New York (TADIAS) – The Nation to Nation Networking (NNN) gala dinner this past October brought together individuals and organizations from a diverse set of cultural and national backgrounds who worked in the fields of science, education, health care, media, and development programming. We take this opportunity to thank NNN for its foresight and dedication to build bridges across cultures.
Ms. Abaynesh Asrat, Founder & President of Nation to Nation Networking (NNN) formed the organization with a focus on result-oriented programs including: creating awareness about significant roles that can be played by the Diaspora, providing youth & family services for immigrant communities, organizing multicultural programs, and developing locally sustainable projects in line with the Millennium Development Goals.
Tadias Magazine is proud to have been one of the award recipients during the gala dinner, and we celebrate the accomplishments of fellow honorees. Award recipients included Ms. Fay Bennet Lord, former Chair of the United Nations Global Concerns Committee and MC for the evening; Ms. Tania Leon, Composer and founding member of the Dance Theatre of Harlem; Dr. Arline Lederman, vice President of the Board of Solar Cookers International; Dr. Padmini Murthy, Chair of the Women’s Rights Committee of the American Public Health Association; and Elkhair Balla, Investment Banker, Social Entrepreneur and Founder of B Holding Group among others. Dr. Dessima M. Williams, Permanent Representative of Grenada to the United Nations spoke at the beginning of the night’s program and emphasized the importance of recognizing and nurturing young talent.
Below is a summary clip from the evening’s program:
Watch: Nation to Nation Networking Fourth Annual Award Gala
New York (Tadias) – Saxophonist and Composer Russ Gershon is the founder and bandleader of Either/Orchestra (E/O), the large American jazz ensemble also known for its Ethiopian song selections and notable collaborations with musicians such as Mulatu Astatke, Mahmoud Ahmed, Alemayehu Eshete, Teshome Mitiku, Getatchew Mekurya, Tsedenia Markos, Bahta Hewet, Michael Belayneh, and Hana Shenkute.
As Gershon tells it, his first introduction to Ethiopian music came in 1988 when he heard Mahmoud’s Ere Mela Mela. But he did not fall in love with Ethio-jazz until his encounter in 1993 with a compilation album entitled Ethiopian Groove: the Golden 70’s – produced by Francis Falceto as part of the Ethiopiques CD series on the French label Buda Musique.
Later, as a graduate student at Tufts University, Gershon named his masters thesis The Oldest Place, a string quartet inspired by the music and instruments of Ethiopia. His team eventually traveled to the country at Francis Falceto’s invitation to perform at the 2004 Ethiopian Music Festival in Addis Ababa. Either/Orchestra became the first U.S. big band to appear in Ethiopia since Duke Ellington’s Orchestra in 1973. The 2004 concert resulted in a remarkable double-disc set called Ethiopiques 20: The Either/Orchestra Live in Addis, which was described by critics at the time as “the best live album of the year—in any genre—and one of the E/O’s finest albums.”
Ethiopian music is just one of the many international sounds that E/O is known for. The band members are an eclectic bunch hailing from several countries, including the U.S., the Dominican Republic, Venezuela and Mexico. The ensemble experiments with various grooves, often mixed with Afro-Caribbean and African influences.
Gershon, who was born in New York in 1959 and grew up in Westport, Connecticut, credits his global taste in his youth to the time that he spent summers working for his grandfather in New York’s Garment District, not far from the record stores and concert venues of Manhattan.
Either/Orchestra celebrates its 25th anniversary this year and will mark the event with a reunion show at Le Poisson Rouge in New York City on February 11th, 2011.
We recently interviewed Russ Gershon.
Above: Mahmoud Ahmed, Francis Falceto and Russ Gershon, Paris 2006.
Tadias: Please tell us a bit about how Either/Orchestra was first formed and
what kind of music you wanted to create/play.
Russ Gershon: I started the E/O in 1985 as a rehearsal band, never expecting to tour and make records, to have the fantastic adventure we’ve had. I was coming off of a year at Berklee College of Music, following several years of playing in fairly successful original pop bands, and I was just getting a handle on writing arrangements and understanding the techniques of jazz. I was a big admirer of Sun Ra’s Arkestra, Gil Evans, and other unconventional large jazz groups, and wanted to do something like that. I should also add that I had been a radio DJ for many years, and was used to having all the recorded music in the world at my fingertips, trying to put together interesting combinations of music from all over the map.
So I invited a motley mob of musicians to come to my house and play music I was writing. Everybody had a good time, liked the music, and within a couple of months we had our first gig, in the children’s room of the Cambridge MA public library. We were immediately semi-popular and just went from there, making albums and touring. I think my experience in pop and dance bands made me more aware than most jazz musicians of connecting with audiences.
Tadias: Your music infuses Caribbean, Latin American and East African beats, tunes, and rhythms with the free-flow of jazz. Would you consider yourself an international jazz band?
RG: The E/O is indeed an international jazz band in several ways: we have members from the US, the Dominican Republic, Venezuela, Mexico; we play music with many Afro-Caribbean and African influences, and of course we’ve gotten thoroughly involved with Ethiopian music. All American music has such a huge African component, through [African-Americans], so that the music of three continents flows naturally and easily together. I’ve also been a big fan of African music, starting with Fela Kuti, South African jazz and field recordings of traditional music.
Tadias: Over the years, you have worked with some of the best-known Ethiopian musicians. Who/what was the catalyst? How did you discover Ethiopian music?
RG: In 1988 I heard Mahmoud’s “Ere Mela Mela” LP and it made an impression, and I heard Aster Aweke live in about 1990, but I really fell in love with Ethiopian music in 1993 when a friend brought back the compilation “Ethiopian Groove: the Golden 70’s” from France, where Francis Falceto had assembled it from some of the best tracks recorded in Addis at the end of the imperial period. I loved the horns, the passionate singing, the modes, the way it took American influences and spiced them with musical berbere, making something familiar and new at the same time.
After a couple of years I started arranging Ethiopian songs as instrumentals for the E/O, and both the band and the audiences loved it immediately. Teshome Mitiku heard our recording of his song Yezamed Yebada, and called me up, we became friends. Soon after that, Francis contacted me and began telling me about the history of music in Ethiopia and playing rare recordings for me — material that he has been releasing on the Ethiopiques series. In 2003, he and Heruy Arefe-Aiene invited us to play in the 2004 Ethiopian Music Festival, and we got deeper into the music to prepare for the trip. While we were in Addis in January 2004, we met Mulatu, Alemayehu, Getachew, Tsedenia Markos, Bahta Hewet, Michael Belayneh and others and invited them to play on our concert, which was eventually turned into Ethiopiques #20. This led to collaborations with Mulatu in the States, Mahmoud in Paris in 2006, Hana Shenkute, Setegn Atanaw and Minale Dagnew, and on and on. Most recently we finally started working with Teshome, debuting at the Chicago Jazz Festival. He’ll be featured in our upcoming 25th Anniversary Concert in New York on February 11, and we’ll be playing with Mahmoud in Cambridge, MA on March 24 and Amherst, MA on March 25.
Mulatu Astatke and Vicente Lebron of Either/Orchestra, Addis Ababa, 2004
Teshome Mitiku and Either/Orchestra at the Chicago Jazz Festival, September 2010
Setegn Atanaw, Minale Dagnew, Hana Shenkute, Joel Yennior, Colin Fisher, MA 2006
Tadias: You are also credited for helping to popularizing Ethio–Jazz in the U.S., especially through the Ethiopiques CD release as well as subsequent tours and performances. What would you says is your most memorable concert featuring Ethiopian artists?
RG: There have been so many amazing concerts with our Ethiopian friends that I can hardly pick one. The concert in London with Mahmoud, Alemayehu, Getachew and Mulatu was pretty great, one in Milan with Mulatu and Mahmoud was off the charts, Chicago with Teshome….
Tadias: What’s your favorite Ethiopian tune?
RG: More than a favorite Ethiopian tune, I’ll say that anchi hoye is my favorite mode. We jazzers love dissonant harmonies, and we can find them in anchi hoye. I even wrote string quartet – violins, viola, cello – based on it, thinking about masinko and with a section called Azmari. I also arrange Altchalkum (bati minor) for the Boston Pops Orchestra, and they played it beautifully.
Tadias: Regarding your trip to Ethiopia, what was that experience like?
RG: The visit to Ethiopia in 2004 was a wonderful, life-changing experience for me and the band. We were concerned that people wouldn’t approve of how we were playing Ethiopian songs, but instead they were very interested and enthusiastic. Also, hearing Ethiopian music at the source – and seeing the dancing – really helped us to understand the rhythms and melody. And finally, it is an important experience for Americans, with our wasteful, materialistic culture, to have a chance to see an African city, where so many people have so few things and get by on little. It reminds us that the most important things in our lives are our relationships with friends, family, everybody – and that music is a beautiful way to develop and expand these relationships, across borders, languages, generations. In the U.S. it’s easy for people to hide in their own space, to play with their toys, to NOT relate to other people. Of course it’s great to have the comfort, safety, conveniences that we have here – but it’s not nearly enough.
Tadias: In a recent article Boston Globe noted that your “wide-open sensibility” is rooted in your exposure to the New York Music scene in 1970s. Can you describe your time in New York and how it influenced you?
RG: NY in the 70’s was an exciting place to hear jazz. The spirit of Coltrane was still very much alive, Miles and his former sidemen and others were bringing electric instruments and grooves into jazz, the Midwestern avant-garde was arriving in town. There were concerts at Carnegie Hall, traditional clubs, and artists were taking advantage of the decline in the city’s economy to find cheap space and open performance lofts. Every generation of jazz, from Count Basie and Benny Carter to Lester Bowie and Woody Shaw, was alive and playing. I was an avid concert and club goer from about 1975 on, and I feel fortunate to have heard just about every living legend and the rising generations.
The Either/Orchestra at the Yared School of Music in Addis Ababa, Ethiopia. 2004
E/O trombonist Joel Yennior with the Yared School Trombonists, Addis Ababa, 2004
Tadias: Please tell us about your upcoming 25th Anniversary concert in New York.
What should your fans expect?
RG: The 25th Anniversary Concert will be an amazing collection of players who have all contributed to the E/O over the years. We’ll have the ten current members of the band plus 16 former members, plus Teshome. Four drummers, seven saxophones, five trombones, and so many more. The alums include jazz stars like John Medeski, Matt Wilson and Josh Roseman, and great hard working sidemen. We’ll touch on all the eras and styles of our music, and sometimes have 25 musicians on stage. It will be spectacular, Teshome is representing our Ethiopian connection, and we’ll play Yezamed Yebada and a new Ambassel that we wrote together last summer. We may even play an instrumental version of Muluquen Mellesse’s Keset Eswa Bicha.
Tadias: Is there anything else, you would like to share with our readers?
RG:Le Poisson Rouge is not a really big place, so I recommend buying tickets in advance and showing up on time. The show is 7 to 10 pm, very early, then we’re done. We can all go out for injera!
Tadias: Thank you Russ and see you on February 11th.
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New York (TADIAS) – Ethiopian photographer Aida Muluneh has been named the recipient of the 2010 CRAF’s International Award of Photography at a ceremony in Italy.
The 2010 prize, which was given to Aida by the scientific commission of CRAF, has previously been awarded to notable figures of the international photographic scene, including Charles Henri Favrod, Erich Hartmann, Henri Cartier-Bresson, Peter Galassi, Paolo Gasparini, Josef Koudelka, Joan Fontcuberta, Anne Cartier-Bresson, Naomie Walter Rosenblum, Alain Sayag, Margit Zuckriegl, Erich Lessing and Bernard Plossu.
