlem
Saturday, April 6 at 6:30 p.m. with Vivek Bald
Bald will discuss his book Bengali Harlem and the Lost History of the South Asian American. Presented in collaboration with afrolatin@forum
Click here to learn more at the exhibition website.

Related Article
New Exhibition Highlights the History of Africans in India (TADIAS)

Below are images from the show courtesy of the Schomburg Center.



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Burkina Faso Beats Ethiopia 4-0 in African Cup

Tadias Magazine
News Brief

Updated: Friday, January 25, 2013

South Africa – Ethiopia lost 4-0 against Burkina Faso on Friday in its second game in Group C at 2013 Africa Cup of Nations.

The dominant performance by Burkina Faso included two goals by Alain Traore who led the 10-man Stallions into victory over the Walya Antelopes. The third score came from Yusuf Kone on the 80 minute mark and the final by Jonathan Pitroipa at the end of the game.

This time, it is was the Burkinabe goalkeeper Abdoulaye Soulama who was red-carded. He was dismissed around 60 minutes into the match for handball outside his penalty area.

Ethiopia used substitute goalkeeper, Zerihun Tadele, in place of Jemal Tassew, who was suspended for two games following his red card last Monday during the Walyas opener against Zambia.

Matthew Kenyon of BBC Sport in Nelspruit says “Ethiopia haven’t been at the Nations Cup for 31 years and this is a lesson in what happens in tournament football. It’s not fair — it’s presumably not fun — but it’s why we love the game so much. Burkina Faso have been superb tonight and thoroughly deserve an awesome victory. Man of the match must be Alain Traore – but Pitroipa and the skipper Kabore run him close. Burkina Faso top the group.”

It is also the first time the Burkinabe have ever won a game outside of Burkina Faso.

The website Super Sport noted: “Burkina’s last victory in the continental showcase came way back in 1998, but Traore ended that sorry state of affairs in style to push the west African nation to the top of Group C and within touching distance of the last eight.”

“With quarterfinal qualification going down to the wire, Burkina Faso take on Zambia here while Ethiopia face Nigeria in Rustenburg, with both matches scheduled for Tuesday.”
—-
Related:
The Stallions silence Walya Antelopes (Yahoo News)
Burkina Faso trounce Ethiopia (SuperSport)
Burkina Faso 4 – 0 Ethiopia (BBC)

Ethiopia, Burkina Faso Face Off


Adane Girma of Ethiopia battles with Chris Katongo of Zambia during the 2013 Africa Cup of Nations match at Mbombela Stadium in Nelspruit, South Africa on Monday, January 21st. (Reuters)

Tadias Magazine
News Brief

Updated: Friday, January 25, 2013

South Africa (TADIAS) – Fresh off their spectacular return to Africa Cup earlier this week, after more than three decades of absence and an impressive 1-1 opening against defending champion Zambia, the Walyas who electrified Ethiopian fans around the world are preparing for their next game today against Burkina Faso at Mbombela Stadium in Nelspruit, South Africa.

For audiences in the United States the game will be televised on ESPN3 beginning at 1 p.m Eastern and can be watched on the Internet and mobile devices.

In South Africa coach Sewnet Bishaw told the Associated Press that his team’s strategy is in place for today’s match. “We will try to play as many passes as possible because the Burkinabes are huge and physically very strong,” coach Sewnet said. “We will have a better team for the second game and use players with speed and good passing abilities.”

Meanwhile, the Confederation of African Football has slapped Ethiopia’s football federation with a $10,000 fine for unruly behavior by fans last Monday, which included throwing plastic bottles, cups vuvuzelas, and other objects onto the field. The organization said it will suspend half of the penalty if the Ethiopians behave for the rest of the tournament.

It all began as a protest when goal keeper Jemal Tassew was given a red card for an aggressive tackle involving Zambia’s Chisamba Lungu. Jemal was taken off the field on a stretcher. His sending off started the wild outcry causing a security alert and delaying the game by several minutes. Jemal will not play against Burkina Faso on Friday as he is also suspended for two games.

According to AP: “Ethiopia drew by far the largest support base for Monday’s Group C double-header, with thousands of Johannesburg-based immigrants bussing in for the occasion. Sewnet predicted that the number of fans would double for the team’s next game.”

Burkina Faso coach Paul Put told BBC that after Monday’s performance his team can’t afford to take Ethiopia lightly. “We have a lot of respect for the Ethiopian team,” the coach said. “Any team that can draw with Zambia after playing against them with only 10 men after 30 minutes, that says a lot.”
—-
Related:
Ethiopia aim high ahead of Burkina Faso match (AP)
Burkina Faso vs Ethiopia (BBC)
Ethiopia seek to deepen Burkina’s Cup woes (AFP)
Great Start for Ethiopia at Africa Cup of Nations (TADIAS)

In Pictures: Photographs of the Walya Antelopes – Ethiopia’s National Soccer Team


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Haile Gerima’s Film ‘Bush Mama’ Part of L.A. Rebellion

Tadias Magazine
Events News

Published: Wednesday, January 23, 2013

New York (TADIAS) – Ethiopian-born filmmaker Haile Gerima is among a group of African and African American independent producers and directors who were students at UCLA School of Theater, Film and Television, in the sixties and seventies as part of an “Ethno-Communications” initiative designed to empower minorities. Their work is being highlighted in an upcoming film series at The Museum of the Moving Image in Queens from February 2–24.

“Now referred to as L.A. Rebellion, these mostly unheralded artists, including Charles Burnett, Julie Dash, Larry Clark, Billy Woodberry, and many others, created a unique cinematic landscape, as—over the course of two decades—students arrived, mentored one another, and passed the torch to the next group,” the museum said in its announcement. “They came from Watts. They came from New York City. They came from throughout America or crossed an ocean from Africa. Together, they made movies and produced a rich, innovative, sustained, and intellectually rigorous body of work. The filmmakers of L.A. Rebellion achieved this while realizing a new possibility for “Black” cinema, one that explored and related to the real lives of Black communities in the U.S. and worldwide.”

If You Go:
February 2–24
36-01 35 Avenue
Astoria, NY 11106
718 777 6888
www.movingimage.us
Organized by the UCLA Film & Television Archive

Below are images from some of the films featured at the ‘L.A. Rebellion’ series



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Editorial: Our Role in Shaping U.S.-Africa Policy in Obama’s Second Term

Tadias Magazine
Editorial

Updated: Wednesday, January 23, 2013

New York (TADIAS) – As we extend our best wishes to President Barack Obama for a successful second term in office, we also urge the White House to pay more attention to the diverse voices in our community and to engage the Diaspora as the U.S. formulates better policies towards Africa in the next four years. After all, as citizens, we are voters and taxpayers, and therefore stakeholders in what the United States does in Africa.

Influencing U.S. foreign policy also requires a culture of respectful political discourse among ourselves, which has not been the hallmark of the Diaspora during Obama’s first term, particularly by Ethiopian pundits in the United States.

In one of the many memorable lines delivered at his second Inaugural Address this week, President Obama said: “We cannot mistake absolutism for principle, or substitute spectacle for politics, or treat name-calling as reasoned debate. We must act, knowing that our work will be imperfect.”

It is a message that political leaders, activists and scholars in our community should take to heart if they are to be effective moving forward in communicating on behalf of a wider constituency and in shaping future U.S.-Africa and U.S-Ethiopia relations.

Related:
Obama Stresses Unity in Second Inaugural Speech (VOA News)

Video: Sights and Sounds from the 2013 Inauguration (NBC)

Visit NBCNews.com for breaking news, world news, and news about the economy


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Great Start for Ethiopia at Africa Cup of Nations: Zambia 1-1 Walya

Tadias Magazine
By Tadias Staff

Updated: Tuesday, January 22, 2013

New York (TADIAS) – The Walya Antelopes, the Ethiopian national soccer team, made a historic return to the Africa Cup of Nations Monday, successfully drawing 1-1 against the defending champion Zambia at Mbombela Stadium in Mbombela, South Africa. The game was Ethiopia’s first in the tournament after 31 years of absence.

Striker Collins Mbesuma scored the first goal for Zambia near half-time, and Adane Girma help equalize for Ethiopia in the second half.

Ethiopia finished with only 10 players after goal keeper Jemal Tassew was given a red card for an aggressive tackle involving Zambia’s Chisamba Lungu. Jemal was taken off field on a stretcher.

His sending-off had visibly angered Walya fans, some of whom unfortunately threw bottles and other objects on to the pitch causing a security alert and delaying the game by several minutes. According to Reuters it also created a disagreement between the Ethiopian and Zambian coaches.

“The goalkeeper is there to defend,” coach Sewnet Bishaw told reporters. “I do not think it was a sending-off, which is why the fans were so angry.”

“They were not angry with the Ethiopian team, but with the referee.” his Zambian counterpart Herve Renard responded. “I have looked at the replay and of course it was a sending- off. He had to go. The rules are quite clear, you cannot fly into an opponent like that.”

The Zambian coach added: “I congratulate the Ethiopian team they played very well and it was not a surprise to me.”

Ethiopia still faces Burkina Faso and Nigeria in the first round. The Walya’s next match is against Burkina Faso on Friday, January 25th.

Stay tuned for more updates.

Video: Goal by Adane Girma – Zambia vs. Ethiopia (Euro Sport)


Related:
Ethiopia holds champion to make its point (CNN)
Zambia frustrated by Ethiopia (Aljazeera)
Ethiopia Draw Champion Zambia in African Cup (AP)
Ten-man Ethiopia hold Zambia on Nations Cup return (Reuters)

Video: Jemal Tassew takes red card and injury after foul





Related:
Africa Cup of Nations 2013: Ethiopia Inspired by Their Past (BBC Sport)
Bonuses Promised to Ethiopian Players (BBC)
In Pictures: Countdown to Africa Cup 2013 (TADIAS)
Coach Says Ethiopia Ready Despite Second-guessing (TADIAS)

In Pictures: Photographs of the Walya Antelopes – Ethiopia’s National Soccer Team


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Africa Cup Kick-Off Party: Teddy Afro & Abogida Band in South Africa

Tadias Magazine
Events News

Published: Thursday, January 17, 2013

New York (TADIAS) – Teddy Afro will perform live in Johannesburg, South Africa this weekend at “Go Walya Africa Cup Kick-Off Party.”

The event, which is organized by the group Sefer Addis, is scheduled to take place at Sandton Convention Center (near Mandela Square) on Saturday, January 19th.

Organizers said Teddy will be accompanied by Abogida Band.

If You Go:
Tikur Sew in South Africa
January 19th, 2013
Sandton Convention Center
Johannesburg, South Africa
Call: +27835534388 or +27712104358

In Pictures: Photographs From Teddy Afro’s Concert in DC (November 23rd, 2012)


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Ethiopian Airlines Grounds 787 Dreamliner

Tadias Magazine
By Tadias Staff

Thursday, January 17, 2013

New York (TADIAS) – Ethiopian Airlines has temporarily grounded its 787 Dreamliners for inspection following a safety warning issued by the U.S. Federal Aviation Administration. The FAA said on Wednesday that the 787 should not operate until the risk of battery fires is addressed.

The crisis began when one of the planes owned by the Japanese airline, All Nippon Airways, was forced to make an emergency landing in Japan when a cockpit warning indicated a battery problem and a burning smell. Ethiopian follows Chile’s LAN, Air India and the European Aviation Safety Agency who have all sent out grounding orders.

“Ethiopian Dreamliners have not encountered the type of problems such as those experienced by the other operators,” the airlines said in a press release. “However, as an extra precautionary safety measure and in line with its commitment of putting safety above all else, Ethiopian has decided to pull out its four Dreamliners from operation and perform the special inspection requirements mandated by the US FAA.”

Ethiopian airlines, which has been operating the Dreamliner since mid-August last year, said it is working closely with Boeing to comply with the US FAA approved special inspection. “The airline aims to return the Dreamliners to service as soon as possible, after full compliance with the new procedure,” the press release said.

“Ethiopian would like to apologize to its esteemed passengers for any inconvenience this may cause in their travel experience.”

Related:
Boeing 787 Crisis Widens, as Global Regulators Ground Dreamliner

In Pictures: Ethiopian airlines 787 Dreamliner lands in D.C. (Photos: Tadias File – Aug 2012)


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In Pictures: Countdown to Africa Cup 2013

Tadias Magazine
News Update

Tuesday, January 15, 2013

Johannesburg – The 29th Africa Cup of Nations soccer games will commence on Saturday, January 19th at the National Stadium in Johannesburg with South Africa’s team, Bafana Bafana, playing against Cape Verde.

The host team received a visit from President Jacob Zuma today. “Zuma took time off his busy schedule to give a word of encouragement to the national team as they go into battle with some of the best on the continent,” the South African Football Association (SAFA) said in a statement.

The South African President dribbled a ball and held a private meeting with the players while also facing the media to address critics who say his country is not well-prepared for the continental gathering.

“Critics will always be there, some of them are paid to be critics and they are doing their job,” Zuma said. “I think we have done our best. Bear in mind that this tournament was supposed to be in Libya, so this tournament was not given the normal time for preparations and people who are making criticism forget that.”

Zuma added: “We had to start very late as a result of that. I am happy and I think we are ready and I think the country is ready. Fortunately, we have the facilities. We might not have done everything precisely because of how we got to host this edition but we are more than ready.”

Bafana coach Gordon Igesund said his team is grateful for the visit. “It is a privilege when the number one citizen of the country comes to meet the players and give support,” the coach said. “It is always important for the players and the whole team that he made time in his busy schedule to be with us today. We really feel honored.”

Zuma displayed his soccer skills before he was given two Bafana Bafana jerseys by team captain Bongani Khumalo.

In Pictures: President Jacob Zuma Visits Bafana Bafana (Photos from the team’s Facebook)



Related News:
Ethiopia aim high: Team Committed To Excelling At The Africa Cup Of Nations (KickOff.com)

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New Exhibition Highlights the History of Africans in India

Tadias Magazine
Events News

Updated: Thursday, January 10, 2013

New York (TADIAS) – There is plenty of historical evidence that Ethiopian traders traveled to India as early as 2,000 years ago. The kingdom of Axum had established a very active commerce with India and Axumite gold coins minted between 320 and 333 AD had found their way to Mangalore in South India where they were discovered in the 20th century. Ivory, silver, gold, wine, olive oil, incense, wheat, rice, cotton cloth, silk, iron, copper, skins, salt, and sesame oil were some of the main items traded on both sides of the Indian Ocean and as far as China. Axum was also involved in the slave trade.

According to Dr. Sylviane Anna Diouf, an award-winning historian who studies the African Diaspora and the co-curator of an upcoming exhibition at New York Public Library’s Schomburg Center for Research in Black Culture entitled Africans in India: From Slaves to Generals and Rulers, there was another wave of Africans who arrived in India beginning in the 1100s both as free and enslaved people, among them Ethiopians.

“The most celebrated of the Ethiopian leaders was Malik Ambar (1548-1626). Born in Kambata, southwestern Ethiopia, he was enslaved as a young man and taken to Mocha in Yemen,” Dr. Sylviane said. “He was later sent to Arabia where he was educated in finance before being brought to Baghdad, Iraq. [Malik’s birth name was Chapu] Converted to Islam, Chapu was renamed Ambar (ambergris in Arabic). He was sold and sent to India where he arrived in the early 1570s. He became a slave of Chengiz Khan (believed to have been an Ethiopian), the prime minister of the sultanate of Ahmadnagar.” She added: “Freed upon Chengiz Khan’s death in 1575, Ambar left Ahmadnagar to become a commander in Bijapur where he was granted the title Malik (the Great). In 1595, he went back to Ahmadnagar, putting himself and his army in the service of another Ethiopian, Abhang Khan. By the turn of the 17th century, Malik Ambar had an army of 10,000 African cavalry and infantrymen. In 1600, he gave his daughter in marriage to a 20-year old prince, installed him as sultan, and ruled in his place as regent and prime minister. Fateh Khan, Malik Ambar’s son, inherited his father’s position as prime minister. Fateh Khan married the daughter of another Ethiopian, Yaqut Khan, one of the most powerful nobles of Bijapur. In 1636, Fateh Khan poisoned Sultan Murtaza Nizam Shah III and installed the sultan’s son in his place. Fateh Khan held the real power until the Mughals conquered the sultanate.”

Dr. Sylviane, who is also the Curator of Digital Collections at The Schomburg Center and Director of The Schomburg-Mellon Humanities Institute, said trade between East Africa and India was boosted with the spread of Islam. Indian Muslims from Gujarat migrated to African trading towns in Kenya, Zanzibar and the Comoros Islands where they worked with African and Arab merchants. While African traders traveled to and from India, some settled.

One of the images included in the show depicts a painting of Bilal, known to be of Ethiopian origin, was among Prophet Muhammad’s earliest converts. “He became the first muezzin of Islam, the man who calls to prayer from the mosque minaret.”

The African men and women who were taken to India through the early slave trade were known there as Habshi and Sidi (Siddi, derived either from sayyidi, my lord in Arabic; or from saydi, meaning captive or prisoner of war). They came mostly from Ethiopia, Eritrea, Somalia, and adjoining areas. Muslim, Ethiopian Christian, and Indian traders preyed on people they all considered “pagans.” Those bought for the Muslim world were converted to Sunni Islam. Trained as soldiers they were highly prized for their military skills. It is among these men that the generals, commanders, and rulers emerged.

During his travels in India, from the 1330s to 1340s, Moroccan explorer Ibn Battuta had remarked that the Habshis of Gujarat “are the guarantors of safety on the Indian Ocean; let there be but one of them on a ship and it will be avoided by the Indian pirates and idolaters.”

Besides appearing in written documents, Africans in India have been immortalized in the rich paintings of different eras, states, and styles that form an important component of Indian culture, also leaving an impressive architectural legacy.

“The imposing forts, mosques, mausoleums, and other edifices they built — some more than 500 years ago — still grace the Indian landscape,” Dr. Sylviane said. “They left their mark in the religious realm too. The 14th century African Muslim Sufi saint Bava Gor and his sister, Mai Misra, have devotees of all origins. Muslims, Hindus, Christians, and Zoroastrians frequent their shrines.”

Politically speaking the “Abyssinian Party” as it was called dominated the Bijapur Sultanate starting in 1580 and conquered new territories until the Mughal invasion in 1686. The Africans were de facto rulers because sultans were frequently involved in mysticism and the arts, and often left the governing responsibilities to their vizier or chief ministers. Bijapur was thus governed, if not ruled, by nine successive African viziers.

In regards to commerce, in the 1300s Moroccan traveler Ibn Battuta met Ethiopian merchants in what are now India, Sri Lanka, and Malaysia. The most famous African trader was Bava Gor (Sidi Mubarak Nob). He came from East Africa during the 14th century and made Ratanpur in Gujarat his home. He became the patron saint of the agate bead industry and is credited with increasing the trade of quartz stone between East Africa, the Persian Gulf, and India.

The exhibition at the Schomburg Center that is also curated by Dr. Kenneth X. Robbins is scheduled to open early next month. It features 109 images displayed in 33 panels, including photographic reproductions of paintings which are held in different collections in Europe, India and the United States. They come from the Ashmolean Museum in Oxford, England, the British Library in London, the Chester Beatty Library in Dublin, Ireland, the Francesca Galloway in London, the Smithsonian Institution in Washington, D.C., the Los Angeles County Museum of Art, the Musée des Arts Asiatiques Guimet in Paris, the Museum of Fine Arts in Boston, the San Diego Museum of Art, as well as the Catherine and Ralph Benkaim Collection, The Kenneth and Joyce Robbins Collection, The Royal Collection at Buckingham Palace in London, and the Freer Gallery of Art.

Below are images from the show courtesy of the Schomburg Center.



If You Go:
Schomburg Center for Research in Black Culture
515 Malcolm X Boulevard
New York, NY 10037-1801
Click here to learn more at the exhibition website.

Related:
SELEDA: Ethiopian Art Exhibition in the Bay Area

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Novelist Maaza Mengiste Writes Script for ‘Girl Rising’ Film

Tadias Magazine

By Tseday Alehegn

Updated: Thursday, January 10, 2013

New York (TADIAS) – Last week we highlighted an upcoming documentary entitled Girl Rising, which is scheduled for release in Spring 2013. The feature-length film displays the power of access to education in the life of a girl residing in a developing nation. Each girl’s story is told by a talented writer from her native country. The script writer for the segment on Ethiopia is Maaza Mengiste, author of the critically acclaimed novel Beneath the Lion’s Gaze. In preparation for the documentary, Maaza spent time with a young girl from a village outside of Bahir Dar.

Below is our interview with Maaza Mengiste.

TADIAS: Please tell us about how you got involved with the film?

Maaza Mengiste: I was living in Rome when Richard Robbins, the director of the film, contacted me about the project. I learned more about it then spoke further with two of the producers, Martha Adams and Alex Dionne. I was skeptical at first about whether this could really happen, but soon, I was on a plane to Addis, then a smaller plane to Bahir Dar, then on a very shaky Land Rover through mountain roads to Yilmana Densa to visit Azmera and her family.

The main focus of the 10×10 campaign is to show audiences how educating one girl can impact her entire family and her community and make positive changes. Each of the 10 segments in the 10×10 film highlights a country and the biggest obstacles preventing girls from getting their education. It’s different in each country and in Ethiopia, the biggest issue is forced early marriage. This film is different from so many of those charity programs or other documentaries we see. It’s not about the tragic lives of people in poor countries. This film is about how these young girls took their own first steps in making their lives better. They aren’t asking for charity. They only want the right to fulfill their potential and go to school. The idea of working on a project that told stories of how young girls were changing their own lives, rather than waiting for adults, fascinated me.

TADIAS: Can you also tell us a bit about your script and character?

Maaza: This is a documentary film, but Richard gave me full freedom to create what I wanted based on the time I spent with Azmera and her family. I talked to her and found her to be painfully shy, like a typical abesha girl. But something else was there also, a quiet strength and a stubbornness I saw when she played with her cousins. I also witnessed the intense love her family has for her. She is adored. I was interested to put this picture next to the image of a young girl forced to marry a stranger when she wasn’t even a teenager. But I had a chance to talk to her mother and other family members and the story that emerged helped me to write my script and find a focus of how to write about their lives.

TADIAS: The 10×10 site also features a book club focused on your novel Beneath the Lion’s Gaze as well as articles and policy briefs on Ethiopia. Can you tell us more?

Maaza: Each of the writers on the project (there are 10) has a specially designed book club tool kit available on the 10×10 website. That tool kit gives you step-by-step instructions on how to host your own book club, how to invite people, how to facilitate discussions, what questions you can ask, and even has an in-depth interview with the writer. It’s a wonderful way to get involved with the 10×10 project beyond the film.

TADIAS: What do you see as the primary challenge for girls seeking access to education in rural Ethiopia?

Maaza: It was heartbreaking to see how hard young girls were trying to go to school and get their education. They are intelligent, they are eager, they are determined, but they don’t have the simple resources to attend school. They are needed to work at home and take care of family or bring in extra income. I think the primary challenge involves finding ways for families to be able to send their daughters to school and still survive financially. It wouldn’t take much, and there are good organizations helping, but more needs to be done and I hope this film raises that awareness. I hope the film shows the world that these young Ethiopian girls have had the courage to fight for their future, and now they want the ability to continue living their dream of going to school. I am so very proud of each of them, and of Azmera and her family.

TADIAS: Thank you for sharing with our audience!

Maaza: Thank you, Tadias!
—-

Watch the trailer:


Related:
Learn more about ‘Girl Rising’ Film + Campaign (10 x 10)

Join the conversation on Twitter and Facebook.

‘Girl Rising’ Film & Campaign Coming in Spring

Tadias Magazine

By Tseday Alehegn

Updated: Friday, January 4, 2013

New York (TADIAS) – At the Clinton Global Initiative’s Annual Meeting in New York City two years ago, New York Times columnist and author Nicholas Kristof moderated a panel discussion focused on better preparing girls for the world, launching the 10×10 project – a film and social action campaign that highlights the significance of investing in girls and compels people to action. Ethiopia is among the countries featured in the upcoming documentary entitled Girl Rising, which is scheduled for release in Spring 2013.

The feature-length film displays the power of access to education in the life of a girl residing in a developing nation; each girl’s story is told by a talented writer from her native country. The script writer for the segment on Ethiopia is Maaza Mengiste, author of the critically acclaimed novel Beneath the Lion’s Gaze. In preparation for the documentary, Maaza spent time with a young girl from a village outside of Bahir Dar.

Click here to read our interview with Maaza Mengiste.

Below is the trailer.



Related:
Learn more about ‘Girl Rising’ Film + Campaign (10 x 10)

Join the conversation on Twitter and Facebook.

Cover image credit: (10 x 10)

2012 in Pictures: Politics, London Olympics and Alem Dechasa

Tadias Magazine
By Tadias Staff

Updated: Saturday, December 29, 2012

New York (TADIAS) – From the death of former Prime Minister Meles Zenawi to the apparent suicide of Alem Dechasa, and from the surprise results at the London Olympic games to the decisive re-election of President Barack Obama, 2012 has been a year of many lessons and historic transformations.

The televised abuse of Alem Dechasa, the Ethiopian woman that was violently mistreated outside the Ethiopian embassy in Lebanon last March, and her suspicious suicide a few days later, was one of the most watched and heartbreaking stories we covered this year: (In Memory of Alem Dechassa: Reporting & Mapping Domestic Migrant Worker Abuse)

The mysterious absence, illness and death of PM Meles Zenawi was by far the biggest political news of the year in our community. On July 15th the 57-year-old prime minister failed to show up for an African Union meeting that he had religiously attended without absence since the early 90’s. What followed next was several weeks of bizarre secrecy by the Ethiopian government and repeated pronouncements of vague assurances by officials about the status of the PM’s health. Prime Minister Meles Zenawi was eventually declared dead on August 20th and was given a state funeral on September 2nd, 2012 at the Holy Trinity Cathedral in Addis Ababa. The confusing summer frenzy also exposed the weakness of the flummoxed political opposition in the Diaspora as disorganized and fractured, neither inspiring confidence nor prepared for public leadership and responsibility.

What was inspiring in 2012, however, was the spectacular performance of our women athletes at the London Olympics. Ethiopia earned seven medals this year, three of them gold, courtesy of Tirunesh Dibaba, Meseret Defar and Tiki Gelana — making the country the leader in Africa on the athletics medal count and globally trailing only the United States, Russia, Jamaica and England.

Here are images from some of the biggest stories of 2012.



Related:
2012 in Review: Ten Arts & Culture Stories (TADIAS)

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2012 in Review: Ten Arts & Culture Stories

Tadias Magazine
By Tadias Staff

Updated: Wednesday, December 26, 2012

New York (TADIAS) – In 2012 we lost Ethiopia’s most famous painter, Maitre Artiste Afewerk Tekle, who died last Spring at the age of 80 and was laid to rest at the cemetery of the Holy Trinity Cathedral in Addis Ababa on April 14th. Speaking about his life-long dedication to the fine arts, Afewerk Tekle once said: “At the end of the day, my message is quite simple. I am not a pessimist, I want people to look at my art and find hope. I want people to feel good about Ethiopia, about Africa, to feel the delicate rays of the sun. And most of all, I want them to think: Yitchalal! [It’s possible!]” Our coverage of Afewerk’s passing was one of the most shared articles from Tadias magazine this year: (In Memory of Maitre Artiste Afewerk Tekle: His Life Odyssey).

Below are other arts and culture stories that captured our attention in 2012.

Marcus Samuelsson’s Memoir ‘Yes, Chef’

Marcus Samuelsson released his best-selling memoir Yes, Chef back in June. From contracting tuberculosis at age 2, losing his birth mother to the same disease, and being adopted by a middle-class family in Sweden, Marcus would eventually break into one of the most exclusive clubs in the world, rising to become a top chef with a resume including cooking at the White House as a guest chef for President Obama’s first State Dinner three years ago. Since then, Marcus has morphed into a brand of his own, both as an author and as owner of Red Rooster in Harlem. Earlier this year, Tseday Alehegn interviewed Marcus about his book.

Watch: Tadias interview with Marcus Samuelsson

Dinaw Mengestu Named MacArthur ‘genius’ Fellow

Ethiopian American novelist and writer Dinaw Mengestu was named a MacArthur genius Fellow in September. The Associated Press reported Dinaw’s selection along with the full list of 22 other winners. Dinaw is the author of The Beautiful Things that Heaven Bears and How to Read the Air. In addition to the two novels, he has written for several publications, including Rolling Stone, Jane Magazine, Harper’s, and The Wall Street Journal. According to MacArthur Foundation, the “genius grant” is a recognition of the winners “originality, insight, and potential” and each person will receive $500,000 over the next five years. Below is a video of Dinaw discussing the award.

Ethiopia at Miss Universe 2012


Helen Getachew (Photo credit: Miss Universe)

After years of absence from the Miss Universe pageant, Ethiopia graced the global stage this year represented by 22-year-old Helen Getachew. The competition was held in Las Vegas on December 19, 2012. Women from over 80 countries participated in the 61st annual contest. The new Miss Universe is Miss USA Olivia Culpo, a 20-year-old beauty queen from Rhode Island and the first American to claim the coveted title since 1997. Olivia was crowned Miss Universe 2012 by Miss Universe 2011 Leila Lopes of Angola. Over the next year Olivia will hit the road on behalf of her cause: HIV/AIDS prevention as mentioned on her official pageant profile.

A Prodigy Reviving Ethiopian Jazz & A Rock Band from Ethiopia Called Jano


Samuel Yirga (Photo courtesy of Worldisc)

Two distinctly different Ethiopian musical acts emerged in 2012 that are sure to dominate the entertainment scene in the coming year. Samuel Yirga (pictured above) is a U.S.-based pianist from Ethiopia whose debut album Guzo has won critical acclaim. Here is how NPR described the artist and his work in its recent review of his new CD: “A 20-something prodigy, Yirga is too young to have experienced the Ethio-jazz movement of the early 1970s, but he has absorbed its music deeply — and plenty more as well. With his debut release, Guzo (Journey) Yirga both revives and updates Ethiopian jazz.” Likewise, the new Ethiopian rock band Jano is also influenced by legendary musicians of the same era, but as their producer Bill Laswell put it: They don’t join the ranks of Ethiopian music, they break the rules.” Below is the latest music video teaser by Jano.

Teddy Afro Abroad


Teddy Afro pictured during a surprise party thrown for him at Meaza Restaurant in Falls Church, Virginia following his performance at Echostage in Washington D.C on Friday, November 23rd, 2012. (Photo: By Matt Andrea for Tadias Magazine)

In 2012 Teddy Afro gave us Tikur Sew, which is undoubtedly the most talked about music video of the year in our community. And Teddy’s current world tour is winning him new international support outside of his loyal Ethiopian fan base. (Click here to watch a highlight of Teddy’s growing popularity on the global stage by China Central Television – CCTV)

Two Ethiopian American Bands Make a Splash: Debo & CopperWire


Debo Band is an 11-member Boston-based group led by Ethiopian-American saxophonist Danny Mekonnen and fronted by vocalist Bruck Tesfaye. (Courtesy Photo)

In its thumbs-up review of Debo band’s self-titled first album released this year, NPR noted: “The particular beauty of Debo Band is that you don’t have to be an ethnomusicologist to love it: It’s all about the groove. Debo Band transforms the Ethiopian sound through the filter of its members’ collective subconscious as imaginative and plugged-in 21st-century musicians…The swooning, hot romance of Yefikir Wegene bursts up from the same ground as the funky horns of Ney Ney Weleba. From that hazy shimmer of musical heat from faraway Addis, a thoroughly American sound emerges.” Similarly, another Ethiopian American musical ensemble that made a splash this year is the sci-fi trio ‘CopperWire’ that produced the futuristic album Earthbound. The hip-hop space opera takes place in the year 2089 featuring three renegades from another world who hijack a spacecraft and ride it to Earth, and eventually land in Ethiopia. Watch below CopperWire’s music video ET Phone Home.

Fendika Dancers’s First Solo American Tour


Melaku Belay and Zenash Tsegaye of Fendika Dancers (Courtesy photo )

After thrilling New York audiences at Lincoln Center in summer 2011, members of the Addis Ababa-based musical troupe, Fendika, returned to the East Coast for their first solo tour in 2012 with stops that included New York, Washington, D.C, Boston, Hartford, Connecticut and Smithfield, Rhode Island.

Mahmoud Ahmed, Gosaye Tesfaye and Selam Woldemariam at the Historic Howard Theatre


Mahmoud Ahmed performs at Howard Theatre in Washington, D.C. on Saturday, May 26th, 2012. (Photo by Matt Andrea)

Mahmoud Ahmed and Gosaye Tesfaye performed at the historic Howard Theatre in Washington, D.C. during a Memorial Day weekend concert on Saturday, May 26th, 2012. It was the first time that Ethiopian music was featured at the iconic venue, which re-opened in April following a $29 million renovation. The event was organized by Massinko Entertainment, and also included an appearance by guitarist Selam Woldemariam whose collaborative concerts with Brooklyn-based musician Tomas Donker at Summer Stage in New York was part of the biggest entertainment stories that we covered this year.

Journalist Bofta Yimam Nominated for Regional Emmy Awards


Bofta Yimam is an Ethiopian American reporter currently working for Fox 13 News in Memphis, Tennessee. (Courtesy photo)

Last but not least, Ethiopian American Journalist Bofta Yimam who is a reporter for Fox 13 News in Memphis, Tennessee, was nominated this year for Regional Emmy Awards by the National Academy of Television Arts & Sciences (Nashville/Mid-South Chapter) for her journalism work. The winners will be announced on Saturday, January 26th, 2013 at the Schermerhorn Symphony Center in Nashville where the ceremony will be telecast live beginning at 8:00 PM. Below is a video of Tsedey Aragie’s interview with Bofta Yimam.



Related:
2012 in Pictures: Politics, London Olympics and Alem Dechasa

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Report From Second Community Forum on Mental Health – Video

Tadias Magazine
By Tsedey Aragie

Updated: Friday, December 21, 2012

Washington, DC (TADIAS) – Last week I hosted the second public forum on mental health here in Washington, D.C. The interactive get-together attracted over 100 participants from across the country who joined the conversation via conference call as well as an online live stream channel in addition to those who attended in person at the Shaw Neighborhood Library.

I am happy to report that it was another fruitful and educational event. My only regret is that we ran out of time before we could cover all the speakers because we did not assign and monitor time segments properly, which we will fix next time.

One of the key point that was repeatedly emphasized at the meeting was the need to incorporate religious leaders in this dialogue as well as in the treatment and healing process for individuals. There are studies that show that the close knit and communal nature of our culture does play a protective role in preventing mental illness.

As tax payers we do have the right to vocalize the importance of including natural remedies to be recognized as part of the treatment plan by lobbying the appropriate government agencies that write the policies governing health service providers.

It was also noted that there is an abundance of health professionals among the Ethiopian & Eritrean populations in the Washington D.C. metropolitan area, but that talent pool is under-utilized. Often medical professionals are at the forefront of this fight and if given the proper training could recognize any ongoing mental health issues as they are developing, most importantly as it relates to substance abuse and addiction.

We also learned that the World Health Organization has partnered with the Ethiopian Ministry of Health to implement a Mental Health program in Ethiopia that could also be used as a resource.

The impact of Post Traumatic Syndrome Disorder (PTSD), which is commonly found among war veterans in this country, is another mental health problem that affects immigrants who have witnessed violence in close proximity, and how detrimental these effects are on a person’s psychological well-being, especially for those who have experienced violence in the Horn of Africa. Another issue raised was the impact of political oppression and how it affects an individual’s psychological makeup.

We also received an update from the working-team that was tasked to conduct research. The advocacy-group is led by the organization “My Love in Action” and they are to come up with a needs assessment survey, and create outreach programs geared towards collaborating with organizations that work with professionals in the behavioral science fields, including educational institutions, as well as student associations. They are making progress but they need your help so please get involved.

Sadly, our event took place the day following the mass shooting in Newtown, Connecticut where a 20-year-old gunman shot and killed 26 people – mostly children – at Sandy Hook Elementary School before committing suicide himself. Our thoughts and prayers remain with the victims’ families.

Below is a short video featuring clips from the “Second Community Forum on Mental Health” held on Saturday December 15th. I will keep you posted on future gatherings. In the meantime, you can follow updates on twitter @MyLoveInAction.

Watch: Clips from the “Second Community Forum on Mental Health” held on December 15th


Related:
Community Forum II on Mental Health Announcement
Interview With Dr. Welansa Asrat About Mental Health Taboo in the Ethiopian Community

Join the conversation on Twitter and Facebook.

Helen Getachew: Miss Universe Ethiopia 2012

Tadias Magazine
By Tigist Selam

Updated: Friday, December 21, 2012

New York (TADIAS) – The new Miss Universe is Miss USA Olivia Culpo, a 20-year-old beauty queen from Rhode Island and the first American to claim the coveted title since 1997. Olivia was crowned Miss Universe 2012 by Miss Universe 2011 Leila Lopes of Angola at the annual international event held on Wednesday night in Las Vegas and televised around the world. Over the next year Olivia will hit the road on behalf of her cause alliances, namely HIV/AIDS prevention as mentioned on her official pageant profile.

Women from over 80 countries participated in the 61st Miss Universe contest. After years of absence from the global competition, Ethiopia was also back on the stage this year represented by 22-year-old Helen Getachew.

A ‘welcome to NYC party’ is being organized for Helen this weekend when she arrives here for post-pageant activities. Organizers say the event at Lalibela Restaurant in Midtown Manhattan on Saturday, December 22 will be a relaxing dinner affair that includes champagne, music and, of course, a chance to meet, chat and be photographed with Miss Universe Ethiopia 2012!

If You Go:
Date: Sat Dec 22nd
Time: 7pm
Lalibela Restaurant
37 East 29th St, Ny,Ny
Between Park & Madison Aves
$45 per person – Call to RSVP
Tel: 646.454.0913 or 646.454.1437

Related:
Meet Helen Getachew: Miss Universe 2012 Contestant From Ethiopia (TADIAS)
Photos: Miss Universe Ethiopia Fundraiser at Bati Restaurant in Brooklyn
Spark Communications Acquires License for Miss Universe Ethiopia

Join the conversation on Twitter and Facebook.

Journalist Bofta Yimam Nominated for Three Regional Emmy Awards

Tadias Magazine
By Tadias Staff

Updated: Wednesday, December 19, 2012

New York (TADIAS) – Ethiopian American Journalist Bofta Yimam, who is a reporter for Fox 13 News (WHBQ) in Memphis, Tennessee, is nominated for three Regional Emmy Awards by the National Academy of Television Arts & Sciences (Nashville/Mid-South Chapter). The winners will be announced on Saturday, January 26, 2013 at the Schermerhorn Symphony Center in Nashville were the the ceremony will be telecast live beginning at 8:00 PM.

Bofta has been nominated in three categories, including for excellence in “Continuing Coverage” for her reporting highlighting Kimberlee Morton (as in Kimberlee’s Law) for Fox 13 News in Memphis. Kimberlee’s Law was signed by Tennessee Governor Bill Haslam earlier this year to keep convicted rapists in prison for their full sentence, no exceptions. Kimberlee was brutally attacked in 1998 by a person whom she knew who raped, stabbed, and burned her with bleach. Bofta interviewed Kimberlee for the segment.

The young journalist, who is a native of Washington, D.C. and graduate of University of Maryland, College Park, is also nominated for two works in excellence for “Light Feature” reporting category. Her work spans topics mostly related to crime and politics. She covered the 2010 gubernatorial race in Atlanta and once exposed a police chief who bought off voters to win his election.

Bofta is a recipient of several media professional awards including the 2011 Regional Edward R. Murrow Best Breaking News Story Award, the 2009 Regional Edward R. Murrow Award as part of “Crime and the City” coverage, and the 2008 Community Broadcasters Association Best Breaking News Story Award.

Related:
Interview With Bofta Yimam of Fox 13 News (TADIAS)
Fox13 News reporter Bofta Yimam (WHBQ)

Video: Bofta reports on how Kimberlee Morton’s tragedy led to a new state law (Fox13 News)


Join the conversation on Twitter and Facebook.

Interview With Filmmaker Brenda Davis

Tadias Magazine
By Tigist Selam

Updated: Sunday, December 16, 2012

New York (TADIAS) – Earlier this month I attended one of the screenings of the documentary film Sister as part of the recently concluded African Diaspora International Film Festival here in New York.

An intimate portrait of a universal topic, the documentary frames maternal and newborn death as a human rights issue while shedding light on the faces behind the statistics. The film takes place in Ethiopia, Cambodia and Haiti as it explores innovative ways to deliver healthcare to childbearing women in remote parts of the world. The main characters are a Haitian traditional birth attendant, an Ethiopian male health officer, and a rural midwife in Cambodia.

The filmmaker, who is a Canadian citizen and a resident of New York City for the past 20 years, said she chose to highlight Ethiopia because the country is trying “new strategies and local solutions” to tackle the issue. “I am especially fascinated by Ethiopian healthcare professionals who used to be field medics during the civil war in the North who have now been retrained with further skills for civilian work.”

“In 2008, I was documenting a heath record training for health workers from Africa and Asia,” Brenda said. “I spent 3 weeks with them and involved in several activities including filming lectures in the city. One of the attendees was a health-care officer from Ethiopia named Goitom Berhane. When I got home and started transcribing their stories I found myself just weeping. And I told myself I have to make a movie about this.” Berhane eventually ends up being prominently featured in the film.

“The subject has been floating around me my whole life,” she continued. “As a child, my grandmother Martha had 16 children and only 11 lived and one of them was my mom.” She added: “And I was born by an emergency cesarian. I was the last of eight children.”

Brenda said that she finds parallels to her own family story and what most young women face in developing countries today. “There is a great research paper called ‘Under the Shadow of Maternity’ about childbirth and women’s lives in North America at the turn of the last century and the issues were the same. My grandmother was giving birth to stillborn babies between 1919 and 1939. People did not have all the resources, all the information; they did not know, they did not ask the right questions. It was a mystery to them. They were poor, they did not have access to family planning.”

Brenda’s interest is to document “current and local solutions” to the age-old health problem.

For news and updates about the film follow @Sister_Doc on Twitter, SisterDocumentary on Facebook, or visit: sisterdocumentary.com.

Watch the teaser trailer here


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Meet Helen Getachew: Miss Universe 2012 Contestant From Ethiopia

Tadias Magazine
By Tigist Selam

Updated: Saturday, December 8, 2012

New York (TADIAS) – 22-year-old Helen Getachew will represent Ethiopia at the 2012 Miss Universe competition, which is scheduled to take place on December 19th at Planet Hollywood in Las Vegas, where the welcome party for the candidates is already underway.

Helen arrived in the United States a week ago. And according to organizers she attended a reception thrown on her behalf in D.C. last weekend (her first overseas public event) and she is already off to Nevada where she is prepping for the big show.

Organizers said Helen was selected to participate in the international contest on October 12th following a runway exhibition held at Radisson Blu Hotel in Addis Ababa in front of a group of judges, representing both the local fashion industry and global modeling agencies. “The event was infused with a fashion show and live entertainment, with guests in attendance from the [diplomatic corps], media, and fashion industries,” the press release said, highlighting that Ethiopian Airlines is Helen’s official transport sponsor.

The statement added: “It’s very exciting to have Ethiopia back competing at this event since the country has not been represented for the past few years.”

Last year, more than one billion TV viewers from across 190 countries witnessed the crowning of Leila Lopes from Angola as Miss Universe 2011.

According to the pageant’s website, public voting has already begun for the 2012 competition at: www.missuniverse.com.

For latest updates, you can visit Miss Universe Ethiopia’s Facebook page.

Photos: Helen Getachew Represents Ethiopia at 2012 Miss Universe Contest in Las Vegas, NV

Helen Getachew in her own words: “I would enjoy working for a nonprofit organization, but my dream in life is to create one myself.” (Missuniverse.com)


Helen Getachew. (Courtesy photo)


22-year-old Helen Getachew will represent Ethiopia at the 2012 Miss Universe competition. (Courtesy photo)

Related:
Photos: Miss Universe Ethiopia Fundraiser at Bati Restaurant in Brooklyn
Spark Communications Acquires License for Miss Universe Ethiopia

Join the conversation on Twitter and Facebook.

Menna Mulugeta Vying to Win ‘The Voice of Germany’ Talent Show

Tadias Magazine
By Tadias Staff

Updated: Friday, November 23, 2012

New York (TADIAS) – While we wrap up the Thanksgiving holiday here in the United States, 21-year-old Menna Mulugeta is rehearsing for a musical talent competition in Berlin, Germany as part of The Voice of Germany reality singing contest, which is part of an international series created by Dutch television producer John de Mol.

In a statement emailed to Tadias Magazine, Menna said she is one of 32 singers remaining in the widely publicized TV show with millions of viewers.

Menna, who was born and raised in Germany, said she spent time in Ethiopia rediscovering her roots and honing her musical skills following her graduation from high school in 2011. She recently recorded her first album of original songs.

Regarding The Voice of Germany contest, she pointed out that she is now at the stage where “the television audience influences the results of the competition by voting for their favorites.”

Menna’s next live appearance is on Friday, November 23rd 2012.

Click here to listen to samples of Menna’s songs on her website.
Click here to support Menna at www.the-voice-of-germany.de.

Related:
Teddy Afro in DC: ‘Tikur Sew’ Concert on Black Friday

Join the conversation on Twitter and Facebook.

Asylum: The Story of Zena Tafesse Asfaw

Tadias Magazine
By Tadias Staff

Updated: Saturday, November 17, 2012

New York (TADIAS) – Two days after President Obama was re-elected for a second-term, owing in large part to the support of young voters, minorities and immigrant communities, a rally and a press conference was held in Los Angeles, urging the President and the new Congress to pass immigration reform in 2013. Among the speakers who were invited by the Coalition for Humane Immigrant Rights of Los Angeles (CHIRLA) to address the gathering held on Thursday, November 8th was a political refugee from Ethiopia named Zena Tafesse Asfaw.

Zena knows a thing or two about forced migration. Zena’s own personal story is part of an upcoming book called Asylum, which details her painful and at times shockingly daring journey as a fugitive from her country, illegally criss-crossing three continents and several countries with forged documents — including Kenya, South Africa, Brazil, Bolivia, Ecuador, Peru, Venezuela, and Mexico — before arriving to her final destination in the United States, where she sought and received asylum.

Parts of her tragic odyssey became public four years ago when she testified before the House Subcommittee on Immigration while looking into problems associated with medical care at various immigration-detention facilities in the United States. At the hearing that took place on June 4th, 2008, Zena recounted a near death experience during a five-month imprisonment in San Pedro, California while awaiting a decision on her petition for political asylum. She told Congress that she was forced by a nurse and guard to take the wrong medication that almost cost her life.

In a recent interview with Tadias Magazine, Zena said her stay in San Pedro was the most difficult aspect of her situation. “Prior to that I was on the road for more than a year, with very little money, without a home and in strange lands where I did not speak the language,” she said. “By the time I got to America, I was exhausted, too stressed, unable to sleep and was experiencing female health problems.” Zena added: “So I approached the medical unit for help. I was prescribed medication that was supposed to help me relax, two pills each night administered by the attending nurse. The medication was working fine for weeks until one day there was a different nurse on duty. This nurse gave me seven pills to take at the same time. The pills were different in color and bigger than my regular pills. I asked her if she was sure that those were my pills because I was supposed to take only two at night. She became angry and shouted loudly to swallow them. Then she instructed the security guard to check my mouth to make sure I did not hide the pills in my mouth. The guard used a flashlight to examine my mouth. That night I became very sick, I was shaking, sweating, and vomiting blood. I could not keep anything in my stomach. It would take me more than a month to recover. To make a long story short, I am certain that I was forced to take medications that was not mine.”

But Zena’s ordeal under the custody of Immigration and Customs Enforcement in the United States, is only the end-tail of a long and sad journey that began in Ethiopia in 2005. She was then a young woman in her 20’s training to become an airline ticketing and reservation agent, while working at USAID and living in the home of the country’s USAID director at the time.

When violence broke out in Addis Ababa following a controversial national elections, Zena says “I happened to be at the wrong place at the wrong time.” Zena added “I was doing errands along with the family driver. There was a lot of girgir (Chaos) in the city and many students were being arrested. I was crossing the streets towards the car, when a policeman shouted at me to get on my knees.” Zena continued: “After checking my mobile and finding a text message from a relative that he thought was a supporter of the opposition, I was arrested and taken to jail where I spent 12 days. Until then, I thought of myself as a very strong person. That day, however, I felt the world came crashing down on me.”

She said she was eventually released on a $10,000 bail signed by her uncle. “I was upset, I wanted to sue, I wanted justice, I wanted to do something,” she said. “My life in my own birth country could never be the same again.” She added: “In the end, I was advised by those who loved me that the best thing for me was to leave Ethiopia.”

And so begins her epic sojourn into exile with a car trip to the Kenyan border and then through a smuggler to South Africa where she obtains a fake passport for her travel across the ocean to São Paulo, Brazil, where she ends up in a hostel mostly crowded with African immigrants from Eritrea, Somalia and West African countries. Zena said she befriended two Eritreans there who had the same mission as she did: to get to the United States.

In an excerpt from her upcoming book, shared with Tadias Magazine, Zena notes that along the way she received financial and other assistance from her former employers in Ethiopia whom she kept in touch via occasional phone calls from the road.

In a chapter entitled On the road to Bolivia from Sao Paulo, while traveling with her new friends from Eritrea, Zena describes a dramatic scene in the mountains of Bolivia where their bus came under fire by rebels. “On the second day of our bus journey, all hell broke loose — the Bolivian guerrillas against the government forces emerged…men came out of the forest, from behind rocks, from nowhere with rifles and machine guns blazing,” She wrote. “We all ducked down in our seats and I crumpled up as tight and as close to the floor as possible. Bullets were whizzing overhead and men were shouting something in Spanish. I didn’t speak the language so I didn’t know what they were saying but it was angry and intense. In that blur of violence, I glanced to my left to see how the boys were. My one friend was flopping around in the aisle like a large fish out of water. At first, I thought he’d been hit by a bullet, but there was no blood. Then his friend said he was having a seizure.”

Zena said her Eritrean friends survived the incident as well, but she said they separated in Ecuador after the bus trip. “Both of them have finally made it to America.”

Zena, who currently works and lives in Los Angeles, gives a lot of credit to her attorney David Paz Soldan, with whom she connected by memorizing his number, which she discovered posted on a board inside a room where she was being questioned by immigration officers in L.A. after she turned herself in to airport security upon her arrival in the United States on November 15, 2006. “He manged to get asylum approved, he got me my work permit and my green card,” she said. “He is an incredible human being who never failed to give hope and always delivered on his promise.”

In his endorsement of Zena’s book, Mr. Soldan wrote: “Zena’s tale is the most tragic yet inspirational story that I have encountered in all my years as an immigration attorney. Her strength and perseverance in overcoming the insurmountable obstacles placed before her are an affirmation to the human spirit and her will to survive. I consider myself fortunate to have met Zena, and it is a pleasure to see her continue to grow and achieve her goals.”

This article has been abridged from the original version.

Zena Asfaw can be reached at zenaasylum@yahoo.com.

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Metasebia Yoseph’s Transmedia Project: ‘A Culture Of Coffee’

Tadias Magazine
By Tadias Staff

Updated: Wednesday, November 14, 2012

New York (TADIAS) – Judging by her Amharic you wouldn’t guess that Metasebia Yoseph was born and raised in Washington, D.C. She is currently a graduate student at Georgetown University studying Communication, Culture and Technology and also the writer and creative director of a transmedia project called A Culture Of Coffee, which focuses on the development of the Ethiopian coffee ceremony and its significance within the culture.

“I try,” Metasebia said, humbly referring to her language skills and pointing out that she spent a year in Ethiopia working at the Institute of Ethiopian Studies’ Ethnographic Museum in Addis Ababa after graduating with a B.A. degree in Art History from the University of Maryland in 2008.

Metasebia said her stay in Ethiopia was what gave inspiration for the project. “I met people who produce artifacts, the Amharic Bible, and so many other things,” she said in a phone interview. “That experience very much impacted me in ways that encouraged me to build a bridge between my upbringing here and my Ethiopian heritage.” Metasebia added: “My parents are part of the first wave of Ethiopian immigrants to the United States. I am a first generation Ethiopian American. What better way to highlight that link than our rich and famous coffee culture?”

Metasebia is not waiting until graduation to get the ball rolling. “My partner and I have already registered an organization focusing on cultural development,” she said. “The corporation has been formed and we are in the process of getting our 501(c)3 status.”

According to Metasebia, the multimedia efforts will culminate in the production of an artful coffee table book in the near future, for which “I will be traveling to Ethiopia in December and finalizing research,” she said.

Metasebia recently launched a fundraising page for the coffee-table book project. She noted: “We are offering donors who give us $100 or more the opportunity to be mentioned in the upcoming Book: From Ethiopia With Love as a co-collaborator.”

Click here to learn more and support the project.

Watch: A Culture of Coffee Launch Event at Kaffa Club


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‘The Athlete’: Catch A Movie About Abebe Bikila at Film Festival Flix

Tadias Magazine
By Aida Solomon

Updated: Wednesday, November 14, 2012

Los Angeles (TADIAS) – It is no secret that Ethiopia has produced some of the world’s greatest long distance runners. Rasselas Lakew’s independent film Atletu (The Athlete), pays tribute to the first runner that paved the way for generations of African athletes in the Olympic Games — the marathon hero Abebe Bikila.

Directed by Davey Frankel and Ethiopian-born Rasselas Lakew, Atletu, which was released in 2009, is currently featured as part of Film Festival Flix’s monthly theatrical series and an online platform that brings lesser-known movies to audiences around the country. Lakew, who co-wrote the script and also stars as the legendary runner, will attend the screenings along with the co-director.

In the film, Abebe Bikila is introduced to the audience well after his physical prime, while visiting family in Jato, Ethiopia in 1969. Driving a creaky Volkswagen on a dirt road, Bikila takes a literal and figurative drive down memory lane, passing through the breathtaking countryside of his childhood as actual footage of Bikila’s past races are juxtaposed together.

Bikila, who served as a member of the Imperial Bodyguard of Emperor Haile Selassie, became the first African to win a gold medal in the 1960 Rome Olympics, which he run barefoot, and setting into motion the legacy of long-distance running in Ethiopia. He won his second consecutive gold four years later in Tokyo in a new world record time, becoming the first athlete to win the Olympic marathon twice. The film’s archival footage highlights Bikila’s historic finish in Italy as he ran through the streets of Rome – passing by the stolen Ethiopian Obelisk monument while cruising to victory.

A symbolic slap in the face to Ethiopia’s former occupier, Italy, Bikila catapulted into international stardom. Several years after the Rome Olympics, however, Bikila realizes that other young stars from his country are conquering the sport. Atletu touches upon Bikila’s reckoning with being an aging legend in his country, as he focuses his attention on the upcoming 1972 Munich Games.

Unfortunately Bikila’s qualification for Munich is further deterred by a car accident that he suffers on his trip back to Addis Ababa from the countryside. Declared a quadriplegic, Bikila has to endure months of rehabilitation in the U.K., and his final race is never fulfilled.

Rasselas Lakew’s portrait of Bikila is stoic and understated, garnering him the “Best Actor” award from the 2011 Brooklyn Film Festival. Although Lakew studied Geology in college, he was drawn to filmmaking in the hopes of creating African narratives created by Africans. Lakew, who now lives and works in New York, took film-studies courses at Montana State University film school in the early 90’s. Lakew says Bikila’s remarkable story is a neglected one, a “man of the mountains” who “conquered Rome” with his bare feet.

With stunning cinematography, a memorable soundtrack, and archival footage that is sure to stir pride and please any heart, Atletu (The Athlete) is a modern ode to one of Ethiopia’s legendary heroes.

Watch: Atletu (The Athlete) Movie Trailer


Related:
Abebe Bikila: Athletic Legend Honored With Google Doodle (TADIAS)

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SoleRebels Expands to Asia (Interview & Photos)

Tadias Magazine
By Tadias Staff

Published: November 11th, 2012

New York (TADIAS) – When the Ethiopian footwear company SoleRebels opened its first stand-alone retail store in Asia earlier month, becoming the first African brand of its kind to do so, the mayor of Kaoshiung, Taiwan’s second largest city, sent a bouquet of flowers welcoming the business to his town.

And according to SoleRebels’ CEO Bethlehem Tilahun Alemu, customer reaction thus far has been just as enthusiastic.

“It’s been amazing,” she said. “People in Taiwan love the brand; they love the products, the look, the feel, and how we are presenting it to them. It’s fresh, exciting and very vital that they responded in kind.”

Bethlehem said the store opening anchors the company’s Asia retail rollout with a total of three Taiwan locations slated to open by end of 2012. “Our next Taiwan location will open in three weeks in Taichung,” she said. “This store will be about four times the size of the Kaoshiung store and will have some amazing surprises visually and from a merchandising perspective.”

Bethlehem added: “In about a month and a half we will open our first of two Singapore locations. And early next year, we will enter the booming Indonesian market. We also plan to open multiple U.S. locations in 2013 as well.”


Bethlehem Tilahun Alemu, Founder & CEO of SoleRebels. (Courtesy photo)

The store features a variety of styles, including sandal, slip-ons and lace-ups with price points ranging from $50 USD to $95. The company’s eco-fashion shoes are produced using indigenous practices such as hand-spun organic cotton and artisan hand-loomed fabric. Recycled tires are also incorporated for soles. The end result is environmental-friendly and top quality, vegan footwear.

“Our business model centers on eco-sensibility and community empowerment,” Bethlehem said. “We are pleased to have such great customers around the world who love our brand and our products.”

Below is a slideshow of photos courtesy of SoleRebels from its store opening in Taiwan.

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Click here to learn more about SoleRebels’ products.

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Photojournalist Gediyon Kifle Presents: ‘Making a Moment Decisive’

Tadias Magazine
Events News

Updated: Friday, November 9, 2012

New York (TADIAS) – If you followed our election coverage this week, you may have noticed the name Gediyon Kifle under the photo credit section of some of the photographs. The photojournalist will appear as a guest speaker this weekend at a lecture series sponsored by Leica Camera in Washington, D.C.

Gediyon will present how he incorporates his inert decisiveness to capture compelling images in a talk entitled Making a Moment Decisive.

According to the event’s announcement: “Gediyon will be discussing both the images captured as well as the moments that got away, which continue to fuel his creative energy.”

If You Go:
Gediyon Kifle: Making a Moment Decisive
Sunday November 11, 2012
First Lecture: 12pm – 2pm
Second Lecture: 3pm – 5pm
Limited to 40 participants for each time slot.
Please e-mail RSVP@leica-store-dc.com preferred time.
Leica Store Washington DC
977 F Street, NW
Washington, DC 20004 ,
Northwest
202-787-5900

What Does the Re-Election of Obama Mean for U.S.-Ethiopia Relations?

Tadias Magazine
By Tadias Staff

Updated: Thursday, November 8, 2012

New York (TADIAS) – U.S.-Africa relations was not part of the conversation in the 2012 U.S. Presidential elections, but what does the re-election of President Barack Obama mean for American diplomacy with Ethiopia?

“The election campaign had almost nothing to do with African issues,” said David H. Shinn, former U.S. ambassador to Ethiopia. “As a result, I don’t see the re-election of President Obama and the new Congress, which is little changed, having much impact on US-Africa or US-Ethiopia relations.”

According to Shinn once the United States deals with the looming fiscal crisis, we will see more attention focused on Africa by the Obama Administration, including “a major visit” to the continent. “Kenya will certainly be on the list,” Ambassador Shinn said. “The other countries will be selected based on their progress with democratization and economic development in that order.”

Ambassador Shinn, who is currently an Adjunct Professor of International Affairs at The George Washington University in Washington, DC and a frequent commentator on East African Affairs, added: “Assignments in the Senate and House on committees related to Africa will be important, but I don’t see much change there either.”

Professor Alemayehu G. Mariam, who teaches political science at California State University, San Bernardino, and a contributor to various Ethiopian websites, said although he is one of many Ethiopians who have been disappointed by the Obama administration’s ‘see-no-evil’ approach to Ethiopia, he nevertheless was pleased by the Ethiopian American voter participation in the 2012 elections as well as by the re-election of President Obama.

“I fully supported President Obama’s re-election despite lingering disappointments over his administration’s policy of willful blindness to flagrant human rights violations in Ethiopia,” Professor Alemayehu said. “But I believe in a second term he will vigorously pursue a foreign policy agenda that balances America’s global strategic interests with its commitment to promote the values of freedom, democracy and human rights in Africa and elsewhere.”

He added: “I was glad to see a healthy and civil debate among Ethiopian Americans on whether to support President Obama or Gov. Romney. In America, we have the constitutional right to vote, organize and express ourselves without fear or penalties. I agree wholeheartedly with the president’s election night speech regarding the value of a vigorous and civil debate in a democracy: “These arguments [over the direction of the country] we have are a mark of our liberty. We can never forget that as we speak people in distant nations are risking their lives right now just for a chance to argue about the issues that matter, the chance to cast their ballots like we did today.” I remember with great sadness that in November 2005, hundreds of Ethiopians lost their lives and thousands were imprisoned for peacefully challenging what they believed to be theft of an election and the silencing of the voices of dissent and democratic opposition in Ethiopia since that time. I am very pleased to see the high level of excitement, enthusiasm and participation of young Ethiopian Americans in this election. Nearly one-fifth of President Obama’s support came from young people. It is heartening to see that young Ethiopians are an important part of the youth vote.”

Ambassador Shinn said he is optimistic that a more robust form of democracy will eventually take root in Ethiopia as well, but that initiative must come from the Ethiopian side. “With a new government in Ethiopia and a government in Washington with a new lease on life that is committed to encouraging democratic principles, I am hopeful there will be progress in Ethiopia,” he said. “But this depends more on Ethiopia than it does the United States.”

Former Ethiopian opposition leader Judge Birtukan Midekssa, who is currently a visiting fellow at Harvard University Law School (President Obama’s alma mater), noted she’s appreciative of “the dynamic” nature of the democratic culture in the United States. “What is impressive is that the deep commitment of the American people to various institutions of their country, their willingness to play by the same rules when it comes to conducting elections, and the enormous value they give to the whole process. In my opinion, these are all part and parcel of what is at the epicenter of this remarkable achievement,” she said. “I think all the candidates, campaign volunteers of both sides and everyone involved deserve to be congratulated for making the election a success.”

Birtukan highlighted: “As it was the case in most of the previous elections, the US presidential race of this year also encourages and inspires multitudes around the world, including Ethiopia that is laboring to give birth to democracy in its own unique national color. It is my strong expectation that President Obama and his administration would renew their commitment to show more solidarity with the people in the African continent as outlined in his Accra speech at the beginning of his first-term.”

For Ayele Bekerie, an Associate Professor of History and Cultural Studies at Mekelle University in Ethiopia and a scholar of African and African American studies, the re-election of Obama is a vindication for Obama’s historic presidency. “Obama wins and that means Americans have accepted his leadership,” he said. “The voters have given Obama a second chance and he has to perform now. I believe his election is good news for U.S.-Ethiopia relations.”

We called the Ethiopian Embassy in Washington, D.C seeking input from Ambassador Girma Birru for this article. The Ambassador was unavailable to comment. We will update the story when we receive a response.

Related:
President Obama Wins Second Term

Video: Watch the world reacts to Obama’s victory (NBC News)

Visit NBCNews.com for breaking news, world news, and news about the economy


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Tadias Magazine Endorses President Barack Obama for Re-election

Tadias Magazine
Editorial

Published: Sunday, November 4th, 2012

New York (TADIAS) – As Ethiopian Americans prepare to cast their ballots in the 2012 presidential election on Tuesday, regardless of the choice of candidate, we urge our readers who have not voted early to vote on November 6th and to exercise their citizenship right to participate in the democratic process.

Four years ago when we backed Barack Obama for President, we were motivated not only by the historic nature of the 2008 election, but also by the enthusiastic, grassroots activism that his candidacy had generated in our community. Although we cannot agree with every decision that the Obama administration has made in the last four years, both domestic and foreign, there can be no doubt that the Ethiopian Diaspora’s contribution to the American tapestry has received more national attention in the same period than at any previous time in history, both through appointments to key administration positions as well as honoring innovators and high achieving professionals.

President Obama could do better to articulate and encourage the culture of free press, government transparency and accountability in Ethiopia and elsewhere in Africa. However, it is ultimately our responsibility as citizens to make our voices heard. Regardless of who wins this election, we hope that political activists in our community tone down the non-constructive criticism that prevents all of us from responsibly engaging in the democratic system.

Broadly speaking President Obama’s accomplishments have been impressive, including the passage of the most sweeping health care reforms since 1965, preventing another “Great Depression” and saving the American automobile industry from demise. The economy that was on a doomsday downward spiral when he took office in 2009 has rebounded to a positive territory with the latest jobs report showing “persistent economic growth.”

Most importantly we believe President Obama has remained true to the spirit of his historic 2008 campaign to be a leader of the people, by the people for the people. It goes without saying that President Obama has earned our vote. We urge Ethiopian Americans to support his re-election!
—-
Video: Watch President Obama makes his Case in Ohio

Visit NBCNews.com for breaking news, world news, and news about the economy


Update:
President Obama Wins Second Term

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Friends and Supporters React to Reeyot Alemu’s Media Award

Tadias Magazine
By Tadias Staff

Updated: Monday, October 29, 2012

New York (TADIAS) – Several years ago in Addis Ababa, when a young, idealistic woman named Reeyot Alemu, who was working as a high school English teacher, began contributing part-time to local independent newspapers and writing mostly opinion articles that were critical of various government policies, she knew that she could potentially upset those in power. Reeyot, however, had no idea that her courage would one day earn her prestigious international recognition, albeit while in Kality prison.

Reeyot, now 31, is currently serving a five-year term on terror charges, and was among four women who where honored last week by the International Women’s Media Foundation for their courageous work in journalism. Reeyot, a former columnist for the the publications Awramba Times (now in exile and online) and the Amharic weekly Feteh (now blocked), was given the 2012 “Courage in Journalism” award at a ceremony held in Manhattan on Wednesday, October 24th.

“When I nominated Reeyot for the Award, I wanted to show the face of courage in her, so that girls in our country will not be discouraged from becoming a voice to the voiceless,” said Elias Wondimu, who accepted the award on her behalf and read a letter penned by her for the occasion.

“When I became politically aware, I understood that being a supporter or member of the ruling party is a prerequisite to living safely and to get a job,” Reeyot wrote in a letter sent from prison. “I knew I would pay the price for my courage and was willing to pay the price.”

Mohammed Ademo, a New York-based freelance journalist, who is the Co-founder and Editor-In-Chief of OPride.com, as well as a graduate student at Columbia University, attended the luncheon and covered the ceremony for the Columbia Journalism Review.

“I thought the event was great. The courageous journalists honored here today inspire all of us who are in the business of storytelling,” Ademo told Tadias Magazine. “These are but few of those brave souls who are committed to exposing corruption, informing the public, and holding autocratic regimes accountable, often at a great personal peril.” Ademo continued: “This award means so much to journalists like Reeyot Alemu, who are silenced for simply speaking truth to power.”

In his widely publicized interview with Voice of America last month, Prime Minister Hailemariam Desalegn took a hardline stance on the subject, strongly defending the continued imprisonment of a number of journalists. “Our national security interest cannot be compromised by somebody having two hats,” PM Hailemariam said, echoing the official claims, which accuses the prisoners of being “double-agents” for terrorist organizations. “We have to tell them they can have only one hat which is legal and the legal way of doing things, be it in journalism or opposition discourse, but if they opt to have two mixed functions, we are clear to differentiate the two,” the PM told VOA’s Peter Heinlein.

“How on earth can we compare a person who criticizes a government’s policy through writing and accuse them of being terrorists?” Elias asked.

Ademo said: “Reeyot’s only crime is carrying out her journalistic responsibility, being a voice for the voiceless. I wish her good health, perseverance, and peace of mind.”

Elias added: “Due to lack of proper training, our journalists are not and can not be perfect, but the way to remedy this should not be criminalizing their perceived mistakes, but to correct and educate them.”

Reeyot’s former colleague, the award-winning exiled journalist Dawit B. Kebede – Managing Editor of Awramba Times, said, for him, the award is personal. “I am very happy for Reeyot and for many reasons,” Dawit said in a phone interview. “But the number one reason is because Reeyot deserves it. This award is an important recognition not only of Reeyot’s personal struggles, but it is also a way to inspire young people to understand the unfairness of silencing those with critical voices.” Dawit added: “It also encourages those that are incarcerated along with her, including my friend Wubishet Taye, Deputy Editor of Awramba Times, and Eskinder Nega.”

Dawit pointed out that Wubishet had applied for pardon at the same time as the recently released two Swedish journalists, Johan Persson and Martin Schibbye, but was not granted similar clemency. “In my opinion, it was the most discriminatory and shameful pardon process,” Dawit said. “As an Ethiopian it is embarrassing to bypass your own people because they happen not to be backed by powerful Western influence. So the foreigners receive forgiveness, but not the Ethiopians.”


Reeyot Alemu, recipient of the 2012 Courage in Journalism Award. (Photo: International Women’s Media Foundation)

Regarding Reeyot, Mohamed Keita, Africa Advocacy Coordinator for the New York-based Committee to Protect Journalists (CPJ), said this Ethiopian is now part of an exclusive club of extraordinary women whose life stories are seen as role models for young people around the world. “With the IWMF award, the world’s leading women journalists are embracing Reeyot Alemu as one of their own,” Keita said. “The Courage in Journalism award validates Reeyot’s legitimate right to write critically about her government and its policies, as she did, and recognizes not only the injustice of her imprisonment but her improbability as a terrorist suspect.”

For former judge Birtukan Midekssa, who is currently the Eleanor Roosevelt Fellow at Harvard University Law School with a joint appointment at W.E.B. Du Bois Institute, Reeyot is both a friend and an inspiration.

“It took me only a short while to get fascinated by her defiant spirit and her determination to be true to herself — both as journalist and as a responsible citizen — after I came to know my good friend Reeyot,” Birtukan said. “It is obvious that she did not commit any offence that could lead to lock her up except saying no to the menace of EPRDF government to silence her journalistic voice while it intensifies its forceful coercion against Ethiopian citizens.” She added: “She fiercely opposed the unacceptable authoritarianism which pervades the political sphere; she criticized the officials for incarcerating political prisoners including myself; she shed light on unaccountable and irresponsible transactions of the government.”

Birtukan said it is particularly striking to her that Reeyot knew in advance what she was getting into. “But she chose to bear the consequence instead of refraining from freely expressing herself,” she said. “Though it is enormously painful for me to see her young life confined by illegitimate use of government power.”

Birtukan added: “Her persistence, strength, courage and the international recognition she earned as a result, lead me to have more faith in Ethiopian youth that they will take charge of the destiny of our nation to eventually lead it to free and prosperous life.”

Government officials maintain all the jailed journalists have broken the law and are guilty of the crimes under which they were convicted.

Meanwhile, IWMF noted it’s concerned about Reeyot’s health. “Recently, she has fallen ill; in April of this year she underwent surgery at a nearby hospital to remove a tumor from her breast,” the organization said.

Related:
L.A. Times November 1, 2012: Reporter jailed in Ethiopia among women journalists honored in Beverly Hills, California.
Azerbaijan, Gaza, Ethiopia Women Win Media Awards (AP via ABC News)
Portraits Of Courage: Female Journalists Honored At International Women’s Media Foundation Awards (The Daily Beast)

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UPDATE: Interview with Buzunesh Deba: Eyeing the 2012 NYC Marathon

UPDATE: 2012 New York City Marathon Canceled

Tadias Magazine
By Jason Jett

Updated: Thursday, October 25, 2012

New York (TADIAS) – Having come so close to winning last year’s New York City Marathon, finishing second by a mere four seconds, Buzunesh Deba will be chasing victory again in one of the world’s greatest marathons which eluded her and instead was grasped by Ethiopian compatriot Firehiwot Dado a year ago.

Firehiwot, who pulled away from Buzunesh over the last 200 yards of the 26.2 miles event, will not defend her crown this year after withdrawing from the race last week with what her manager said was a foot injury.

This time around Buzunesh faces 2012 London Olympics marathon winner Tiki Galena and 2011 World Marathon Champion Edna Kiplagat of Kenya, among a deep elite international field.

This will be Buzunesh’s fourth New York City Marathon; she finished seventh in 2009 and 10th in 2010. A resident of the Bronx, she will be a hometown favorite and she knows the course well.

She also knows most of her competition — both their faces and their paces. There is no awe or intimidation when she speaks of the other elite runners, only self-confidence and the conviction that if she runs as well as she is capable she will win.

“I believe I will win, it is my dream,” said Buzunesh. “God will decide.”

She trains diligently, some say maniacally, six days a week, but she says the seventh day she devotes to attending St. Mary of Zion Ethiopian Orthodox Tewahdo Church in Yonkers, New York. An Orthodox Christian, her bedroom is decked with illustrations of the Virgin Mary. And, born in the Asela region of Ethiopia, Buzunesh said: “When I am running, and I get tired, I call on God,” she said. “That is my power.”

Buzunesh has trod through some valleys since her podium finish a year ago in Central Park. She spent the winter training at altitude in Albuquerque, New Mexico. She was accompanied by her husband Worku Beyi, who is also her coach and manager. Their relocation was made easier by sharing living quarters and training schedules with friends Genna Tufa, Serkalem Abrha and Atalelech Asfaw — all among a group of Ethiopian runners who left New York for the benefits of living and training at high altitude.

Returning to New York in April, Buzunesh was poised to stake her claim at a World Marathon Majors championship by following her second-place finish in New York with a win at the Boston Marathon. (Top-finishers in the New York City, Boston, Chicago, London and Berlin marathons compete for the $500,000 prize awarded every two years.)

Training had gone well winter into spring leading up to Boston. However, after completing her final pre-marathon track workout just days before the race Buzunesh miss-stepped, turning an ankle, as she walked off the synthetic surface and onto the stadium infield.

Neither prayer nor treatment could chase away the pain in time for Buzunesh to compete in the Boston Marathon. Ultimately, she was not able to return to running until mid-summer. Unable to train, Buzunesh became a spectator of the sport as she followed the race results of her friends and rivals during sleepless nights.

“When I am training, I go to bed early,” she said. “But when I could not run I would be up two and three o’clock in the morning on my computer.”

Buzunesh finally resumed training in August, and competed for the first time this year at the Rock n’ Roll Philadelphia Half Marathon on Sept. 16. She finished eighth, in a time of 1:14:54.

The result was mind-boggling to running experts, fellow competitors and even enthusiasts: Buzunesh had run 1:09:18 over the half-marathon distance in winning the 2011 Rock n’ Roll San Diego Marathon in 2:23:31. Yet she ran five minutes slower over an equally fast Philadelphia course (Sharon Cherop of Kenya won the race in 1:07:19, followed by Mare Dibaba of Ethiopia in 1:07:44.).

Buzunesh was disappointed, of course. And Worku did a bit of head-scratching before reasoning it was simply a bad day.

“I don’t know what happened,” he said. “I saw her that day and she looked heavy.”

“She was not able to run fast that day, but she had had only six weeks of training at the time,” he added. “She will have had six more weeks before New York.”

There are critics that doubt Buzunesh will be competitive this year, let alone win. They point to Philadelphia, and note that she has barely raced this year.

“Look at her Philadelphia Rock n’ Roll results,” said Hicham EL Mohtadi, an agent-manager of runners based in New York City including Ethiopian Mekides Bekele. “She had lots of time off from competing on a high level due to injury. She still is not at full-force. I don’t see her being a factor in this year’s marathon.”

Mohtadi noted that despite these issues he is still rooting for Buzunesh. He added: “Though I’d love to see her win it because she’s a dear friend and a lovely young lady.”

Bill Staab, president of West Side Runners New York, which supports a large number of Ethiopian runners in the city, said Worku is the best barometer of Buzunesh’s chances.

“Due to her foot injury last April and the fact that her time at the Rock n’ Roll Philadelphia Half Marathon was not up to her PR (personal record), it is hard to judge her chances.” he said. “But we all know Buzunesh trains with fervor.”

Buzunesh’s resilience has been further tested in recent weeks. Worku’s father died in early October, and there were several days of mourning. The funeral in Ethiopia took her husband and coach away from their marathon training for several more days.

And then there are the stomach cramps that Buzunesh said contributed to her being unable to hold the lead after pulling Firehiwot Dado along in overtaking Mary Keitany of Kenya at the 25-mile mark last year in New York. Firehiwot would pass Buzunesh in the final mile, and Keitany finished third. (Keitany, who won the 2012 London Marathon and was fourth in the London Olympics marathon, is not competing this year in New York.).

“She gets cramps after some workouts,” a concerned Worku said of his wife. “There is pain, and sometimes she throws up.”

Buzunesh hopes the problem does not recur during the marathon. She knows from training runs of 24 miles in Central Park and 26 miles on the New York Greenway along the Hudson River that she can cover the marathon distance without such pain.

And, she has her own belief-system for support. Buzunesh radiates a confidence steeped in humility. She does not boast, or deride other runners; she simply believes in herself. It is a belief rooted in her faith, which she takes as much care recharging every Sunday as she does her body following training sessions other days of the week.

Having a husband who is a good cook helps when it comes to revitalizing the body. A training-table dinner last week in the Buzunesh and Worku’s home, an apartment in Kingsbridge, consisted of a salad of green leaf, tomatoes, avocados, green peppers and oil-vinegar dressing, a vegetable medley of carrots, potatoes and broccoli, halved hard-boiled eggs and chunks of white-meat chicken.

While Buzunesh and Worku prefer traditional Ethiopian cuisine, or injera, they eschew it during training season in favor of lighter fare. Vitamin bottles and other supplements cover a tabletop in their home. Buzunesh noted she takes supplements when she remembers — indicating with her face and hands that often she does not. However, she is more reliant on the energy-electrolyte drinks that Worku prepares before and after workouts.

Buzunesh and Worku occasionally can be spotted running in Central Park or Riverside Park, but the bulk of work occurs at their favorite training site — Rockefeller State Park in Tarrytown, NY. Van Cortlandt Park, near their home, is their most-frequented site given its proximity.

They elected not to train at altitude for this marathon, having decided sufficient benefits can be gained simply through hard and smart training in New York. That belief has Buzunesh undaunted by Galena, Misikir Mekonnen and Kenyan runners coming directly from high altitude to compete in New York.

Hours after Buzunesh finished the 2011 New York City Marathon, reporters and photographers gathered around her and Worku following a news conference in the Mandarin Oriental Hotel at Columbus Circle. Hugging his wife, a beaming Worku held up his other hand leaving scant daylight between the thumb and index finger.

“She came this close,” he said. “She made a little mistake. We will correct it for next year.”

On Nov. 4, 2012 the couple will learn whether or not they were successful in making the necessary correction.
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Below are slideshow of photos taken during Buzunesh’s morning training session on Saturday, October 20th, 2012.

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Related:
Women’s Champion Firehiwot Dado of Ethiopia Withdraws from NYC Marathon (AP)

Battling Cancer in Ethiopia: Interview with Cancer Survivor Tsige Birru-Benti

Tadias Magazine
By Tadias Staff

Updated: Monday, October 22, 2012

New York (TADIAS) – While October is designated as international Breast Cancer Awareness Month, cancer screening in Ethiopia is almost nonexistent, says cancer survivor Mrs. Tsige Birru-Benti, who is one of the founders of BCE (Battling Cancer in Ethiopia), a U.K. based charity organization that promotes early cancer screening in Ethiopia as well as raises funds for the Black Lion Hospital Cancer Center in Addis Ababa.

“The short term objective is to equip the Oncology Unit of the Black Lion Hospital (BLH) by raising fund to buy CT Simulators that benefit cancer treatment planning,” Tsige said. “The long term objective is to work with other institutions in Ethiopia to create awareness among the urban and rural population regarding the diagnosis and treatment of cancer.”

According to Tsige the Oncology Unit at BLH currently has approximately 6,000 cancer patients, with only 3 specialist doctors. “Every year the unit takes at least 2,000 newly diagnosed patients but the waiting time to start treatment is usually more than 6 months,” she said. “In the meantime a large number of patients die without any help or any source of pain relief.”

As to her own battle with the disease, Tsige shared: “Being a cancer survivor, I can testify to the suffering that I went through and what it means to be relieved from pain and the importance of proper medical care. In January 2010, I was diagnosed with Lymphoma B-Cell grade 2 cancer. Being in London, where facilities are in place my treatment was on the fast track and commenced within a month. I went through 6 cycles of chemotherapy and 2 cycles of Rituximab. At the end of July 2010 I had finished all my medical treatment and thank God now I am enjoying good health once again.”

Tsige said her wish is for all cancer patients in Ethiopia to have the same access to professional medical care as she did during her illness in England. “There is a lack of awareness about cancer in Ethiopia compared to other chronic diseases that are widely publicized. Therefore, when people begin to develop symptoms, more often than not, they tend to resort to traditional medicine.”

Regarding BCE, she added: “We plan to knock on every door to spread cancer awareness in Ethiopia and raise funds to reach our goal. As the Amharic saying goes ‘hamsa lomi leand sew shekmu new lehamsa sew gen getu new‘ (50 lemons are a load for one individual but for 50 individuals each lemon is like an accessory). This is what is required of Ethiopians worldwide, to be united as hand-to-a-glove for this project.”

We commend Tsige on her initiative for better cancer screening and services and encourage you to visit the BCE website to learn more.

Music Video Teaser by the Ethiopian Rock Band Jano Creates Online Buzz

Tadias Magazine
By Tadias Staff | Art Talk

Updated: Thursday, October 18, 2012

New York (TADIAS) – You may remember the new Ethiopian rock band Jano from our interview over the summer with their producer Bill Laswell who told us that he is convinced that the ten-member ensemble that fuses distinctly Ethiopian sounds with heavy guitar, will be the next big musical act on the world stage to come out of the country. Laswell had promised an unconventional marketing strategy to introduce the group to outside audiences.

“It will come as a word-of-mouth and not so much as a marketing distribution build up how America does things, but more to do with getting that interest to communities,” Laswell had said. “I think it will start in the Ethiopian community and hopefully it will build into what the world calls the ‘World Music’ genre, which is pretty big internationally.”

Jano recently released a teaser video that is already creating a buzz within the Ethiopian community online and elsewhere.

You can watch the video below and join the conversation on Facebook.



Watch: The Ethiopian Rock Band Jano – Interview with Producer Bill Laswell (TADIAS)

Re-imagining AiD: Africans in the Diaspora

Tadias Magazine
By Tadias Staff

Published: Tuesday, October 9, 2012

New York (TADIAS) – While working in the non-profit world with multilateral organizations such as The United Nations Development Programme (UNDP) and Human Rights Watch, and managing the Africa portfolio in more than 20 countries on the continent through the Global Fund for Children, Solome Lemma says she “saw first hand the ways Africans were moving, shaking, and transforming their communities — from Egypt to Zambia, Senegal to Ethiopia.” She adds: “So here and there we have Africans with ideas, innovations, skills, and resources, yet we continue to be painted as a continent of need and dependency. This needed to change.”

After meeting like-minded colleague, Zanele Sibanda from Zimbabwe, Solome co-founded and launched Africans in the Diaspora (AiD) an organization focused on consolidating the financial, intellectual, and social capital of Diaspora Africans to advance social and economic change in Africa.

Solome explained the organization’s acronym stands not only for ‘Africans in the Diaspora’ but is likewise an effort to re-imagine the meaning of foreign aid. “We want to disrupt and re-shape the meaning of aid,” she said in a recent interview. “For too long, “aid” has been exported to Africa. Africans are really the continent’s most important resource, whether we are back in our home countries or in the Diaspora, and we have all the skills, resources, and ideas necessary to transform our communities. We need to claim our rightful place in the ecosystem of change and transformation in Africa, as leaders, drivers, and designers of development. AiD unleashes that.”

AiD has developed a three-pronged approach to development, which includes Funds, a platform that enables Diaspora Africans and allies to invest directly in innovative African social change organizations; Connections, where exchange of expertise is facilitated between Diaspora and Continental Africans; and Voices, which amplifies the voices of people in and out of Africa who are committed and contributing to the continent’s progress.

Solome said individuals interested in joining this collaborative community effort can engage by sharing tools, resources, information, as well as facilitating dialogue through various social media venues, including Facebook, Twitter, and Tumblr.

Solome, who was previously featured as a White House Champion of Change in January 2012, reflects on the concept behind AiD: “The idea of giving back, is something I have carried for a while. As someone who has dedicated all of my studies and work to Africa, I often asked myself, what’s the best role for me as an African? How do I give back responsibly? How do I use the access and privilege that I have had and transfer it back home?”

AiD focuses on Africans as resource agents to encourage more investment in philanthropic and social causes built by African-led organizations.

To get involved or learn more about this initiative please visit http://www.africansinthediaspora.org

Click here to join the conversation on Facebook.

New Coffee-table Book Highlights Ethiopian Diaspora Success

Tadias Magazine

By Tadias Staff

Updated: Tuesday, October 9, 2012

New York (TADIAS) – Novelist and writer Dinaw Mengestu, winner of the 2012 MacArthur Foundation’s “genius grant,” is one of several Ethiopian-Americans highlighted in an upcoming coffee table book by California-based Tsehai Publishers. The publication documents the professional success of first and second generation Ethiopians in the United States and the Diaspora.

Additional features include entrepreneurs, artists, authors, musicians, and scientists such as Dr. Sossina M. Haile, Professor of Materials Science and Chemical Engineering at California Institute of Technology and an expert in materials science and fuel cells; Dr. Zeresenay Alemseged, Director and Curator of the Department of Anthropology at the California Academy of Sciences and the paleoanthropologist who discovered the 3-year-old Selam (nicknamed Lucy’s baby), which lived 3.3 million years ago in Ethiopia and is considered the earliest known such fossil excavated in the history of Paleontology; Dr. Dagmawi Woubshet, Assistant Professor of English Literature at Cornell University; as well as chef Marcus Samuelsson, artist Julie Mehretu, Grammy-nominated singer and songwriter Wayna (Woyneab Miraf Wondwossen), and Grammy-nominated musician and philanthropist Kenna (né Kenna Zemedkun), who in 2010 led a group of celebrity friends to climb Mount Kilimanjaro in order to raise awareness about the international clean water crisis.

“The book is an attempt to change global perception of Ethiopia by focusing on the many accomplishments of successful younger Ethiopians living throughout North America and Ethiopia today,” said Elias Wondimu, the book’s Publisher and Editorial Director. “These individuals are the sons and daughters, and younger siblings of those who lived through the 1970s Ethiopian political turmoil. By focusing on these individuals, we want to tell their parents’ story of resilience and share with the world the proud heritage that they commonly inherit as Ethiopians.”

Elias said the book’s working title, Yezare Abebawoch: Yenege Frewoch, is borrowed from the famous line by the former Ethiopian television children show host Tesfaye Sahlu. “In his infinite wisdom each time before telling a story, Ababa Tesfaye used to address his captive television audience — the children of yesteryear’s — as ‘flowers of today, seeds of tomorrow,’” he said. “The book focuses on these individuals who are doing beautiful work today, creating seeds for an even more wonderful future. It is the flowers of today that create the seeds of tomorrow. We are also trying to inspire Ethiopian children with these stories.”

Tsehai Publishers is seeking public funding for the book via Kickstarter, an online funding platform. Click here to learn more and support the project.


Image credit: Tsehai Publishers.


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Interview: Alemayhou Gebremedhin on his Obama Painting, Plus Photos

Tadias Magazine
By Tadias Staff | Art Talk

Updated: Monday, October 8th, 2012

New York (TADIAS) – Regardless of who wins in November, and despite President Obama’s restrained and lackluster performance at the presidential debate last week, there is still a voter in Virginia who says the incumbent doesn’t have to worry about losing his support.

“My personal admiration and respect for Obama goes far beyond politics,” says Alexandria-based artist Alemayhou Gebremedhin, whose portrait of the President was recently presented to Yohannes Abraham, Deputy National Political Director of Obama for America 2012, at the Ethiopian New Year celebration event held last month beneath the Washington Monument in the nation’s capital. According to All Eyes on Africa, Mr. Abraham, the Ethiopian-American campaign official who accepted the gift, also delivered a message of “Happy New Year” from President Obama to the Ethiopian community in the United States.

Alemayhou told TADIAS he started the painting four years ago after he watched Obama’s acceptance speech at the 2008 Democratic National Convention in Denver. “That was the day I said, wow, this guy is someone special, very brave. And if you remember the crowd was something else,” Alemayhou said in a phone interview. “I have been in America for 40 years, I came here in 1972. I attended Howard University in D.C. I have seen all the major changes that took place in this country in the last four decades.”

“When I was watching Obama that day on TV four years ago speaking to 80,000 people gathered outdoors in Denver, Colorado I knew that he was a very serious person and that he was destined for history. His confidence was my inspiration for the painting. I wanted to do something as an artist to capture the imagination that he fired inside me.” He added: “That’s when I started thinking about him in a way that I still do. Almost immediately I began putting my thoughts on canvas. From my personal perspective the fact that Obama became President represents social and cultural progress in the United States in a scale that I never thought was possible in my lifetime. That’s the lens in which I look at him. When he was elected it was an incredibly beautiful feeling for many, many people. I jumped up and said ‘only in America’ like Don King would say. I was so proud of Americans. If you understand the racial history of the United States and how far the country has come even since I got here, for example, in the arts, movies, music, literature, and politics, then you know that symbolically there could be no doubt that Obama is a very important figure in American history. This is what my painting expresses. His name that is written in Amharic on his tie is to show my Ethiopian background.”

Alemayhou, whose colorful paintings are part of the decor in a number of Ethiopian restaurant across the country, said he also exhibits his works at different galleries in the D.C. area, including at Parish Gallery, Anacostia Gallery, and DC Loft Gallery.

“Art is my passion,” he emphasized. “It’s a direct response to my interaction with my environment and a creative expression of my life as well as a personal interpretation of the lives of those around me, their love, pain, dreams and aspirations.”

“Painting is my way of surviving and coping. There is no other way to describe it,” he said.

Below is a slideshow of samples courtesy of the artist, including the Obama painting.

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From Australia Comes Ethiopian Calendar With Mobile App

Tadias Magazine
By Tadias Staff

Published: Wednesday, October 3, 2012

New York (TADIAS) – The Australia-based designers of the Ethiopian wall calendar, Jember, have announced that their latest version comes with a mobile app for Android smartphones. The app can be downloaded from their website.

“The Jember app hosts a complete Ethiopic calendar with a full list of major and minor Ethiopian holidays and other personal event reminder functionality,” says Yohannes Tafesse, one of the developers of the application. “In addition, it allows users to easily keep track of the Ethiopic date system.”

“The application is also designed around various elements of the traditional Ethiopian coffee ceremony,” he said.

Yohannes pointed out that the iPhone version is not yet available. “We wanted to first see how it’s received on Android platforms,” he said. “The plethora of devices running the Android operating system, ranging from tablets to smartphones, is our best chance for getting Jember in the hands of more people.” He added: “Having said that, however, an iPhone version for Jember is inevitable.”

Yohannes and his business partner, Ermyas Teshome, both of whom are residents of Melbourne, Australia, say they came up with the idea out of personal necessity.

“Living in the West means working under the Gregorian calendar system, which can leave one rather disconnected from the Ethiopian date system,” Ermyas said. “This is a problem because most of the holidays, birthdays and other events of our friends and families back home are in the Ethiopian date system. For me, this has meant either forgetting the special days of loved ones or calling a few days late and in some cases a few days early, which can be just as embarrassing. So Jember really emerged as a means of solving our own problems with the date system.”

“The reviews of the app are quite good so far,” noted Yohannes. “We will be releasing an update to the calendar app [Version 2] by the end of this week. The update includes some of the usability enhancements requested by our existing users. We hope everyone will like it and let us know what they enjoy about using Jember and what they would like to see improved.”
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Click here to learn more about the Jember calendar app.
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Fendika Dancers Returning to U.S. for Solo East Coast Tour

Tadias Magazine
By Tadias Staff | Events News

Published: Thursday, September 27, 2012

New York (TADIAS) – Addis Ababa-based musical troupe, Fendika, will return to New York City to launch their first solo U.S. tour at Joe’s Pub on Tuesday, October 2nd. The six-member group consists of two traditional dancers, Melaku Belay and Zenash Tsegaye, krar player Seleshe Damassae, drummer Misale Legesse, masinko player Endris Hassen, and singer Nardos Tesfaw.

While their music relies heavily on the azmari tradition Fendika also gives us a wonderful taste of the diversity of the nation through dance renditions from various cultural groups across Ethiopia.

Last August, Melaku, the group leader and owner of club Fendika in Addis Ababa, was hailed by Alistair Macaulay of The New York Times as “a happily superlative artist” after Fendika’s exhilarating performance at the annual Lincoln Center Out-of-Doors Festival.

Founded by Melaku in 2009 Fendika has since collaboratively worked with both Ethiopian-based groups such as Addis Acoustic Project as well as internationally with Ethio-inspired groups including Debo Band, Akalé Wubé, Ukandanz, and The Ex. Fendika performed at the 35th International Sacred Music Festival as well as the Lowell Folk Festival.

Following their recent tour in Spain, Fendika will be performing in several U.S. cities including Hartford, CT, Boston, MA, Washington D.C., and Smithfield, RI following their opening tour in NYC next week.
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If You Go:
Tuesday, October 2nd, 2012
Joe’s Pub
425 Lafayette Street, NY, NY 10003
Fendika
7:30pm
Entrance: $18
Click here to purchase advanced tickets.

Catching Up With Singer & Songwriter Rachel Brown

Tadias Magazine
By Tigist Selam | Art Talk

Published: Wednesday, September 26, 2012

New York (TADIAS) – Up-and-coming singer and songwriter Rachel Brown has released an EP called Building Castles, which is currently available on iTunes. Rachel tells TADIAS that she had “an incredible time” working on the record and is enjoying her fans’ reaction on social media. “It’s been very cool,” she said. “I received a lot of instant responses on twitter, including from Wyclef who said amazing things. It is so great to have the support of musicians like him.”

The multicultural artist and Harvard graduate, who is the daughter of Ethiopian-born wedding-fashion designer Amsale Aberra, said her most recent concert was in Bermuda. “My dad is Bermudian so that was really special,” she said.

Rachel was invited to be part of a tribute to the life and music of John Lennon and the legend’s connection to Bermuda. “John Lennon had spent time on the island and wrote some of his last songs there in 1980,” she said. “Did I mention I was on the front page of the newspaper when I landed there? My dad emailed me from New York to tell me that someone told him that I was featured in The Royal Gazatte, which was really cool.”

Though she loves to travel Rachel said her “comfort zone” is in New York. “I love performing in New York because its my hometown and I have a lot of support and I feel comfortable here,” she said.

As to her own connection to Ethiopia, Rachel said she has not been there in 3 years but she had been going back almost every year since she was eighteen. “I absolutely love Ethiopia and I always have a hard time coming back.” She said: “The last time I was there I ended up playing some impromptu shows. This was before I had a band of my own and that was one of the first times that I had played with other musicians. They were really incredible. We actually ended up recording a song called Bahir Dar, which I wrote during a prior trip. One day I would love to collaborate again and do a recording in Ethiopia.”

Rachel said, “Being Ethiopian, Bermudian, Southern and growing up in New York has definitely influenced my music and even the eclectic nature of my band, which includes people from Mali, Madagascar, Haiti — most of whom I met on a Saturday night playing at St. Nick’s Pub in Harlem.” She added, “They all understand what I am trying to do but they also bring their own perspectives.”

Click here to learn more about Rachel Brown.
Click here to download the new EP on iTunes.

Haile Selassie in America: Q & A with Professor Ted Vestal

Tadias Magazine

By Tadias Staff

Updated: Thursday, September 6, 2012

New York (TADIAS) – In the end, Emperor Haile Selassie died in prison, officially of natural causes but widely rumored to have been killed without trial by a military junta, apparently suffocated to death and buried under a toilet for more than seventeen years. Prior to that, however, the late emperor whose remains has since been moved to its current resting place at Kidist Selassie (Holy Trinity) Cathedral in Addis Ababa, was a long-reigning ruler of Ethiopia for more than four decades. He had been fiercely criticized for his reluctance to share power, and praised as visionary for his single-minded policy of modernization. According to a new book by Theodore M. Vestal, Professor Emeritus of Political Science at Oklahoma State University — who has done an extensive research about the emperor’s foreign visits, particularly to the United states — Haile Selassie was a world-class globe trotter as well, traveling the world on behalf of Ethiopia, forging diplomatic, military and commercial relationships from Africa to North America, and along the way subtly promoting the country’s brand as a mysterious and mystical land, as well as an attractive tourism and investment destination.

Haile Selassie was indeed the first Ethiopian leader that ventured out for extended travels throughout Africa, Europe, the Middle East, and to North and South America. In a recent interview with Tadias Magazine, Professor Vestal said, the emperor’s relentless pursuit of international diplomacy had big impact on how the rest of the world viewed Ethiopians.

“The Emperor was a fast learner, and I think his travels abroad in 1922 and 1924 were important milestones in his education,” Professor Vestal said, referring to his trip abroad as a young man before his coronation. “He took in all the tourist sites, met royal and not-so royal leaders, and assuaged his passion to know more about the latest mechanical wonders of Europe.” He added: “Haile Selassie also discerned how Ethiopia and Africa were viewed by foreigners.”

“His trip was a public relations triumph of the first magnitude, and he made a positive impression on many who had little if any contact with Africans, much less a ruler with an extraordinary entourage,” Professor Vestal continued. “His warm reception and demonstrative press coverage provided an appropriate gloss on the image of Ethiopia as a nation of note that had been earned on the field of battle at Adwa.”

Vestal noted that the Emperor’s travels inspired some of his domestic “agenda of modernization” that he pursued “as best he could” in the face of “conservative” critics at home.

“He beheld how other monarchs ruled and tried to follow their best practices in his own reign and for his own purposes,” Vestal noted.

Below is the rest of our interview with Professor Ted Vestal about his most recent book: The Lion of Judah in the New World, which explores Emperor Haile Selassie’s travels to the United States and shaping of Americans’ attitude towards Africa.


Dr. Ted Vestal (Courtesy photo)

TADIAS: In the chapter entitled A Lion in the Streets you noted that Emperor Haile Selassie’s first visit to America coincided with the U.S. Supreme Court’s ruling on Brown v. Board of Education. Given the Emperor’s travels to racially segregated states at the time please tell us a bit more about this unique moment in history.

Ted Vestal: At the time of the Emperor’s first state visit to the United States in 1954, racial discrimination was still practiced and enforced by law in the southern states of the old Confederacy and in some of the border states. In 1896 (the same year as the Battle of Adwa), a decision by the U.S. Supreme Court had given approval to the “separate but equal” doctrine that became the legal basis of segregation practices and Jim Crow laws under which African-Americans were “second-class citizens” lacking equal opportunities in education and employment. During the post-World War II era, however, the ideas of “humane democracy” of Franklin Roosevelt’s New Deal were having an important effect in bettering the position of the African-American in American life. Growing numbers of African-Americans began to improve their economic status by entering professions, businesses, and higher paying occupations. During the war, the color line was abolished by many employers and labor unions, while the man-power shortage, the government’s hiring of African-Americans for federal positions and requiring “no discrimination” clauses in federal contracts all contributed to this development.

Except for certain areas in the “deep” South, segregation was being brought to an end in public places such as hotels, theaters, restaurants, and recreational facilities. African-Americans all over the country were voting in larger numbers–sometimes requiring the aid of the Supreme Court to accomplish this. The lot of the African-American in transportation, education, and housing was likewise improved by the Court’s decisions. The ideas of the New Deal became a force creating a deep-seated change in American mores, with many people convinced that the maintenance of a caste system was inconsistent with the twentieth century idea of America as a constitutional democracy. Despite these changes, Swedish sociologist Gunnar Myrdal wrote in 1944 that “the status accorded the Negro in America represents nothing more and nothing less than a century-long lag of public morals.”

This changed on 17 May 1954, when the Supreme Court rendered perhaps the most fateful judicial decision of the twentieth century—Brown v. Board of Education. For the first time, the Court met head-on the moral challenge of the separate but equal doctrine in public schools and in a unanimous decision declared that doctrine unconstitutional. Chief Justice Earl Warren wrote the opinion of the Court declaring that separate facilities were inherently unequal and violated the Equal Protection clause of the Constitution. In the years that followed, segregation on the basis of race slowly came to an end, and African-Americans were more fully integrated into American life. At the time of Haile Selassie’s 1954 visits to Oklahoma and Louisiana, however, segregation was still in full sway in those states, and the Emperor’s acclaim broke down the color bar and tossed the moral question of racial biases squarely into the forum of American public opinion. Hence, the Emperor’s state visit played a role in hastening integration in the United States.

TADIAS: You cited Henry Morton Stanley as “probably one of the first Americans to visit Ethiopia” in the 1800s. Please tell us a bit more about him and his work as a correspondent for the New York Herald.

Ted Vestal: Stanley was an intriguing character who was an adventurer and explorer and who might have been responsible for the spread of sleeping sickness in Central Africa. A Welsh immigrant, he came to the United States at the age of eighteen in 1859. He had the distinction of serving in both the Confederate and Union armies and the Union navy during the Civil War. Stanley subsequently became a journalist and covered international events for U.S. newspapers, going to, among others, such “exotic” locales as the Ottoman Empire in 1860, the American frontier West in 1867 (where he reported on the work of the Indian Peace Commission), Abyssinia and the Napier expedition of 1868, present day Tanzania where in 1871 he searched for and “found” the “lost” Scottish missionary and explorer David Livingstone, the Congo River whose source he found in 1874, and Equatoria in the southern Sudan where he led the Emin Pasha Relief Expedition in 1886. The New York Herald and Britain’s Daily Telegraph were Stanley’s most important newspaper employers, and Belgium’s King Leopold II was his patron in some of his expeditions of discovery in Africa. Stanley wrote about his adventures and explorations in a series of books, the most popular of which were Through the Dark Continent (1878) and In Darkest Africa (1890). In the 1890s he returned to Britain where he was knighted and served in Parliament from 1895-1900. He died in London in 1904.

TADIAS: Your book states that it was during the era of Emperor Menelik that formal diplomatic ties were forged between Ethiopia and the United States. Robert Skinner was the American diplomat sent to Ethiopia with the task of negotiating the first commercial treaty between the two nations. What were some of the main negotiation points of this first treaty?

Ted Vestal: In 1903, Skinner made it clear that commercial interests were the sole basis for contact between the two nations. Emperor Menelik appreciated the fact that the United States had no colonial or political ambitions in Africa and might serve as buffer against imperialist European powers in the region. The United States sought to expand trade with Ethiopia, the only non-colonized country in the region, in ways that were not available in the colonized nations of Africa. Skinner hoped to promote U.S. exports, which he thought would have “the power to transform Ethiopia.” His attitude has been called “free-trade imperialism” or “informal empire” by historians. Ethiopia, having successfully defended its independence at the Battle of Adwa, was a prime target for the American mission. The country did not need the blessings of European colonialism for it to move into a new stage of social and economic development. The Americans wanted Ethiopians to develop their acquisitive faculties to give them a taste for more wants and hence more consumerism. Peasants would have to be the driving force in such a change because the manufacturing sector was in its infancy. The purchasing power of the Ethiopians was small, but if their desire for foreign manufactured goods could be increased, they might respond by harvesting larger crops and raising more livestock to increase their dollar holdings. The increased trade that Skinner dreamed of would require a social and economic revolution in which largely self-sufficient farmers would be more driven by the profit motive. Although the Skinner treaty was ratified by the U.S. Senate in 1910 and was valid for ten years, trade between the two countries was limited until after World War II. Emperor Menelik was still more interested in the purchase of arms during the remaining years of his reign.

