Above: Featured in exhibition at prestigious Galerie Alternance,
Fikru’s paintings have reached new levels of public recognition.
Tadias Magazine
Art Talk
Published: Friday, July 9, 2010
New York (Tadias) – An exhibition featuring recent works by internationally acclaimed Ethiopian artist Fikru Gebre Mariam will open at the prestigious Galerie Alternance in France this weekend.
In his 2009 profile of Fikru on Tadias Magazine, Donald N. Levine described the works as mostly depicting Ethiopian subjects, but expressed in geometric abstraction. “They convey a blend of rich hues, emotional intensity, immediacy of impact, and a touch of austerity,” Levine writes. “If asked to compare them to European artists, I would say that Fikru’s compositions offer a blend of Modigliani figures in a Giacomettian “Still Ladies” stance presented with Braquean geometric abstraction.”
In fact, the painter – who divides his time between his studios in Paris and Addis Ababa – tells the author that Braque was indeed his favorite artist. “Even so, there is no mistaking the deeply Ethiopian flavor of these paintings,” Levine says.”They display hints of Ethiopian miniatures and church paintings. They are imbued with African earth tones. They use the colored garments of Harari women. They capture the somber mood of much Ethiopian life.”
Levine goes on to describe how Fikru Gebre Mariam’s life in Paris and Addis Ababa influences his work. “The world of Ethiopian painters is, like much else about contemporary Ethiopian life, divided between those who have remained at home and attempted to be true to Ethiopian realities, and those who have emigrated and whose offspring evince a passion to emulate Western styles to a high degree. With studios in Paris and Addis Ababa, where he spends half a year each, Fikru savors all he can of both worlds. He insists that it is essential for his art that he remains close to his Ethiopian roots–and indeed has continued to live in his father’s gibbi (home) until now. At the same time, Fikru finds it no less essential to spend half of each year abroad. As he wrote me, “I believe the freedom of being out of Ethiopia has amazing value in my life and work. Both in Europe and the U.S., especially in Paris . . .visiting museums and art galleries bring dramatic important changes in my work. It is like seeing yourself in the big mirror, even if you think you know yourself.”
Fikru is a graduate of the Addis Ababa School of Fine Arts, founded by the distinguished artist Ale Felege Selam – who introduced modern methods of teaching drawing and painting, which he had studied at the School of the Art Institute of Chicago in the 1950s. There, the artist became a protégé of instructor Tadesse Mesfin, who Levine says “not only taught him painterly skills but gave him a graphic theme which he would embrace, struggle with, and grow through, ever since.”
Here are recent images courtesy of the artist: