All the Way from Hair to There

By Meklit Workneh

We braid it, cornrow it, plait it, dread it, straighten it, relax it, flat iron it, curl it, put in extensions, put in a weave, fade it, and grow out an afro. What do we NOT do to our hair?

Hair may seem like a simple feature to many people. However, I’ve noticed that hair has turned into a feature with social and political issues surrounding it. Watching movies like “Barbershop,” I began to notice to a larger extent how central a role hair plays in many communities. It goes without saying that in African and African diasporic communities, actual hair and the process of doing hair provide plenty of stimuli for conversation and social gathering. When I first moved to the United States and to Stanford, one of the points on which I could immediately relate to other black students was hair. For one, I discovered that a lot of us shopped at that whole separate aisle at Wal-Mart for “ethnic hair products”. Hair is a point of commonality across Africa and the African diaspora.

I can trace back my first memories of awareness of my own hair to the day I got my first Barbie. I must have been 4 or 5 years old. This Barbie had long, straight blond hair like most dolls that were available on the market at that time. (This was always a point of confusion for me growing up in Ethiopia since I was always busy trying to figure out why their hair did not look the way mine did.)

As soon as my mom gave me the doll, she told me not to put her in water because that would ruin her hair. And right after my mom left, I plunged the doll in water and her hair came out looking very raggedy. Then, I asked my aunt to help me blow-dry and straighten it before my mom came back. I’m still not sure what compelled me to do that, but I do know that it shows a level of awareness and understanding about the importance of hair in the society I was raised in. That doll was to go through several forms of torture in my possession, eventually having all her hair shaved off and her head pulled off her neck. Needless to say, my mother was not impressed with the way I handled my toys.

The hair issue also came up in a more academic setting, my Popular Culture in Africa class. Looking at ads circa the 1960s advertising hair perms and relaxers, we came up with the idea that by straightening, relaxing or perming their hair, black people were trying to appear white.

Growing up in Ethiopia, issues dealing with race had never played a major role in my life. After my first year in the United States, however, I found myself reflecting a great deal more upon racial matters. When describing the United States to people back home, I often found myself using the word “racialized.” The hair issue became a sub-category of this racialization.

In my classes at Stanford, Madam C.J. Walker was lauded for being the first African-American woman entrepreneur and millionaire, but criticized for creating hair products that further led to a dislike of typically “African” traits among African- Americans. And I was thinking: Hold up, I know I have a perm in my hair and I straighten it occasionally, does that mean I’m trying to appear white? I knew there was no such intention in the back of my head. So what were these people talking about?

A girl in my Popular Culture in Africa class broke it down for me that fateful day when we were discussing those ads. I realized that I straighten my hair for the same reason that I braid it or leave it curly . . . because I like the way it looks! There is no deeper psychological process to this, it’s pure and simple popular culture. I don’t know what the roots of this “fashion” are. But regardless of roots and origins, black hair fashion today is not an imitation or fabrication; it is its own entity unlike anything before. It evolves with the times and is sometimes a reflection of the times and other times it just looks good.

The 70s brought the black power movement and Afros worldwide from New York to Paris to Dakar. The 80s and 90s brought the popularization of a spiritual pan-African consciousness and dreadlocks became popular. 90s hip-hop culture made cornrows acceptable as a fashionable hairstyle, and not just a hairstyle for those bum days. And although a lot of these hairstyles and dos can be traced back to what people on the African continent have done for centuries, each generation has added its own twist and flair to make black hair what it is today.

Love it or hate it, hair is more than just fashion in today’s world. It is social, cultural, political, you name it. And that is what makes it all the more interesting. Entire political statements are made through hair (think dreadlocks in the Rastafarian movement). In the film “Barbershop”, for instance, it provides a setting for social and intellectual gathering.

All I know is next time I go to have my hair braided, straightened or twisted, I’m going to look into it a little deeper.

About the Author:
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Meklit Workneh is a graduate student at Yale University. She wrote this piece when she was a junior at Stanford University. The article was first published on Tadias in the spring of 2004.

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Events Journal: Ethiopian Girls Gotta Run NYC art show

Above: Girls Gotta Run Foundation exhibition at Phoenix
Gallery in New York (Photo by Susan Liebold).

Tadias Magazine
Updated: July 13th, 2009

Publisher’s Note

New York (Tadias) – Dr. Patricia E. Ortman, a retired Women’s Studies Professor and an artist, is the director of Girls Gotta Run Foundation. The group held an exhibition last week at Phoenix Gallery in New York titled Shoes, Shoes, Shoes. The objective of the show was to raise funds to buy athletic shoes for Ethiopian girls to support their participation in sports and help them continue their formal education.

Although seven of the top-ten earning athletes in Ethiopia are women, the nation’s girls’ enrollment in school is among the lowest in the world. Many girls and their parents have begun to see careers as professional runners as viable options. Many who train in order to stay in school and keep their options open, can, with the help of caring others, overcome many of the obstacles in their way.

The exhibit is on display and art for sale through September 29 and gallery hours are Tuesday – Saturday, 11:30 – 6 p.m.

The following is Pat’s journal.

By Patricia E. Ortman
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On Tuesday afternoon, Beth Cartland, Jim and I met at the Gallery to unwrap art and hang the exhibit. Along with Linda Handler, the Gallery Director, we tested and tried and eventually arrived at what we believed to be a lovely configuration of the pieces, all the while being shadowed by our filmmakers Andy and Nick. Beth, Jim and I were still there when everyone else left about 6:30 or so but finally called it a day around 7:15 ourselves, agreeing to meet when the Gallery opened again at 11:30 a.m. Wednesday to finish off all of the assorted odds and ends that inevitably accompany such a venture. So Wednesday found us again at the Gallery until about 2:30 or 3:00, at which time we could finally say “Fini!”

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Photo by Susan Liebold

On Thursday evening, we arrived at the Gallery almost half an hour early to find guests, including Westchester Track Club Founder/Coach Mike Barnow and several Ethiopian members of the Club, already there. It was a whirlwind of activity from then until after 8 p.m. when guests were literally shooed out of the building in order to close it.

Other guests in attendance included Adrienne Wald, the WTC Club’s Newletter Editor in Chief, who arrived shortly after Coach Mike with several more Club members and additional friends; New York participating photographers Susan Liebold and Leah Beth Goodman, Leah bringing a crowd of Goodman family and friends; Lauren Mills, a NYC artist newcomer to GGRF; DC artists Jane Pettit, Gail Rebhan, and Joyce Ellen Weinstein.

Runners from Ethiopia were especially excited to speak with Susan about her photos of Ethiopian girls.

Altogether I would judge we had about 50 people come specifically for our exhibit. But it’s hard to say because there were several other openings in the building, two in the same gallery, and some people who had come for those also stopped in to see ours. So, we sold four pieces and continued to expand the universe of people who know about the cause.

“The opening’s success was a tribute to all your hard work. Enjoying it was delightful!” —Participating Artist Jane Pettit

“The opening was fantastic and I’m confident we’ll help raise lots of money to buy running shoes for the girls of Ethiopia.” —Participating Photographer Leah Beth Goodman

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Photo by Susan Liebold

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Photo by Susan Liebold

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Photo by Susan Liebold

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Photo by Susan Liebold

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Photo by Susan Liebold

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Photo by Susan Liebold

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Photo by Susan Liebold

Learn more about the foundation at: girlsgottarun.org

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3rd Annual Harlem Open Artist Studio Tour

Dream, by Jennifer Wade, participating artist at the Harlem Open Artist Studio Tour. Wade is an artist and an art therapist based in New York City.

New York – Here is a show you won’t want to miss this weekend: The 3rd Annual Harlem Open Artist Studio Tour is scheduled for Saturday, October 6, and Sunday October 7, 2007.

The event features two notable Ethiopian-Americans: Harlem resident artist Tesfaye Tessema (62 West 120th Street) and newly arrived and emerging artist Helina Metaferia.

Tessema (Tess as he is known in Harlem), whose work is also on display at the Schomburg (Black Art: Treasures from the Schomburg, May 12, 2007 through December 31, 2007 Latimer/Edison Gallery), stands as the only contemporary Ethiopian artists to display his artwork at established institutions like the Guggenheim Museum in New York. His art has been exhibited at various universities throughout the U.S. as well as internationally in France, Germany, England, Japan, and many other countries.

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Above: By Tesfaye Tessema. Harlem Ber, mixed media.

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In her article entitled “Bridging Cultures Through Art: A Harlem Moment with Tesfaye Tessema”, Tseday Alehegn, editor-in-chief of Tadias Magazine, wrote: “Walking through Harlem with Tess two things become quickly evident: The first being that this neighborhood has, as the artist tells us, “a feeling of home.” And the latter, that his love for this community fuels his art.” Photo by Liben Eabisa

The other artist, Helina Metaferia, a new Harlem resident and an emerging artist from Washington D.C, whose work is also part of an exibit honoring the Ethiopian Millennium in the United States Congress ( Hosted by Rep. Mike Honda, October 10, 2007 5-7pm at 1300 Longworth HOB), was the featured guest artist at the Addis Heights Millennium Arts Exhibition Series in Harlem last spring.

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Above: Helina Metaferia. Photo by Matthew E.
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Above: Free Womban, acrylic, pastel and charcoal on paper, 18” x 24”

Open studio events have become a staple of many artistic communities, allowing hundreds of neighborhood residents and visitors to see where and how contemporary works of art are conceived. Art lovers have a chance to meet the artist in a relaxed atmosphere and learn about the creative process directly from its source. By bringing visitors directly into artists’ studios, the event creates an awareness of the culture of modern Harlem.

Learn More at: artHARLEM.COM

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Editor’s Picks: The Untold Story of Ethiopians in Cuba

With help from Cuba by the end of the 1970s Mengistu
presided over the second largest army in sub-Saharan Africa.
Photo by Shemelis Desta
(BBC)

By Rebekah N. Kebede

Editor’s Note: In 1979, under Lieutenant Colonel Mengistu Haile-Mariam, the Ethiopian government sent thousands of Ethiopian children to Cuba to be educated. Cuba, an ally of Ethiopia in the Ethio-Somali war, offered housing and education for war orphans. The Cuban government accepted 2,400 Ethiopian students, aged seven to fourteen, to study at Escuelas Secundarias Basicas en el Campo (basic rural secondary schools) – on the small island of Isla de la Juventud.

Photographer Aida Muluneh is filming a documentary, The Unhealing Wound, about their lives in Cuba. Earlier this year, Tadias interviewed her about the film.

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Above: Teenage Ethiopian Girls in Cuba

TADIAS: How did you become interested in the “Ethio-Cuban” story?

AIDA: I went to a group photo exhibit in Havana in 2003 and prior to my trip I had heard about the Ethiopian students in Cuba. After searching for them, I finally met around 30 students who had been in Cuba for over twenty years. It was an amazing experience meeting these fellow Ethiopians. I soon realized that I had to come back. So in 2004, I went back and begun interviewing them to start telling their story and also to help them get out of Cuba.

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Above: Ethiopian boys in Cuba

TADIAS: Why haven’t they left Cuba? And why haven’t they returned to Ethiopia?

AIDA: They have had the opportunity to leave Cuba and return to Ethiopia; however they have no means of supporting themselves in a country they left twenty years ago. There is no incentive for them to go back to Ethiopia and resettle because life would be just as difficult, if not worse in Ethiopia. As for other countries i.e. Europe or North America, the remaining student just recently qualified for their UN refugee number. This basically means that they can get in line for a chance to immigrate to those countries.

TADIAS:This was a coordinated effort between the Cuban and Ethiopian governments. What efforts did Cuba make to help Ethiopian immigrants adjust to Cuba?

AIDA: The Cuban government has been extremely supportive within their means from day one. Even prior to the students arriving, Cuba played an instrumental role in helping Ethiopia during the Ethio-Somlia war. Therefore, upon the student’s arrival, the children were given the basic necessities in order to become acquainted with life in Cuba. One thing that needs to be put into perspective is that as a young child, it is difficult to adjust to any place that is foreign, especially when one is so far away from home. The Ethiopians expressed to me that as children they had missed their country more then anything and I believe this yearning to return is what made it extremely difficult for many. The Cubans have gone above and beyond in providing support to the Ethiopians to this day.

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Above: Teenagers in Cuba

TADIAS: Although The Unhealing Wound focuses on those Ethio-Cubans still in Cuba, I understand there have been a number who have managed to leave Cuba and live elsewhere. When did they leave and where do they live now?

AIDA: In addition to providing primary education, the Cubans have also educated University students during this time period. For many of the Ethiopian students who attended universities in Cuba they have managed to return back to Ethiopia and find viable means of supporting themselves. In fact during the Derg period, many of the students that completed their education were given housing and job opportunities upon their return to Ethiopia. However, after the fall of the Derg government, many of the students felt that returning back to Ethiopia would lead to further economic hardship. In 1991, the Soviet Block fell and many of the students begun leaving to countries such as Spain, Greece, Holland, U.S., etc. I am not exactly sure how many returned to Ethiopia and how many went to other destinations. My assumption is that the greatest number of Ethiopian-Cubans are in Spain.

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Above: Aredo. Photo by Aida Muluneh

TADIAS: Is there a network of Ethio-Cubans abroad that help others still in Cuba to immigrate to other countries?

AIDA: As far as I know, there is no organized effort by Ethio-Cubans that continuously assists the Ethiopians to leave Cuba and resettle to a third country. Although it is a tightly knit community in Cuba, once abroad, it’s more so through the efforts of individuals helping new comers than an established network.

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Above: Motbaynor. Photo by Aida Muluneh

TADIAS: What kind of relationship do Ethio-Cubans have with Cuba? Do they identify in any way as Cubans?

AIDA: From my observation of the Ethio-Cubans, there is a special relationship between the Cubans and these Ethiopians. It is clear that they still identify themselves as Ethiopians but they have fully taken on Cuban mannerisms and cultural habits in the ways they interact with others and express themselves.

TADIAS: You mentioned that many Ethio-Cubans faced challenges in adjusting to their new environment when they moved to Cuba. What were some of those challenges?

AIDA: The challenges were similar as any immigrant faces when they arrive to a new country, but imagine that through the eyes of a ten year old. The first problem that they had was the climate. The temperature was a big issue. They were moving from the highlands of Ethiopia to a tropical island. The second was the food. The food in Cuba consisted of pork, rice and beans in contrast to eating Injera their whole life. Then, of course, language and homesickness were major issues.

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Above: Teddy. Photo by Aida Muluneh

TADIAS: You left Ethiopia as a child as well. Is there a relationship between your interest in the Ethiopian students in Cuba and your own experience?

AIDA: There was definitely a relationship to my life. I went to boarding school at a young age in Cyprus away from my family. One of the things that attracted me to the whole story and enabled me to empathize with them was the struggle I faced as a child who felt alone in a foreign land.

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Above: Filmmaker Aida Muluneh

TADIAS: Does the Ethio-Cuban story fit into the themes that you address in your photography work?

AIDA: My beginning as an artist is in photojournalism and this story at first was supposed to be a series of photographs about these Ethiopians. However, I decided that their story was too compelling to be told solely in still photography. The Unhealing Wound is an exploration of themes that captivate me as a photographer and a filmmaker. It all comes down to capturing life and in this case it is capturing our past history and also documenting the history as it is happening. I hope that thirty years from now, anyone can look back at this film and have a better understanding of our struggles, triumphs and sacrifices as Ethiopians in the landscape of the immigrant life.

TADIAS: What is the current status of the film?

AIDA: We are hoping to release the film in the spring of 2008. I am currently in the process of collecting more interviews and archival materials to complete the story. Most recently The Unhealing Wound received fiscal sponsorship from IFP, an organization that is in the forefront of providing support for independent filmmakers to cultivate their artistic endeavors.

Find out more about The Unhealing Wound at pastforwardfilms.com.

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Editor’s Picks: The Colors of Ethiopians: Where are you from?

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Photography: Ethiopia From The Heart

By Andarge Asfaw

I left Ethiopia at the age of thirteen. After a 29-year absence, I returned to my native land as a photographer eager to capture the vibrant memories of my youth. I arrived to find an unfamiliar Ethiopia. The trees had disappeared. Wildlife that had crossed the roads not far from the region where I grew up was absent. Many of the ancient religious sites were crumbling away. Unemployment, relocation, political differences and health concerns had reshaped the lives of the population. Devastated, I didn’t know where to begin documenting my dreams.

I traveled farther away from urban areas into the countryside. I thought about those who had given their lives for Ethiopia through wars, poverty and sickness. Gradually, I rediscovered my purpose and created a body of work that expressed my feelings. There were times when the photographs seemed to find me. I became attached to the images and realized that it was my responsibility as an Ethiopian photographer to honor the beauty that remains. Unfortunately, time did not allow me to capture every region of the country.

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Above: Roadside market in the fog, kombolcha

Ethiopia is in crisis and needs alternatives to burning wood for fuel. A country once covered by trees has only a small percentage of forest left. In each region, new, indigenous trees must be planted to replenish the land. Deforestation continues to cause flooding and soil erosion. In a couple of decades, Ethiopia will become a desert incapable of rejuvenating itself. The animals and vegetation will be gone. The Ethiopian people will not be able to sustain themselves.

I want my images to inspire a call to action. We can still save this extraordinary habitat. I hope these photographs of Ethiopia allow you to hear with your eyes and see with your ears.

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Above: Inside Abune Aron Church

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Above: Gate keeper of Zege Kidane Mihiret monastery

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About the Author:
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Ethiopian-Born Andarge Asfaw, a graduate of the Hallmark Institute of Photography, is an award-winning commercial and fine art photographer based in Washington, D.C. His New Book, Ethiopia From The Heart, is available at: www.ethiopiafromtheheart.com

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Harlem to Addis: America’s Mega-Church Leads 150 Delegates on a Journey to Ethiopia

NEW YORK — On September 15, The Abyssinian Baptist Church in Harlem, one of the oldest African-American institutions, announced that it’s continuing its 18-month bicentennial celebration by returning to its roots — Ethiopia.

This journey is a core component of a series of major events and activities commemorating the
church’s 200th anniversary in November 2008.

Ethiopia, which follows the Coptic calendar (seven years behind the more common Gregorian), is poised to celebrate the Millennium on Steptemer 11, 2007.

In 1808, after refusing to participate in segregated worship services at a lower Manhattan church, a group of free Africans in America and Ethiopian sea merchants formed their own church, naming it Abyssinian Baptist Church in honor of Abyssinia, the former name of Ethiopia.

In 1954, former Ethiopian Emperor, Haile Selassie I, presented Abyssinian’s pastor, Rev. Adam Clayton Powell, Jr., with the Ethiopian Coptic Cross. This cross has since become the official symbol of the church.