For the most recent writing on the subject, see Amanda Kay McVety, “Enlightened Aid: U.S. Development as Foreign Policy in Ethiopia,” Foreign Affairs, Sept/Oct 2012.

TADIAS: Haile Selassie’s visit to America also jump-started President Truman’s famous “Point Four Program,” which you point out “emphasized the distribution of knowledge rather than money.” Can you elaborate on some of the developments that arose from this program?

Ted Vestal: The purpose of the Point Four Program was to share American “know-how” with developing nations. In Ethiopia, the greatest legacy of Point Four was the establishment of modern agricultural instruction, research, and extension in the country. The Imperial College of Agriculture at Alemaya and the Jimma Agricultural High School were major U.S.-inspired initiatives in Ethiopian education that have endured and grown into significant centers of learning today. The multi-million dollar Point Four Program went through a series of name changes and morphed into the U.S. Agency for International Development (USAID) that, under whatever moniker, was responsible for many programs that benefited Ethiopia, including crop and livestock protection, teacher training, vocational trade schools, health programs, nurse education, malaria eradication, the creation of mapping and national archives, a Blue Nile basin survey, regional development, national airlines training, public administration, and the provision of university faculty and administration. The ties established between Ethiopia and Oklahoma State University under the country’s very first Point Four contract have been maintained to the present day as the longest continual relationship between an American university and a Sub-Saharan African nation. The good will initiated by the Point Four Program doubtlessly influenced the choices of many Ethiopians to pursue further education in the United States and even to immigrate to the New World when government oppressions at home forced them to leave.

TADIAS: Haile Selassie’s tour of America also included going to visit the Boeing Aircraft Plant. Ethiopian Airlines remains one of Boeing’s loyal customers to date and recently became the only African airline to acquire the Dreamliner. What can you tell us about the development of this historic relationship?

Ted Vestal: Although Ethiopian Airlines had been established in 1946 as a joint venture with the U.S. airline TWA (Trans World Airlines) with the acquisition of five U.S. Government surplus C-47 aircraft and had developed into the backbone of Ethiopia’s infrastructure, it was not until 1960 that Ethiopian was to purchase Boeing planes (720-Bs) to usher in the jet age. I do not know the story behind the Emperor’s tour of the Boeing factory in Seattle during his 1954 state visit. His advisor, John Spencer, who accompanied Haile Selassie on the trip, had been instrumental in setting up the agreement with TWA and served on the corporation’s board. Perhaps Spencer as well as the Ethiopian/TWA executives in Ethiopia had foreseen Boeing’s becoming a leader in commercial jet air craft and had arranged for the factory visit. It was a prophetic event, for Boeing was to enjoy great success in designing and building both military and commercial jet aircraft in the years following. Indeed, Boeing planes have been in service at Ethiopian Airlines continuously since 1962 when the first two Boeing 720-B aircraft landed at the newly constructed Bole Airport. As U.S. Ambassador Ed Korry explained to me, the Emperor was wily in requesting American aid to purchase state of the art jets for Ethiopian so that the airline could maintain its status as Africa’s finest airline. Having purchased the aircraft, Haile Selassie then had to have funds to build airports large enough for them to land and take off—funds that the United States was willing to provide. That was how Ethiopia’s first four modern airports were constructed. In September, the Ethiopian Airlines-Boeing tie will be part of a poignant reunion when one hundred Returned Peace Corps Volunteers who began teaching in Ethiopia fifty years ago will journey back to the land of their service on a new, top-of-the-line Ethiopian Boeing 787 Dreamliner.

TADIAS: Can you summarize how the historical diplomatic ties between America and Ethiopia has shaped each country?

Ted Vestal: The diplomatic ties between the two nations were not very dynamic until the mid-1930s and the Italo-Ethiopian war. Although Ethiopians had encouraged American businesses to consider trade and investment in Ethiopia ever since the Skinner mission in 1903, other than occasional official visitors, Ethiopia did not develop a diplomatic presence in the United States until 1935, and even then there was no embassy in Washington.

During the Italian-Ethiopian crisis of 1934-1935, the United States took a neutral stance on the grounds of “non-interference in European conflicts” and because the matter had been given to the League of Nations. Shortly after Italian forces occupied Addis Ababa in 1936, the United States, which did not recognize Rome’s annexation of Ethiopia, shut down its legation. U.S. diplomacy during the Italian crisis reflected the American policy goal of staying out of international entanglements and avoiding war.

Following the liberation of Ethiopia and America’s declaration of war on the Axis powers in 1941, the two nations became allies. The United States sent military assistance under a Lend Lease agreement, and Emperor Haile Selassie sought additional American aid to replace British influence in his country. Ethiopia and the United States reestablished diplomatic relations in 1943 with the United States opening a new legation along Entoto Road and Ethiopia sending its first resident minister to Washington. The Emperor sought American support for Ethiopian access to the Red Sea and the return of Eritrea—aspirations which eventually were realized with help from the United States. The U.S. Air Force subsequently flew an Ethiopian delegation to San Francisco to attend the founding conference of the United Nations in 1945. Thus U.S. diplomatic ties paid a role in assisting Ethiopia’s becoming a leading advocate of collective security in the fledgling UN. During the Korean conflict in 1950-1953, Ethiopia sent an armed battalion that fought alongside other United Nations forces. Ethiopia’s Kagnew battalion was transported to Korea on American ships and worked closely with U.S. forces in combat. Ethiopian forces later served with UN troops in the Congo in the 1960s. These contributions were greatly admired in the United States.

In the immediate post-World War II era, Ethiopian-American diplomatic relationships were shaped by the developing Cold War. Containment of the Soviet Union and its allies became America’s primary foreign policy after 1947. The United States and Ethiopia signed a treaty of amity and economic relations in 1951 and a Point Four technical assistance agreement the following year. This was the beginning of a U.S. foreign aid program that was to become the largest in Africa. The United States continues to be a strong financial supporter of Ethiopia today.

In the 1950s U.S. diplomacy focused on acquiring military access and communications facilities in Ethiopia, keeping communist influence out of the country, and maintaining a government that reflected pro-Western positions in international and regional arenas. Ethiopia wanted American assistance in expanding and modernizing its military, help with modernization of the economy, and political support for the incorporation of Eritrea, control over the Ogaden, and U.S. aid should there be any threats to its sovereignty. To the present time, Ethiopia and the U.S. military continue to have close connections.

In 1962, the first group of Peace Corps Volunteers (PCVs), a majority of whom served as secondary school teachers, came to Ethiopia. In the mid-1960s, about half of the secondary school teachers in the country were PCVs. During the next eleven years, more than 2,500 PCVs were to serve in Ethiopia in diverse capacities with various ministries and agencies (in the 1990s, PCVs again were assigned to Ethiopia and operate there today). With the large increase in military assistance, Point Four aid, and the Peace Corps, many Americans worked in Ethiopia in the 1960s and early 1970s. At the same time, more Ethiopians were sent to the U.S. for higher education or military training.

In 1963 following the creation of the Organization of African Unity (OAU) in Addis Ababa, Ethiopia became even more important to U.S. diplomacy. The U.S. hoped Haile Selassie would serve as a moderating influence within the OAU and in contacts with African leaders.

Ethiopian-U.S. diplomatic ties enabled Haile Selassie to modernize and increase the size of his military forces to be one of the largest and best equipped in Africa. From the 1950s until the end of Haile Selassie’s reign, Ethiopia received about 80 percent of all U.S. military aid for Africa and one-fifth of American economic assistance. This financial support probably had extended the longevity of the Emperor’s rule. The Ethiopian-U.S. military agreements, however, resulted in Arab hostility and, as the Cold War escalated, gave the Soviets a base for intervention in Somalia. This eventually led to the Soviets becoming dominant in Ethiopia during the Derg era and to the U.S. switching its support to Somalia in the 1970s and 1980s.

Through diplomacy, the United States maintained a military listening post in an area strategic to protecting shipping lanes from Arab oil-exporting countries. In a way, diplomatic ties with Ethiopia were a learning experience for the United States during the years that led to the end of colonialism throughout the continent and the 1960s, “the decade of Africa.” Over a long period, Ethiopia was a stable, moderate friend of America that by trial and error supported its best ally in Africa. Ethiopia benefitted in many ways from the military and economic development funds that were the equivalent of rent for Kagnew Station. The greatest legacy of the diplomatic ties of the two countries, however, has been the friendship between the people of Ethiopia and the United States which has persisted regardless of what paths were taken by the governments of the two nations.

TADIAS: And last but not least, please tell us about your personal and academic interest in Ethiopia and how it began?


Professor Ted Vestal

Ted Vestal: Like many Americans who were in colleges and universities during the 1950s, I knew little about Africa, much less about Ethiopia during my student days. There were few opportunities, even in major graduate programs such as Stanford’s, to study “the developing world.” African nations were a part of political science courses on colonial systems or “British Empire studies.” Emperor Haile Selassie was well known to my generation because of his memorable speech before the League of Nations in 1936 that was included in Allied propaganda films and shorts during World War II. His speech, in its entirety, also was published in many international relations or international organization texts. Other than newsreels of the Italo-Ethiopian War and liberation, there was sparse information about Ethiopia. By the time I was in college, I had heard of Oklahoma State University’s work in agriculture in Ethiopia, work that enjoyed an excellent reputation. I also knew of the Emperor’s visit to Oklahoma in 1954. A few years later, in 1960, I had become intrigued with President Kennedy’s idea of a Peace Corps. By that time, I had a wife and two children and didn’t think there was any way I could be a part of the new organization that JFK started shortly after his inauguration. Then I heard of something called the Peace Corps staff that worked with PCVs overseas, and I applied immediately. Through the good offices of my friend and college classmate, Bill Moyers, I was invited to go to Washington and eventually was interviewed by Peace Corps Director Sargent Shriver. He offered me a staff position in Ethiopia, and I began to seriously study that nation while working in Peace Corps/Washington. In DC, My wife and I were most fortunate to study Amharic with one of Ethiopia’s greatest linguists, Tadesse Beyene, who was a graduate student at Georgetown University at the time. He taught us much in a short time—and much more about Ethiopia than just the spoken language. When the Emperor came on his second state visit to the U.S. in 1963, I was on Pennsylvania Avenue cheering as he and Kennedy drove by in an open convertible. A short time later, I observed Haile Selassie marching in the procession of world leaders at Kennedy’s funeral.

When we arrived in Addis Ababa in 1964, my education went into high gear. Living and working in Ethiopia for over two years was the best learning experience one could have about the country and its people. I was privileged to visit all the nation’s provinces and to meet Ethiopians from all walks of life. The more I learned, the more I wanted to know—a situation that has continued throughout my life.

After my Peace Corps service, I maintained an interest in Ethiopia but did not want to return there during the time of the repressive dictatorship of Mengistu Haile Mariam and the Derg. During the horrendous famine in Ethiopia in 1984, I suffered from what Conner Cruise O’Brien called “the shock of non-recognition” when reading about conditions there, and I decided to write my version of what was happening. I wrote an article, “Ethiopia’s Famine: A Crises of Many Dimensions,” that was immediately published by the Royal Institute for International Relations in London in its journal The World Today. Thereafter, I was in demand to write and speak about Ethiopia and its problems. After the Derg fell in 1991, I was a consultant to the Transitional Government of Ethiopia and served as an international election observer in the 1992 national elections. I became involved in the process of writing a new constitution for the country and was asked to testify before the Committee on Foreign Affairs, U.S. House of Representatives, on “Ethiopia: The Challenges Ahead.” I was active in International Conferences of Ethiopian Studies, and I was able to get back to Ethiopia every few years to interview a host of Ethiopians. Starting in 1995, I wrote expert witness affidavits or testified in some 120 political asylum cases of Ethiopians and Eritreans seeking to escape tyranny and human rights abuses. This experience was a significant part of my education and informed my writing on Ethiopia: A Post-Cold War African State published by Praeger in 1999 and other works. Now as an emeritus professor, I continue to think about and to write about Ethiopia and its fascinating people and to enjoy the friendship of some of their best and brightest folk.
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Click here to learn more and get a copy of Professor Ted Vestal’s book.

Cover photo: At President Kennedy’s burial service at Arlington National Cemetery on November 25, 1963. Among the world leaders pictured with Haile Selassie include General Charles de Gaulle of France; Ludwig Erhard of Germany; Queen Frederica of Greece; King Baudoin of Belgium; and other mourners. (Photo credit: Cecil Stoughton, White House/John F. Kennedy Presidential Library and Museum, Boston).

Related:
Rarely Seen White House Photos Featuring Emperor Haile Selassie


Emperor Haile Selassie is greeted by President John F. Kennedy and First Lady Jacqueline Kennedy upon his arrival at Union Station in Washington, D.C on October 1st, 1963. (Kennedy Library and Museum)


President John F. Kennedy and Emperor Haile Selassie meeting at the White House, October 1963.

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Mental Health Taboo in the Ethiopian Community: Interview with Dr. Welansa Asrat

Tadias Magazine
By Tadias Staff

Updated: Tuesday, August 21, 2012

New York (TADIAS) – The latest news of suicides and murders in the Ethiopian community, including the tragic killings of a Dallas couple who were gunned down outside their house as they returned home from working at their popular Ethiopian restaurant, is raising the question: Is this the consequence of our taboos about mental illness?

“Although the negative stigma associated with mental illness is prevalent throughout the world, it remains particularly relevant in Ethiopian culture where it is believed to be a sign of weakness,” says Dr. Welansa Asrat, a Psychiatrist practicing in New York City. “Due to the unacceptability of such a stigma, many Ethiopians deny their mental suffering and never get the necessary treatment, which can then result in disastrous outcomes such as suicides or homicides.”

In the Texas case, police documents show that the suspect, also an Ethiopian immigrant, was allegedly motivated to assassinate the parents of an 18-month-old baby because he “felt disrespected.”

What are the social pressures that drive people to this type of irrationality?

According to Dr. Welansa concerns associated with culture-shock or adjustment issues increase the likelihood of developing psychological problems.

“The loss of one’s culture, lack of social support, isolation and loss of self-identity experienced by immigrants are known risk factors of mental illness,” Dr. Welansa said. “When the immigration is involuntary in nature and occurs after traumas such as war, torture and other forms of human rights violations, the individual is that much more vulnerable to mental illness.” She added: “Additional risk factors such as new minority status, language barriers, financial hardship, unemployment, difficulty negotiating educational and occupational systems, discrimination and changing gender roles can overwhelm an individual’s capacity to cope with his or her circumstances and result in a full-blown episode of depression, Post-Traumatic Stress Disorder (PTSD), anxiety disorders or psychosis, with or without suicidal or homicidal behaviors.”

Dr. Welansa notes that there are protective factors such as minority integration, social participation, social support, adaptability, and positive relationships, which can minimize the likelihood of a full-blown mental disorder. “It is the cumulative effect of multiple risk factors combined with an absence of protective factors that increases an immigrant’s risk of mental illness,” Welansa says. Additional factors affecting mental health include one’s biological and psychological makeup.

When it comes to violent crimes within the Ethiopian community, Dr. Welansa points out, however, that it is not as widespread as it seems and could be put under control.

“Despite the historical misconception that immigrant communities have higher crime rates, studies now show that immigrants are, in fact, less prone to violent crimes than native-born Americans,” she said. “In his study on this issue, Harvard sociologist, Robert Sampson showed that first-generation immigrants were 45% less likely to commit violent crimes, and second-generation immigrants were 22% less likely to commit violent crimes.” She added: “This pattern held true for non-Hispanic, black and white immigrants.”

Regarding the Ethiopian community, Dr. Welansa said there are studies that show that the close knit and communal nature of our culture may play a protective role in preventing mental illness.

“The first study that looked at mental health in the Ethiopian community in North America was conducted in Toronto in 2004,” Dr Welansa said. “The study looked at the frequency of depression and the risk factors involved in the occurrence of depression in the Ethiopian immigrant community.” She added: “The study found that the rate of depression in the Ethiopian community in the Toronto area was only slightly higher (9.8%) than the rate within the general Canadian population (7.3%). However, the rate (9.8%) was 3 times higher than the estimated rate in Southeastern Ethiopia, which highlights the extent to which immigration increases one’s risk of depression.” The study corroborated the psychological stages of immigration that have been previously documented, starting with an initial period of elation, moving to a state of depression and ultimately to a recovery period.

“The researchers believe that the initial elation is due to the strong social support that is initially available from their ethnic group and that depression sets in as this support wanes over time,” Dr Welansa said. “Most eventually make it to a recovery period, which occurs when they have become fully acculturated, but some spiral downward into a state of despair.”

The patterns noted in this study suggest that social connections and programs that promote ethnic identity likely protect an immigrant from depression. However, further research is required to substantiate the protective role that ethnic identity plays in preventing depression.

“The one form of violence that is higher in immigrant communities is domestic violence against women,” Dr. Welansa said, citing NYC Mayor’s Office to Combat Domestic Violence, which found that young, foreign-born women have the highest risk of being killed by their partner of any group of women in NYC. “One study found that foreign-born women accounted for 51% of intimate partner homicides in New York City,” she said. “The study also showed that married immigrant women experienced higher levels of physical and sexual abuse than unmarried women.”

She added: “Domestic violence advocates cite three barriers that prevent immigrant women from seeking help: lack of information regarding the law and available services; culturally ingrained tendency towards preserving their family or community reputation combined with a sense of shame in divulging their family issues; and fear of the authorities.”

What is Dr. Welansa’s advice to our community leaders, as well as cultural and religious organizations on how to contribute to help alleviate the various traumas associated with migration?

Dr. Welansa suggests developing educational programs that promote mental wellness and strengthen protective factors such as good parenting, literacy, problem-solving skills, social management skills and stress management, which can be taught and reinforced in community programs.

Implementing measures that address risk factors such work-related stress, discrimination, academic failure, chronic pain, substance abuse & poor work skills, are also important focus points prior to the onset of mental illness.

Additionally, individuals and families can be encouraged to use suicide hotline services that can provide emotional support for those experiencing emotional distress and provide referrals to mental health care workers in their area.

Dr Welansa said: “For those requiring psychotropic medications (antidepressants or antipsychotics), it is worth knowing that the liver enzyme that metabolize most psychotropics do so at an ultra-rapid rate for 20-30% of individuals with Ethiopian or Arabian genetics. For those who are ultra-rapid metabolizers, a higher dose of an anti-depressant or anti-psychotic would be required for the medication to achieve therapeutic efficacy and alleviate the targeted symptoms.”

Dr. Welansa Asrat is Board Certified Psychiatrist, Cross-Cultural Psychiatry, working in New York City. She is on Twitter.

Related:
Click here for the latest in the Dallas case.

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Interview with Professor Lemma Senbet: New Head of African Economic Research Consortium

Tadias Magazine
By Tadias Staff

Updated: Monday, August 13, 2012

New York (TADIAS) – Professor Lemma W. Senbet, an internationally recognized leader in finance studies, has been appointed as the new head of the African Economic Research Consortium (AERC) – a Kenya-based non-profit organization that conducts independent research concerning the management of economies in sub-Saharan Africa. Dr. Lemma currently teaches at the University of Maryland, College Park where he also chaired the Finance Department at the Robert H. Smith School of Business.

Dr. Lemma was selected for the AERC position after a worldwide search. Speaking to Tadias about the agency Dr. Lemma stated, “This is an organization which has already achieved immense success in building capacity for research and training to inform economic policies in Africa,” noting that his appointment as the Executive Director of AERC comes at a time when a number of countries in the region are enjoying strong economic growth.

“My goal is to lead it to move to the next level of excellence, and I will be embarking on strategies for full global integration of the AERC and its visibility beyond Africa as an organization that is at the cutting edge of best policy research practices,” Professor Lemma said. “It is also my purpose to aggressively work on enhancing diversity of global partnership beyond the current generous partners, including the UK development agency, World Bank, Rockefeller Foundation, Gates Foundation, Nordic countries, etc.” He added: “It is important that we scale up the partnership of African institutions as well as the private sector engaged at the interface of private and public policy issues, such as governance, risk management, and financial regulation.”

Professor Lemma noted that he hopes to emphasize research and finding ways of delivering measurable and credible results for those managing the content’s financial system. “In the ultimate, the purpose is to build capacity to do rigorous research and provide training to impact economic policies which help sustain, and even accelerate, the current economic growth momentum in Africa,” he said.

On a personal level Dr. Lemma said he feels honored that after an extensive international search, the AERC board has chosen him to serve as Executive Director. “I feel privileged that I am invited to head this premier policy research organization with global reach at this important juncture in the continent,” he said. “I cannot ask for better timing.”

Professor Lemma will take a leave from his academic position and relocate to Nairobi in Summer 2013.

In a profile highlight that appeared in this magazine in 2004, the Ethiopian native had shared with us then that as a young man he gave up his aspirations of becoming an engineer after hearing news of the opening of a new business school at Addis Ababa University. He enrolled at the business school and graduated with top honors. He went on to acquire a Masters in Business Administration from University of California, Los Angeles, and a PhD in International Finance from State University of New York in Buffalo.

Prior to joining the University of Maryland, he taught at University of Wisconsin, Madison, and was a visiting professor at Northwestern University, University of California, Berkeley, and New York University.

Since then, Professor Lemma has advised the World Bank, the International Monetary Fund, the United Nations, and several other agencies in areas relating to corporate finance, capital market development, financial sector reforms and banking regulation. He has also served as Director of the American Finance Association as well as President of the Western Finance Association. Over the years, Dr. Lemma has sat on the editorial boards of prestigious peer-reviewed publications, including the Journal of Finance, Financial Management, and the Journal of Financial and Quantitative Analysis.

More recently, he was recognized by the Society of Ethiopians Established in the Diaspora (SEED) as a distinguished scholar, teacher and role-model. And he is also a recipient of an honorary doctor of letters from Addis Ababa University, his alma mater.

Regarding his new job, Professor Lemma said he feels positive returning to Africa at this time in history. “Yes, Sub-Saharan African countries have been in what amounts to growth renaissance over the last five to six years,” he said. “The growth momentum has been in the same proportion of the Asian Tigers in the 1990s. Just today (August 9), The New York Times reported that seven of the world’s ten fastest growing economies are now domiciled in Africa.” He continued: “This just reinforces other recent stories, including the highly acclaimed cover story “The Hopeful Continent: Africa Rising” in the Economist (December 2011).”

“Is it sustainable?” we asked.

“That is the big question, “Professor Lemma answered. “On the optimistic side, it should be recognized that the recent dramatic gains are not accidental. They are payoffs to two decades of genuine economic and financial sector reforms, including large scale privatization programs and empowerment of private initiative, as well as improved economic governance.” He added: “Moreover, advances in technology and Africa’s increased integration into the global economy have fueled the development. Of course, at the center of that is human capital development which is an outcome of capacity building. Thus, on the positive, there are powerful forces that help sustain, and even accelerate the recent gains, and I am pleased that AERC will play a central role in the capacity building front. However, there are threats, particularly the ongoing Euro crisis, given that Europe remains a major trading partner to Africa. The Euro crisis could also affect Africa indirectly through the adverse impact on other trading partners, particularly China which is now the key player in Africa.”

Speaking of the “the Euro crisis”, what are Professor Lemma’s thoughts on the overall global financial crisis and how it may continue to affect African countries?

“Africa surprisingly weathered global crisis better than most regions of the globe in part because most countries have not been fully integrated into the global financial economy,” he said. “Those which were experienced immediate declines in stock market performance as well as trade flows, South Africa being among them.”

Professor Lemma, however, cautioned that things have stabilized and African economies are back in a growth trajectory. “It should be recognized that Africa is not monolithic but a continent of 55 countries with substantial variation in policies, governance, and reform pace, etc., and the global effects are not uniform,” he said. “The resilience to the global crisis is now overshadowed by the current crisis in Europe, and it is in the best interest of Africa (also the world at large) that the crisis be resolved soon.”
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Related:
Senbet to Head Top African Economic Development Research Organization

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Star Bound: Video Game by Ethiopian American Music Group CopperWire

Tadias Magazine
By Tadias Staff

Published: Friday, July 20, 2012

New York (TADIAS) – The Ethiopian American sci-fi hip-hop group, CopperWire, has launched a project on kickstarter.com to help convert their debut alum into an interactive video game. In April 2012 they released Earthbound on the San Francisco based label Porto Franco Records. Their new project entitled Star Bound is the sequel to that effort, a remix app that adapt to listeners’ input.

“It’s a totally revolutionary way of listening to music, every listener will have a different experience,” said Ellias Fullmore, the lead developer.

Starbound is an ambitious project that will also include sonified light curves (the sound of actual stars), a space flight game, and an interactive art widget that includes a comic book.

“We are basically using math to compose the music,” Elias said. “Each input from the user makes that experience unique. I know it sounds crazy, right? It’s a brand new concept.”

The group also credits Dr. Jon Jenkins, an analyst at NASA Kelper labs, for allowing them use his work in their music. Jenkins produces sonic light curves (the sound of stars) using data from NASA’s Kepler Spacecraft. “Mr. Jenkins came to one of our shows with his wife and we had such a great time with him,” Elias said. “He is an older guy and he was the only white guy in the whole hip-hop show.” He added: “He just thought that it was fascinating that we used his work to make music. He never imagined it. His wife was in tears.”

The band CopperWire also includes Ethiopian-born singer and songwriter Meklit Hadero and Seattle underground hip-hop artist Gabriel Teodros. “We have known each other for a while,” Elias said. “Meklit and Gabriel are actually cousins, and we have traveled to Ethiopia and Kenya together in the past and recently we did a musical tour of Ethiopia. That’s when we decided to form the group.”

Watch:


Learn more about StarBound and support the project at www.kickstarter.com.

Abyssinian Fund, Coffee, Harlem and Ethiopia Connection (TADIAS Video)

Tadias Magazine
By Tadias Staff

Published: Saturday, July 14, 2012

New York (TADIAS) – Reverend Nicholas Richards, President of Abyssinian Fund, is also the Assistant Minster at Abyssinian, the legendary African-American baptist church in Harlem. “Abyssinian Fund came as a result of two things,” Rev. Richards told TADIAS, speaking about the four-year-old organization. “I had a really deep-seated passion to become involved in Africa and African development from my first trip there when I was still in college, and also because of the Abyssinian Baptist church’s history.” He added: “Abyssinian Baptist church is 204 years old and it was founded by Ethiopians and African Americans. So when I got to Abyssinian Church, I wanted to find a way to really bring together my passion for African development and Abyssinian Baptist church’s own history. And that’s really how we started Abyssinian Fund together. And when we decided to work in Africa, Ethiopia was of course the logical place for us because the church has such a really strong and rich history with the nation of Ethiopia.”

Reverend Richards describes Abyssinian Fund as an independent NGO formed by the Abyssinian Baptist church with the goal to reduce poverty in Ethiopia. “We try to do that by partnering with local coffee farming communities to increase their incomes, to provide training and equipment for them, and at the same time encouraging them to reinvest in their communities,” Richards explained. He pointed out that his group is working to create a market in the U.S. for Abyssinian Fund coffee grown in Harar, where buyers and donors would be asked to pay premium price – at least a dollar above market value, and that would be re-invested into the partnering coffee farm co-op in Ethiopia.

“And so this work, if nothing else, I hope that it is able to bridge communities together,” Rev. Richards said.

Watch the following video for the full interview with Reverend Nicholas Richards of the Abyssinian Fund.

Video: Harlem – Ethiopia Connection – President of Abyssinian Fund (TADIAS TV)

TADIAS Speaks to Marcus Samuelsson About His Memoir ‘Yes, Chef,’ – Video

Tadias Magazine

By Tadias Staff

Updated: Monday, July 9, 2012

New York (TADIAS) – The day before TADIAS sat down with Marcus Samuelsson at Red Rooster to interview him about his memoir entitled, Yes, Chef, he received the congratulatory news that his book was listed at number 7 on The New York Times Best Seller list. And as NYT’s book review had highlighted a week earlier: “Mr. Samuelsson, as it happens, possesses one of the great culinary stories of our time.”

From contracting tuberculosis at age 2, losing his birth mother to the same disease, and being adopted by a middle-class family in Sweden, Marcus would eventually break into one of the most exclusive clubs in the world, rising to become a top chef with a resume including cooking at the White House as a guest chef for President Obama’s first State Dinner 3 years ago. Since then, Marcus has morphed into a brand of his own, both as an author and as owner of Red Rooster in Harlem.

“I first started to work on the memoir about five years ago”, Marcus told TADIAS. “I have been asked for many years to do a book. I just started to get to know my journey myself.” He added: “You know, there was always new layers, whether it was leaving Aquavit, coming uptown, building Red Rooster, getting married, or learning about my birth father.”

Marcus who lives in New York with his wife, Ethiopian-born model Maya Gate Haile, said he feels at home in Harlem as he does in Sweden and Ethiopia. “Harlem has a sense of home to it,” he said. “It’s a neighborhood in a very busy city, every time I come back to Harlem I feel I am at home in a way that I feel like when I am in the West Coast of Sweden and even when I am in Addis I feel like I am at home in a different way.”

Describing Harlem Marcus said, “You see signs of the Ethiopian and the Harlem community constantly, whether it’s when Haile Selassie visited Harlem or you see the Abyssinian Church, still to this day they do so many trips back to Ethiopia. So it’s something that I am extremely proud to continue on the tradition of the link between Ethiopia and Harlem.” He continued, “Obviously my space is food so it’s also a way to break bread. You know, when I serve dried injera here or berbere roasted chicken, I am continuing a legacy that has been here way before me and hopefully it’s going to continue way after me.”

You can watch the video below for our full interview with Marcus Samuelsson.

We say rush to get your own copy of Yes, Chef, it’s a fantastic read!

Video: Interview with Marcus Samuelsson About His Memoir ‘Yes, Chef,’ (TADIAS TV)

Debo Band’s First Album: Interview with the Group’s Founder Danny Mekonnen

Tadias Magazine
By Tadias Staff

Updated: Friday, July 6, 2012

New York (TADIAS) – In its recent, thumbs-up highlight of Debo band’s self-titled first album NPR noted: “The particular beauty of Debo Band is that you don’t have to be an ethnomusicologist to love it: It’s all about the groove. Debo Band transforms the Ethiopian sound through the filter of its members’ collective subconscious as imaginative and plugged-in 21st-century musicians. Klezmer-haunted wails dart in and out between disco thumps. The swooning, hot romance of [Yefikir Wegene] bursts up from the same ground as the funky horns of Ney Ney Weleba. From that hazy shimmer of musical heat from faraway Addis, a thoroughly American sound emerges.”

In an interview with Tadias Magazine, Danny Mekonnen, the group’s Ethiopian-American founder, agreed with NPR’s description, yet also pointed out that even he finds it difficult to explain the music. “It’s funny now that I am talking to the press more and more I am asking myself the same question”, Danny told TADIAS. “What is it?,” he said, admitting that he is not sure how he would categorize Debo’s music genre.

“I don’t think its Ethio-jazz because to me Ethio-jazz is a very specific thing branded by Mulatu Astatke. Its gentle,” he said. “Initially I didn’t want to start an Ethio-jazz band because I was interested in a lot of different things and influenced by unapologetic funk music as well, such as someone like Alemayehu Eshete, which is really about groove, dancing, and strong lyrics. That kind of energy.”

Debo’s debut album features originals, such as DC Flower and Habesha, the latter based on the Diaspora experience where a young man is mesmerized by an attractive East African woman walking down the street that could be either Ethiopian or Eritrean, while the former is an instrumental giving prominence to Embilta flutes and traditional drums. “The two songs are noteworthy because we are carving our space as a Diaspora, Ethiopian-American band,” Danny said.

Danny, who holds a Master’s degree in Ethnomusicology from Harvard University, said he became exposed to Ethiopian music at an early age while growing up in Texas, mostly from his parents cassette-tape collections of old songs from the 1960’s and 70s. “I was just soaking it up like a sponge,” he said. “I was attracted to it because of its horn melodies and its closeness to American jazz.” He continued: “Later, in the early 2000’s I was introduced to the Éthiopiques CD series, which gave me really accessible context including photos. That also led me to meet some great people in the Diaspora. So when I entered Harvard I had already started Debo band and my scholarly focus was on Ethiopian music.”

Even though Debo’s sound is heavily indebted to the classics of the 1960’s and early ’70’s, Danny said he is sympathetic to those who say the overwhelming focus on that era alone undercuts the contributions of subsequent generations of Ethiopian musicians. “Unfortunately the focus on the so called ‘Golden Age of Ethiopian music’ sort of discredits what came after it,” he said. “For example, if you listen to Teddy Tadesse’s Zimita album, that was a pretty heavy record, very progressive, and at least ten years ahead of its time. You can hear its influence in singers that came later like Gossaye and Teddy Afro.” He added: “Zimita was entirely arranged by Abegaz Shiota. Abegaz and bass guitarist Henock Temesgen are two of the many contemporary Ethiopian musicians that I have the highest respect for. They were part of Admas Band that worked with everyone from Aster Aweke to Tilahun Gessesse and Mahmoud Ahmed.”

Danny said his friend Charles Sutton, Jr. – the Peace Corps volunteer who in 1969 arranged for Orchestra Ethiopia, then led by Tesfaye Lemma, to tour the United States under the name “The Blue Nile Group” – was also instrumental in helping him to connect with older Ethiopian musicians in the U.S. “Charlie arranged for me a private lesson with Melaku Gelaw, one of the top washint and kirar players of that generation,” Danny said.

According to Danny, Mr. Sutton was also responsible for suggesting the name “Debo” as the group’s identity. “I told Charlie I was searching for a band name and he spoke to an Ethiopian lady friend of his and she came up with the word,” Danny shared.

“Debo means communal labor or collective effort in Amharic” Danny said. “An easy word to pronounce for non-Ethiopians, short four-letter word and very simple. But it also strikes up a fun conversation among Ethiopians because it’s an old archaic word and not part of their daily usage.”

“Ethiopians tell me that it sounds like Dabo (bread),” Danny said laughing.

If You Go:
Debo Band is getting ready for their CD release tour starting next week and will be performing at The Bell House in Brooklyn, the U Street Music Hall in Washington D.C. as well as at the renowned Philadelphia Folk Festival in Schwenksville, PA. For a detailed listing of their upcoming tour please visit Debo Band’s website. You can learn more about Debo’s new album and pre-order at www.subpop.com.

Watch: Debo Band Live (NPR)


Related:
Golden Age Pop – from Ethiopia (WNYC)

Ethiopia at Summer Stage NYC: Q & A With Guitarist Selam Woldemariam

Tadias Magazine
By Tsedey Aragie

Updated: Monday, July 2, 2012

New York (TADIAS) – Guitarist Selam Woldemariam is scheduled to take part in this month’s Summer Stage concert in New York, paying a musical tribute to Ethiopia’s storied resistance against Italian occupation during world war II. The show entitled The Power of the Trinity is an adaptation of a play by American writer, the late Roland Wolf. The stage production is directed by Alfred Preisser and the music is scored by New York-based musician Tomás Doncker.