“Aida Muluneh directs her attention as a photographer in particular towards the women of the African diaspora, concentrating on the bonds and the disagreements between the generations, the joys and the pains of life,” the organization said in explaining its reasons why it chose to honor the Ethiopian photographer. “Her subjects transmit, with a mixture of grace and power, the vicissitudes related to the phenomenon of the dispersion of the African people.”
The prize committee said the accolade is also a recognition of Aida’s continued efforts to establish a photography educational-institution in her native country. “In the year that CRAF has dedicated to Africa with the exhibit ‘Glimpses of Africa’, the International Award of Photography awarded to this young and very accomplished photographer – who is what’s more socially committed to the creation of a school of photography dedicated to young people, in Addis Abeba – is also intended to be in recognition of all of the young and emerging African photographers,” the group said.
In the following interview with Tadias.com, Aida talks about photography, working in Ethiopia, and her new book entitled Ethiopia: Past/Forward.
We note that photos displayed during her discussion of the book are not necessarily included in the book. The film clips and music, which accompany her interview, are part of the artist’s recent documentary movie also entitled Ethiopia: Past/Forward.
WATCH
The interview with Aida Muluneh was taped in New York prior to her most recent award. ( Kidane Films)
Above: MIT graduates Bef Ayenew (left) and Ephraim Tekle,
have launched a new Iphone application for the 2010 Ethio
Soccer Tournament — scheduled from June 27 to July 3rd.
Tadias Magazine
By Liben Eabisa
Published: Monday, June 21, 2010
New York (Tadias) – The 2010 Ethiopian Soccer Tournament is scheduled to be held in San Jose, California later this month, and two young, Silicon Valley entrepreneurs have launched a new I-phone application aptly named ArifQuas to provide soccer enthusiasts with real-time scores and events information. The app includes info such has hotels for stay, parties and other cultural festivals during the tournament. It also features GPS technology, offers listings of most Bay Area Ethiopian restaurants, and is integrated with social networking sites such as Facebook and Twitter. ArifQuas users can receive real-time info on weather and traffic updates, as well as listings of local attractions including California’s scenic beaches and Napa Valley’s historical wine country.
The following is our recent interview with Bef Ayenew and Ephraim Tekle, developers of the ArifQuas mobile app. Both are graduates of MIT and founders of the company ArifSoft.
Tadias: Could you tell us a bit about your company ArifSoft? What do you guys do?
ArifSoft is a software company that specializes in Ethiopian mobile apps. We’re seeing a clear trend that has more and more desktop apps getting ported to mobile platforms, and ArifSoft is our joint effort to continue that trend within our community. ArifSoft has been around unofficially since last year, but it was formally introduced as the entity behind ArifQuas and ArifZefen only recently.
Tadias: You have a cool name. How do you define “Arif”?
Arif is actually a name that was lifted from our first joint project, ArifZefen. AddisZefen was already taken so we figured we would simply call ours ArifZefen. Since then, we’ve gone into an Arif frenzy and started naming everything after Arif. Our definition of Arif covers anything that can capture your imagination and generate excitement. Arif is Amharic slang for cool and our goal is to build cool apps that will add value while providing people with a superior user experience.
Tadias: Tell us about ArifQuas, your new Iphone application for the 2010 Ethiopian Soccer Tournament in California. How does it work?
ArifQuas is an event app for the upcoming soccer tournament in San Jose. We’ve been at the tournament in the past and we are all too familiar with how chaotic things can be, especially for the out-of-towners. ArifQuas is designed to help people manage the chaos a little better and try to get the most they can out of the tournament. ArifQuas will contain live listings of parties, concerts and any other events happening during the week of the tournament. It will also provide users with listings of all the local Ethiopian restaurants and Shisha lounges in the area so people don’t have to scour the web or other aggregation websites looking for options. For both the events and the restaurants, ArifQuas has GPS support and can tell users how far they are and how to get there on a map. ArifQuas is also going to provide users with updates on the tournament scores, information on the local attractions and the local weather.
Tadias: How are you gathering your information? Are you working with ESFNA or the other event promoters?
ArifQuas is fed the listings from a web service that’s hosted at arifquas.com. A lot of the listings are actually entered by the restaurant owners or the event promoters who want to promote on ArifQuas. There is an approval process before listings go live but aside from that, the entire process is fully automated and requires little involvement from us. We contacted ESFNA well before the app was even approved by Apple so they have been aware of it for some time and the response we have received from them has been very positive. We have asked ESFNA to provide the live score updates for the games and we’re in the process of working out the final details.
Tadias: Do you plan to come out with an Android version or something compatible for other mobile users?
Unfortunately, we’re out of time to do an Android app for this tournament but we do have another project in the pipeline and an Android version of this next app is a definite possibility.
Tadias: Is ArifQuas integrated with social networking sites such as Facebook and Twitter?
We do have a facebook presence and in a short two weeks we have reached some 600 people and we can also be found on Twitter.
Interview continues below…
Tadias: The application is free, how are you sustaining your business?
The application is free because we want every Ethiopian with an iphone to get it without any financial considerations. So far we have been trying to cover some of our expenses by charging a fee to the people who are trying to list and advertise their events and restaurants.
Tadias: Please tell us briefly about the two of you? How did you become interested in software development? Where did you guys meet? Where did you grow up , school, work, etc?
Bef Ayenew: Both of us grew up in Addis but we didn’t meet until our sophomore year at MIT. We’ve been very close every since and we’ve worked on a number of software related projects together. I’m a software developer/architect in the valley so you could say working on an iphone app is not really a big departure from what I do during business hours. Ephraim, on the other hand, is a research scientist at a national lab so he has found a convenient outlet for channeling his inner engineer.
Tadias: Tell us about ArifZefen, the other ArifSoft application.
ArifZefen is our first joint project as ArifSoft, and it started out as a website that was supposed to serve as a sharing site for Ethiopian music. Unlike our predecessors, we weren’t interested in being responsible for managing the music content so we built a site where people can upload and manage their songs like they do in youtube. We also wanted people to be able to browse and search the collection and create/manage their own playlists. And of course, we couldn’t let you download the music once it was uploaded because that would amount to piracy so we had to develop a custom segment streaming MP3 player in flash. Later, we skinned the entire website and turned it into something that could be deployed on a new URL within minutes. More recently, we have created an iphone app called ArifZefen that provides access to all these features on the go, and we hope to make that app available to users as soon as we have resolved some of the issues around music copyrights. If you really want to test ride this app, it’s available on a limited basis.
Tadias: Is there anything else you would like to share with our audience?
Working on ArifQuas has been a lot of fun and we are very encouraged by the overwhelmingly positive response we have received from everyone. We’ve had even people not going to the tournament download it and tell us how much they enjoyed it. We are really excited about exploring other opportunities within our community and we are already back working hard on our next project, which we hope will be completed well before the end of the year. If anyone else out there is interested in developing iphone apps, our advice is to grab a mac and start today. There have been many instances of non-developers building iphone apps that went on to become very successful so we want to encourage anyone out there to take a crack at it if they think they have a good idea and the time to work on it.
Tadias: Thank you guys and good luck!
Thank you.
— ArifQuas can be downloaded for free at iTunes app store. You can learn more at www.arifquas.com. Also, for more information on the 2010 Ethiopian Soccer Tournament in San Jose, California, please visit ESFNA.net.
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About the Author:
Liben Eabisa is Co-Founder & Publisher of Tadias Magazine.