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Above: Emperor Haile Selassie presenting the cross
to Reverened Adam Clayton Powell, Jr., on May 27, 1954.
Photography by Marvin Smith.

“As we celebrate 200 years of Abyssinian Baptist Church as an empowering center of spiritual and community transformation, we are eager to embark upon this befitting journey to our native land of Ethiopia, especially during this time of the Ethiopian Millennium,” said Rev. Dr. Calvin O. Butts, III, pastor of Abyssinian.

“The African-American church has long been a galvanizing force in the active building of beloved
communities in the United States. We seek to further advance that cause as part of our global mission – gaining first- hand knowledge during our pilgrimage that will aid in our consideration of a viable, long-term course of action supporting the people and progress of Ethiopia.”

During the trip, Dr. Butts and members of the 150-person Abyssinian pilgrimage will assess economic, health, education and social needs of the Ethiopian people to determine how The Abyssinian Baptist Church can specifically apply its resources to encourage advancement in the country.

For more information about Abyssinian 200, visit http://www.abyssinian200.org.

TADIAS TV: Harlem Today – Bre’s Walking Tour of Harlem (Fordmodels.tv via You Tube.)
Take a fun tour of Harlem with Model Bre of Ford Models.

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The Case of Melaku E. Bayen & John Robinson (Tadias)
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Ted Alemayuhu to Speak at Columbia University

By Tadias Staff Writer
Published: March 6, 2008

New York (Tadias) – Ethiopian American social entrepreneur Ted Alemayuhu, Founder & Chairman of U.S. Doctors for Africa, will be one of the featured keynote speakers at this year’s Annual Health Disparities Conference at Columbia University in New York on Saturday, March 8th, 2008.

The two-day conference, which opens Friday, March 7th, at Teachers College will provide an opportunity for varied professionals to gain exposure to evidence-based approaches to reducing/eliminating health disparities and moving society toward equity in health for all, in addition to state-of-the-art practices being utilized by practitioners, according to TC’s website.

The event in 2007 featured Professor Cornel West as keynote speaker.

“It is a great honor and privilege to be invited by Columbia University to be a keynote speaker”, Mr. Alemayuhu told Tadias.

“The event is being hosted by the ‘Teachers college’ at the university and every year they host a similar conference highlighting global health. This year the focus is Africa and they have chosen USDFA to be a key highlight of the conference.”

Asked for details, Mr. Alemayuhu said his keynote address will focus on USDFA’s mission.

“I plan to present the organization’s mission and vision as well as current and upcoming projects”, he said. “Particularly, our mobile clinic initiative”.


Above: Ted Alemayuhu, Founder & Chairman of U.S. Doctors for
Africa, will be one of the featured keynote speakers at this year’s
Annual Health Disparities Conference at Columbia University in
New York on Saturday, March 8th, 2008.

According to the University, the annual conference concept was created as an annual project organized by the Research Group on Disparities in Health within the Department of Health and Behavior Studies at Teachers College, while enjoying support from the Center for Educational Outreach and Innovation (CEO&I), and numerous co-sponsors. The goal of the conference is to foster movement from current inequity in health to equity in health as a mission spanning the 21st century by beginning with disparity reduction, while aiming toward disparity elimination as goal to be reached, perhaps by the end of the century, according to the conference website.

“We are expecting the conference to be a dynamic setting for the discussion of global health issues, such as HIV/AIDS, as well as approaches to closing gaps in health being pioneered in places such as India and Africa, and across the United States”, said a statement posted on the conference website.

“Toward this end, our keynote speakers include: Ted M. Alemayhu, the founder and chairman of U.S. Doctors for Africa (USDFA), a non-profit organization dedicated to mobilizing volunteer doctors, nurses, and other health care professionals to fulfill the overwhelming medical manpower needs throughout the African continent.”

The conference is open to the public. More at Teachers College, Columbia University.

First Ethiopian owned Online Money Transfer Company to be launched

By STAFF WRITER

New York, (Tadias) – The first Ethiopian-American owned online money transfer company, announced that it will start operations next month.

BirrituExpress.com, the Pennsylvania based company, owned by Global Financial Exchange Holdings LLC, aims to tap into the growing Diaspora remittance back to Ethiopia.

“Birritu Express was created by Ethiopians to meet the specific needs of the global Ethiopian community, said the company’s press release sent to Tadias Magazine. “It is designed to be the most inexpensive, convenient and secure way to transfer funds to Ethiopia from abroad.”

The Ethiopian Diaspora’s annual income is estimated to be tens of billions of dollars , about equal to Ethiopia’s gross domestic product, according to Precise Consult International, organizers of The World Bank and USAID backed annual Ethiopian Diaspora business conference. Crude calculations using remittance figures ($1.1 billion in the first 9 months of 2006 & 2007 alone) show that the gross income of Ethiopians in the Diaspora is in the range of 10-20 billion dollars per year, roughly equal to the home country’s GDP of $13 billion in 2006.

Birritu faces stiff competition from industry giants like Western Union and Money Gram. But, the new company says it’s prepared for a fair competition.

“In the past Western Union has been the primary fund transfer player in Ethiopia based on an exclusive relationship with the Ethiopian government”, said the press release. “That relationship ended on June 1st which opened the door to competition.”

According to the company, which has already established links with Banks and the national Postal Service in Ethiopia, it intends to provide better and efficient service, while offering customers lower transaction fees.

“Typical transactions via BirrituExpress.com will cost much less than the western and traditional competitors in Ethiopia,” Dr. Munir Idriss, the company’s Chief Operating Officer, told The Reporter in Ethiopia last week.

“We will be a worthy competitor in being able to arrange fund transfers through the convenience of personal computers, lower fees, and top security. Recipients pay no fees and can receive transferred funds at hundreds of convenient locations throughout Ethiopia.”

According to the COO, the company will charge $8.29 for transferring one hundred dollars, while its transfer fee for sending five hundred dollars is set at $10.29. However, he suggested that the company reserves the right to adjust its service fees based on the dynamics of the market.

“We may, in accordance to the market and in considering the capacity of our customers, adjust our service fees”, he warned. “But the fees will always remain better and competitive ones. We will also transfer funds computing against the best exchange rate, thereby increasing the benefit to the recipient.”

The Company has partnered with PayQuik, provider of money remittance technology for Banks and money transfer companies. “Our proprietary programs have taken the worry out of cross-border fund transfers by incorporating industry-leading security features.” says Jeff Slowik, PayQuik’s senior Vice President.

As a standard feature, PayQuik encrypts all Birritu Express electronic fund transfer data. All costs are known at the time of the transaction and the sender can personally track the funds until they arrive in the hands of the recipient.

According to Dr. Idriss, the company will adhere to the US regulatory compliance requirements – US Patriot Act, Anti-Money Laundering, Bank Secrecy Act, as well as the laws of Ethiopia and regulations of the National Bank of Ethiopia.

The electronic money transfer business was started by Western Union in 1871.

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Ethies in U.S. send billions back to Ethiopia (Tadias)
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Ethies Call Home: Africalling as the Next Generation Telephone Service (Tadias)
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Tadias TV – Fun video tour of Harlem

Bre’s Walking Tour of Harlem (Fordmodels.tv via You Tube.)
Take a fun tour of Harlem with Model Bre of Ford Models.

To subscribe to Tadias Magazine, Click Here.
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NYC art show for female Ethiopian runners

Above: By Steve Donnelly. The Sidewalk: acrylic on canvas; 24″ x 30″. Featured Piece.

New York: The Girls Gotta Run Foundation, Inc., raises money to buy athletic shoes for Ethiopian girls to support their participation in sports and help them continue their formal education.

In her December 2005 Washington Post article (“Facing Servitude, Ethiopian Girls Run for a Better Life”), Emily Wax pointed out that Ethiopian girls’ enrollment in school is among the lowest in the world, and women and girls are more likely to die in childbirth, due to early marrige, than reach sixth grade.

Ethiopia also has the highest rate of vaginal fistulas, a tearing of the vagina during childbirth that requires painful reconstructive surgery, often unavailable, in the world; and one of the largest caseloads of AIDS, forcing many girls to quit school to care for sick or widowed relatives.

Today, however, seven of the 10 top-earning athletes in Ethiopia are women.

Many girls and their parents have begun to see careers as professional runners as viable options in a country where girls as young as 12 can be sold as brides by parents desperate for dowry payments.

Many who train in order to stay in school and keep their options open, can, with the help of caring others, overcome many of the obstacles in their way.

Getting athletic shoes, however, is tremendously difficult. Inspired by their spirit and determination, and moved by their plight, a group of artists and committed others came together in early 2006 to form an organization to raise money to buy shoes for the girls; the Girls Gotta Run Foundation was born.

The group has organized an exibition at Phoenix Gallery in New York titled “Shoes, Shoes, Shoes”. The show will open on September 5, 2007.

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Above: By Kay Bailey. Run a Mile in Her Shoes: quilt; 18 x 18″, with pictures on it including a linoleum cut printed onto cotton with acrylic paint and two photographs printed on cotton with an ink-jet printer. The quilt was machine pieced and sewn with free-motion stitching. Featured Piece.