According to City Parks Foundation NYC’s annual “SummerStage” concerts, sponsored by AT&T, brings over 100 performances to eighteen parks throughout New York City. Selections range from pop, latin and world music to dance, spoken word and theater. Selam will perform at Springfield Park in Queens on July 27th and 28th, as well as at Central Park in Manhattan on July 31st. The show will conclude at Marcus Garvey Park in Harlem on August 5th.

Below is our recent interview with Selam Woldemariam:

But first, here are video clips from Selam’s recent appearance at the historic Howard Theatre in Washington, D.C. during a Memorial Day weekend concert featuring Mahmoud Ahmed and Gosaye Tesfaye.

Watch:

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Q & A With Guitarist Selam Woldemariam:

TADIAS: Please tell us about your upcoming NYC show. How did you get involved with the project?

Selam Woldemariam: I got involved with the project 3 years ago, when I met Tomás Doncker. At the time the sons of the playwright Roland Wolf were working to continue their father’s work. They were setting out to complete the play he wrote about the second Italian invasion and Haile Selassie’s leadership role. Roland Wolf’s sons met with Tomás Doncker about doing the score for the play. This was the driving force behind the Power of the Trinity project. Doncker was interested in creating a fusion of Ethiopian music and was particularly inspired by the Ethiopiques CD series number seven. Doncker did not expect to find the musicians from the Ibex band still doing the music thing. So this led to the meeting between Tomás Doncker and I in Washington D.C. one afternoon. I served as a production consultant in the play and co-wrote 3 to 4 songs on the album. The play will feature an all-American cast and I have been working with the cast so that they deliver their lines with an Ethiopian twist.

TADIAS: Tomás says you are the Jimi Hendrix of Ethiopia.

SW: (Laughter). I call him ‘Gash Tomás.’ I’m happy to have worked with him; he is a man of his word. He is an inspiring individual that really brought out the best part of me. He was so enthusiastic about learning how to play Tizita. It was one of those unique situations that allowed us to really have an open meeting of the minds that doesn’t come around often.

We also played together at the Blue Note Jazz club in New York — where one of our sets was completely sold out. Tomás Doncker is also an incredible songwriter he composed an album of 11 to 12 songs it was great to work with him. My job was to maintain the authenticity and infuse commonly known melodies like Tizita, Anchi Hoye, Bati, and Ambassel; translating important highlighted words from the songs. I chose Tsegaye Selassie from Lasta Band for his unique voice that is most known for the ancient, raw folk sounds that are heard throughout the old city of Roha, which is known as Lalibella. Commonly known as Lalibeloch, they would go out into the city and sing spiritual songs early in the morning. We added 3 to 4 new compositions, which included Mahmoud Ahmed’s newest Guragigna song.

TADIAS: How would you describe the music and what are your expectations for SummerStage?

SW: The genre is classified as global soul, because it connects the world with the sounds of Africa, specifically traditional Ethiopian melodies, which is classified as pentatonic. I am excited about playing on some of the most prestigious stages in NY. I expect a large turnout with people from all over the globe, because it is a transient and global sound. It is very different. I believe that this is a great opportunity for people to experience Ethiopian music.

TADIAS: Please tell our readers more about yourself. (where you were born, grew up, and how you developed your passion for music?)

SW: I was born in Addis Abeba where my father was the Director of one of the first school that was established for the vision impaired. I grew up in Kazanchis on the compound of the school. The Missionaries from the Protestant Church were the teachers at the school, and this is where I was first exposed to music and singing. My father was later commissioned to be the director of the second school in Asmara. That’s when I started to get involved with music. In Asmara we put a quintet band together, which was a church group that I formed at the age of 11. We were very popular; we had so many supporters and were highly encouraged. Right after I finished high school I joined the Black Soul Band with members Alemayehu Eshete, and Slim Jones, and toured with Orchestra Ethiopia in 1973. Orchestra Ethiopia is mostly known for Tesfaye Lemma and his group, who did their first and last tour in 1969 when they traveled to the U.S. with Charles Sutton. The band broke up so Hailemariam G. Giorgis the keyboard player and I went to play at the Venus club. Months after, the Zimbabwean guitarist left Ibex Band and so they were looking for a guitarist. This is when I joined the Ibex band and shortly after brought Hailemariam with me. This is when it all began. The first recording was Ere Mela Mela by Mahmoud, which later became Ethiopiques number seven. That’s when people began to recognize me as a guitar player. We produced most of Mahmoud’s music, and an album for Tilahun Gessese, and one for Aster Aweke, these recordings spanned from 1975 to 1978. The most important recording at that time was the Ibex Instrumental where musicians like Abegaz, Henock, and Fasil started their humble beginnings. They all have mentioned this music during their interviews. During this time in 1979, is when the vinyl era began to decline and the cassette tapes appeared in the market. Then, three members of the Ibex Band: Giovanni Rico, Fekadu Amdemeskel, and I, formed the Roha Band. During this time Roha band recorded close to 250 albums. Most of the Roha recordings were done in the basement of Ghion Hotel that was our Motown.

TADIAS: We understand that you are also writing a book. Can you tell us about it?

SW: Yes, this will be a book about my reflection on Ethiopian music. It’s a subject that not many people write about. I have kept a memoir of the events and concerts that took place when we were on tour. I studied History at Addis Abeba University where I graduated in 1988; my senior essay was titled “Origin and development of Zemenawi music in Ethiopia (1896-1974)”. I prefer to say Zemenawi and not “Modern” because the word “modern” implies that the music is somehow better in terms of quality, which I don’t believe it is. I have pictures and of course a database of music that was produced during the era of what is known as the ‘Golden Years of Ethiopian Music.’ I’m currently looking for a grant to finish the work.

TADIAS: Regarding your guitar, why are you so in love with Gibson 335 ES?

SW: (Laughter). When I joined Ibex band at the end of 1974, my guitar was a Yamaha and then I started to listen to Crusaders and the guitar player Larry Carlton. And he plays the Gibson 335 ES and I have been greatly influenced by Carlton who is known for his elements of Blues. I had a good friend of mine who brought me the guitar back in 1979 from NYC. During the communist regime it was not so easy to get things into the country. Some time after I received the guitar, I heard through the grapevine that someone was selling the same guitar. Come to find out my friend had bought two and was trying to sell the other. So I caught up with him and took the guitar for half the price because he tried to sell my style guitar behind my back. So I have two Gibsons, which I refer to as the twins.

TADIAS: Thank you, Selam, and best wishes from all of us at TADIAS!
—-
If You Go:
SummerStage Theater Presented By Time Warner
THE POWER OF THE TRINITY
Written by: Roland Wolf
Adapted & Directed By: Alfred Preisser
Original Music Composition by Tomás Doncker
7.31.2012 | 8:00 pm – 10:00 pm | Central Park
Live global-soul music sets the backdrop for SummerStage’s world premiere of The Power of the Trinity.

Click here for complete schedule.

Tadias Video Interview: Producer Bill Laswell on Jano Band

Tadias Magazine
By Tadias Staff

Updated: Friday, June 22, 2012

New York (TADIAS) – When it comes to world music, New York-based producer Bill Laswell is convinced that the next big act coming out of Ethiopia is a young rock band called Jano – a ten member ensemble that fuses distinctly Ethiopian sounds with heavy guitar, drum and other instruments.

“I think they were probably deeply influenced by the great musicians of Ethiopia, the great singers without question,” said Laswell in a recent interview with TADIAS. Laswell, who has put together the band’s forthcoming CD, has an extensive resume including work with Ethiopian vocalist Gigi, among others.

Regarding Jano, he added: They have “progressive sounds. It’s very new and very different. Nothing like this ever came out of Ethiopia.”

Laswell said what makes the young musicians unique is that they manage to keep the traditional Ethiopian vibe while appealing to global music lovers. “You hear old songs by singers from the 60’s inside of the rock,” he said. “Another interpretation that might upset some people but carries on the tradition in a modern way.” He continued: “These are modern instruments but it does not overlook the kirar, it does not overlook masinko, it does not overlook the traditional singing, the church music and the power of the tradition. It does not take that for granted. They don’t join the ranks of Ethiopian music, they break the rules.”

The group consists of four vocalists (two male and two female), two guitarists, two keyboard players, a bassist and a drummer – all in their twenties.

According to Laswell, the band was talent-spotted by Ethiopian entrepreneur Addis Gessesse who is also credited for helping to launch the careers of reggae star Ziggy Marley and Ethiopian pop icon Teddy Afro.

As to the release date for Jano’s album, Laswell said they have an unconventional marketing strategy worked out. “The album is done and the packaging is done and they are in the process of creating it now in Ethiopia, and probably it will come here soon,” he said. “It will come as a word-of-mouth and not so much as a marketing distribution build up how America does things, but more to do with getting that interest to communities.” He added: “I think it will start in the Ethiopian community and hopefully it will build into what the world calls the ‘World Music’ genre, which is pretty big internationally.”

Watch: The Ethiopian Rock Band Jano – Interview with Producer Bill Laswell (TADIAS TV)


Related:
Jano Band to Perform at SOB’s in New York
Tadias Video Interview: Ethiopian Rock Band Jano Live in DC (UPDATED)

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Tamirat Mekonen: The Person Behind Teddy Afro’s Music Video ‘Tikur Sew’

Tadias Magazine
By Tadias Staff

Updated: Monday, June 11, 2012

New York (TADIAS) – As a young boy growing up in Bahir Dar, Ethiopia where his mother worked at the local movie theater, Tamirat Mekonen Teklu, 31, — the director and cinematographer of Teddy Afro’s latest music video Tikur Sew — dreamed of one day becoming a filmmaker. And judging from early reactions to his newest gig, Tamirat’s directorial debut, only three years after receiving a scholarship to study at New York Film Academy, appears to be a smashing success.

TADIAS caught up with Tamirat shortly after he returned to his home in Washington, D.C., following the launch of the music video in Ethiopia last week.

“For 75 days, we worked 18-19 hours a day, non-stop,” he told us. “This was my first project after graduating from film school, so I was working under a lot of pressure.” He added: “My whole Ethiopian filmmaking family had great expectations about this project. At the end of the day, it was a great experience for the whole team.”

Tikur Sew (Amharic for black person), is Teddy Afro’s tribute to the legacy of Menelik II, the emperor who led Ethiopia during the world-famous Battle of Adwa on March 1, 1896. Scoring a decisive military victory against the invading Italian forces Adwa was an event that changed the course of history not only for Ethiopians, but also for the colonial ambitions of a major European power, forcing Italy to recognize the sovereignty of an African nation.

“I really wanted to make the audience to feel and experience the six-hour historical battle,” Tamirat said. “Honestly, though, I did not expect that people would have such a positive and emotional reaction to the music video.” He added: “There were two main messages, which are found in the Amharic quote at the end of the film: ‘In order to define yourself now, you have to look at your past,'” he said. “If those who fought in the battle did not sacrifice their lives for us, we would have lost our culture and identity. We would not be who we are today.”

Tamirat continued: “There was a price that was paid for us to be the only non-colonized African nation. The last scene I created in color was a fantasy scene of the young people of our generation honoring and acknowledging what Emperor Menelik and Empress Taytu Betul accomplished.”


The behind the screens making of Tikur Sew Music Video Tamirat with the actor playing Emperor Menelik II. (photo by Sabisa Films Production)


Tamirat Mekonen with Tesfaye Wondmagegn and production crew in the making of Tikur Sew music video. (photo by Sabisa Films Production)

According to Tamirat, there were 420 actors who took part in the music video, most hailing from the theatrical arts department at Addis Ababa University. “We shot the film in four days and spent two months in post-production,” he told TADIAS. “We worked in four locations all around Addis, including Teddy Afro’s house.”

How did he get involved in the project? “The previous distributor of Tikur Sew before Adika, saw my work and introduced me to Teddy Afro’s former manager Addis Gessese, and then to Teddy Afro, himself,” he said. “After I met him, Teddy let me listen to all of the music that would be on his new CD.” He added: “Teddy and Adika were anticipating producing a DVD with a selection of four music videos from the Tikur Sew album, and I chose the title song Tikur Sew.”

“I grew up watching cinema because my mother was working in the only cinema theater in Bahir Dar.” Tamirat shared. “Every weekend she would let me sit and watch movies. Because of this, I dreamt of one day becoming a filmmaker.”

Tamirat later attended a one year certificate program in filmmaking in Addis Ababa. “I saved the money to pay for the program on my own by walking long hours in order not to have to pay for transportation and sometimes skipping lunch,” he said. “I worked on many films, including: Red Mistake, Ashenge, Albo, and the award winning Siryet. In 2009, he was awarded a Brett Ratner scholarship to attend the New York Film Academy, in New York City, where he studied cinematography. “I was also assisted by my future father-in-law Matt Andrea, who sponsored me to come to the United States,” he said.

Does he have any upcoming projects? “I am working as the director of photography on a feature film entitled Lovers’ Paradise,” he said. “We hope to start shooting around the end of September. Additionally, my company Sabisa Production is set to debut a new feature film, Sons of Sunrise, in the next two months.”
—-
Watch: Tikur Sew – Teddy Afro – HD English version – Ethiopia Music (2012)


Join the conversation on Twitter and Facebook.

Dallas & D.C: Tale of Two Ethiopian Soccer Tournaments

Tadias Magazine
By Tadias Staff

Updated: Wednesday, June 6, 2012

New York (TADIAS) – Last winter, when the Ethiopian Sports Federation in North America (ESFNA), a 29-year old non-profit in charge of hosting the annual Ethiopian Soccer Tournament, elected new officers and sent out a press release announcing Dallas as the location of the 2012 Soccer Tournament, we reported that the much publicized disputes among the board members seemed to have been amicably resolved. Since then, however, things have dramatically changed.

“There is an ongoing lawsuit and because of our lawyer’s advice, I can not tell you the details of how our organization was formed,” Elias Dimberu, a public relations officer for the newly established AESAONE (All Ethiopian Sports Association ONE), told TADIAS in a recent response to our inquiry. AESAONE is aggressively promoting a rival tournament at the RFK stadium in Washington, D.C. scheduled from July 1st through 7th — the same time the ESFNA sponsored tournament takes place in Dallas.

“There is no court gag order so you can speak to me about whatever you need,” said Johnny G. Berhanu, the spokesperson for the older ESFNA. “The truth is that they are all former members of ESFNA, including the ex-president who lost an election, who have chosen to set up various entities basically disregarding not only the law but the bylaws of ESFNA as well.” He added: Our bylaws say no board member of ESFNA can use ‘proprietary data’ including business contacts for their own personal use for at least two years after they leave the organization. These guys stole our corporate identity, they took our sponsor accounts. They tried locking us out of our bank account and our website. Believe it or not, we were first alerted to the whole plot by a Verizon fraud department worker, who called to tell us that a couple of those guys were trying to take out two new cell phones using our name.”

The AESAONE PR Officer disagrees, while admitting that the group was forced to re-brand itself after facing a trademark infringement lawsuit in April for its previous name, ESFNAONE. “We’ve changed the name as required by law,” Elias responded.

“It took the judge less than fifteen minutes to approve a temporary restraining order against them, which has since been extended,” Johnny remarked regarding the lawsuit. “They can never, ever be able to use our name and confuse the public again.”

And the soccer teams? “There is no shortage of Ethiopian soccer players in the Diaspora,” answered Elias. “In fact, there are way too many.” He added: “People forget that there is more than one Ethiopian team in every major city. We already have 28 teams registered from the U.S., as well as one from Australia and one from England.” According to Elias, the D.C. tournament is sponsored by MIDROC, the company owned by Ethiopian-born Saudi billionaire Mohammed al-Amoudi. “They are covering the entire tournament for three years, whatever the cost, no strings attached,” he said.

“The man has given them 2 million dollars and they are going around trying to buy players, offering them up to $10,000 in some cases,” Johnny charged. “I personally know someone in Canada who rejected their bribe.”

“That’s hearsay,” Elias objected. He points out that AESAONE was a sponsor and actively recruiting teams during the traditional Memorial Day weekend regional tournaments in the West coast, the Midwest and the South. “There were ten California teams participating in Sacramento, for example,” he said. “Nine in Atlanta and another ten quality ones in Minnesota.” He added: “For the first time, there will be teams coming from Florida, Arizona, South Dakota and the city of Cincinnati, Ohio.”

Elias continued: “In terms of money, we are covering transportation costs, including airfare, for 20 players of each team that are participating in our tournament. We are also providing each team with five hotel rooms. In addition, all teams receive one full jersey. And in case of emergency, each players gets up to $100,000 insurance coverage for injury which they can use throughout the year. Furthermore, for the first time we have arranged coach bus service, back and forth, between the stadium and the hotel.”

Addressing the ongoing lawsuit, Elias declined from sharing details except to state, “We are in settlement negotiations at the moment.”

But Johnny is willing to talk. “ESFNA is asking to recover court expenses and other damages from them,” Johnny said. “So far we have spent about $13,000 in lawyers fees and could go up to $20,000.” He continued: “There is business loss and related issues when they used the ESFNAONE name to promote their event causing serious confusion in the community. As part of the final settlement, we are asking that at a minimum they change their tournament date.”

“That’s logistically impossible,” Elias declared. “There is a reason why we chose the week of July 4th.” He continued: “Most of the players are students and the only major summer holiday where we can attract the players is the 4th of July. The next holiday is Labor Day weekend in September, which is too late.”

“Don’t you think they can do this in August and attract more people?” Johnny asked. “Ultimately, I want you to look for the motive.”

“Our motive is to create an organization that stands for one community, regardless of religion and politics,” Elias responded. “Sports being the pillar, to celebrate our culture.”

“Let me tell you something,” Johnny answered. “I am a volunteer and democratically elected member of ESFNA’s board. After two years if people don’t like what I am doing, they can vote me out.” He added: I am not going to go on a vendetta against the organization that I willingly serve. I am not saying they don’t have the right to start a business. This is the United States of America, they can do whatever they want. I am saying be lawful in your actions and be truthful to the public about your intentions.”

Johnny is using his three week vacation to travel from Canada to volunteer his time working on the Dallas soccer tournament logistics. Ironically, Elias who is working on the D.C. tournament resides in Texas. “Yep! I live right in the heart of Dallas,” he said.

Competition and choices are not bad for any community, but we hope the two sides can find a way to let vendors and the public enjoy both events without forcing them to take sides or choose one over another.


Related Links:
The 29th Annual Ethiopian Soccer Tournament in Dallas
Ethiopian Soccer Tournament in D.C.

Photos: Mahmoud Ahmed & Gosaye Tesfaye at the Historic Howard Theatre in D.C.

Tadias Magazine
Events News | Photos by Matt Andrea

Published: Wednesday, May 30, 2012

Washington, D.C (TADIAS) – Mahmoud Ahmed and Gosaye Tesfaye performed at the historic Howard Theatre in Washington, D.C. during a Memorial Day weekend concert on Saturday, May 26th. It was the first time that Ethiopian music was featured at the iconic venue, which reopened in April following a $29 million renovation. The event was organized by Massinko Entertainment, and also included an appearance by guitarist Selam Woldemariam who is part of an upcoming concert with Brooklyn-based musician Tomas Donker at Summer Stage in New York.

Below is a slideshow of photos from the event:

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Admas Kifetew: First North American Woman to Join Green Number Status at South Africa’s Annual Ultra-Marathon Event

Tadias Magazine
By Jason Jett | Sports News

Published: Tuesday, May 29, 2012

New York (TADIAS) – The Comrades Marathon Association (CMA) has announced that America’s first female runner is due to achieve her Green Number status at next Sunday’s Comrades Marathon in South Africa. The annual event since 1921, billed as “the greatest ultra marathon in the world,” covers approx 90 kilometres (56 miles) between the cities of Pietermaritzburg and Durban.

Born in Harar, Ethiopia, Admas Kifetew-Belilgne has spent much of her life in the US and is a member of West Side Runners NY and New York Broadway Ultra Society.

Admas says she used to daydream about running long distance, having been inspired by the great Ethiopian runner, Abebe Bikila. “Bikila was my hero,” she enthuses, “and I wished to be a runner just like him.”

A mother of three, ultra-running – a sporting event involving tracks longer than the traditional marathon length of 42 kilometres (26 miles) – has been her life-long passion. Admas has finished 12,100 miles and was placed First Female 5 times in the New York Pioneer 3-day 100 miler, with a course record of 15:47 in 2001, which still stands.

She has also competed heavily on the international ultra-running circuit over the past few years, having run races in Brazil, China, Ethiopia, France, Jamaica, Japan, Jordan, Switzerland & the United Kingdom.

Admas received six awards in the famous London to Brighton Ultra as well as being the winner of the 2000 NYRR Ultra-Runner of the Year Award and the 2005 Grand Prix winner of NY Broadway Ultra Society.

“I was interested in visiting SA for many years and when I ran the London to Brighton race in the UK & won the Ted Corbitt Cup for the first American in 2000; some of the runners mentioned Comrades Marathon at the prize-giving. Right there in the reception room, I decided to run Comrades.”

“I immediately began planning my trip to Durban for the 2001 Comrades with a friend Edson Sanches, who will be running his 6th this year. What makes this mind boggling ‘Ultimate Human Race’ so special is that it is a race to remember.”

Her message to South Africans: “Running is a reflection of how you feel inside and I encourage anyone to try running or doing whatever it is that they love.”

Source: Media release by the Comrades Marathon Association (CMA), Sunday, May 27th, 2012.

Haile Gebrselassie Fails to Qualify for London Olympics

Tadias Magazine
News Update

Sunday, May 27, 2012

New York (TADIAS) – Haile Gebrselassie failed to secure his place on Ethiopia’s track team for the 2012 London Olympic games during trials in Hengelo, Netherlands on Sunday. The event also marked Haile’s last major race in the 10,000 meter.

“The Games in London, is over for me,” he told AFP. “I ran a good race till the last lap. I felt good but I manifestly didn’t have the speed to compete against my rivals.” He added: “That’s life. I am not disappointed…I gave all that I had.”

Read more at AFP.

Watch: Haile Gebrselassie – King of the Kickdown

2012 Olympics: Haile Gives It One More Run

Two-time Olympic and four-time world 10,000 metres champion Haile Gebrselassie will run one more track race in Hengelo, Netherlands this weekend while trying to make the Ethiopian team for the London 2012 Olympics. (Illustration by Zenamarkos Taye for Tadias Magazine)

Tadias Magazine
Editorial | Sports

Published: Thursday, May 24, 2012

New York (TADIAS) – Haile Gebrselassie will run his last major race in the 10,000 meter track in Holland this weekend; that is if he does not secure a spot on Ethiopia’s track team for the 2012 London Olympic games. The trials are set to take place in Hengelo, Netherlands – scheduled for Sunday, May 27th. Haile must finish in the top three to qualify for the Olympics.

“My goal is to run sub-27 minutes in Hengelo,” he told the press last Sunday following his victory at the Bupa Great Manchester Run in England. “When I am in the top three I will have to go.”

The legend, who is 39, failed to make the Olympic team as a marathoner twice, generating media speculation about his ending career. Some have suggested his stubbornness may be damaging to his brand. But Haile never lost his trademark smile and indomitable spirit, race after race, win or loss, flush with optimism about the next opportunity.

“I love running and I will always run for myself,” he told Athletics Illustrated in April. “And I always give my best at running and try to achieve the highest possible level.”

“There will be a lot of stars running in the Olympics,” he admitted about this weekend’s race. “It will be difficult to beat them. To get into the top three and win a medal that would be wonderful.”

Haile has said that if he does not win, he will still attend the London Olympics as a spectator. Either way, he remains one of the world’s most admired athletes of all time. And an Ethiopian hero.

Related:
Gebrselassie takes another strong 10k victory in Manchester (IAAF)

East African Diaspora New Media Orgs in U.S. Receive Attention

Tadias Magazine
By Tadias Staff

Updated: Monday, May 28, 2012

New York (TADIAS) – The growing and vibrant African Diaspora media in the United States is helping to disseminate the ‘hopeful’ and in some ways more nuanced stories about Africa. The new trend is receiving steadily increasing coverage. In a recent article entitled Ethiopian Diaspora Media Compete Over Message, VOA featured radio and satellite TV shows based in Washington, D.C. metro area including The Nunu Wako Show on EBS and Abebe Belew’s Addis Dimts radio. Nico Colombant at VOA noted that during the much publicized G8 meeting at Camp David presidential retreat in Maryland last week, several media crew including “citizen-journalists” taking photos and videos of demonstrations in nearby towns were members of the Ethiopian Diaspora.

A post entitled Generations of East African Diasporas in Cyberspace on Focus on the Horn — a website run by graduate students at Oxford University — also highlights the growing Africa-focused new-media organizations.

“As a new generation emerges from the offspring of East African migrants, they too have created online spaces to negotiate their relationships to their countries of heritage,” writes Alpha Abebe, a PhD student at Oxford. “In many respects, they have entered into this scene far more equipped –- more access to resources, more tech savvy, and more platforms.” She adds: “However, their social, political and economic ties to these countries would appear to be less direct, begging the question –- what does their web presence look like?”

“As you would imagine, it is quite diverse,” Alpha says. “There is Bernos.com, where one can buy a stylish Horn-of-Afro-centric tshirt and share dating advice on the same website.” She continues: “Then there is OPride.com, an aggregator of Oromo and regionally related news stories. Tadias.com is an online magazine often profiling the stories of Ethiopian-Americans who have found mainstream success. Abesha.com (currently on hiatus) was a pioneer in many respects, and created platforms for political debate, showcasing of art, and building community among young Ethiopians and Eritreans in the diaspora. Add to this the vast number of virtual spaces, including websites, facebook pages, twitter feeds, etc. that mobilized a rapid humanitarian response to the recent famine in Somalia, among a generation of people in the Somali diaspora – many of whom have never stepped foot on the continent. Finally, there is HornLight.org, a new player on scene, created to challenge mainstream narratives about the Horn through the stories and contributions from people in the diaspora.”

Social media networks are also playing an important role. The Twitter handle @afritwit with over 3,700 followers, for example, publishes stories that portray the complexities of the African continent by “pooling African Twitter users.” This trend in ‘tweeting from an African perspective’ and curating a pool of African Twitters has also caught the attention of international news agencies such as France 24, which claimed to have published the first Twitter map of Africa. The technology news site, Siliconafrica.com, also published its research online focusing on how Africans are utilizing Twitter, and found that “60% of the continent’s most active Twitter users are aged 21 to 29.”

Diaspora Africans are adopting the idea of press freedom and have developed organizations for African journalists. The Association of African Journalists and Writers (AAJW) on Facebook is one such organization that is newly minted in New York. AAJW describes its role as developing “a unified platform for African media and writers to connect, network, collaborate, and promote better reporting and understanding of Africa and African communities.”

It seems that the old post-colonial tinged discourse on Africa is on its way out as mass media embraces the diversity of voices from the African continent and among Diaspora Africans.

Related:
Ethiopian Diaspora Media Compete Over Message (VOA)
Generations of East African diasporas in cyberspace (Focus on the Horn)
Alexandria News Outlet Loosens Shackles of Censorship for Ethiopians (The Alexandria Times)
Less Emphasis on Digital, More Emphasis on People for D.C. Ethio­pians (The Washington Post)
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Amha Eshete & Contribution of Amha Records to Modern Ethiopian Music

Tadias Magazine

By Tadias Staff

Published: Friday, May 25, 2012

New York (TADIAS) – Five decades ago, when the Italian owner of the only record store in Addis Ababa could not keep up with growing local demand for more music variety, an Ethiopian music enthusiast named Amha Eshete opened his own shop. “I ended up opening the first music shop owned by a native Ethiopian, diversified the import and started buying directly from New York, India, Kenya, and West Africa,” Amha recalled in a recent interview with Tadias Magazine. “But there was one very important ingredient missing — I was selling foreign music labels, all kinds of music except Ethiopian records, which was absurd,” he added.

Amha Eshete is the Founder of Amha Records – the pioneering record company whose work from the “golden era” of Ethiopian music is now enshrined in the world-famous éthiopiques CD series.

“There was a government decree that granted music publishing monopoly to the national association Hager Fikir Maheber, but they did not produce a single record of modern Ethiopian music.” He continued: “After many sleepless nights I was determined to take a risk of probable imprisonment and decided to ignore the decree to start producing modern Ethiopian music.”

Referring to his first client on the Amha Records label Amha said, “Alemayehu Eshete was willing to take that risk with me.”

Amha describes the music scene in Ethiopia then as almost similar to that of today — buzzing with the mixture of international sounds, Ethio-jazz, and traditional music. “During the 1960s and ’70s modern Ethiopian music was emerging at an incredible pace even though there was an extensive government control and censorship every step of the way,” he said. “It was the first time that new and modern night clubs were being opened, records players were being installed in cars, and enjoying music was the spirit of the time.”

Professionally, Amha said he had no role models and that he learned through trial and error, often making business decisions based on “just gut feeling.”

“I had no experience, for example, on how to negotiate with the artists,” he said. “I did what I thought was right and fair to me and all the others involved at the time.” He added: “It was a lifetime experience and believe you me it worked because I was able to produce one hundred and three 45s and a dozen LPs in a few years.”

Amha leased the distribution rights of his originals to the French label Buda Musique in the ’90s. “My work is not owned by Buda Musique but it is definitely pressed and distributed under an exclusive license by them,” he noted. “The main credit should be given to Mr. Francis Falceto to bring about this re-birth of the golden age of Ethiopian music into reality in the form of the éthiopiques series.” He continued: “Mr. Francis was the one who was adamantly determined to reproduce this music and introduce it to the outside world. He should get all the credit because this music would have been buried and stayed buried somewhere in the suburbs of Athens, Greece where all the masters were stored until then.”

For Amha, the most dramatic recent change in the Ethiopian music industry has been the size of compensation packages for singers. “The Ethiopian superstar Tilahun Gessesse used to be paid about 200 birr per month,” he said. “I paid Alemayehu Eshete and Mahmoud Ahmed 2,000 birr for a single recording of an album.” He added: “This was all unheard of at the time, and in fact I can say it was the talk of the town.”

“Things have very much changed now,” Amha noted. “Payment of one million birr is no more a topic of conversation. The recent sales and revenue from Teddy Afro’s recording might gross millions of dollars.” he added: “This is definitely progress in the right direction and it is the beginning of good things to come.”

Related:

How Ethiopian Music Went Global: Interview with Francis Falceto

Join the conversation on Twitter and Facebook.

NYC Exhibition of Ethiopia Images From Chester Higgins’ Africa Collection

Tadias Magazine
By Tadias Staff | Art Talk

Published: Tuesday, May 22, 2012

New York (TADIAS) – “As a 25-year old, I did not know what to expect, but I knew that I was not traveling to Africa to see the animals,” photographer Chester Higgins Jr. said in the announcement of his current exhibition in New York entitled: My Soul Flies to Africa: Images from an Ongoing Journey.

Higgins, who has been a staff photographer for the New York Times since 1975, has traveled to Africa more than 30 times in the last forty years providing us with stunning photographs that stand in contrast to the endless stream of negative images that often dominate world headlines concerning the continent. He focuses his lens on people, historical locations, and cultural ceremonies – from Ethiopia to Mali – highlighting his deep sense of wonder, grace and connection to his subject matter.

“This installation exhibition is a retrospective of my work in Africa over the past four decades,” Higgins said in a recent interview with Tadias Magazine. “For me, each image represents unique encounters of discovery and becomes a memory of my experience.”

How often does he go to Africa these days? “I try to return to Africa once a year,” Higgins told us. “My most recent trip to Ethiopia was in November through December 2011.”

For his upcoming project in Ethiopia Higgins is focusing his lens on the Abay river. “Actually, I’m looking at how the Nile has, over thousands of years, become a spiritual corridor,” he said. “Perhaps, my photographs will broaden how Americans see Africa.”
—-
If you Go:
Chester Higgins Jr.
Specail exibition hosted by Tekserve
119 W. 23rd Street, NYC
212.929.3645
Tekserve.com
Store Hours: Mon-Fri, Sat 11-7, Sun 11-7
Click here to learn more about Chester Higgins Jr.

Video: An Ongoing Journey – My Soul Flies Home To Africa Opening

Look: Slideshow of Ethiopia photographs by Chester Higgins Jr.

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How Ethiopian Music Went Global: Interview with Francis Falceto

Tadias Magazine
By Tadias Staff

Published: Friday, May 18, 2012

New York (TADIAS) – In November 1987, when Francis Falceto, an editor with the French label Buda Musique, traveled to Washington, D.C. to finalize a licensing deal with Ethiopian producer Amha Eshete, owner of Amha Records who held the rights to the treasure trove of Ethiopian music from the 1960’s and 1970’s – little did he know that it would take another decade for the contract to be completed. But the result has been an astonishing twenty-seven volumes of the éthiopiques CD series, which has propelled Ethiopian music on the world stage in the last ten years and introduced the sounds of Ethio-jazz to audiences and musicians far and wide.

“Unfortunately, Amha was then in exile, and had no documents with him to allow the retrieval of the discs that had been initially manufactured, and where the recordings masters were still kept,” Francis said in a recent interview with Tadias Magazine. “We had to wait for the fall of the Derg and the return of Amha to his motherland to start tracing consistently the ‘holy’ masters.” He added: “After several years of intense tracking down, we finally located most of Amha Records masters in Athens, Greece. The day of February 1997 when I could go to Athens and get back these pieces of Ethiopian heritage has been one of the happiest day in my life, truly. By October 1997, the first éthiopiques CD were released. I had in mind then to produce a dozen, no more. But very quickly, other Ethiopian producers and artists came to me asking ‘I’d like to be part of éthiopiques… Ali Tango of Kaifa Records, whom I had befriended since my first trip to Ethiopia, joined promptly, then Tilahun Gessesse himself – another happy day in my life – and other artists. That’s how I have released 27 volumes up to now, and intend to reach possibly 34 or 35, hopefully, to complete this task.”

Over the years Francis has established enduring friendships in Ethiopia. But he is also aware of rumors and complaints about his motives. “Bizu meqegna alegn”, he said, using the Amharic word for people who wish ill-will on others. “Naturally, the fact that a ferenj takes care of such a marathonian project dealing with Ethiopian music heritage has also generated some suspicions.” He added: “The simple truth is that I did it because I could not see anybody, Ethiopian or foreigner, intending to do so. I would really love to be just a purchaser of ready-made éthiopiques, re-released by anybody else, and in a nicer way if possible. I would avoid then many headaches and complications.”

Francis said his admiration for world music dates back more than thirty years and is not limited to only Ethiopia. “I am basically a music lover, having started by 1977 to work in the frame of a non-profit organization presenting all kinds of concerts, both modern and traditional, but mostly devoted to rare, non-commercial, experimental or innovative music,” he said. “Then I have been a curator, programing for venues and festivals before I became a full time searcher in Ethiopian music history, basically freelance but related to the French Centre of Ethiopian Studies in Addis Ababa.”

As to those who tease him about the name of his employer, Buda Musique, which sounds exactly like the local word for “evil eye,” Francis said: “Let me say that its name “Buda Musique” is just a coincidence and has no reference at all to the buda and zar thing in Ethiopia,” he joked. “The company name used to exist long before I collaborated with this record label.” He added: “Buda Musique is a private record company, a small label mostly devoted to world music. It is not my company, actually, I never had any company. I am just the editor of the éthiopiques and ethioSonic series.”

Francis admits that the success of éthiopiques has been largely limited to media hype and has not translated well for him commercially. “Behind all my research work, full of fun and beauty, there are also a lot of difficulties – like finding the proper lyricists and composers, crediting the real backup musicians, solving the copyright problems, tracing the entitled beneficiaries, etc,” he said. “Curating éthiopiques series requires a lot of perseverance and endurance, and some masochism, probably. And the fact that Ethiopian CDs are available in western music shops doesn’t mean they are hot cakes.”


Francis Falceto in Addis Ababa, 2010. (Photo credit: Maga Bo/flickr)

How about the talk that some artists not being paid royalties? “The most sad and embarrassing remains the maliciousness of a couple of unfair people who have been incredibly benefiting from éthiopiques, in terms of fame but also of royalties and concerts booking, but who give forth endlessly and sick accusations and ignominious lies – almost nothing, so to say, with regard to their dishonor,” he said. “All in all, I have not to complain that much. The work is here to stay, to the satisfaction of a large public, and beyond the inconvenience it provides.”

Francis said there is “a huge gap” between the media coverage of éthiopiques and their market, commercially speaking. “It is just a niche market – which may be hard to believe for Ethiopian nationalist pride,” he continued. “Not to mention the Ethiopian culture of piracy since the invention of the cassette, or the piracy on internet.”

He points out that not all responses from Ethiopians have been negative. “The feedback from Ethiopia and Ethiopians is mostly warm and supportive,” Francis said. “After all, éthiopiques CD series is not only spreading Ethiopian music worldwide, much beyond my own initial expectation, but also reviving a glorious and unforgettable past of Ethiopia and Ethiopians.” He added: “I am especially touched by Ethiopians who e-mail me their remembrance and describe their emotions. It is not only the ones who were teenagers in the Ethiopian ’50’s and ’60’s who write to me, because it was the soundtrack of their generation, it is also their children, often raised abroad, and many of them are amazed by the music of their parents’ generation. I had never anticipated that éthiopiques could also contribute to reset Ethiopian memories and be a kind of funky bridge between the generations.”

Is he working on any upcoming projects? “I am presently working on Ali Birra, Kassa Tessemma and Muluken Melesse for éthiopiques, as well as on Daniel Techane and Trio Kazenchis for ethioSonic,” he said.

The latter is an impressive collection of music from notable musicians including Getachew Mekurya & The Ex, Debo Band, Either/Orchestra, Jazzmaris, Abegaz & Jorg, and Kronos Quartet. “Another phenomenon that I had never anticipated at all is the development that Ethiopian music has met worldwide after éthiopiques,” Francis said.

He said he is not nostalgic of the Empire time, but he does feel concerned by the state of Ethiopian music today. “Seeing its bad present situation, I thought that I should find a way to support and promote the best exceptions, and ethioSonic series is the solution I found,” he said. “As I don’t want to spend another ten years to establish the series through individual CDs, I have decided to release this large collection of 28 bands from 10 countries in order to show massively the evidence of Ethiopian music influence worldwide. I do intend to focus in the future on individual talents based in Ethiopia and the Diaspora, because there is more than one Ethiopian artist of international standard.”


Related:
Amha Eshete & Contribution of Amha Records to Modern Ethiopian Music

Join the conversation on Twitter and Facebook.

Wosene Kosrof’s ‘Fidel Chewata’ Comes to New York

Tadias Magazine
Events News

Published: Monday, May 14, 2012

New York (TADIAS) – An exhibition of recent paintings by the Ethiopian-born artist Wosene Kosrof will open at Skoto Gallery in New York this week. This will be Wosene’s fifth solo exhibition at the gallery.

The show entitled Word: Future Tense is the a continuation of his Word Play series in which he combines written language and universal sounds anchored with an Amharic script. Wosene’s work is dense with visual complexity that celebrates text traditions from around the world. He forgets conventional meanings of words, and instead explores their aesthetic, sensual, and visual content to speak to a universal audience.

“The Ethiopian writing is one concept of exaggeration that I use in my paintings to express a global message that is political, cultural, and social,” he said in a recent interview with TADIAS. “I just returned from Japan, for example, where I had an exhibition and my intention is to show that we’re all connected.” He added: “If you look carefully you would notice that our music, jazz and other visual cultures are also embedded in my work.”

Wosene, who was raised in Ethiopia but has lived in the United States for over three decades, uses Amharic as a core compositional element. “I came to America during Jimmy Carter’s era,” he said. “That wasn’t that far back. It was only 30 years ago.” His work draws from his personal memories. “It’s really a Fidel Chewata,” Wosene said, referring to the Amharic translation of Word Play.

What inspires his paintings? “Movies, bookstores, photography, landscape, fashion, colors, conversations,” he said. “I am a loner so listening to jazz, sitting at cafes, watching street lights, people, car movements, all give continuous formation to my paintings.”

Wosene will be present at the opening reception on Thursday, May 17th, 6-8pm.

If You Go:
SKOTO GALLERY
529 West 20th Street, 5FL.
New York, NY 10011
212-352 8058
info@skotogallery.com
www.skotogallery.com


Words: Future Tense, 2012, acrylic on canvas, 34×34 inches

Related:
Wosene Kosrof’s Exhibition ‘Wordplay’ at Gallery of African Art in London (Video)

Interview With Kirubel Assefa: Taza Records’ Upcoming Album ‘Dimtsepia’

Tadias Magazine
By Tadias Staff | Art Talk

Published: Tuesday, May 1, 2012

New York (TADIAS) – We hear from industry insiders in Ethiopia to expect a wave of new CD releases in the next few months. One such upcoming album is entitled Dimtsepia, led by Los Angeles-based Ethiopian bassist, drummer and keyboard player Kirubel Assefa. The CD features various musicians, including Fitsum Mahadere, Tsedenia Gebremarkos, and Teklish and is being distributed under Kirubel’s own label Taza Records.

“Our plan is to release the album in Ethiopia in early June and in the U.S. and abroad in late June,” Kirubel told Tadias Magazine.

Dimtsepia is a contraction of the Amharic word Dimtse or sound and Ethiopia,” he said, in response to our inquires regarding the CD’s title. “It means ‘The Sound of Ethiopia’ which is a comprehensive overview of the music contained within.” He added: “The various singers give the songs different vibes. It’s also an excellent format to promote their work, giving them a boost and more visibility.”

As to Taza Records, Kirubel said it is a joint project with an American friend, and that the label is designed to tap into the growing popularity of Ethiopian music outside the country. “The idea behind the label is to create a fair business model for the artists” he said. “While the core audience will be the Ethiopian community, we intend on servicing the music to mainstream outlets. There are many musicians out there who make the music, but the business is left on the table.”


Kirubel Assefa Kebede. (Courtesy photo)

Kirubel grew up in Ethiopia and moved to the States in the late 80’s. He studied music at the Musician’s Institute in Los Angeles. “I began playing at a young age in Ethiopia and was inspired by the many great musicians that dominated the music scene during the early 1970’s,” Kirubel said. “The Roha Band, The Ethio Star and the Walias Band all had significant impact on my playing and sensibilities.” He added: “My neighbor, Gedub Alfred was the drummer for the Wabe Shabelle Band. I saw him on television and from that time onwards I was committed to learning the drums and developing my musical skills.”

What’s his perspective on the globalization of Ethiopian music? “Riffs of African music have found their way into many popular mainstream songs for many years,” Kirubel said. “With elements of jazz and African rhythms, it becomes a fusion of various traditions and the outcome can be absolutely marvelous.”

You can learn more about the new album and hear sample music at www.tazarecords.com.

Editorial: Ethiopia Honors Dr. Catherine Hamlin with Honorary Citizenship

Tadias Magazine
Editorial

Published: Sunday, April 29, 2012

New York (TADIAS) – Ethiopia’s recent conferring of an honorary citizenship on Dr. Catherine Hamlin, founder of the Addis Ababa Fistula Hospital, is a well-deserved recognition for a remarkable woman who has spent a better part of her life in the service of her adopted home. According to the Ethiopian News Agency (ENA), Prime Minister Meles Zenawi vested the honorary citizenship at a ceremony held at his office in Addis Ababa on Thursday, April 26th. Meles announced: “Dr. Hamlin was awarded the citizenship for serving the fistula patients for more than five decades by establishing a fistula hospital in the country.”

“When we first arrived we were rather taken with the country because we saw our eucalyptus trees,” Dr. Hamlin, had told Tadias Magazine a few years ago in an interview recounting her memories of arriving in Ethiopia in 1959. The Australian native initially traveled there on a three-year government contract to establish a midwifery school at the Princess Tsehay Hospital. “I felt very much at home straight away because the scenery seemed very familiar to us,” she said. “We got a really warm welcome so we didn’t really have culture shock.”

Until her journey to Ethiopia, Dr. Hamlin, a gynecologist, had never met a fistula patient. “We had read in our textbooks about obstetric fistula but had never seen one,” she admitted. After arriving in Ethiopia with her husband Dr. Reginald Hamlin – a New Zealander who was also an obstetrician and gynecologist – she was warned by a colleague “the fistula patients will break your heart.”

Obstetric fistula is a childbirth injury that affects one out of every 12 women in Africa and approximately three million women worldwide. In developing nations where access to hospitals in remote areas are difficult to find, young women suffer from obstructive labor which can otherwise be successfully alleviated with adequate medical support. Unassisted labor in such conditions may lead to bladder, vaginal, and rectum injuries that incapacitate and stigmatize these women. Most patients are ousted from their homes and isolated from their communities.

Dr. Hamlin described the professional environment in the country as one where they “worked in a hospital with other physicians who were trained in Beirut and London.” However, as the only two gynecologists on staff they found it difficult to get away even for a weekend. For the first 10 years of their work with the hospital Reginald and Catherine Hamlin took weekend breaks at alternate times so as to have at least one gynecologist on call at all times, barely managing to take a month off each year to travel to the coast in Kenya. It is during their time at Princess Tsehai hospital that they first encountered fistula patients.

Since surgeries to cure fistula were not considered life-saving, few operating tables and beds were available for such patients at Princess Tsehai Hospital. Fistula patients were also not welcome and were despised by other patients and it wasn’t long before Reginald and Catherine decided to build a hospital designed to help these women, some of whom traveled hundreds of miles to seek treatment.

Speaking of her late husband, Hamlin noted, “When he saw the first fistula patient he was really overwhelmed. He devoted his whole life to raising money to help these women. He was a compassionate man and if he took on anything he would take it in with his whole heart and soul. He worked day and night to build the hospital.” The dream was realized in 1974 and soon the Addis Ababa Fistula Hospital received 1 to 10 fistula patients at its doorstep on a daily basis. Women who heard about the possibility of being cured traveled to the Capital from distant villages across the country. Today the Addis Ababa Fistula Hospital is a state-of-the-art, full-service medical facility entirely dedicated to caring for women with childbirth injuries.

Asked what her greatest satisfaction has been in this endeavor, Dr. Hamlin responded “It is in knowing that I am working somewhere where God has placed me to work. And I think that we gained more by living [here] and working with these women than we lost by leaving our own countries.” She fondly speaks of her late husband and his infinite compassion for his patients and his attachment to the country. “He loved the whole of Ethiopian society and when he was dying in England it was his final wish to return and be buried in Ethiopia,” she stated.

Dr. Hamlin equally enthused about her ‘home away from home’, emphasizing the joy she feels in seeing a happy, cured patient and her continued enjoyment of the landscape of Ethiopia and its people. Amidst her busy life she had found time in the “early hours of dawn” to write down the story of her life in her book The Hospital by the River, which was a bestseller in Australia. Her humble personality is evident as she replies to our inquiries about her past nomination for the Nobel Peace Prize by saying she didn’t know about it. Indeed along with being nominated for the Nobel Peace Prize in 1999 she has also been awarded the Haile Selassie Humanitarian Prize in 1971, the Gold Medal of Merit by Pope John Paul in 1987, and an Honorary Gold Medal from the Royal College of Surgeons in England in 1989. In 2003 she was nominated as an Honorary Fellow of the American College of Surgeons, and she was the co-winner of the 2009 Right Livelihood Award.

At the ceremony last week, she said: “Although I was not born in Ethiopia, I love the country very much.”

We welcome Dr. Catherine Hamlin’s induction as a fellow Ethiopian!


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In Pictures: Weeks Later, Alem’s Death Reverberates in the Ethiopian Community

Tadias Magazine
By Tadias Staff

Published: Friday, April 20, 2012

New York (TADIAS) – Five weeks later, the reverberations from the death of 33-year old Ethiopian domestic worker Alem Dechasa in Lebanon are still being felt in the Ethiopian community. Last month we reported that the videotaped beating and death of the mother of two children has shaken the Ethiopian Diaspora and spurred action. A few days after the tragic news broke in March, a crowdmapping website was launched to track and report – in real time – incidents of domestic help abuse throughout the Middle East. The portal, the first of its kind for this purpose, was conceived by a Washington D.C.-based Ethiopian designer with experience in data visualization techniques. Now another network of professionals and students have announced the launch of Justice4Alem, an organization made up of volunteers from various backgrounds including law, public health, information technology, business, and health care, to raise awareness about the issue and to demand accountability from public officials.

“Justice4Alem was formed with the objective of urging the governments of the involved countries to implement systemic reforms to prevent such abuses in the future,” the group said in a statement emailed to Tadias Magazine.

“We are urging non-governmental and governmental organizations including U.S. Department of State, Human Rights Watch, Amnesty International, International Labor Organization (ILO) and others to work with the involved governments to amend labor laws focusing on domestic workers and to ensure that it guarantees protections equal to those afforded to other workers.”

“In Lebanon alone, there are approximately 50,000 Ethiopian migrants and Saudi Arabia has also recently requested 45,000 Ethiopian domestic migrant workers per month,” the statement noted. “Yet gaps in labor laws and the consequences of the kafala system in many countries create conditions that facilitate abuse of Ethiopian migrant workers. Many organizations such as Human Rights Watch have documented abuses including nonpayment of wages, forced confinement in the workplace, confiscation of passports, excessive work hours with little rest, and physical and sexual abuse.”

The group added: “Human Rights Watch estimates that on average, one worker per week is dying most often by committing suicide or trying to escape from their employer. For this reason, we have created this project to raise awareness and to demand the rights of our fellow human beings.”

Justice4Alem is holding a candlelight vigil in Boston on Saturday, April 21st and in Paris on April 28th. The organization held its first gathering in Washington, D.C. in front of the White House on April 7th.

Below are photos from the D.C. vigil courtesy of Justice4Alem.

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Video: An Impossible Decision and a Lonely Death (The Guardian)


Related:
Ethiopian & Lebanese Reactions to the Death of Alem (The Huffington Post)
UN urges Lebanon to investigate Ethiopian maid’s death (BBC)
Ethiopians in Lebanon Protest their Consulate’s Apathy, Callousness (The Daily Star)
Ethiopia’s consul general in Lebanon says I have learned a ‘big lesson’ (The Daily Star)
Ethiopia Seeks Full Investigation Into Alem Dechassa’s Death (The Guardian)
In Memory of Alem Dechassa: Reporting & Mapping Domestic Migrant Worker Abuse (TADIAS)
Lebanon cannot be ‘civilised’ while domestic workers are abused (The Guardian)
Photos: Vigil for Alem Dechassa Outside Lebanon Embassy in D.C. (TADIAS)
Ethiopia Sues Lebanese Man Over Beating of Domestic Worker (The Daily Star)
Ethiopian Abused in Lebanon Said to Have Committed Suicide (The New York Times)
In Lebanon Abuse Video of Ethiopian Domestic Worker Surfaces (TADIAS)

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Vigil for Alem Dechassa Outside Lebanon Embassy in D.C. – March 15, 2012 (TADIAS)

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Conversations With Filmmakers of ‘Town of Runners’

Tadias Magazine
By Tigist Selam

Updated: Friday, April 20, 2012

New York (TADIAS) – As the countdown to the 2012 Olympic Games in London gets underway, a remote town in the Arsi region of Ethiopia called Bekoji is receiving international attention as the world’s capital of long-distance running. During the Beijing Olympics four years ago, runners from Bekoji won all four gold medals in the long-distance track events. The highland Arsi region is home to many of Ethiopia’s Olympic Champions, including Haile Gebrselassie, Tirunesh Dibaba, Kenenisa Bekele and Derartu Tulu.

A new film co-produced by British-Ethiopian Dan Demissie and directed by notable filmmaker Jerry Rothwell introduces us to the town of Bekoji through the eyes of two teenage female athletes as they progress from school track to national competitions. The 86 minute documentary is also part of the 2012 Tribeca Film Festival, which is currently underway in New York.

In a recent interview with Tadias Magazine, the film’s award-wining director said the movie was inspired by Dan Demissie’s interest in the Ethiopian town and its legendary coach. “Dan came across the coach’s work in Bekoji when doing research and we knew that’s where we wanted to focus,” Rothwell said. “The coach used to be a school teacher, he has an incredible passion for what he does and all the athletes trust him.”

The story centres on Mr. Sentayehu Eshetu, a former elementary school Physical Education instructor, who discovered and trained several of the country’s top runners, most significantly Derartu Tulu, the first African woman to win a gold medal at the Olympic Games. Narrated by their friend Biruk who runs a kiosk on the main road into town, the documentary follows two girls, Alemi and Hawii, over a three-year period from 2008 to 2011, as they strive to become professional runners. Through their struggle, the film gives a unique insight into the ambitions of young Ethiopians balancing their lives between the traditional and modern world.

Demissie proposed the idea of Town of Runners to Met Film Production back in 2008, while still a student at Met Film School. During his three years there he worked on the Bekoji project while fulfilling graduation requirements, and has now started graduate studies at the National Film and Television School in the U.K.

Demissie said working on the movie was personally rewarding for him. “It was my first time going to Ethiopia and I got to know the place where I was from,” Demissie told Tadias. “It sounds kind of cheesy, but it’s true I fell in love with Ethiopia.” He said: “It was the best experience of my life.”


Dan Demissie (left) and Jerry Rothwell. (Photo credit: Townofrunners.com)


The coach Mr. Sentayehu Eshetu. (Photo credit: Townofrunners.com)

“I always saw how Ethiopia was portrayed in the media,” Demissie continued. “It’s always famine and war and all of these kinds of negative stereotypes that wasn’t a fair representation.” He added: “I wanted to make a film that countered that image, give it more of a balance. It was my dream to make a film about Ethiopia. I read about this small town and I thought that it was a good story. It’s about people creating their own destiny. That’s what attracted to me it. Later on I found out that I had distant relatives in the region.”

For Rothwell, neither Africa nor running is new. “I’d spent 5 years of my childhood in Kenya and my hero at that age was Kip Keino [the retired Kenyan track and field athlete and two-time Olympic gold medalist] and then much later my daughter had taken up the sport seriously and so I was spending a lot of time by athletics tracks in the U.K.,” Rothwell said. “And Ethiopia is just such a beautiful place to shoot, it is such a rich country.”

“It was almost a coming-of-age film,” Rothwell added. “It was wonderful to see a teenager grow from being 14 years old grow to 17, and to have shared so much time with them.”

But Demissie pointed out that language was a problem for the mostly European film crew. “Back in England, I listened to my parents speak Amharic at home and I would respond in English. In Ethiopia, however, we were in a place where they talked Oromiffa and Amharic, so that was pretty challenging at times,” he said.

Rothwell quipped: “It was great to see Dan getting better at his Amharic.”

“Sometimes there is just so much bureaucracy,” Demissie added, speaking about other challenges of making a film in Ethiopia. Rothwell agreed: “Because there is control of the media, it was difficult at times to get permission to shoot.”

And where are Alemi and Hawii today? “Hawii is on her way back to the running club and she is building herself up there after her injuries,” Demissie said. “Alemi left her running club, but we are not so sure why. It just recently happened.” Rothwell shared: “When we first started to ask the coach about runners, we were interested in how achievement would affect the subjects. It wasn’t about who were the best runners. We followed the coach to one of his competitions and we saw how strong their friendship was.”

The Town Of Runners soundtrack features legendary band leader and father of Ethio Jazz, Mulatu Astatke, and additional recordings from Emahoy Tsegué-Maryam Guébrou, as well as a score by the British composer Vincent Watts.

“It’s a great score and the pre-recorded music is amazing,” Demissie said. “I want to thank the project manager Samuel Tesfaye who was key on the ground. We couldn’t have done it without him.”

Town of Runners will screen at Tribeca Online Film Festival on Thursday, April 19, at 6:45 PM.

Watch: Extended trailer – Town of Runners

Watch the trailer – Town of Runners


Related:
Town of Runners – review (Guardian)
The Ethiopian town that’s home to the world’s greatest runners (Guardian)

Eight Artists Selected for Sundance Institute Theatre Workshop in Addis

Tadias Magazine
Art Talk

Published: Monday, April 16, 2012

Addis Ababa, EthiopiaSundance Institute today announced eight artists selected to participate in its 2012 Theatre Stage Directors Workshop that is underway in Addis Ababa this week. They are Tesfaye Eshetu Habtu of Ethiopia, Habiba Issa of Tanzania, Aida Mbowa of Uganda, Rogers Otieno of Kenya, Wesley Ruzibiza of Rwanda, Freddy Sabimbona of Burundi, Azeb Worku Sibane of Ethiopia, and Surafel Wondimu of Ethiopia.

“The one-week exchange and development program taking place throughout the week is part of the Sundance Institute East Africa (SIEA) initiative, which supports the work of theatre artists in East Africa by creating exchange and exposure opportunities between U.S. artists and East African writers, directors, and performers,” the organization said in a press release.

“Sundance Institute has long believed that the best way to support artistic growth is by offering hands-on experiences and collaboration with other artists,” said Keri Putnam, Executive Director of Sundance Institute. “In that spirit, the Theatre Stage Directors Workshop has brought together a range of theatre artists from across the creative spectrum to collaborate on their new work.”

“In the tenth year of our East Africa initiative, we continue to let our previous experiences in the region refine the structure of our program and the support we offer,” said Himberg. “By focusing our efforts this year on the directorial process, our hope is to contribute to the growth of creative leaders in the region and by doing so, stellar work for future audiences to enjoy.”

Below are bios of the participating artists courtesy of Sundance Institute:

Tesfaye Eshetu Habtu (Ethiopia) was born in 1982 in Merawi, located in West Gojjam, Ethiopia. At Teachers’ College, he received a diploma in History. Tesfaye entered Addis Ababa University’s School of Theatre Arts and received his BA degree with great distinction. He joined the faculty of the School of Theatre Arts and has been teaching as a Lecturer in Drama and Theatre for the past three years, while completing an MA in Cultural Studies. Inspired to work as a theatre director, Tesfaye has directed nine traditional dramas from different regions of Ethiopia, all of which were filmed and presented on Ethiopian national television. One of these productions was presented at the 2008 East African Theatre Institute (EATI) Festival in Addis Ababa, winning First Prize. He worked as an Assistant Director on the feature length film Our Local Artists. Amongst other writings, Tesfaye published his article Historical Evolution and the Ethiopian Drama in Multicultural Societies.

Habiba Issa (Tanzania) has been working as an actress and stage director since completing her degree at the Bagamoyo College of Arts, Tanzania in 2003. She directed the play Dhamana Mabatini written by Godwin Kaduma. In 2007, she directed Kuku na Mayai Yake. After that she was named the Artistic Director at The Parapanda Theatre Lab Trust in Dar es Salaam. Two of her most successful productions with Parapanda (Tanzania’s leading theatre company) were Mfalme Salatani na Mwanawe Guidon by Alexander Pushkin in 2010, and Nguzo Mama by Penina Muhando in 2011. Habiba seeks to become a more knowledgeable person with independent thinking about composing and directing stage works so that she can share that information with her colleagues at Parapanda (“the mother of stage arts in Tanzania”) and other Tanzanian artists.

Aida Mbowa (Uganda) is a Ugandan director and scholar presently pursing a dual PhD in Drama and Humanities at Stanford University, focusing on dramatic literature and music in the wake of political movements, such as decolonization in East Africa and the African American Black Power Movement. In 2009, she co-directed a multi-media multidisciplinary performance with 10 Stanford students in collaboration with students and practitioners from Makerere University in Kampala, which performed at both the Uganda National Theater and at Stanford University. Born and raised in Nairobi, Kenya, Aida studied in East Africa with the London Academy of Music and Dramatic Arts International and completed her Bachelor’s degree, graduating magna cum laude with a BA in Performance and Identity Studies from Mount Holyoke College in Massachusetts. In June 2011, she moved back to East Africa to finish writing her dissertation Dialogic Constructions of a New Black Aesthetic: East Africa and African America, 1952-1979. She has two articles en route to publication. The first, Abbey Lincoln’s Singing Screaming and the Sonic Liberatory Potential Thereafter, will appear in New Perspectives on Performance Studies: Music Across the Disciplines (Ann Arbor: University of Michigan Press, 2012). The second article, Between Nationalism and Pan-Africanism: Ngũgĩ wa Thiong’o’s Independence Men, will appear in the anthology Revisiting Modernization in Africa, currently under review with University of Indiana Press.

Rogers Otieno (Kenya), born in rural Kenya and known to his friends as ‘Rojeh’, is one of the brightest young faces of Kenya’s emerging arts scene. An avid performer from childhood, his first stage was the top of his school room desk where he would mimic his teachers. After school he joined a church performance group, which eventually led him to work at the Kenya National Theatre where he learned the ropes of professional theatre. For the past three years, Rogers was the Associate Director in charge of training at Nairobi’s The Theatre Company. Rogers’ original play My Moving Home holds the record for longest running play in Kenya in 2010. Performed in Kiswahili, Sheng (Kenyan street-slang) and English, the play uses music, narration and largely improvised dialogue to imitate the interactive style of street theatre that Rogers feels is closest to the East African traditional method, allowing for interaction with the audience. Rogers has also performed on several Kenyan television programs. For the last 11 years, he has been involved in performance, producing and directing live events throughout Kenya and internationally.

Wesley Ruzibiza (Rwanda), one of Rwanda’s leading dancers and choreographers, is a 2010 Sundance Institute Theatre Lab on Manda alum. Born in Congo in 1980, Wesley began studying contemporary dance in 2000, at the National University of Rwanda. He trained in African contemporary dance techniques with Arts Azimuts, part of the University Centre for Arts & Drama. His professional training continues both nationally and abroad, including through artists’ exchanges and Germaine Acoigny’s renowned Ecole des Sables in Dakar, Senegal. Appointed as head of Dance Department in 2002, he has given workshops on contemporary dance at the NUR University Centre for Arts & Drama and at various programs in Rwanda and abroad. Wesley’s choreographic pieces have been showcased for major cultural events, such as the opening of the Panafrican Festival of Dance (FESPAD), Rwanda’s Heroes’ Day, Genocide Commemoration Day, and the Under 20 African Soccer Cup. Wesley was selected for a choreographic training in Ouagadougou and Paris, which led to the creation of the first professional contemporary dance group in Rwanda, the Amizero Company, of which he is now the director. Amizero Kompagnie’s play Baho won the Silver Medal for Rwanda at the Sixth Annual Jeux de la Francophonie, Lebanon. Wesley holds a B.A. in Dance in Traditional and Contemporary African Style from Ecole de Sables. Wesley has also worked with an international multicultural project for children, The Longest Story in the World, touring in countries including Romania, The UK, and Bangladesh.

Freddy Sabimbona (Burundi), actor, director, producer and journalist – as well as the founding Director of the satirical comedy group Troupe Lampyre – started directing in 2007 with a play entitled Le retour d’un jeune homme responsable qui s’abstient after working for five years as an actor in Bujumbura, Burundi. Born in Washington DC in 1982, Freddy studied at the Lumière University Faculty of Law before turning to a career in the performing arts. Since founding Troupe Lampyre, he has participated in numerous international festivals and various programs focused on resolving ethnic conflict, including travels in the Democratic Republic of Congo, Rwanda, L’Ile de La Réunion and France. In July 2011, he directed Mr. President, a play which talks about politics in Burundi from 1988 until 1993.

Azeb Worku Sibane (Ethiopia) lives and works in Addis Ababa, Ethiopia. She has worked professionally for more than 15 years in diverse roles including actress, production manager, translator, theatre director and playwright. Sibane has performed at Ethiopia’s National Theatre since 1992 and has appeared in works such as Ha-hu Weyim Pe-Pu by Laureate Tsegaye Gebremedhin and Keadmas Bashahge by Bealu Girma. In 2006 Sibane directed and acted in Eight Women, originally a French comedy drama that she also translated. The production was staged entirely by women, empowering women in Ethiopia to realize professional works successfully. Additionally, she has performed in numerous plays at the Addis Ababa Cultural Center and in live transmissions at the Ethiopia National Radio. In 2007 Sibane performed at The Swedish Theatre Biennale in Örebro as part of the Performing Arts Cooperation between Sweden and East Africa Project (PACSEA), which promoted knowledge and relationship building between the two regions. In 2008 Sibane was selected for an ApexArt Residency in New York City, where she performed The Devil’s Scarf and The Lion’s Whiskers.

Surafel Wondimu (Ethiopia) is a playwright, actor, director, poet, journalist and literary critic born in 1974 in Addis Ababa, Ethiopia. He graduated from Addis Ababa University (AAU) with degrees in English Literature and in Contemporary Cultural Studies from the Institute of Ethiopian Studies. Currently, Surafel serves on the AAU Faculty of Humanities as a Lecturer and Assistant Dean. He also runs the private company Aesop Communication, which runs a weekly 19-hour radio program on FM 97.1. Surafel’s work as an artist and journalist for the Ethiopian National Theater and Ethiopian Radio and Television Agency includes: Sekeken, Death Day Party, Tesfa, The Inspector General, The Hidden Specter, and Dismissed. At the 9th Albugaa Theater Festival in Khartoum, Sudan, Surafel was awarded for writing and direction of his own work. In his academic and artistic endeavors, Surafel grapples with questions that stem from the very locale that he lives in and relates it to his daily life experience in this constantly mutating world. His central question is ‘what does it mean to be human for a citizen of this divided world, an African, and Ethiopian?’. He wants to experiment with forms of Ethiopian folk drama to bring ‘traditional’ dramatic elements into the modern mainstream theater, thereby redefining the epistemological location of Ethiopian theater.

Learn more about the Sundance Institute’s theatre program at www.sundance.org.

Related:
Sundance Institute East Africa Presents Reading by Meaza Worku Berehanu

Photos: DC’s Historic Howard Theatre Reopens After 30-Year Hiatus

Tadias Magazine
Events News

Updated: Sunday, April 15, 2012

Washington, D.C. (TADIAS) – After three decades of being out-of-use, the historic Howard Theatre in Washington, D.C. reopened on Monday, April 9th following a $29 million renovation. The ribbon cutting and community day event was attended by local residents and officials, including Mayor Vincent Gray, Rep. Eleanor Norton, Councilmember Jim Graham and former DC Mayor and current councilman Marion Barry.

During its heyday the Howard Theatre, which opened in 1910 a few blocks away from Howard University, was one of the most prominent symbols of African-American culture in the United States. The music legends that graced its stage include Duke Ellington, Ella Fitzgerald, Marvin Gaye, James Brown, the Supremes, and many others.

The restored venue also attracted celebrities to the opening gala on Thursday, April 12th. The star-studded guest list included Bill Cosby, Dick Gregory, Dionne Warwick, Smokey Robinson, and Motown records founder Berry Gordy.

“I remember seeing a show here once with James Brown,” Mayor Gray said, speaking at the April 9th ceremony. “In the middle of his show, James Brown stopped, put everybody out of the band, and went through the band and played every instrument, that was the caliber person he was.”

New York chef and restauranter Marcus Samuelsson, who attended the event, is in charge of the menu for the newly refurbished music hall.

Below is a slide show of photos from the opening by Matt Andrea for Tadias Magazine.

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Want to Learn Amharic? UCLA Offers Summer Classes for High School Students

Tadias Magazine
By Tadias Staff

Friday, April 13, 2012

Los Angeles (TADIAS) – Enrollment is now open for the summer UCLA language classes for high school students who speak, understand and or hear Amharic at home and want to learn to read, write and expand their listening and speaking skills.

“It is not a foreign language program and it is not a second language program,” Kathryn Paul, UCLA’s High School Heritage Executive Director, said in a promotional video. “It is specifically designed for heritage language students.” Other courses include Arabic, Armenian, Persian, and Russian.

The program targets students whose households speak primary language other than English. “Heritage students grow up learning a language at home, which is their family’s language and there are lots of heritage language speakers in Los Angeles,” Ms. Paul said. “What happens is that in Kindergarten they start learning English and pretty quickly English is the dominant language. Their [home] language proficiency is stuck at basically a four-year-old’s level.” She added: “We begun to recognize that there was a group of students that were coming to UCLA that did not fit anywhere, that they weren’t beginners or they weren’t intermediates, so we started this high school language classes to give these students an opportunity to study their family’s language and culture.”

Ms Paul noted that the program also allows the students to receive high school credit. “We have negotiated with most of the school districts that the number of hours we teach are equivalent to one year of high school credit,” she said.

The classes will be held from June 26- July 26, 2012 on Tuesdays, Wednesdays and Thursdays from 9:00am- 12:30pm along with afternoon tutorials at the UCLA campus. The cost is $150.

Learn more at www.hslanguages.ucla.edu. For general information, call : 310.825.2510 or email: hslanguages@international.ucla.edu.

In Memory of Maitre Artiste Afewerk Tekle: His Life Odyssey

Tadias Magazine
By Tadias Staff

Updated: Saturday, April 14, 2012

New York (TADIAS) – The last time Tadias Magazine interviewed Maitre Artiste Afewerk Tekle was on March 7th, 2004, following his appearance as a Keynote Speaker at Stanford University’s Pioneers Forum organized by the Stanford Ethiopian Student Union. There are few moments as electric as when Afewerk Tekle walked through the crowded auditorium to give an insider’s view of his accomplishments and life adventures. Elegantly clad in the sheer white of the Ethiopian national costume, Maitre Artiste Afewerk let his artistic mind captivate the audience as he took his red-bordered netela to demonstrate the various ways that one can wear the shawl for different public occasions, including as a graduation gown. He received a thunderous applause as he concluded his brief demonstration.

“At the end of the day, my message is quite simple,” he told the diverse audience from the university and the larger Bay Area Ethiopian community. It was the first time since the mid-1960’s that he had formally traveled to the United States to talk about his award-winning artwork.

“I am not a pessimist, I want people to look at my art and find hope,” he said. “I want people to feel good about Ethiopia, about Africa, to feel the delicate rays of the sun. And most of all, I want them to think: Yitchalal! [It’s possible!]”

Speaking about his life-long dedication to the fine arts, Maitre Afewerk Tekle instilled in his audience the importance of using art to inspire people, to uplift nations and to create an optimistic view of life. “What we do today must reflect today’s life for tomorrow’s generation and pave the way for the future generation,” he said. “Art is in every fabric of life.”

Afewerk Tekle was born in the town of Ankober in Ethiopia on October 22nd, 1932. Having grown up in an Ethiopia battling fascist Italian forces, Afewerk was acutely aware of the destruction of war and the need to rebuild his native home. Intent on acquiring skills that would allow him to contribute to Ethiopia’s restoration, the young Afewerk settled on pursuing his studies in mining engineering.

His family and friends, however, had already recognized his inner talent in the arts. Around town he was know for his drawings on walls using stones, and for possessing a curious and ever reflective mind. Despite his natural gravitation to the art world, at the age of 15 Afewerk was chosen to be sent abroad to England to commence his engineering studies.

Maitre Afewerk recalled being summoned by Emperor Haile Selassie to receive last-minute advice prior to his departure. “To this day I cannot forget his words,” the Maitre said pensively. “The Emperor began by counseling us to study, study, and study.” he told the audience. “He told us: you must work hard, and when you come back do not tell us what tall buildings you saw in Europe, or what wide streets they have, but make sure you return equipped with the skills and the mindset to rebuild Ethiopia.” Maitre Afewerk later confided that this sermon rang in his head each time he was tempted to seek the easy life, free from the responsibility of rebuilding his nation and uplifting his people.

As one of the earliest batch of African students admitted to exclusive boarding schools in England, Afewerk faced culture shock and the occasional strife caused by “English bullies.” Yet he remained steadfast in pursuing his studies. He especially excelled in courses such as mathematics, chemistry and history, but it was not long before his teachers discovered his art talent.

With the encouragement of his mentor and teachers, Afewerk decided to focus on refining his gift and enrolled at the Central School of Arts & Crafts in London. Upon completion of his studies he was accepted as the first African student at the prestigious Faculty of Fine Arts at Slade (University of London). At Slade, Afewerk focused on painting, sculpture and architecture.

Upon returning to Ethiopia, Maitre Afewerk traveled throughout the country, to every province, staying at each location for a period of up to three months, immersing himself in the study of his surroundings and absorbing Ethiopia’s historical and cultural diversity. He pushed himself to become an Ethiopian artist with world recognition.


Maitre Afewerk Tekle speaking at Stanford University in California on March 7, 2004. (Photo: TADIAS Archive)

“I had to study Ethiopian culture,” the artist said, “because an important ingredient of a world artist is to have in your artwork the flavor of where you were born.” He added, “My art will belong to the world but with African flavor.”

Above all, Maitre Afewerk worked diligently in the hopes of using his artwork as a social medium with which to highlight the history, struggles and beauty of his native home. Although he was educated abroad, he fought against what he called “the futile imitation of other artists’ works, Western or otherwise.”

With the message of rebuilding Ethiopia still ringing in his ears, Maitre Afewerk quickly decided to relinquish the ministerial post assigned to him upon completion of his university studies, and opted instead to devote his full attention to painting and exhibiting his artwork both at home and abroad.

At age 22, Afewerk Tekle held his first significant one-man exhibition at the Municipality Hall in Addis Ababa in 1954. He followed up his success by conducting an extensive study tour of art in Italy, France, Spain, Portugal and Greece, paying particular attention to collections of Ethiopian illustrated manuscripts as well as acquiring skills in stained-glass artwork.

Returning home he was commissioned to create religious art for St. George’s Cathedral. He also worked on some of the first sculptures depicting Ethiopian national heroes. His designs and inspirations were soon printed on stamps and national costumes. Most notably, he conceptualized and designed the elaborate stainedglass window artwork in Africa Hall at the headquarters of the United Nations Economic Commission for Africa.

With the income and savings he acquired by selling his artwork Afewerk designed his own 22-room house, studio and gallery, which he nicknamed ‘Villa Alpha.’

By 1964 Maitre Afewerk had held his second successful exhibition, thereafter followed by his first show abroad in Russia, the United States and Senegal. Touring African nations at a time when parts of the continent was still under the yoke of colonialism, Afewerk Tekle used his paintings to spotlight the struggle, naming his artwork with titles such as Backbones of the African Continent, Africa’s Heritage, and African Unity. The theme of African independence and the interrelationship of African cultures are indelibly etched in Maitre Afewerk’s creations.

“Your brush can be quite stronger than the machine gun,” he said “I wanted to show how you can write Africa through your artwork, what it means to have liberty, to have your fellow humans completely equal.”

Many art critics have tried, time and time again, to label and categorize his work as having either European or African influence, and sometimes even both. He told us, however, that “you should be free and liberated in your thoughts and style. Your art should speak to you in your hidden language.”

Maitre Afewerk noted that 10% of his work is considered religious art while at least 50% echoes Ethiopian influence. But there is room for him to explore and develop his own style that speaks to his inner muse.

Today, Maitre Afewerk’s art is known and celebrated throughout the world, and indeed he has achieved his dream of becoming an Ethiopian artist with world recognition. He has uplifted Ethiopia, and at the same time his art has been infused into the daily life of his community and fellow citizens.

Around the time that Afewerk Tekle came to speak at Stanford, his art projects around Addis were hard to miss — depicting heroes such as world champion athlete Haile Gebresellasie. At the bottom corner of the artworks there was an Amharic phrase that said it all: Yitchalal!.

Click here to learn more about Afewerk Tekle.

Related:
Funeral Ceremony held for Maitre Artiste World Laureate Afewerk Tekle (News Dire)
Ethiopia mourns death of Maitre Artiste world laureate – Afewerk Tekle (The Africa Report)
BREAKING NEWS: Maitre Artiste Afewerk Tekle dies at 80 (Capital Ethiopia)

The Ethiopian Women’s Edge: Running Magazine Highlights Girls Gotta Run

Tadias Magazine
By Tadias Staff

Updated: Friday, April 6, 2012

New York (TADIAS) – In 2005, an article in the Washington Post by Emily Wax entitled: Facing Servitude, Ethiopian Girls Run for a Better Life, inspired Dr. Patricia E. Ortman, a Washington, D.C.-based retired Women’s Studies Professor to launch Girls Gotta Run Foundation (GGRF), a volunteer organization that provides athletic shoes for girls in Ethiopia who are training to be runners, among other additional assistance. Emily Wax’s piece highlighted the grim realities faced by young girls in Ethiopia, especially in the countryside, including having one of the lowest rates of female enrollment in primary schools. “After reading that article,” Ortman had told Tadias Magazine, “I was faced with two choices: to go ‘oh well’ and go about my life, or to get involved.”

Now another writer Margaret Webb, a Toronto-based author and journalist, has published a feature story that appears in this month’s edition of Running Magazine (Canada) called The Ethiopian Women’s Edge and she devotes a section to the girls of GGRF. “I learned about the organization when I traveled to Ethiopia last summer, on a mission to find out why Ethiopian women are emerging as the world’s best marathoners,” Webb said in a blog post asking her fans to donate to the organization in support of her upcoming participation in the Boston Marathon, a week after she turns 50.

“In the capital of Addis Ababa, teenage girls dreaming of professional running careers train in Meskel Square, an outdoor amphitheatre in the city centre,” Webb wrote. “One morning when I ran to the square, six teenaged girls were training together, repeating one-kilometre laps up 50 uneven dirt steps, across the back row past homeless people sleeping in cardboard boxes, down the other side, along the front row of seating through thick clouds of exhaust pouring up from the city’s main intersection, all keeping in perfect rhythm with each other.”

She added: “When they stopped for a break, and I asked for a picture, they giggled with excitement, thinking I was a Canadian race promoter, here to help them. “Only a writer,” I said, holding up my notebook. They ran ran off to do more laps.”

In a recent interview with Tadias Magazine Dr. Ortman said her Foundation’s efforts are bearing fruit. “Basically, we can say that in 2011, many of our long term efforts and investments in the girls began to pay off for them in a big way,” she said. “The girls had some significant athletic successes in 2011, including the first place win among the women by Chaltu Tafa in the Flag Day 8k race, and women’s 6k team won the second division trophy at the Addis Ababa Cross Country Club Championship Races.” She added: “Most of the girls are still in school, catching up with their education and making good progress.”

One of the GGRF girls, Hana Megersa Abo, also won her first international race, the Loch Ness Half Marathon in Scotland. “The support of GGRF and Running Across Borders has been instrumental in getting them to these positions, and we are all so proud of them,” Ortman said.

Dr. Ortman summed up her thoughts on what she enjoys most about being involved with GGRF by telling Tadias that the project “empowers ambitious, determined, courageous young women to achieve their own dreams and hopefully, eventually, become leaders of the future as a way to help create a better future for themselves, their families, their communities, their country and thus, our whole world.”

You can read the article in the current issue of Running Magazine. Learn more about GGRF at www.girlsgottarun.org.

Tadias TV: Dr. Abeba Fekade at Women’s Day Event in Maryland

Tadias Magazine
By Tsedey Aragie

Updated: Monday, April 2, 2012

Washington, DC (TADIAS) – Last week’s Women’s Day Celebration in Silver Spring, Maryland hosted by Miss Africa USA 2011, Ghysaline Tchouga of Cameroon, featured various speakers including author Sonya Jackson Myles and Founder of the International Ethiopian Women’s Organization Dr. Abeba Fekade. The event was designed to highlight various current topics affecting women worldwide. Many of the speakers presented individual projects, which they said were intended to address issues concerning woman suffrage especially in Africa.

Dr. Abeba Fekade, who is also a psychologist and an adjunct professor at George Mason University, offered strong views about the continuing plight of female migrant domestic workers in the Middle East. Her opinions reflected the larger mood among Ethiopian women in the Diaspora following last month’s widely-publicized, videotaped beating and apparent suicide of Alem Dechassa, the young woman that was abused outside the Ethiopian embassy in Lebanon. I sat down with Dr. Abeba for an interview following her talk.

Watch:

Celebrating Women’s History Month 2012: Tadias Interview with Birtukan Mideksa

Tadias Magazine

By Tseday Alehegn

Published: Friday, March 30, 2012

New York (TADIAS) – We conclude this year’s Women’s History Month series with a Q & A with political leader, human rights activist, and former judge Birtukan Mideksa who joined the Ethiopian Diaspora community in the United States last year. She is currently a Reagan-Fascell Democracy Fellow at the International Forum for Democratic Studies in Washington, D.C., which is supported by The National Endowment for Democracy. The program offers a select group of global leaders with a scholarly environment to reflect on their experiences, conduct research, write, consider best practices and lessons learned, and develop worldwide professional networks.

Prior to her arrival in the United States, Birtukan, who is a mother of a young daughter, had been twice imprisoned as leader of an opposition party in Ethiopia that won more than one-third of the seats during the 2005 elections. On January 6th, 2012 Birtukan spoke at the memorial tribute for Vaclav Havel, the former President of the Czech Republic who was also a playwright and poet, and recalled her imprisonment experience. Of the first 21 months behind bars following the 2005 elections Birtukan stated: “though going to prison despite not committing a criminal offense is a painful experience of every political prisoner, the pain didn’t make us weaker.” However, she described her second imprisonment for 19 months in solitary confinement as being “alone in every sense of the term.” Birtukan was released in October 2010. She noted: “coincidentally Aung San Syu Ki and I were released just days apart from each other. However, unlike her I found my party weakened when I went out. After all the pain that was inflicted on me and my dear ones, I had to ask myself if the struggle was worth it.”

At Vaclav Havel’s memorial tribute Birtukan referred to a book authored by Havel and acknowledged, “the truth illustrated in The Power of the Powerless has always preserved my fervent dedication for the cause of free and dignified human life.” She added: “So we should be vigilant and remind ourselves that the power of the powerless is directly correlated with features like friendship, compassion, forgiveness, and humility which might seem weak and meek rather than vanity, hate, and anger. Only the politics of the heart, which bases itself with capacities of love, friendship, solidarity, sympathy and tolerance are worthy of hardship.”

Birtukan Mideksa is the most prominent Ethiopian female political leader of our generation. Below is our Q & A with her:

TADIAS: As a fellow at the National Endowment for Democracy you have spoken about pathways to peace in the Horn of Africa. Can you share more about your current work? What do you enjoy most about it?

Birtukan Mideksa: As a Regan Fascel Democracy fellow, I am primarily engaged in an academic exploration focusing on the basic challenges of democratization in our country Ethiopia. The program gave me an opportunity to reflect on the issues and analyze the root causes underpinning the core political problems of the country.

The National Endowment for Democracy is a venue where political activists from across the globe come together to exchange views and experiences. What is so fascinating in my stay here has been observing the similarity in the challenges that citizens across borders have to overcome to realize their aspirations for free and dignified life. Yet, this comparative examination also helps one to realize that this noble cause eventually triumphs. That in turn is inspiring. Besides, as a fellow based in Washington, DC, I have lots of opportunities to shed light on the plight inflicted on my fellow Ethiopians by an authoritarian and unaccountable regime ruling the country.

TADIAS: Who are your female role models?

BM: One might say she was from the world of legend and myth. But, the heartfelt desire of the Queen of Sheba to acquire the wisdom and art of governance is celebrated by both major religions in our country. I am fascinated by her story, a story that is perhaps one of the most ancient ones showing a woman who did not consider her femininity as an inhibition for achieving something great and worthwhile.

Of course, there are lots of contemporary women, both Ethiopian and non-Ethiopian whose life is inspiring. I have, however, to single out Aung San Suu Kyi as one whose life has immensely influenced mine. Her courage, her moral integrity and her rigorous adherence and commitment to non-violence are unique in the stage of world politics. This woman who looks weak and frail, who has nothing to do with anger or malice, and who is often low-key and modest has exerted such a huge influence on world leaders, policy makers and more importantly millions of fellow humans including her countrymen and countrywomen. She showed fearlessness without foregoing her humility. She defied the rulers in the Military Junta of Burma without becoming hateful towards them. She is my icon who always affirms to me that it is possible to advance politics guided by moral principles based on respect and love for humanity.

TADIAS: What are some ways you have personally chosen to overcome the hurdles that you have faced both as a woman and as a leader in law & politics?

BM: What helps me most to survive the hurdles I faced is the depth and intensity of the ideal and vision I have with regard to the worth and dignity of the individual citizen and the way our society should be organized based on this universal ideal of human rights and the rule of law. My belief and conviction that we can and should change the status quo, though it appears to be daunting, has kept me going. And my trust in the power of the individual to bring about change enables me to consider the price I paid as a sacrifice made for a worthy causes and purpose.

TADIAS: What are some practical tips you can give for young women who want to follow in your footsteps?

BM: I would like to remind young women that public service or political engagement is not a domain exclusively reserved for men. In fact, I don’t think we can truly succeed in transforming the political system into a system which incorporates equality and fairness at its epicenter, unless Ethiopian young women are determined to contribute something significant to the process.

So I would like to encourage our young women to dream a future for our nation with a dignified and flourishing life for all citizens. And it’s important to believe in the ability of everyone of us to champion change. It is obvious the public discourse and the political process of our country is complex and traversing through it is an uphill journey. But if we stay committed and if we focus on the things we can offer and the societal issues we can be engaged in, all of us can play a role to lead our country towards freedom and democracy eventually.

TADIAS: Please tell us more about yourself (where you were born, grew up, school and how you developed your passion for your work?)

BM: I was born and brought up in the Ferensay Legacion neighborhood of Addis Ababa. I went to a public mid school called Miazia 23 and Yekatit 12 (Menen) for my elementary and high school education respectively. And I graduated from Addis Ababa University with a degree in law. I believe my passion for politics has a strong correlation with the fact that I was brought up in a community whose members are strongly committed to maintaining healthy social relations and to looking after the well-being of individual members. My training as a lawyer later on gave me some coherent narrative and vision for this aspiration of mine.

TADIAS: What would like to share on Women’s History Month with Tadias readers that we have not asked you about?

BM: I think we need to celebrate our unsung Ethiopian heroines who really made it in every realm of life. From the queens and wives and mothers of kings who take part in leadership to promote peace and security, to women advocates of change in Ethiopian popular revolution who paid dearly as equal with their male partners deserve our respect and commemoration for what they did and attempted to achieve in securing better societal destiny for our nation.

Most importantly, we should cherish and recognize the Ethiopian mothers and wives who bear tremendous burden and tirelessly struggle amidst challenges of impoverishment to feed their family, and to send their kids to school to get an education that perhaps they never had an opportunity to access themselves.

TADIAS: Thank you and happy Women’s History Month from all of us at Tadias.
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Click here to watch Birtukan Mideksa’s tribute to Vaclav Havel.

Related Women’s History Month Stories:
Interview with Artist Julie Mehretu
Interview With Model Maya Gate Haile
Interview with Nini Legesse
Interview with Sahra Mellesse
Interview with Lydia Gobena
Interview with Author Maaza Mengiste
Interview with Grammy-nominated singer Wayna
Interview with Bethlehem Tilahun Alemu
Interview with Journalist Fanna Haile-Selassie
Interview with Dr. Mehret Mandefro
New Book Highlights Stories of 70 Accomplished Ethiopian Women (TADIAS)

Join the conversation on Twitter and Facebook

Tadias Interview with Julie Mehretu: Celebrating Women’s History Month 2012

Tadias Magazine

By Tseday Alehegn

Updated: Friday, March 30, 2012

New York (TADIAS) – Julie Mehretu is one of the most celebrated contemporary artists in the United States, and one of two Ethiopian-born artists whose work is part of the permanent collection at the Museum of Modern Art. Julie, who currently lives and works in New York, has received numerous international recognitions for her work including the American Art Award from the Whitney Museum of American Art and the prestigious MacArthur Fellow award. She had residencies at the Core Program at the Museum of Fine Arts in Houston (1998–99), the Studio Museum in Harlem, New York (2001), the Walker Art Center, Minneapolis, Minnesota (2003), and the American Academy in Berlin (2007).

Julie was born in Addis Ababa in 1970 and immigrated to the United States with her family in 1977. Speaking about her upbringing Julie tells Tadias: “I was then raised in East Lansing, Michigan, where my father was professor of economic geography at the university and my mother a montessorian for young children.” Julie completed her undergraduate studies at Kalamzoo College and her MFA at RISD. “I was always drawing and painting since very young,” she said. “My parents always encouraged me to draw and pushed us to think differently.” She added: Although, it wasn’t until I was in graduate school that I really thought it could be possible to make a life as an artist. I think it is super important to realize that given a privileged circumstance you can craft a life like you can an object or a picture, with deep intention and vision.”

What does she most enjoy about her work? “Making art is difficult and intense work that consumes all of me,” Julie said. “Even still, I am so grateful and privileged that I am able to spend my time dedicated to painting and making art.”

In celebration of Women’s History Month, we asked Julie who her female role models are. “My mother, Doree Mehretu, my sister Neeshan Mehretu and my partner Jessica Rankin,” she shared, adding a few practical tips for young women who want to follow in her footsteps: “Work hard, don’t hesitate, and trust your intuition. Take deep care of your work and it will take care of you.”

Correction:
We have updated this story and made the following correction: Mehretu is one of two Ethiopian artists whose work is part of the permanent collection at MOMA. The other artist is Skunder Boghossian.

Click here to watch Video of Julie Mehretu from Art 21 Season 5 Preview.

Related Women’s History Month Stories:
Interview with Birtukan Midekssa
Interview With Model Maya Gate Haile
Interview with Nini Legesse
Interview with Sahra Mellesse
Interview with Lydia Gobena
Interview with Author Maaza Mengiste
Interview with Grammy-nominated singer Wayna
Interview with Bethlehem Tilahun Alemu
Interview with Journalist Fanna Haile-Selassie
Interview with Dr. Mehret Mandefro
New Book Highlights Stories of 70 Accomplished Ethiopian Women (TADIAS)

Tseday Alehegn is Co-Founder & Editor of Tadias.

Join the conversation on Twitter and Facebook

Celebrating Women’s History Month 2012: Tadias Interview With Model Maya Gate Haile

Tadias Magazine

By Tseday Alehegn

Published: Thursday, March 29, 2012

New York (TADIAS) – Our next feature for Women’s History Month is model and philanthropist Maya Gate Haile. Maya is signed with Elite New York and Los Angeles, and has worked with Ford Model (Chicago & Miami), IMG (Paris), and Zero Management Model (South Africa). She was born in Ethiopia, grew up in Holland and speaks four languages (English, Dutch, Amharic, and Guragena). She currently resides in Harlem, New York with her husband Chef Marcus Samuelsson. In addition to fashion & modeling, Maya’s personal interests include photography and learning about diverse cultures. “I believe it enriches people’s lives and everyone should embrace the best part of different cultures to create your own culture without forgetting your original one,” she says.

Maya serves on the steering committee for UNICEF’s Next Generation and focuses on reducing child mortality and improving the lives of children through education, engagement and advocacy work. Maya is also involved with 10×10, a feature film and social action campaign developed by ABC news journalists to empower girls in developing nations by providing access to education.

In 2011, Maya launched ‘Ethiopia’s Next Number One Model,’ an initiative to provide Ethiopian women with support and resources to gain access to international modeling opportunities. Maya serves as host of the program where the winning contestant receives a 3-year contract with a top international modeling agency as well as travel opportunities to network with high-fashion designers. Maya has been quoted as saying “Modeling is not a destination, it’s a start.” Her work both in the fashion industry as well as her outreach with youth is a testament of her desire to uplift and inspire the next generation.

“What I love about my job the most is working with creative people,” Maya tells Tadias. “I work and learn at the same time, and meet new people every day.” Her role models are “the women of Ethiopia, who work hard everyday to make their parents and family proud.”

Reflecting on her volunteer and charity work Maya says: “Working and being a model is glamourous and it’s been so great, but what’s next? Helping people. My family did that and they are still doing it, and when you get so much love and you see how people care you just want to give back to your people.”

To Tadias readers Maya says: “Dream big. Be positive. Take chances. Be mindful of your day. Respect yourself and you will respect others.”

Stay tuned for more highlights celebrating Ethiopian women role models and change agents.

Related Women’s History Month Stories:

Interview with Birtukan Midekssa
Interview with Artist Julie Mehretu
Interview with Nini Legesse
Interview with Sahra Mellesse
Interview with Lydia Gobena
Interview with Author Maaza Mengiste
Interview with Grammy-nominated singer Wayna
Interview with Bethlehem Tilahun Alemu
Interview with Journalist Fanna Haile-Selassie
Interview with Dr. Mehret Mandefro
New Book Highlights Stories of 70 Accomplished Ethiopian Women (TADIAS)

Join the conversation on Twitter and Facebook

Celebrating Women’s History Month 2012: Tadias Interview with Nini Legesse

Tadias Magazine

By Tseday Alehegn

Published: Monday, March 26, 2012

New York (TADIAS)- Nini Legesse was one of the fourteen community leaders from the East African Diaspora that were honored at the White House as “Champions of Change” last month. Her organization Wegene Ethiopian Foundation provided, among other services, financial support to build an elementary school in Abelti-Jimma, Ethiopia. The White House said: “These leaders are helping to build stronger neighborhoods in communities across the country, and are working to mobilize networks across borders to address global challenges.”

Below is our Q & A with Nini Legesse.

TADIAS: Please tell us about Wegene Ethiopian Foundation. What inspired it?

Nini Legesse: I founded Wegene in 2000 with similarly inspired friends who like me had left their home country in their teenage years. We felt morally obligated to give back. Even though my friends and I feel grateful for the security, opportunity, education and better life that we enjoy in our adoptive country, the United States, we wanted to assist those who have less opportunities in Ethiopia. The goal of Wegene is to enable hardworking, poor families to meet their daily needs and send their children to school in a sustainable way.

We also have Wegene Kids Club. The club raises funds through bake sales, movie nights, crafting, and other various activities in order to create awareness and reach out to Ethiopian American youth. In addition to our projects in Ethiopia, the Wogene Kids Club also volunteers by feeding and distributing clothing to the homeless in the Washington, D.C. area. One of Wegene’s unique features is that it is 100% volunteer based. As a result, our overhead cost is near to nothing, because everyone involved is donating their time, money, and other in-kind donations.

TADIAS: What do you most enjoy about your work?

NL: My work for Wegene is more of a mission and it’s something that I’m very passionate about. It is meaningful and intensely rewarding. Also, I’m grateful that Wegene has created an opportunity to cultivate social ties to my home country and to make a difference in someone’s life at a personal level. This work offers me fulfillment and civic satisfaction beyond imagination. I think we each have to realize our human potential for compassion and love. I see our world as a generous place where we reach out to others as we move through life. It doesn’t matter if our contribution is large or small; doing what we can to positively affect the life of a single person provides immense gratification. I also work full time as a patent examiner at the U.S. Patent and Trademark Office. I have been working at this job since 2001.

TADIAS: In a celebrating Women’s History Month, who are your female role models?

NL: I have numerous. One of my role models is Dr. Catherine Hamlin. I admire her lifetime devotion and mission to treating childbirth-related injures of disadvantaged women in Ethiopia. I’m amazed at how humble and loving she is. Her book, The Hospital by the River, is one of my favorite books. My other role model is Mrs. Marta Gebre-Tsadick, the founder of Project Merci. Marta is a remarkable woman. It is incredible what she and her husband have created. They built a school and hospital and established agricultural development programs. To me, she is a woman who has become a force of nature. Lastly, but equally as important, my mother and each of my six sisters have been my role models especially because I am the youngest child in my family.

TADIAS: Please tell us more about yourself (where you were born, grew up, school and how you developed your passion for your work).

NL: I was born in Addis Ababa, Ethiopia. My parents are Mrs. Kebrework Senke and Dejazmach Legesse Bezou. I have five sisters and two brothers. Now I lost one of my sisters to Lou Gehrig’s disease. I came to the United States at the age of 17. The school that I attended in Ethiopia was Nazareth School, of which I have many good memories. I received my undergraduate degree from Berea College in Kentucky and my Master’s Degree in Industrial Technology from Ball State University in Indiana. I am happily married to Eskinder Teklu for over 17 years and I have three wonderful children ages 16, 15, and 11. I have many relatives and friends I love and adore. In addition to a lot of new friends I have made each year, I am lucky that I also still have my kindergarten friends actively involved in my life. In my spare time, I love to read, listen to music, write poems, watch movies, decorate, help my kids with their school projects, garden, and do craftwork.

TADIAS: What are some practical tips you can give for young Ethiopian women who want to follow in your footsteps?

NL: It’s okay to fail, as long as you learn from your mistakes and avoid making the same mistakes again. There is no single problem that can’t be solved through determination. Understand that hard work will pay off. The main thing is to find your purpose in life. Find something that gives your life meaning.

TADIAS: Is there anything else you would like to share with Tadias readers that we haven’t asked you?

NL: I just want to thank all of your readers for taking their valuable time to read about me and the Wegene Ethiopian Foundation. My heartfelt thank you to Tadias magazine for the opportunity given to me to share about my passion.

For more information about Wegene, visit their website at www.wegene.org. Stay tuned for more highlights celebrating Ethiopian women role models and change agents.

Video: Photo slide show of Wegene’s School Project in Abelti, Jimma – Ethiopia


Related Women’s History Month Stories:
Interview with Birtukan Midekssa
Interview with Artist Julie Mehretu
Interview With Model Maya Gate Haile
Interview with Sahra Mellesse
Interview with Lydia Gobena
Interview with Author Maaza Mengiste
Interview with Grammy-nominated singer Wayna
Interview with Bethlehem Tilahun Alemu
Interview with Journalist Fanna Haile-Selassie
Interview with Dr. Mehret Mandefro
New Book Highlights Stories of 70 Accomplished Ethiopian Women (TADIAS)

Join the conversation on Twitter and Facebook

Spotlight on Sahra Mellesse

Tadias Magazine

By Tigist Selam | Art Talk

Updated: Sunday, March 25, 2012

New York (TADIAS) – As part of our Women’s History Month series, we spotlight Sahra Mellesse, an emerging actress based in Los Angeles. Sahra’s first major screen role was in the feature film Pariah – a contemporary drama about a Brooklyn teenager juggling conflicting identities. Pariah was released last December by Focus Features and was an official selection at the 2011 Sundance Film Festival. Sahra is also a series regular on Speed Racer for the Nicktoons Network, and has appeared in guest roles on Law & Order. Having studied screenwriting at UCLA, Sahra has developed a television series pilot in which she plans to star.

Belwo is our Q & A with Sahra Mellesse.

TADIAS: What would you like to share about yourself with Tadias readers?

Sahra Mellesse: I was born and raised in the South Bronx, New York City to an Ethiopian father and a Ugandan mother. Growing up in New York City gave me access to groups of friends who are as ethnically and ethically diverse as Home Depot’s paint selection. It’s allowed me to interact with and connect to so many different types of people. But I’ve also been hindered by it in the sense that Hollywood isn’t as open minded as I am. My goal as a filmmaker is to expand the images of minorities in general, so that audiences aren’t just limited to the same stereotypical image of each group. I want to make visible the variety of images that I grew up with. No entire group of people is the same. And I want to explore that. There are so many people, and ideas unrepresented or under-represented on screen. So I’m working to bring those characters and those stories to light.

TADIAS: What do you most enjoy about acting?

SM: The part of acting that I most enjoy is being able to put myself on a hanger and try on someone else’s life for a little bit. To play a character with any type of authenticity you have to first understand them. And it’s so rare that people get to explore a culture outside of their own or a perspective that differs from theirs. But it’s my job to do that. It’s my job to put my beliefs, my experiences, and my perspective on a shelf, and inhabit someone else’s, so that I can live life through their eyes, within their skin. You learn so much. So every project has been a real growing experience and an education of sorts.

TADIAS: When did you know you wanted to be an actress? Was there a specific event that inspired it?

SM: I believe I was in middle school when I decided I wanted to become an actor. I honestly can’t pinpoint the moment I made the decision. I didn’t have an epiphany or anything. I think it started out with the combination of being a good liar and a class clown. I just liked to entertain. I liked making people laugh. It was fulfilling. The most gratifying feeling for me is creating something that people take with them in their day to day lives.

The other day someone told me they were from West Philly, and I followed with “born and raised, in the playground is where I spent most of my days!” It’s the theme from The Fresh Prince of Bel Air. It’s embedded into my psyche. I know whole episodes by heart. I also know the show Friends, verbatim. I have a VCR in my head, and when I need a laugh I just press play. The shows that I grew up with and the movies that I’ve seen have become a part of me. And I take them with me everywhere I go. And my hope is that people will take my performances and my projects with them as well. And maybe one day I can be responsible for someone breaking into song in the middle of a conversation. However, I’d settle for just making someone smile.

TADIAS: In celebration of Women’s History Month, who are your female role models?

SM: The main one would be my Mom. She’s my Mother Theresa. I don’t think there’s enough time in the day to explain why. I actually don’t think there’s enough time in the year. But she’s been really supportive. This isn’t the easiest business to crack into, but she’s always championed me regardless. And apart from being my mom, she’s also a philanthropist. She works for a non-profit organization that grants money to different causes they believe in. She’s a do-gooder!

In terms of role models in Hollywood, I have two. One would be Dee Rees, who wrote and directed Pariah. The amount of courage it took to put her struggle in theaters with the hope of making someone else feel less alone is by-far the bravest act I have ever witnessed. She’s the most genuine and most courageous person I know, hands down. My other role model is Meryl Streep. I’ve been a groupie since Music of the Heart in 1999 and have since seen damn-near everything she’s done. Not only is she talented but she carries herself with such class and such grace. And on top of that, there’s still room in her personality to be undeniably charismatic. I don’t think I’ve ever watched one of her performances or watched her in an interview and said, ‘well, I’m bored.’ Never.

TADIAS: Thank you Sahra and best wishes from all of us Tadias.

Related Women’s History Month Stories:
Interview with Birtukan Midekssa
Interview with Artist Julie Mehretu
Interview With Model Maya Gate Haile
Interview with Nini Legesse
Interview with Lydia Gobena
Interview with Author Maaza Mengiste
Interview with Grammy-nominated singer Wayna
Interview with Bethlehem Tilahun Alemu
Interview with Journalist Fanna Haile-Selassie
Interview with Dr. Mehret Mandefro
New Book Highlights Stories of 70 Accomplished Ethiopian Women (TADIAS)

Join the conversation on Twitter and Facebook

Celebrating Women’s History Month 2012: Tadias Interview with Lydia Gobena

Tadias Magazine
By Tseday Alehegn

Updated: Saturday, March 24, 2012

New York (TADIAS)- Our next interview for Women’s History Month features Lydia Gobena, a partner at Intellectual Property law firm Fross Zelnick Lehrman & Zissu and a designer who recently launched her own jewelry line, Birabiro. As a legal professional Lydia has represented diverse international clientele including those in the sports, fashion, architectural, engineering, music, and pharmaceutical sectors. She launched her own jewelry line at the end of 2011.

Below is our Q&A with Lydia Gobena.

TADIAS: Please tell us more about yourself and your interest in a legal career.

Lydia Gobena: I was born in Addis Ababa, Ethiopia, and moved to the U.S. when I was 2 years old. I grew up in Northern Virginia, where I graduated high school, and received a B.A. at the University of Toronto in Philosophy and History. After college, I worked in retail and at a law firm for a year and then studied law at the University of London, School of Oriental and African Studies (“SOAS”), receiving an LL.B. While working at the law firm, I realized that I enjoyed the intellectual aspects of the law. I was particularly interested in comparative law, having traveled extensively as a child. The program at SOAS appealed to me as it enabled me to take the more traditional legal courses while also studying different legal systems in Africa and Asia. After completing my law degree in London, I received an LL.M. at Georgetown University Law Center in International Law. I joined Fross Zelnick Lehrman & Zissu, an intellectual property boutique, in 2000 as an associate in the International Group. I became a partner in December 2005. I counsel and advise clients on international trademark, industrial design, copyright, and unfair competition issues. I have represented a diverse international clientele, including well-known fashion and apparel brands, a luxury goods company, a leading provider of engineering and architectural software, one of the world’s largest music and entertainment companies, leading pharmaceutical companies and beverage and sports brands.

TADIAS: You have recently also launched a jewelry design business called Birabiro. Can you tell us a bit more about this venture?