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Inside the Fistula Project (Tadias, OCT-NOV 2003)
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“It is the oldest medical cause in the world. There is currency dug out of pyramids containing images of fistula, yet in the 21st century it is the most neglected cause,” Dr. Catherine Hamlin tells us. While the last American hospital for fistula patients closed its doors in 1895, the first one of its kind opened almost 8 decades later in Ethiopia. Since its inception in 1974, the Addis Ababa Fistula Hospital founded by Dr. Reginald and Catherine Hamlin has treated over 25,000 women, the majority of whom have been cured and have returned to their villages to live healthy, normal lives. Inside the Fistula Project

She Did It Again! Photo Highlights from Tirunesh Dibaba’s Victory in the Big Apple
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Queens, Spies, and Servants: A History of Ethiopian Women in Military Affairs
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Film to screen in New York this weekend

By Tadias Staff Writer

New York – “From the 16th to the middle of the 19th centuries, virtually the whole of the Middle East was under the suzerainty of the Ottoman Empire”, writes Dr. Negussay Ayele, a California based author and Ethiopian scholar in his article: Ethiopian Monks maintain the only presence by black people in Jerusalem.

“When one of the Zagwe kings in Ethiopia, King Lalibela (1190-1225), had trouble maintaining unhampered contacts with the monks in Jerusalem, he decided to build a new Jerusalem in his land. In the process he left behind one of the true architectural wonders known as the Rock-hewn Churches of Lalibela.”

A new documentary film titled Lalibela–Wonders and Mystery by Addis Film Production will screen in New York this weekend (Sunday, October 28, 2007, Purina Screening Room, 245 West 54th Street. Show time: 2pm, 4pm, and 6pm. Ticket Price: $10. More info: 201.220.3442).

The film examines, with help from scholars, the mystery behind the design and architecture of the churches. The geometric precision of the construction of the Rock-hewn Churches still amazes modern architects. The sewage system is still intact. Some major events of the bible are symbolized and are part of the architecture of the churches.

Watch the trailer.

More at: Addis Art & Culture

USDFA to Deploy Mobile Clinics to Ethiopia (Tadias Exclusive)

Above: Ted Alemayhu and Dr. Judy inside the mobile clinic
being deployed to Ethiopia. New York. October 17th, 2007.
Photo by Johnny Nunez.

Tadias Exclusive
By Liben Eabisa
Published: February 14, 2008

New York (Tadias) – The following is an exclusive interview with Ethiopian American social entrepreneur Ted Alemayuhu, Founder & Chairman of U.S. Doctors for Africa. His organization presented its 1st Annual New York Gala Benefit last fall, at Cipriani Wall Street (55 Wall Street), honoring extraordinary philanthropists, including Russell Simmons, Chairman & CEO of Rush Communications.

USDFA will hold a press conference next week in Washington DC in partnership with The Congressional Black Caucus Foundation to introduce its Mobile Clinic initiative to the US Government and other international entities dealing with Africa’s health care issues. Ted Alemayuhu told Tadias: “I am happy to say that we are ahead of schedule and our first clinic will be on its way to Ethiopia soon.”

We spoke with Ted in Los Angeles and also had a chance to ask him about his views on the current U.S. elections.


Ted Alemayhu. Photo by Johnny Nunez

Tadias: Ted, it’s great to have you back on Tadias.

Ted: Glad to be back! I’ve always admired the service that Tadias is providing to the Ethiopian Diaspora as well as Ethiopians back home.

Tadias: U.S. Doctors for Africa recently held a high profile gala here in New York at Cipriani on Wall Street, honoring extraordinary philanthropists, including Russell Simmons. How did that go?

Ted: It went very well. Being our first event in the New York area, we’ve exceeded our expectations. I was impressed by the great turn out and the overwhelming support we’ve received from the people as well as from the local and national media. Besides honoring extraordinary individuals such as Russell Simmons for their great community service and support of US Doctors For Africa, our guests were inspired by our Mobile Clinic program; the first of which to be deployed to Ethiopia soon.

Tadias: We understand that you plan to hold a press conference next week in Washington DC in partnership with The Congressional Black Caucus Foundation. What announcements should we expect at the press conference?

Ted: Well, the main purpose of the press conference is to introduce our Mobile Clinic initiative to the US Government and other key stakeholders on Africa’s health care matters. During the 2006 Clinton Global Initiative (CGI), we made a commitment to launch 200 mobile clinics to various countries across the African continent by the year 2020. I am happy to say that we are ahead of schedule and our first clinic will be on its way to Ethiopia soon.

Tadias: What is the mobile clinic initiative?

Ted: The Mobile clinic initiative is a unique approach to the growing demand for health care delivery and services across the African continent. As most people know, that over 85% of Africa’s population live in “rural” areas – far from big cities where most health care institutions and providers are based. Unfortunately, the majority of the people who are dying of “treatable” and “preventable” diseases are those who live in a rural settings. Our hope is that by introducing mobile clinics as a key tool in the health care delivery effort, we expect to play a life-saving role by bringing health care where the people live.

Tadias: USDFA has other projects in several African countries, including Ethiopia. Can you tell us about your projects, besides the mobile clinic initiative?

Ted: Absolutely. We are engaged in several countries in Africa as well as here in the United States where we continue our effort to provide health care services to the people affected by hurricane Katrine and Rita.

As far as in Africa, we continue to expand our services to more countries. Currently, we are developing projects in Uganda, Tanzania, Ghana, Democratic Republic of Congo, Malawi, and in South Africa.

Ethiopia is our first partner country on the mobile clinic initiative. I am impressed by the overwhelming support from the ministry of health as well as other health officials in the country.

Tadias: We have learned that you will be a keynote speaker at this year’s Annual Health Disparities Conference at Columbia University here in New York on March 7th, 2008. Can you give us details for our readers who might be interested in attending the event?

Ted: Sure. First and for most, It is a great honor and privilege to be invited by Columbia University to be a keynote speaker. The event is being hosted by the “Teachers college” at the university and every year they host a similar conference highlighting global health. This year the focus is Africa and they have chosen USDFA to be a key highlight of the conference. I plan to present the organization’s mission and vision as well as current and upcoming projects…particularly, our mobile clinic initiative. The conference is open to the public – for more info they can go to Teachers college, Columbia University, website.


Above: Ted Alemayhu and Dr. Judy inside
the mobile clinic being deployed to Ethiopia. New York.
October 17th, 2007. Photo by Johnny Nunez.

Tadias: Does USDFA have any plans to endorse a candidate in the current presidential election?

Ted: The organization have no desire to participate in any political activities. Although we wish the best of luck to all candidates (Democrats and Republicans), we remain focused on our work.

Tadias: This question is not intended to you as Chairman of USDFA, but as an individual, as an Ethiopian American. How do you feel about this historic election?

Ted: Well, it is rather impressive and encouraging as well. It is also exciting to see a woman and an African candidates going head to head for the presidency. Regardless of who wins the party nomination, it is history in the making.

Tadias: Is there anything else you would like to share with our readers?

Ted: Well, yes. I would like to simply encourage everyone to do what they can in helping our beloved country – Ethiopia!

Tadias: Thank you, Ted. Good Luck.

Related: African First Ladies Partner with USDFA (Tadias)
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Tadias TV: Live Ethiopian millenium countdown music video

M.S.M. live Ethiopian Millenium Countdown

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Welcome back to Tadias TV!

Here is an Ethiopian Millennium song that has been making the rounds on You Tube and other music websites. It was played on 97.8 FM in Addis for the special Millennium music program.

We asked Maki Siraj (vocal) from Harlem to tell us about the Millennium Song project.

Maki: I got a call from Chachi that she wanted to do a song for the Ethiopian Millennium and asked me if I’m interested. So, I got on board and introduced to Isaac Haile Selassie and we hit it off! We decided the song will be a gift to our beloved country on her 2000 Year B.Day! Many talented artists and Musicians got involved from East and West coast, amazing musical talents: Isaac Haile Selassie who produced it, Chachi who wrote the lyrics and I am on vocal and vibes. The song was recorded in three different cities: New York, Atlanta, and California. All the music was recorded at Hughe Drive in California and all the musicians were from “The North Huntington Beach” Neighborhoods.

Credits: Chachi Taddesse (Lead Vocal), Isaac Haile Selassie (Songwriter/Vocals/Producer), Maki Siraj (Vocal), Shawn Taylor (Chief Engineer/Producer/Perc./Vocal), Pasquale DeRosa (Bass), Phil Simpkin (Guitar), Kristen Wyma(Flute), Bryan Watson (Trumpet), George Ordonez (Sax), Beza Taddesse (Backing Vocals), Joey Jonson (Backing Vocals), Kevin Bayless (Pick Guitar), Carlton Menues (Engineer-New York), Oga Otumala (Engineer-Atlanta), Tosin Bamgdose (Piano)

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Happy Couples: What’s Their Secret?

Source: MSN.com

By Kimberly Dawn Neumann

How is it that some couples seem to stay starry-eyed for years, and others let their sizzle, um… fizzle? Well, it appears that successful chemistry sustainers develop healthy coupled-up habits which allow them to keep their love alive and kicking. “People can have a lot of trouble staying close,” says Joyce Catlett, author of Sex and Love in Intimate Relationships. “They get into relationships and think they’re automatically going to know how to make everything work, but figuring out how to stay passionate together is really a skill.” But luckily, these are skills that anyone can learn. Here are six habits that you’d do well to adopt if you want your date to become your happily-ever-after mate.

Habit #1: Catch romance where you can“You may start out with champagne and roses, but the likelihood of being able to sustain that feeling with a busy schedule is pretty unlikely,” says JoAnn Magdoff, Ph.D., a New York City-based psychotherapist. Successful couples learn to build a bubble of romance at unexpected times – during their daily commute, while doing laundry – and in low-impact ways, whether that be a long, lingering smooch or just holding hands. In other words, the next time you hear yourself say “Oh, look, we’ve got 15 minutes to ourselves,” make use of it—that’s what keeps the spark alive.

Habit #2: Fight fair
Believe it or not, learning to fight right is an important part of keeping chemistry alive. Why? Because if you are constantly cutting each other down, it’s hard to feel mutually amorous. “There is no such thing as a relationship without disagreements,” says David Wygant, author of Always Talk to Strangers. “But if there is an understanding that your partner can come to you with any dissension without being attacked, you will have an honest relationship comprised of ‘open discussions’ rather than ‘fights.’” Debra Tobias, who has been happily married for almost 10 years to her husband Steve, agrees. “Steve and I have learned to listen to each other when we’re upset and we admit when we’re wrong,” says Tobias. “We also make a rule of never, ever saying ‘I told you so’ no matter how much we might want to say it.” The result is that their chemistry doesn’t wane because they never let their arguments escalate to a personal level. Focus on the issue at hand instead of throwing verbal punches.

Habit #3: Nurture your separate selves
Going off to your book club when your sweetie’s out golfing isn’t a sign you two are drifting apart. On the contrary, developing individual interests allows for a richer life as a couple. By taking little “couple breaks,” you gain a greater appreciation of the gifts your partner brings to your life and you have more to offer as well. “It’s very sexy to be independent sometimes,” says Magdoff. “You feel better about yourself and you’re less demanding of your partner when you’re together.” After all, taking some personal responsibility for your own well-being relieves the other person of the pressure to “provide” happiness—so go ahead and nurture some solo adventures. That’ll also keep each of you stocked with plenty of adventures to chat about, which also builds your bond.

Habit #4: Take on a project together
Separate interests aside, exploring new ground together is also important since it strengthens your history of shared experiences. Jo Smith and her husband of four years found this out when they committed to running their first 10K together. “We were training together, carbo-loading and hydrating together, running the race together and ultimately succeeding together when we both finished,” says Smith. “It brought a whole new level of closeness to our relationship because of the time we spent learning as a duo during this endeavor.” Couples who take on adventures together get a sense of daring and accomplishment that can really kick up their chemistry!

Habit #5: Don’t let your sex life slide
No doubt about it, couples with healthy sex lives have no problem keeping chemistry cooking. (That whole “couples’ sex lives naturally fade over time” excuse? Not true.) The trick to injecting more electricity into a lagging love life has to do with trying new things—sure, it can be easy to work on tricks and techniques when you first meet, but people’s preferences can, and do, change over time. “In interviewing people on the topic of sexuality, it became clear that the couples who were the most satisfied sexually were also the ones who were open to some experimentation,” says Catlett. This isn’t to say you suddenly have to become a wild thing, though. Even returning to the basics you may have abandoned along the way – lots of kissing and eye contact, for example – can make the usual encounter feel very different… and much more intimate.

Habit #6: Engage in some mutual admiration
In order for chemistry between two people to thrive, there needs to be mutual respect. “It’s about putting yourself in the role of an observer of your partner,” says Magdoff. “Watch them “perform” – I’m not saying they need to do a song and dance for you – just pay attention to the everyday things that remind you why you find them so special.” Then, make it a point to lob compliments their way. “A good exercise is to occasionally create a mental list of the qualities you dig about your partner, and to occasionally share one of your thoughts with the one you love,” says Wygant. Because the reality is, you’ll always want to be around someone who thinks you’re fantastic.

Kimberly Dawn Neumann is a New York City-based writer whose work has appeared in such publications as Cosmopolitan, Redbook, and Fitness.

Related Links and Tadias Stories:

In a Relationship Sex is the Key. By Dr. Tseday Aberra
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The Universal Peace of Food: Conversations with Marcus Samuelsson

Above: Marcus Samuelsson at his home in Harlem, New York.
(Photo Credit: Tesfaye Tessema for Tadias Magazine).

Tadias Magazine
By Tseday Alehegn

New York (Tadias) – It’s a slightly drizzly evening in Manhattan and I’m walking with a loping gait to Aquavit restaurant, anxious that I am tardy, simultaneously juggling my umbrella, checking whether I brought my voice recorder, notes, interview questions and pen. My hurried steps are sharply interrupted by the calm and warm colored entrance of Marcus Samuelsson’s Scandinavian restaurant. As I wait by the door, slow down my pace, and go through the questions in my mind, I see his familiar figure, the midnight blue of the Aquavit uniform, a blackberry in hand and a welcoming smile. “Let me show you on a quick tour,” he says after we greet, knowing that it’s my first time here. “First – the kitchen.”

The spacious kitchen is divided by two main isles behind each of which stand a row of chefs, working like clockwork. Each plate out in front stands ready to be modeled as the most soigné art that food could be transformed into. We make an exit towards the café and settle down to talk about his most recent project – an adventure-filled trip throughout the African continent and the journey that led to his new book: The Soul of a New Cuisine. As I pull out my notepad and prepare my notes, Marcus steals a few moments to scroll through the emails on his blackberry. In just a few hours, after we wrap up our interview, he will be packing for another trip back to Ethiopia to see his birth father and his eight half-brothers and sisters, with whom he was first reunited in April of 2005. “I have to leave on a personal trip to Ethiopia, but I wanted to have this conversation now rather than later,” he says, then he turns off his phone, restores it in his pocket and lets me know that he is ready for our duologue.

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Africa on My Mind

The first time that Tadias Magazine had interviewed Marcus was in March 2003. Marcus had mentioned back then that he intended to work on an African cookbook. He had concluded the interview by saying that he wanted to write not just about Swedish or American food, but also about African cuisine. “People lump all of Africa, as if it’s one homogenous country,” I recalled him saying, and I remember the eagerness and determination in his voice to make this project a reality. Fast forward three years later and Marcus has traveled extensively with his photographer and friend, Gideon Kifle. Together they go from South Africa to Morocco; from the famous spice island of Zanzibar to the fish markets of Senegal.

“I have gone several times, but I began my travels to Africa in ’99.” Marcus says. “For as long as I can remember, I’ve had Africa on my mind,” he writes in the introduction of his new book, and he pieces together culinary treasures with his intimate, personal journey to the village where he was born as Kassahun Tsegie. His journey to reconstruct his family heritage is as much a journey of peace as is his quest for peace embodied in the sharing of food across cultural terrains. “My favorite term is ubuntu,” he says – a popular South African concept which translates as “I am what I am because of who we all are.” Being a chef is about remembering and practicing ubuntu. It is about food for the body and soul that peacefully unites us as beings, allowing for conversations and the sharing of happiness, knowledge, soul and love.

“I’m a Swede, I’m also an Ethiopian, and a New Yorker,” he says.

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ABOVE: Marcus Samuelsson and
Liben Eabisa walking in Harlem,
New York.

He can’t help but embrace and reify diversity in his identity and in his work. Marcus’ personal story of his adoption by Swedish parents, his passion for cooking and his eventual move to New York as one of the top chefs in the world is as colorful as his fusion of recipes renowned for their flavor, originality, and multicultural emphasis. Weaving together the diverse fabrics that constitute his life’s journey, Marcus reflects on his youth growing up in Sweden. “The difference between an immigrant and an adopted kid, is that when you are an immigrant you are more clear on your identity; you are Ethiopian. When you are adopted you are stripped a little bit of one identity, and when you grow up you sort of go back to that identity.” “And again, I can only speak for me, I can’t speak for someone else,” he adds.

“For me coming to America, and New York in particular, and being around Ethiopians, going to all the concerts – to weddings, to restaurants, I found a whole lot of community.” He compares his upper middle class Swedish upbringing with that of his childhood friend Mesfin’s, who lived in close proximity to Stockholm’s ‘Little Ethiopia’ neighborhood. “What my friend Mesfin had was a community that I wasn’t familiar with. He was exposed to Ethiopian music, language, identity and customs,” Marcus recounts. “Once I was in New York however, by going to Meskerem and Sheba [restaurants] and making friends like Yeworkwoha [owner of Ghenet Restaurant] who introduced me to work behind Ethiopian food, I got immersed in Ethiopian culture.”

My Medium is Food

His eyes light up and he lifts his head and chest higher as he admits that his exposure to a broader Ethiopian and African community as well as the overall spirit of internationalism in New York got him ruminating over how to tie it all together. “And it was only then that I started thinking, What can I do? What’s my medium? Well… my medium is food. So I went back there [Ethiopia] and gave a couple classes at the Sheraton for Ethiopian kids. For me it’s not a one-off , I want to be in the country with Ethiopian children, and show young people, show young men how to cook.”

From there Marcus vowed to see as much of Africa as he could, and to capture the myriad of dishes and ways of sharing and eating food that he discovered in his travels. While Marcus worked with Gideon on article assignments about Ethiopia for American news outlets, he also started thinking of other ways of giving Ethiopians tools to be proud of.

“There are so many stories coming out of Sweden in comparison to my Ethiopian side,” Marcus points out. “Cars, IKEA, there are so many brands coming out of that little country, and in the case of Ethiopia although there are many rich stories, the music, the art, the food..you don’t get as much exposure to it. So I wanted to do a project that viewed Africa and its cultures,” he concludes. “You know a lot of people think of Africa as war, famine, all this stuff , and for me..it’s like..every part of the world has that.”

Marcus has other reasons for wanting to write about the cuisine of the African continent and its diaspora. “Africa also has a huge deposit of oral history. A mother tells her daughter about music and food and so on. And this tradition of oral history is important, but the written history is also important,” Marcus asserts. “You know just going to Barnes and Noble you can find 500 books on Tuscany, a tiny region, and for a huge region like Africa you have three books.” Marcus is determined to show where the influences in Africa came from and where African influence spread to. “So in East Africa and Ethiopia, for example, you can see the Indian influences in their food, and when you go down to southern Africa you recognize Indonesian and Malay food. No part of the globe is untouched by Africa and vice versa.

Soul of a New Cuisine

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Motivated to show and encourage African-to-African connections, Marcus reflects on opportunities to learn from each other. “In general, South Africans don’t go up to Morocco and you don’t see Ethiopians going down to Angola. But it’s important to develop these connections, and it’s easy to do so through food. If I’m an Ethiopian family, let’s do a Senegalese dish tomorrow. Or if I’m Senegalese let me make a Malay dish tomorrow. Pan-European and Pan-Asian cuisine is a common occurrence now. You know if I am a Swedish family, Monday I have Italian, on Tuesday I’ll really like this French recipe and then on Wednesday I cook Swedish again. Well Ethiopians… we cook our food. And that’s great and it’s very nice,” he says. “But what if we just try a different path?”

“The food itself, the recipes may be ancient,” Marcus says of African cooking, “but I want this book to be a fusion of African cultures and food…sort of looking into the window of other countries within Africa. And ‘Africa’ doesn’t mean you have to live in Africa to experience it. It’s more about revealing this diversity, the richness, and being open-minded.” The combinations are endless and the experiences will be new, hence the title, The Soul of a New Cuisine. Along with the recipes Marcus has prepared a music album entitled Afrikaya, a compilation which features world music diva Gigi, and the new Ethiopian hip-hop fusion Bole to Harlem. “So it’s food, music, and people. I want something that other Africans will be proud of. The ‘new cuisine’ is that I make all these recipes palatable for Americans and the Western world.” Pan-African fusion is something you can’t find here on a regular basis.

“For example, I take an Ethiopian Shiro and I pair it with a fish dish from Morocco while borrowing cooking techniques from South Africa. So there is a fusion within the continent. And that’s what the ‘new’ is about.” As another example, Marcus suggests the term ‘Pan-Asian.’ “When I use this term with you, ‘Pan-Asian,’ you understand what that is. You can envision the fusion involved, which today is also considered fine dining.” “Fine dining,” Marcus reminds me, “came from a very elitist society.” It conjures up the image of French restaurants, a certain culture only for the upper class. “Today the fl avor of the food is considered fine dining. Now you go to Paris or London and they are catching on to fusion. So in the same way, you understand the term Pan-African as it relates to music, but how about Pan-African food?” Marcus gets us thinking about Pan-African ways of making and eating food.

The communal aspect of African cooking and ways of eating are very much a central core in Marcus’ writings. “In Senegal I stayed with my dishwasher’s family,” he shares. “They had grandmothers and other family members all living together. That was a way for me to get close.” It may have been more comfortable to travel throughout Senegal as a tourist, staying in hotel rooms and visiting local eateries, but Marcus knew from the start he would miss the fervor of communal cooking if he chose such a path. “You know I can’t wing it. I can’t do it from hotels either. I wanted to be there form the start, when they made breakfast and when they made lunch..to see the cooking together. I have to see it to really know it.” He took this attitude with him wherever he traveled to, and he noticed that although the recipes may be starkly different, the eating patterns throughout Africa had one thing in common – they were very communal. “Kids are welcome and grandparents are welcome in the preparation of food,” he notes. “In Africa, how we start a meal and how we feed each other…it’s very communal and it brings extended families together.”

From farming, to harvesting, to cooking, and to selling food in the marketplace, food transactions are a communal business. “I’ll tell you about the fish market in Senegal, which has such a beautiful, organic way of working,” Marcus enthuses. “The men go out to fish, drop off their catch to the women who run the fish market.” He describes in colorful detail the women selling fish. “They have several skirts on..and they lift up one skirt and they have Euros, and then Dollars, CFA Franc [Senegalese money]..and it’s like NASDAQ.” He makes the whirring sound of money being counted and continues, “And the kids help package the fish while the people come to buy it, and there is a certain rhythm to it. That to me is colorful and loud.” And it’s the larger experience of food and food making that you don’t see when you purchase packaged meals at a supermarket.

Every Place is Great for Me

Between the moments of discovering new foods, tastes, and cooking techniques Marcus perambulates around the open markets. He mentions Marakesh and Merkato, the latter, considered one of Africa’s largest open-air markets, being his favorite. “I enjoy places like Merkato. Wherever people see danger, I enjoy it. I travel deeper and deeper and see the mix of Jewish, Muslim, and Orthodox traditions. I just love it,” Marcus says. “What makes travel interesting is the people, their history, where they came from and where they are going to.” He points out that food, like any other aspect of culture, has its own history, and learning about food without the history wouldn’t make for a full experience. “Because of their history of trading with Arabians and Indians, the food of the people of Zanzibar is so flavorful,” he says. And he implants pieces of history among his recipes so that it becomes an exploration of a continent’s way of food and not just the raw ingredients. “I want to bring you onto that journey. And I have to do it thoroughly,” he says. “I have been privileged to go and be in South Africa, Sweden, New York, to Ethiopia. Most people haven’t had that opportunity.”

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I ask him which place he enjoyed the most, but Marcus is quick to answer “Every place is great for me.” “In order to do this [work] you have to be really curious,” he adds. “And there are stories everywhere..people are eager to tell you.” Marcus enjoys traveling. “Bahia is different from the rest of Brasil, and Addis Ababa has a different story than Soweto. You know when I’m in Ethiopia. It’s great. I feel at home. But when I go to a new place like Soweto, a place I’ve never been, and then Desmond Tutu writes the forward to my book, it takes on a whole other meaning for me. So I enjoy all of it…the entire experience.”

The Universal Peace of Food

The end result is a new cookbook, lots of travel stories, adventures, and something for UNICEF’s programs for children around the world. Marcus is donating part of the proceeds of The Soul of the New Cuisine to UNICEF programs. “There are so many great organizations in the world, but I picked two to work with: UNICEF and CCAP – one works with children internationally and the other works with public high school students.” As a goodwill ambassador for UNICEF, Marcus had to come up with a program and he chose this cookbook as one of them. “I have been down to Ethiopia and seen the NGOs working. I don’t want to micromanage the process, but if I believe in your work then I’ll let you do your work the way you believe is best.” It’s all part of the process of using food as a medium of peace.

When you think of the first presence of food in your life, it’s easy to picture the image of a mother giving life-sustaining milk to her newborn child. One of the first acts of bonding and love is expressed through food. Mozart once said, “Neither a lofty degree of intelligence nor imagination nor both together go to the making of genius. Love, love, love, that is the soul of genius.” This is apparent in Marcus’ work.

“One thing that’s really cool about food is that everyone thinks their recipe is the best. But it’s great that they don’t fight about it. It’s not like money, and it’s not religion where someone is trying to convert you. Do you know what I mean? It’s peace,” Marcus asseverates with a smile and an earnest look in his eyes. As beings we are on a universal search for comfort and peace and Marcus shares how food is fundamental in that quest. “It’s a very peaceful way of taking pride in something. With food, people take a tremendous amount of dignity and say “I want to show you what I can do” without fighting,” he says “And I love that.”

The Soul of a New Cuisine is the new food, the new fine dining, and food itself is the universal peace.

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Above: Black Cook Wanted, painting by Samuelsson
Photos by Tesfaye Tessema for Tadias Magazine.
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About the Author:
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Tseday Alehegn is the Editor-in-Chief of Tadias Magazine. Tseday is a graduate of Stanford University (both B.A. & M.A.). In addition to her responsibilities at Tadias, she is also a Doctoral student at Columbia University.

Henok Tesfaye’s Success Story

Source: The Washington Post

Henok Tesfaye | From Valet to Used-Car Dealer

The way Henok Tesfaye’s mother smiles as she serves up some spicy doro wat in her U Street restaurant wasn’t part of the business plan that got Tesfaye a $35,000 microloan. But it’s certainly part of the result.

The story of how Tesfaye, who immigrated from Ethiopia at 16, was able to give his mother her own restaurant begins in the mid-1990s. Taking college courses and valet-parking cars in downtown Washington, he dreamed of bigger things. “While I was working, my mind always wanted to open my own business,” he says.

At 24, he had enough savings to rent a parking lot near 12th and U streets NW for $800 a month. But back then, in 1998, it was such a rough block that few people wanted to park there. So he turned half the space into a used-car lot, buying vehicles from nearby auto auctions and putting up for sale three or four at time. He made just enough to pay the bills.

In 2000, a potential buyer — a fellow Ethiopian, like most of Tesfaye’s customers — said he planned to finance his purchase with a loan from the Ethiopian Community Development Council’s Enterprise Development Group. When Tesfaye called to check, he learned of the group’s microfinance program and was told he could probably qualify for a loan.

Months later, he applied. EDG staffers pulled his credit history and reviewed his business plan. He told them that he wanted to expand and needed financing to enable him to bid on contracts to operate parking garages and open a second used-car lot.

“I tried maybe a couple of banks. They said, ‘No, you don’t have good business history.’ I was not in business for enough years,” Tesfaye said.

But EDG gave him a chance. Putting up a used Toyota Land Cruiser, Nissan Maxima and a Jeep for collateral, Tesfaye got a $35,000 loan at an interest rate of about 11 percent in 2003. He used it to buy more used cars — Hondas, Toyotas and Fords, he says, priced between $3,000 and $4,000 — and open a second small dealership in Bladensburg. He paid off the loan early.

The car businesses did well and Tesfaye’s cash flow increased. Relatives who immigrated to Washington joined his company. When a younger brother graduated from college, he helped oversee the business.

Today, Tesfaye’s company manages the 1,000-car parking lot at the old Washington Convention Center, as well as valet parking for several Washington area restaurants and clubs, including Fogo de Chao and Republic Gardens. His 50 employees are mostly immigrants, mainly from Ethiopia and Mauritania.

At 32, Tesfaye spends most of his time being a boss. But just in case he’s needed at one of the locations, he still keeps a red valet jacket in his car.

“I came to this country with no money, and I’m okay. I have a good life, you know,” he said.

Which brings the story back to his mother, Tiwaltengus Shenegelgn. Two years ago, Tesfaye and a brother made enough money to try a different kind of investment — they bought their mother a place at 9th and U streets NW. She turned it into a stylish Ethiopian restaurant called Etete, her Amharic nickname. The chicken dish called doro wat is a specialty of the house. The proprietor’s broad smile is a bonus.

“I am very happy to have my restaurant,” Shenegelgn says, clasping her hands before her chest.

To learn more about Henok visit: U-Street Parking

Read The Washington Post’s review of Etete restaurant, Henok’s gift to his mother.

Related Links and Tadias Stories:

Ethies in U.S. send billions back to Ethiopia
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Ethies in U.S. send billions back to Ethiopia

Above: Image design by Blen Grafix for Tadias Magazine

First Ethiopian Diaspora Business Conference to Take Place in Addis

BY STAFF WRITER

New York – Ethiopians abroad are a powerful and successful group in several countries. They are one of the largest, most educated and most affluent African immigrant population in the United States.

Their annual income is estimated at 10-20-billion dollars, about equal to Ethiopia’s gross domestic product.

They are now looked upon as a resource that could be tapped to assist Ethiopia’s development.

The First Annual Ethiopian Diaspora Business Conference will be held in Addis Ababa next month, according to a press release by Precise Consult International (PCI), organizers of the event.

The conference, which is being organized with the financial support of The World Bank and USAID, is scheduled to take place on September 19, 2007 at the UNECA conference center.

Crude calculations using remittance figures ($1.1 billion in the first 9 months of 2006/07 alone) show that the gross income of Ethiopians in the Diaspora is in the range of 10-20 billion dollars per annum, roughly equal to the home country’s GDP of $13 billion in 2006. 

As we approach the New Ethiopian Millennium, advances in communications technology have made it easier for Ethiopians across the globe to connect and do business.  There are significant untapped opportunities that exist in this equation for all parties involved. 

The Diaspora can reap the benefits of investing in a growing home economy or stay behind and make profits by facilitating the import of quality Ethiopian products into their home countries. 

At a time when global competitiveness decides the fate of nations, some of the capital, world class know-how, and market access necessary for the survival of the Ethiopian nation can be provided by the Diaspora.

“Back in the old days, our forefathers fought off colonization using spears, guns, and even their bare hands.” said Ato Henok Assefa, Managing Partner at Precise Consult International, who also happens to be an ex-Diasporan who grew up in New York City. 

“Times have changed, however.  The survival of the Ethiopian state now depends on building the competitiveness of Ethiopia’s industries.  Be competitive or perish is the order of the day.  And in this endeavor, utilizing the Diaspora who already possess world class know-how and capital is a no-brainer for Ethiopia”

Indeed the Ethiopian Diaspora’s contribution is already notable.  In addition to the large amount of money entering the country as remittance by the Diaspora, direct investment over recent years has run into the hundreds of millions of dollars. 

While still at a nascent stage, export opportunities facilitated by the Diaspora are starting to make an impact using the duty free and quota free access Ethiopia enjoys to the United States and European markets. 

However, given the potential that exists, these numbers are only indicative of this important group’s possible contribution to the Ethiopian development agenda in the form of investment (FDI), business partnerships, advisory services to local businesses, and participation in the local debate on improving the investment climate.

Ato Henok says this is partly due to a lack of coherent information and strategic engagement with the Diaspora community. 

“It is surprising how many Diasporans we have met who say to us, I have 150,000 dollars and would like to invest it in Ethiopia.  Where do I go? How do I start?  They all seem to have an irresistible urge to contribute to the country but do not know how to begin”, he said.

“The lack of basic information and facilitation services to navigate the local beaurocracy are quite possibly undermining a large influx of investment and exporting opportunities from being realized.  So this is basically how the idea for the conference and associated support services to be disclosed soon came about.”

The conference is divided along two main themes with expert panels to discuss the prevailing business conditions in Ethiopia and a mini-information/products tradeshow.  The first theme is aimed at de-mystifying the process of doing business in Ethiopia. 

With a legacy of communism and a history of a beaurocratic regulatory culture tarnishing the image of the Ethiopian business environment, few are aware of the significant improvements achieved over the past few years.  

Even fewer are bold enough to venture in and find out what it takes to invest in Ethiopia.  There appears to be a gap between the perception and reality of doing business in Ethiopia. 

What is the experience of investors so far in this regard?  Where are the opportunities and constraints to investing in Ethiopia?  Key issues such as investment process, land acquisition, finance, etc. will be discussed based on the experiences of a panel of successful diaspora investors.

The second theme focuses on the investment opportunities and incentives that exist on the ground.  With an economy expanding in double digits per annum, exports growing at almost 30% per year and a fast improving investment environment, Ethiopia now offers the prospect of high returns in many sectors.  This panel will discuss where some of these high potential sectors lie and showcase concrete opportunities for investment. 

The panel will also discuss emerging opportunities for the diaspora to link with local producers and import Ethiopian products into their adopted home countries.

Learn more about the conference at: diasporainvest.com

Related Links and Tadias Stories:

Diaspora’s Contribution to Ethiopia’s Economic Progress
By Selamawit Legesse

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Ethiopian Diaspora Business Conference

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Message From the Tadias Team
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Dear Tadias Reader:

We are happy to share that it is finally here!! We would love to send you the Print issue of our pre-millennium issue. It is the biggest and the best designed issue we have produced since the magazine was conceived four years ago. We are also happy to announce that we will be traveling to Addis to producing a special Millennium issue from Ethiopia in September. Please subscribe to Tadias for an annual payment of only $19.99. Click Here

Best Regards,
The Tadias Team
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Mr. Perdue Apologizes After Mesgana Controversy

Above: Norman Perdue at the Mesgana Dancers New York
Premier. The event was held at NYU’s Skirball Center for the
Performing Arts on Sunday, August 13th, 2007. Photo by
Maki for Tadias Magazine.
www.MakiLive.com. MySpace:
makilivecom.

BY STAFF WRITER

New York – Norman Perdue, a former photographer for the Utah Jazz and founder of the Children of Ethiopia Education Fund, the caretaker of the Mesgana Dancers, apologized on Sunday following a Tadias article that raised questions about the kids dizzying travel schedule and his failure to acknowledge the support of the Ethiopian-American community in New York.

“Due to a huge oversight on my part I failed to recognize, on the stage, all the individuals and businesses that had a part in the New York City stop of the Mesgana Tour”, he said in a comment posted on the Tadias blog.

“I publicly apologize for this mistake on my part and would hope that we can move on positively from this time forward.”

Although the apology did not address the children’s busy schedule, it was welcomed as a positive first step in the right direction.

“It is a welcome news in healing the rift with the Ethiopian-American community”, said Meron Dagnew, member of the NYC premier coordinating committee.

“But, at the end of the day, the safety of the children is the number one priority, and I hope COEEF will make the appropriate adjustments to make sure that they are treated properly.”

Ethiopia Reads, another non-profit organization led by the celebrated children’s author Jane Kurtz, which also benefits from the tour, said mistakes were made in over scheduling the children and it will be corrected.

“It’s true that some early legs of the tour were intense — probably too much so”, said Laura Bond, Ethiopia Reads’ director here in the US, who represented the organization at the NYC and New Jersey performances.

“In the future we will not schedule more than two performances in a row. That’s a lesson learned.”

The Mesgana Dancers, who performed in Colorado this weekend, have eight more shows in their sixteen cities U.S tour.

The young girls are scheduled to perform in St. George on August 24th and on August 29th in Murray, Utah, the hometown of the Children of Ethiopia Education Fund.

Related Links and Tadias Stories:

Hot Shots: Mesgana Dancers in Harlem
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Mesgana Dancers Arrive in New York
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Ethiopia Reads
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Mesgana Dancers
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The Children of Ethiopia Education Fund
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Controversial Mesgana Dancers Tour Continues in Colorado this Weekend

Aug 17th, 2007

BY STAFF WRITER

New York – The dark light concealing the stage brightened slowly, traditional music flowing gently; a group of beautiful Ethiopian princesses appeared. Walking out in small graceful steps, they started dancing delicately. The audience roared into loud applause.

Less than twenty four hours after they performed for 800 people in Washington. D.C., the Mesgana Dancers dazzled a diverse audience in New York City with an exhilarating display of youthful artistry.

The spectacular presentation at NYU’s Skirball Center for the Performing Arts showcased a mosaic of Ethiopian culture, music and dance in an inspiring performance that kept the audience on its feet.

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Photo by Philipos Mengistu

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Photo by Philipos Mengistu

The New York premier was the third event for the young dancers’ sixteen cities U.S tour.