LG: I have enjoyed making beaded necklaces since I was a child. I started silversmithing in 2001, initially out of necessity. I love large rings and bracelets but could not find ones to fit my small fingers and wrists. While I have been making jewelry for friends and family over the years, I decided to launch my own jewelry line, which can now be viewed and purchased at birabiro.com, in order to make the designs available to a larger audience.

My love of jewelry most definitely came from my mother, who collects unique pieces from around the world. I love large, bold pieces of an artistic nature and this aesthetic is reflected in my line. Jewelry for me is an expression of who I am, and I am happy that I can share my creative expression with people outside my everyday circles.

TADIAS: Who are your female role models?

LG: In terms of career, I would have to say that my mother and her friends inspired me to pursue a challenging career. They were university-educated women in Ethiopia in the 60s/70s, who worked fulltime but yet managed to have a family. This career/life balance is something that I strive to have today, with a full-time career, a developing side business and a family life. I also have a number of female colleagues and clients at work, who have also helped guide my legal career. With respect to jewelry and style, my role models tend to be women, who push the boundaries when it comes to adornment. I was also inspired by my late sister, a fantastic artist, who had a unique worldview and aesthetic.

TADIAS: What are some practical tips you can give for young women who want to follow in your footsteps? (Both in law and in the arts).

LG: Find mentors at all stages of your career: I have had male and female mentors throughout my career and I actively seek them out to guide me in my professional life. I believe that it is particularly important, as a woman, to have female mentors, because they have been where you are and are good sounding boards when you need advice.

Follow your dreams: Many years ago, when reading The Alchemist by Paulo Coelho, I came across the following quote that has guided me in my life and career “…[W]hen you want something, all the universe conspires in helping you to achieve it.” In other words, desire, determination, dedication, and, above all, belief in your dreams, coupled with hard work, will enable you to achieve your goals. Be a mentor: Just as others have guided you, it is important to help others in their journeys. You will learn and grow from the experience of mentoring as well.

TADIAS: What are some ways you have personally chosen to overcome the hurdles that you may have faced as a woman executive?

LG: I am fortunate to work at a law firm where being a minority woman was irrelevant as I am judged based solely on my work product. Thus, I do not believe that I have faced significant hurdles in my current work environment because of my gender or color. To the extent there have been any during my career, I have tried to ignore them and focus on trying to be the best in my field (a byproduct of how I was raised). Initially, I faced hurdles because I took an untraditional route in my legal career. It took a fair amount of networking to secure my first IP job. However, my perseverance paid off. You have to realize that disappointment is a part of life. However, you need to use it to your advantage: You may not necessarily win every case, or get every client that you pitch, but each of these experiences can make you into a better lawyer and individual.

TADIAS: What would like to share on Women’s History Month with Tadias readers?

LG: It is OK to march to the beat of your own drum. My approach to my legal career was not traditional; neither was my path to being a jewelry maker. At the end of the day, you just have to love what you do.
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Stay tuned for more highlights celebrating Ethiopian women role models and change agents.

Related Women’s History Month Stories:
Interview with Birtukan Midekssa
Interview with Artist Julie Mehretu
Interview With Model Maya Gate Haile
Interview with Nini Legesse
Interview with Sahra Mellesse
Interview with Author Maaza Mengiste
Interview with Grammy-nominated singer Wayna
Interview with Bethlehem Tilahun Alemu
Interview with Journalist Fanna Haile-Selassie
Interview with Dr. Mehret Mandefro
New Book Highlights Stories of 70 Accomplished Ethiopian Women (TADIAS)

Join the conversation on Twitter and Facebook

Celebrating Women’s History Month 2012: Tadias Interview with Maaza Mengiste

Tadias Magazine
By Tseday Alehegn

Updated: Thursday, March 22, 2012

New York (TADIAS) – Maaza Mengiste is the author of the critically acclaimed novel Beneath the Lion’s Gaze. She was born in Addis Ababa, Ethiopia and graduated with an MFA in Creative Writing from New York University. Maaza is also the writer for the Ethiopia segment of the “Ten by Ten” project, a feature film that tells the stories of 10 extraordinary girls from 10 developing countries around the world. These stories, written by a female writer from the girl’s country and narrated by a celebrated actress, describe a unique personal journey of triumph and achievement against incredible odds.

Maaza ‘s book Beneath the Lion’s Gaze has been translated into several languages and her work has appeared in The New York Times, BBC Radio 4, The Granta Anthology of the African Short Story, and Lettre International, to name a few. She is a Fulbright Scholar who has also received fellowships from the Emily Harvey Foundation, the Virginia Center for the Creative Arts, the Prague Summer Program, and Yaddo. She teaches at NYU and lives in New York City.

Below is our Q & A with Maaza Mengiste:

TADIAS: What would you like to share about Women’s History Month with Tadias readers?

Maaza Mengiste: As I continue my reading and research and learn more about Ethiopian history, I’ve become increasingly aware of how significant women have been throughout that history. Can we talk about Ethiopian history without mentioning Saba or Zewditu or Taitu or so many of the women whose names aren’t in history books but in their families’ memories? I’m so proud of all the heroines, famous and unsung. My hope is that somewhere, there is a writer putting some of their stories down on paper.

I think it’s hard to consider Women’s History Month and consider Ethiopian women without thinking of what’s happening to domestic workers across the Middle East. In particular, the horrible and tragic death of Alem Dechassa. I still don’t have the right words to describe how I feel. I swing between so many emotions, most of them degrees of sorrow and anger. I think as women and as Ethiopians, we are each other’s sisters. In 10×10 film, through Azmera’s story and those young girls in her school who are saying ‘no’ to forced marriage and supporting each other to study hard, I’m hopeful of the potential we unleash when we band together. If we can reach even one woman trapped in an abusive household, if we can give her a place to tell her story and a place to turn for help, then maybe, in some small way, Alem’s death will not have been futile. It is a horrible price to pay, and one that I hope no other woman chooses, thinking it is her only way out of a terrible situation. It’s wonderful to see people, men and women, coming together to do something as a result of Alem’s death. I know events are happening in many places and social media is spreading the word and it’s great.

TADIAS: What do you enjoy most about being a writer?

MM: Most of the time, writing is hard work. It requires hours of solitude and many, many weeks and months and years of conceptualizing, writing, then revising again and again. It can often be the most difficult thing I’ve ever done, but it is also the most rewarding. One of the most rewarding aspects of my current life, as a writer with a published book, is the opportunity to meet so many people with incredible life stories. Writing demands that I am alone most of my days, but being able to interact with so many whose lives in some way echo those of my characters, or to connect with people who worked in Ethiopia or are students of Ethiopian history, has been a wonderful experience.

TADIAS: You are the writer for the 10×10 segment on Ethiopia. Can you share with us a bit more about your work on this project?

MM: The 10×10 documentary is a film focused on girls’ education as a means to positively impact a community and a country. The producers and director chose 10 countries and looked at the biggest obstacle to girls’ education in those countries. For Ethiopia, that issue was forced early marriage. I had the opportunity to meet Azmera, a young girl from a village outside of Bahir Dar. She was going to be married at age 12, but reported this to her teachers and the marriage was stopped and she was allowed to continue school. My role in the documentary was to spend time with Azmera and her family, which included her mother and grandmother and her aunts, uncles and cousins, and get to know her and learn more about her life. Then, I would write a script based on my time with Azmera and the director would take that and use it to shoot the documentary.

What I realized through this process was that, contrary to so many stories we hear about cruel parents forcing children into these marriages, Azmera comes from a loving, caring family. They adore her. Her mother was doing her best to make the right decisions for her child. She began to understand the physical and psychological damages inflicted on young girls when they’re married too young, and she was determined that her daughter finish school and improve her life. What was important to me as a woman, as an Ethiopian and as a writer was to convey this mother’s love but also talk about the thousands of young girls who are not as lucky as Azmera. The experience has been life-changing, I’m excited to see the finished film, which will be released sometime in 2013. But most important, I am so grateful for the kindness Azmera and her family extended to me and their willingness to let me into a small part of their lives. We will continue to stay in touch.

TADIAS: Who are your female role models?

MM: My grandmother and my mother. I learned kindness from one and stubbornness from the other, and it’s good to have both in this world, I’ve found.

Tadias: What challenges have you faced as a writer and how did you overcome those hurdles at work or life in general?

MM: Maybe the hardest thing is to maintain the daily discipline of writing, no matter what. It is often a juggling act between work, family and writing. Sometimes one outweighs the other, but the most important thing is that every day, I’ve spent some time focused on my writing.

TADIAS: What are some practical tips you can give for young women who want to follow in your footsteps?

MM: There will be many, many people who will find many, many reasons to discourage you from writing or from the arts. But the best advice I’ve ever received was from one of my aunts, who told me that no one lives with your decisions except you. So no matter what you want to do, do it well. Practice discipline. Be fearless. And be kind to people.

TADIAS: Please tell us more about yourself (where you were born, grew up, school and how you developed your passion for your work?)

MM: I was born in Addis Ababa, Ethiopia but came to the U.S. when I was a child. I’ve grown up in the States but maintained ties to Ethiopia through family, friends and my work. I got my Masters in Fine Arts at New York University and I teach creative writing there. I developed my passion for my work by reading writers I admire. My passion for reading came much earlier than my passion for writing. I still love to read, I read every day, and that’s continuing to help me become a stronger writer.

TADIAS: Thank you so much and Happy Women’s History month from all of us at Tadias!

Stay tuned for more highlights celebrating Ethiopian women role models and change agents.

Related Women’s History Month Stories:
Interview with Birtukan Midekssa
Interview with Artist Julie Mehretu
Interview With Model Maya Gate Haile
Interview with Nini Legesse
Interview with Sahra Mellesse
Interview with Lydia Gobena
Interview with Grammy-nominated singer Wayna
Interview with Bethlehem Tilahun Alemu
Interview with Journalist Fanna Haile-Selassie
Interview with Dr. Mehret Mandefro

Watch: Maaza reading from “Ten by Ten” (The story of Azmera, a young girl from Bahir Dar)


‘Girl Rising’ Film & Campaign Coming in 2013 (TADIAS)

Related:
New Book Highlights Stories of 70 Accomplished Ethiopian Women (TADIAS)

Join the conversation on Twitter and Facebook

Marcus Samuelsson Opens Ginny’s Reminiscent of Harlem Speakeasys

Tadias Magazine
By Tadias Staff

Wednesday, March 21, 2012

New York (TADIAS) – Last night we listened to live Cuban jazz and salsa at Ginny’s Supper Club — the new speakeasy lounge below Red Rooster, and enjoyed the cocktail menu of shrimp & walnut along with drink classics such as Harlem Mule and Rooster Colada — names hailing from Harlem’s renaissance in the 30’s.

Following Red Rooster’s success in Harlem, Chef, Author and Owner Marcus Samuelsson launched Ginny’s Supper Club this past Monday, March 19th. Grub Street profile of Ginny’s proclaims: “Harlem just keeps getting buzzier” and highlighted the cocktail & relishes menu. New York Times describes Ginny’s as “rich with mellow evening atmosphere that evokes the Cotton Club and other uptown hotspots of yore.” The bar and 120-seat lounge has the vibe from Harlem’s Golden Age, and Ginny’s customers are as culturally diverse and elegantly stylish. We thoroughly enjoyed the live music.
—-
Related:
Ginny’s Supper Club Looks Back in Harlem (The New York Times)
Harlem’s Red Rooster: A rare diversity in dining (AP via Seattle PI)
What to Eat at Ginny’s Supper Club (New York Grub Street)

Cover image: Photo by Tadias Magazine.

First Generation Ethiopian American Wins North Carolina Spelling Bee

Tadias Magazine
By Tadias Staff

Tuesday, March 20, 2012

New York (TADIAS) – Seventh-grader Nejat Alkadir at Ledford Middle School in Davidson County, North Carolina spelled the final word correctly at a local spelling bee conetst to win a spot at the national finals in Washington, D.C.

“A first-generation American, whose mother came to North Carolina barely speaking English, bested 31 other students Sunday to win the 72nd annual Winston-Salem Journal Regional Spelling Bee,” reported the Winston-Salem Journal.

“Nejat Alkadir, a seventh-grader at Ledford Middle School in Davidson County, spelled “suggestible” correctly to clinch the win and earn a trip to the national finals in Washington, D.C. She went back and forth with second-place finisher Dharani Govindasamy of Guilford County. Then he tripped over “twoling,” which is a type of crystal.

“He was really smart,” an ecstatic Nejat said after the contest. “When he missed the word, I knew that was my chance.”

Her father said he was proud of his daughter and he is going to buy her a cellphone as a reward. “She’s got a good mind,” said Aminu Alemu, in an interview with The Winston-Salem Journal. He noted that in Ethiopian culture, children take the father’s middle name instead of the last. “God give it to her,” Alemu said. “I’m very proud.”

Read more at the Winston-Salem Journal.

Celebrating Women’s History Month 2012: Interview with Wayna

Tadias Magazine

By Tseday Alehegn

Published: Tuesday, March 20, 2012

New York (TADIAS)- Our next highlight for Women’s History Month series features Grammy-nominated singer and songwriter Wayna. The Ethiopian-born artist moved to the U.S. when she was a toddler and grew up in the suburbs of D.C. After graduating from the University of Maryland where she double majored in English and Speech communication, Wayna worked for three years as a writer at the Clinton White House before launching her music career. Her debut album ‘Moments of Clarity’ was released in 2004. Five years later, she was nominated for Best Urban/Alternative Performance at the 2009 Grammy Awards. Wayna is currently back on tour and gearing up for another album. In honor of Billie Holiday’s birthday Wayna will be performing at the Blue Note in New York on April 6, 2012.

Below is our Q & A with Wayna.

TADIAS: What do you most enjoy about your work?

Wayna: I most enjoy writing and performing when it’s in the zone — and by that I mean the moment when you lose yourself in what you’re doing and something special happens that’s beyond you. It’s like all your daily thought and effort at honing your craft goes out the window, and you really let go in front of a crowd or in a writing session, and something better than you comes out. It’s awesome. I usually don’t sleep after days like those.

TADIAS: Who are your female role models?

Wayna: My late aunt, Yeshie Immebet Emagnu. She was a real pioneer — one of the first women to graduate from Addis Ababa University and one of the first Ethiopian graduate students to come to the States on a scholarship at a time when very few women, Black people and/or immigrants were earning advanced degrees. They urged her to study Education, because that was one of the few programs acceptable for women at the time, but her interest was in Political Science. So without her funder knowing, she enrolled in both programs and completed two masters in the amount of time allotted for one. At the end of her studies, she had to fight for them to honor the second degree. I admire that self-determination, and all while being very young and very far away from your family and all that’s familiar. I hope she passed a little bit of that down to me.

TADIAS: What challenges have you faced as a female artist? How did you cope?

Wayna: Sometimes, people will welcome your opinions about vocals or what you’re going to wear, but not about which drum sound you want in the song or how you want the video edited. Because I’m executive producing my albums, I have to be involved in all kinds of decisions, and it was striking to me in the beginning how frequently people thought they could talk me out of my opinions or how often they assumed the good choices were someone else’s — something I don’t see a lot of male artists or producers encountering. In fact, it seems like women at every level of success in the industry still experience this, no matter how accomplished. So I had to learn very early on to trust my instincts and to not look for validation for everything. I more than welcome input, and I take advice that feels right, but at the end of the day, its my call, and I am comfortable with that and with accepting whatever comes as a result.

TADIAS: What are some practical tips you can give for young females who want to follow in your footsteps?

My best advice for young women pursuing music is to really find themselves personally and creatively and to figure out what absolutely unique thing it is they have to give, whether it’s the story they’re telling or something about their voice or their background or the way they play. Above all, it should be unique and honest. That takes experimentation and trying things out of the comfort zone, and not protecting our ego. You can’t grow and inspire anybody if you’re not willing to be vulnerable. So everyday try to give yourself the gift of imperfection and to dig a little deeper into who you are. It’s not easy, but it’s worth it, because at the end of the day, none of this is really even about how well we do what we do, it’s about who we’re become along the way.

TADIAS: Please tell us briefly about yourself (where you were born, grew up, school and how you developed your passion for your work?)

Wayna: I was born in Addis Ababa, I immigrated with my mom to the U.S. when I was a toddler and grew up in the suburbs of D.C. I graduated from University of Maryland and worked for 3 years as a writer in the Clinton White House. I stayed there because I felt like I owed it to my family, who made a lot of sacrifices to raise me in the States and give me the best opportunity at a stable life and “a real job.” But one thing I was always clear on, from as early as I can remember, was that I wanted to sing. It took a while before I was willing to risk disappointing my family to make music my main goal, but once I did, I found that it came as no surprise to anyone and that everybody was really excited and pulling for me.

TADIAS: Is there anything else you would like to share with Tadias readers that we have not asked you about?

Wayna: My third album is the culmination of a tremendous amount of musical and self-exploration, coming off the biggest highs and challenges of my career and the birth of my daughter. I was determined to make something honest and unique, so I got out of my element and went to Toronto, where a friend had encouraged me to come and jam with some musicians. These guys were from all over the world and understood every genre of music from habesha to arabic to reggae to rock. A year later, we’re putting the finishing touches on the LP, ‘Freak Show,’ a blend of african and reggae-infused soul mixed with alternative rock. I am going to be offering some of these songs for free soon and playing them live at the Blue Note Friday April 6th at 12:30am, so please join us if you’re in NYC and/or follow me on Twitter @waynamusic or find me on Facebook, so you can hear and have the new material. I hope you love it as much as I do.

TADIAS: Thank you so much and Happy Women’s History month from all of us at Tadias!

Wayna: Thank you Tadias, for all your support over the years.

Video: In honor of Billie Holiday’s birthday Wayna performed in NYC on April, 6, 2012

Related Women’s History Month Stories:

Interview with Birtukan Midekssa
Interview with Artist Julie Mehretu
Interview With Model Maya Gate Haile
Interview with Nini Legesse
Interview with Sahra Mellesse
Interview with Lydia Gobena
Interview with Maaza Mengiste
Interview with Bethlehem Tilahun Alemu
Interview with Journalist Fanna Haile-Selassie
Interview with Dr. Mehret Mandefro
New Book Highlights Stories of 70 Accomplished Ethiopian Women (TADIAS)


Join the conversation on Twitter and Facebook

DC Environmental Film Festival Presents Well Water: Voices From Ethiopia

Tadias Magazine
Events News

Published: Monday, March 19, 2012

Washington, D.C. (TADIAS) – The 2012 Environmental Film Festival in the nation’s capital features a new documentary that highlights the impact of global climate change in Ethiopia and how the Borana people in the Oromia region are dealing with the declining supply of freshwater in their communities. The 55 minute film entitled The Well: Water Voices from Ethiopia is directed by Italian filmmakers Paolo Barberi, Mario Michelini and Riccardo Russo.

The events announcement reads: “Each year, when the dry season arrives in Oromia (Ethiopia), the Borana herders gather with their livestock around their ancient ‘singing’ wells. With a sensitive approach and evocative photography, the film follows their life during a major drought, showing a unique water management system that permits them to survive with the little available water. In a dry land of astonishing beauty, during the long periods of annual drought, the Borana life revolves around ancient perpetual wells, the only resource against the tragic effects of global climate change.”

Founded in 1993, the festival in Washington D.C. has become one of the world’s largest and most influential showcases of environmental films and a major collaborative cultural event. Each March, documentaries, features, animations and shorts are shown, as well as archival, experimental and children’s film at venues throughout the city.


If You Go:
Tuesday, March 20 at 3pm
The World Bank, IFC Auditorium
2121 Pennsylvania Ave., NW.
Use K St. entrance at 21st & K Sts.
(Metro: Foggy Bottom)
Ticket/Reservation Info:
FREE. RSVP to infoshopevents@worldbank.org.
Please arrive early for security clearance.
For the complete schedule, please visit www.dcenvironmentalfilmfest.org.

Celebrating Women’s History Month 2012: Tadias Interview with Bethlehem Tilahun Alemu

Tadias Magazine
By Tseday Alehegn

Published: Monday, March 19, 2012

New York (TADIAS)- Our third highlight for Women’s History Month series is Bethlehem Tilahun Alemu, Founder & Managing Director of SoleRebels, the internationally recognized green footwear company based in Addis Ababa. Bethlehem was born, raised and educated in Ethiopia. Since she launched her company in 2005, allowing for the creation of hundreds of local jobs, she has garnered international recognition. Last year she was named one of the World Economic Forum’s Young Global Leaders. And most recently Forbes Magazine declared her one of Africa’s Most Successful Women. She is currently an NYC Venture Fellow, a program established by Mayor Michael Bloomberg two years ago that is designed to connect promising entrepreneurs from around the world with mentors and investors from leading companies in New York City.

Below is our Q&A with Bethlehem Tilahun Alemu.

TADIAS: What do you most enjoy about your work?

Bethlehem Tilahun Alemu: I really love sharing Ethiopia’s artisan heritages with the world and combining our cultural products with modern design sensibilities. For example, our sandals and shoes are lined with fabric produced from organic cotton, which we hand-spin and loom. So working in this manner not only preserves local assets, but also provides our customers with stylish and comfortable footwear. And we are constantly taking our idea further and pushing the boundaries.

TADIAS: Who are your female role models?

BTA: My mother is my role model. A simple hardworking woman who taught me the value of hard, honest work, encouraged me to get a good education and supported my desire to dream! I am also surrounded by strong, talented creative women in my company, who put in a full day of honest work in order to both elevate this company and provide for their families. Their work ethic inspires me daily.

TADIAS: What challenges have you faced as an entrepreneur and business executive?

BTA: Any entrepreneur building something from scratch is bound to face obstacles and a myriad of challenges. Its been interesting because my experience in running my company has been a very positive one. I don’t feel limitations because of my gender nor allowed myself to be limited by others’ perceptions of my gender. However, I am well aware that there have been many times when people attempted to limit me because of my gender. My belief has been in never allowing those limitations to take hold. It always carried me through and let me transcend those obstacles placed in front of me. Such experiences have made me aware of the challenges faced by women, and has made me passionate about ensuring that women around me are given all the tools they need to not simply cope with these challenges, but to flourish in spite of them. At the end of the day, the best weapon for success is performance.

TADIAS: What are some practical tips you can give for young Ethiopian women who want to follow in your footsteps?

BTA: First and foremost, I would say get a good education. That’s critical. And never be afraid of hard work. Believe me there is no such thing as “overnight success.” So get ready for reality. And never ever be afraid to dream big.

TADIAS: Please tell us briefly about yourself (where you were born, grew up, school and how you developed your passion for your work?)

BTA: I was born and raised in the Zenabwork/Total area of Addis Abeba, which is one of the most impoverished and marginalized communities in Ethiopia. When I was growing up, Ethiopia had plenty of charity “brands” but not enough grassroots effort for development. I was fresh out of college in 2005 when I embarked to shift the discourse on development from one of dependecy only on foreign aid and NGOs to maximizing local talent and resources. Our vision was to provide solid community-based jobs while creating a world class brand, which we have done.

TADIAS: Is there anything else you would like to share with Tadias readers that we have not asked you about?

BTA: We are aiming to open at least fifteen stores outside of Ethiopia by 2015. we have already implemented franchise agreements in Taiwan and are currently finalizing retail proposals in China, US, UK, Australia, Italy, Canada, Spain and Japan. We have many more exciting initiatives in the pipeline so stay tuned!

TADIAS: Thank you so much, Bethlehem, and Happy Women’s History month from all of us at Tadias!

Stay tuned for more highlights celebrating Ethiopian women role models and change agents.

Watch: Bethlehem Tells SoleRebels’ History (2011 Africa Awards for Entrepreneurship)


Related:
Interview with Birtukan Midekssa
Interview with Artist Julie Mehretu
Interview With Model Maya Gate Haile
Interview with Nini Legesse
Interview with Sahra Mellesse
Interview with Lydia Gobena
Interview with Maaza Mengiste
Interview with Grammy-nominated singer Wayna
Interview with Journalist Fanna Haile-Selassie
Interview with Dr. Mehret Mandefro
New Book Highlights Stories of 70 Accomplished Ethiopian Women

Join the conversation on Twitter and Facebook

Ethiopian St. Patrick’s Day Concert with Todd Simon’s Ethio-Cali Ensemble

Tadias Magazine
By Tadias Staff

Published: Friday, March 16, 2012

Los Angeles (TADIAS) – Lesanu (Sonny) Abegaze, aka DJ Son Zoo, believes this weekend’s St. Patrick’s Day concert featuring Todd Simon’s Ethio Cali Ensemble at the Del Monte Speakeasy in Los Angeles will be a joyful occasion.

“I’ll be dj’ing for this show which is taking place in Venice, California,” Sonny said. “It falls on St. Patrick’s day so it should be a festive time.”

The band leader is Todd Simon, a trumpeter, composer, and arranger, well-versed in the Ethiopian Jazz tradition, having performed with Mulatu Astatke for the inaugural Mochilla Timeless concert series. Ethio-Cali followed up their debut concert last summer at the Hammer Museum/UCLA with a sold out performance opening up for the Budos Band last month at the Echoplex. The group features, among others, Alan Lightner, Dexter Story, Mark de Clive-Lowe, Tracy Wannomae, and Kamasi Washington.

(Sonny, right, with his friend Moises at a Southern California record store – Courtesy photo).

Sonny, whose parents moved from Gonder to California, via Sudan, when he was an infant said he became attracted to Ethiopian music when he visited his ancestral home in his college years. “I was born in Sudan, but moved to the U.S. when only a few months old,” Sonny told us. “I grew up in various parts of Cali, and later had the opportunity to live and study in Ghana during my undergrad years.” He added: “This was when I travelled to Ethiopia for the first time, and really got into Ethiopian music. While abroad, I also started a radio show at the University of Ghana in Legon, which is how I got introduced to the whole world of dj’ing.”

Regarding the Todd Simon’s Ethio Cali Ensemble, Sonny said: “They play music inspired by the golden era of Ethio-Jazz, and also bring some modern elements into the mix through some original compositions. The members of the band come from diverse backgrounds and all have a deep appreciation for Ethiopian music.”

As to growing up in California, Sonny quipped: “I find myself eating way more burritos than I do Injera, kinda comes with the territory when you live in the city of angels.”

If You Go:
Saturday March 17, 2012
The Del Monte Speakeasy
9:00 pm – 2:00 am
21+
Cover: $5.00
At the Del Monte Speakeasy
Order pre-sale tickets at http://TBCTickets.com/
Venue URL: http://townhousevenice.com

Photos: Vigil for Alem Dechassa Outside Lebanon Embassy in D.C.

Tadias Magazine
By Martha Z. Tegegn

Published: Friday, March 16, 2012

Washington, D.C (TADIAS) – A crowd of Ethiopians gathered in front of the Embassy of Lebanon here on Thursday morning for an hour vigil to mourn and protest the death of 33-year old Alem Dechassa, the Ethiopian woman that was violently mistreated outside the Ethiopian embassy in Beirut as shown in a viral video last weekend. Alem died on Wednesday.

“I admire her resilience in resisting her abusers,” said Ephrem Amsalu, who drove with his friends from northern Virginia. “She is a true hero who put a spotlight on this enormous crisis.” He added: “I am here to show my deepest gratitude to her heroism and to express my concern about her sudden death a few days after the attack.”

Ms. Meseret Hassen of Silver Spring, Maryland also attended the event. “I am confident the Lebanese government will do the right thing,” she said. “I hope this uproar will continue until we come up with solid solution and I would also hope that the Ethiopian government would strengthen its relationship with its citizens abroad, particularly domestic workers in Arab countries.”

Ato Teklemichael Abebe spoke on behalf of the crowd. “Thank you for giving us this opportunity to listen to our issues,” he said. Addressing Lebanese Embassy staff he added: “We would like to thank you for primarily arresting the man who is behind this. However the Daily Star just announced that the man who is responsible for this action has been released. We would like you to explain to us the details surrounding the news.”

“We strongly condemn the tragedy that has happened to your fellow citizen Ms. Alem Dechassa,” Mr. Toni Frangie, Lebanese Embassy’s first secretary told the crowd. “What happened is unacceptable by all human rights standards and we can assure you that the Lebanese government is fully and strongly committed to take all the necessary steps and measures to hold accountable the offenders and to prevent any kind of human rights abuse.” He added: “I will convey your demands and your concerns to our government.”

Below is a slideshow from the vigil for Alem Dechassa in Washington D.C. on March 15, 2012.



Related:
Changing Ethiopia’s Media Image: The Case of People-Trafficking (TADIAS)
2012 in Pictures: Politcs, London Olympics and Alem Dechasa (TADIAS)
Lebanon cannot be ‘civilised’ while domestic workers are abused (The Guardian)
Petition to Stop the Abuse of Migrant Domestic Workers in Lebanon (Change.org)
Photos: Vigil for Alem Dechassa Outside Lebanon Embassy in D.C. (TADIAS)
Ethiopia Sues Lebanese Man Over Beating of Domestic Worker (The Daily Star)
Ethiopian Abused in Lebanon Said to Have Committed Suicide (The New York Times)
In Lebanon Abuse Video of Ethiopian Domestic Worker Surfaces (TADIAS)

Tadias Interview with Fanna Haile-Selassie

Tadias Magazine
By Tseday Alehegn

Published: Monday, March 12, 2012

New York (TADIAS) – Our second interview for the Women’s History Month series features broadcast journalist Fanna Haile-Selassie, a political reporter for the ABC-affiliated WSIL-TV – a television station that covers Southern Illinois, Southeastern Missouri, and parts of West Tennessee.

Fanna joined WSIL-TV’s News 3 team in August of last year. She was previously in Rochester, Minnesota, where she worked as the political, crime, and courts reporter for a local TV station for more than three years. Fanna has been honored for her work by the Minnesota Associated Press and the Minnesota Society of Professional journalists. She is a graduate of University of Missouri’s School of Journalism.

Below is our Q&A with Fanna Haile-Selassie:

TADIAS: What do you most enjoy about your work?

Fanna Haile-Selassie: I love that I am always learning something new at my job. Each day means a new story, whether I am heading to the state Capitol or into a medical clinic to learn about the latest scientific breakthroughs; my job is always exciting.

TADIAS: Who are your female role models?

FH: I admire all women who have the gumption and perseverance to reach their goals. Christiane Amanpour has always been a long-standing favorite of mine, but I actually find new role models almost on a weekly basis in my career. I have told many stories about strong women breaking barriers in their industry, or making a difference in their community while battling cancer, or even giving up everything to provide for their families. I find renewed strength in myself every time I get to meet one of these women and tell their story.

TADIAS: What challenges have you faced as a female reporter?

FH: The stereotype of broadcast journalism being dominated by men is quickly changing. More women are graduating from journalism schools than ever before. My journalism graduating class had more females. Currently, my newsroom has only one male reporter. As my industry recognizes more women in the field, the challenges have also reduced professionally.

TADIAS: What are some practical tips you can give for young women who want to follow in your footsteps?

FH: I would classify journalism almost like a calling. Reporters do not make a lot of money on average, they work long hours, sometimes get a bad reputation from the public, and have to report on some pretty terrible things. So before I recommend anyone to become a journalist, I would have them make sure this is truly what they wanted to do. The true satisfaction I get from my job is knowing that I am making a difference in this world by informing the public. People who are not in this career for the right reasons don’t know that satisfaction, and they rarely stay in this career.

TADIAS: Please tell us briefly about yourself (where you were born, grew up, school and how you developed your passion for your work?)

FH: I was born and raised in Minneapolis, Minnesota. My parents always encouraged me to strive to be the best, and I believe my pursuit of success led me to be a bit of a control freak. I always need to know what is going on around me at all times, and I never like being “out of the loop”. I figured out in high school that journalism would allow me to investigate all the things that made me so curious. I chose to go to the Missouri School of Journalism, one of the best broadcast journalism schools in the country. There, I discovered my passion for political reporting while working at a radio station in the state Capitol. Since graduating, I have worked as a general assignment reporter, but am the “go-to” person for all the political stories.

TADIAS: Thank you so much and Happy Women’s History month from all of us at Tadias!

Stay tuned for more highlights celebrating Ethiopian women role models and change agents.

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Sundance Institute East Africa Presents Reading by Meaza Worku Berehanu

Tadias Magazine
Art Talk | Events News

Updated: Saturday, March 10, 2012

New York (TADIAS) – A new comedy-drama by Meaza Worku Berehanu, an emerging Ethiopian playwright from Addis Ababa, offers a witty, sophisticated, and paradoxical story about relationships, love, and marriage, from the heart of the gender struggles in contemporary Addis Ababa. In Meaza’s play entitled Desperate to Fight the main character is a single woman named Martha who has been divorced three times, and now she contemplates if she should tie the knot for the fourth time. Tormented by the sounds of a newly and seemingly happily-wedded couple living next door, Martha wrestles with her past and the memories of her former husbands.

“She is a woman of principle who believes a life in black and white,” Meaza told Tadias Magazine in a recent interview. “In the story we see her mother try to fix her up with a widower who is intending to be a fourth husband.”

She added: “The mother also tries to caution her about the biological clock so that she gives it a try for a child. The character is challenged by the expectation of family and individual belief. It is a play about perusing love and happiness in life.”

Sundance Institute East Africa is hosting a reading of Desperate to Fight on Wednesday, March 14 at Baryshnikov Art Center in Manhattan. The program supports the work of stage-artists in East Africa by creating exchange and exposure opportunities between U.S. and East African writers, directors, and performers. Meaza ‘s invitation to NYC is a continuation of the Institute’s Eastern Africa region Theatre lab. Her play was among four that were selected after a competition for playwrights in six East African countries, including Ethiopia, Kenya, Tanzania, Uganda, and Rwanda .

“Since I was a child I have had a very encouraging environment to express myself and dramatize them,” Meaza said. “I love reading, listening to people, and radio and watching movies and all these were inspirations to me to love and work on plays and drama.” She shared: “After college I started to write short stories for radio, and then I discovered I have a big inclination for writing.”

The mother of two was born in Asmara in 1978. “When I was a one month baby my family moved to Addis Ababa,” she told us. “I grew up in Addis and I still live in Addis.” She said: “I went to a public school for primary and secondary education. Then I joined Addis Ababa University and got my Bachelors degree in Theatre Arts in the year 2000. For the past ten years I have been involved in theatre, television and radio drama production as a writer and director. I am married and have two children.”

Desperate to Fight has also been selected for the International Women Play-writers Conference that will be held in Stockholm, Sweden this coming August .

“I am very honored and pleased to have all these opportunities, to meet people like you and share,” Meaza said.

If You Go:
Wednesday, March 14 at 7:00pm
Baryshnikov Art Center
450 West 37th St (btw 9th/10th Ave), Studio 4A

RSVP at theatre@sundance.org with your full name by Monday, March 12. For more information about Sundance Institute East Africa, visit www.sundance.org.