Sponsored by Ethiopian Airlines, the aim of the tour is to raise money for the Children of Ethiopia Education Fund, a Utah Based organization founded by Norman Perdue, a former photographer for the Utah Jazz.

Concern Raised Over The Kids Busy Schedule

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Norman Perdue with Mesgana Dancers in New York. Photo by Steve Dyer of VicRae Inc.

The dizzying travel schedule, however, is showing signs of stress and fatigue not only on the young dancers, age 7 to 13, but also on the adult chaperons of the group.

Mr. Perdue told the audience in New York that the kids are “tired and groggy”.

The children had to wake up at 3:00 A.M on Sunday (few hours after their performance in Washington, D.C.), to catch a plane to New York. Their busy morning schedule included a promotion appearance at the the Abyssinia Baptist Church. The troupe’s itinerary also listed the Riverside church as one of the kids destinations. After few hours of rest, they were back on the road for their 7 PM show.

Mr. Perdue, who ordered the kids to be “quarantined” (in his words) at the COEEF safe house in Addis Ababa in order to clean them up in preparation for their U.S. tour, enjoys telling American audiences that the kids have fallen in love with McDonald.

“Their favorite food is McDonald’s Happy Meal”, he said during his stage appearance in New York.

On Sunday, August 13th, however, the only happy meal the kids seemed to enjoy was an Ethiopian food provided by the Ethiopian-American community in New York, which the children were observed devouring on the city sidewalk outside the theater after their performance.

“Clearly they are very tired and hungry”, said Meron Dangnew, member of the NYC premier coordinating committee, who helped feed the young dancers. “They told me that they didn’t even have enough to eat that day.”

“These kids are not machines, they need to be treated like children”, she said.

Lack of sleep Blamed for Lack of Recognition of the Ethiopian Community

At the conclusion of a breathtaking performance by the Mesgana Dancers, Mr. Perdue handed out gifts of Ethiopian scarves to select non-Ethiopian members of the group that coordinated the NYC premier, but failed to acknowledge Ethiopians and the generous support of the community.

He told Tadias Magazine that exhaustion is to blame for his insensitivity.

“I am very tired, I don’t know what happened”, he said. “I am exhausted.”

So too are Ethiopian members of the NYC coordinating group and Ethiopian-American business owners who gave generously and even hosted the Mesgana Dancers and Mr. Purdue in a show of traditional Ethiopian hospitality in New York.

Philipos Mengistu, owner and Executive Chef of Queen of Sheba restaurant (who attended the show), hosted the Mesgana Dancers for a free lunch at his mid-town eatery. Mr. Perdue and his wife Ruthann were present.

Mr. Perdue and his wife also attended a dinner for the Mesgana Dancers hosted by Etiye Beke of Merkato in Harlem. Her restaurant also provided the food for the VIPs reception at the SKirball center for the Performing Arts.

Meron Dagnew, member of the NYC coordinating group, was in charge of arranging hotel and transportation for the young dancers. Her other responsibilities included flyer design and distribution, reaching out to the Ethiopian community, and accompanying the children during their historic tour at The Harlem Dance Theater.

“Really, this is lack of sleep”, Mr., Purdue said. “I will make sure to recognize them in other cities”.

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Lunch at Queen of Sheba. Photo by Steve Dyer of VicRae Inc.

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Lunch at queen of Sheba. Photo by Steve Dyer of VicRae Inc.

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Etiye Beke greets the kids at Merkato. Her restaurant also provided the food for the VIPs reception at the Skirball center for the Performing Arts. Photo by Steve Dyer of VicRae Inc.

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Meron Dagnew with the kids at Merkato. Photo by Steve Dyer of VicRae Inc.

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Mr. Purdue at Queen of Sheba. Photo by Steve Dyer of VicRae Inc.

Lucy in Texas Among The Hidden Treasures of Ethiopia

Lucy (Dinkinesh), the world’s most famous fossil, will be on display for the first time outside of Ethiopia in the world-premiere special exhibition Lucy’s Legacy: The Hidden Treasures of Ethiopia. Photo courtesy of the Houston Museum of Natural Science.

HOUSTON — Ethiopia is the land of Lucy (Dinkinesh), the cradle of mankind, the birthplace of coffee, the purported resting place of the Ark of the Covenant—and home to legions of Bob Marley fans.

3.2 million-year-old Lucy, the oldest and most complete adult human ancestor fully retrieved from African soil, and five million years of Ethiopia’s diverse history and culture will be on display at the Houston Museum of Natural Science, one of the nation’s most heavily attended museums.

After its premiere in Texas, the exhibition will tour other museums in the United States.

Donald Johanson discovered Lucy in 1974 in a maze of ravines in the Afar region of Ethiopia, near Hadar. She was named after the Beatles’ song Lucy in the Sky with Diamonds, which was played during a celebration of the discovery. The Ethiopian people refer to her as Dinkenesh, (Amharic for you are wonderful).

The discovery of Lucy yielded an entirely new species of human ancestor, known as Australopithecus afarensis, or “southern ape of Afar,” after the region of Ethiopia where the bones were found.

“What we know about human evolution comes to us from the African continent, and in large part, from Ethiopia,” said Dirk Van Tuerenhout, Ph.D, curator of anthropology.

“In addition to its importance to human prehistory, the recorded history of Ethiopia has many surprising and fascinating aspects, from its tradition of beautiful art to its diverse religious community. Visitors to Lucy’s Legacy will have the opportunity to explore all of the intriguing characteristics that make this country unique.”

In addition to Lucy’s original fossilized remains, other important paleoanthropological discoveries will also be represented to complete the current account of human evolution as known to scientists today.

“The display of original artifacts is crucial to the educational impact of museum exhibitions,” said Joel A. Bartsch, president of the Houston Museum of Natural Science. “Anyone can make a copy. But the experience of standing before an authentic historical artifact, whether ancient parchments or multi-million-year-old fossils, is a call to the intellect, to discover more about the world and perhaps even more about yourself. The Lucy fossil in particular evokes a strong response from everyone who sees her, and as such, she is the ultimate goodwill ambassador for Ethiopia. Lucy not only validates Ethiopia’s claim as the Cradle of Mankind, she also introduces viewers to the rich cultural heritage that has flourished in Ethiopia over the course of the last 3,000 years, and to the vibrant country that Ethiopia is today.”

The international exhibition is organized by The Houston Museum of Natural Science in collaboration with the Ministry of Culture and Tourism of Ethiopia and the Ethiopian Exhibition Coordinating Committee.

National funding is provided by Ethiopian Airlines and The Smith Foundation. Local funding is provided by METRO, BP, The Hamill Foundation and the Albert and Ethel Herzstein Charitable Foundation.

Related news and links:

New Yorkers Received Rare Treat at MOBIA: Ethiopian Art from The Walters Art Museum. By COLLEEN LUTOLF
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Lucy’s Legacy: The Hidden Treasures of Ethiopia
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Lucy Comes to America

August 6th, 2007

BY STAFF WRITER

New York – The 3.2 million-year-old Lucy (Dinknesh ) was secretly flown out of Ethiopia overnight for a 6-year controversial tour of the United States, the Associated Press reported.

The Smithsonian Institution in Washington had warned that experts don’t believe the fragile remains should travel.

Lucy, often referred to as the origin of human beings, might have been taken out of Ethiopia either late Sunday or early Monday, according to press reports quoting employees at the Ethiopian Natural History Museum in Addis Ababa.

A world premier exhibition entitled Lucy’s Legacy: The Hidden Treasures of Ethiopia will open at the Huston Museum of Natural Science on August 31, 2007.

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Les Neuhaus AP PhotoThe framed hominid fossil “Lucy,” is seen at a exhibition at the Ethiopian Natural History Museum in the Ethiopian capital of Addis Ababa, Tuesday, Oct. 24, 2006. The 3.2 million-year-old Lucy skeleton has left Ethiopia for a tour of the United States _ a trip that some say is simply too risky for one of the world’s most famous fossils.

According to the Museum, in addition to the fossil of Lucy, over 100 artifacts such as ancient manuscripts and royal artifacts from a dynasty Ethiopians believe stretches back to the son of the biblical King Solomon and the Queen of Sheba will be on display.

National funding for the exhibition is provided by The Smith Foundation and Ethiopian Airlines.

Lucy was found by Donald Johanson and Tom Gray on the 24th of November, 1974, at the site of Hadar in Ethiopia.

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Later in the night of November 24th, there was much celebration and excitement over the discovery of what looked like a fairly complete hominid skeleton. There was drinking, dancing, and singing; the ‘ Beatles’ song “Lucy in the Sky with Diamonds” was playing over and over. At some point during that night no one remembers when or by whom the skeleton was given the name “Lucy.” The name has stuck. Although Ethiopians refer to her endearingly as Diniskinsh (You are wonderful).

Related news and links:
Lucy’s Legacy: The Hidden Treasures of Ethiopia
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Hot Shots: Mesgana Dancers in Harlem

Photo Journal

By Steve Dyer of VicRae Inc for Tadias Magazine.

New York – The Mesgana Dancers of Ethiopia continuing their tour of New York have met with their peers at the world acclaimed Dance Theater of Harlem. Here are images from their visit.

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The Girls itinerary in New York also included a Radio Interview, tour of NYC (where the temperature reached over 90 degrees), lunch at Queen of Sheba (Mid-town, Manhattan), and dinner at Merkato (Harlem).

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Radio interview on IRIE JAM 93.5 FM, Link-Up New York

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With Meron Dagnew & Lynda James, members of the Coordinating committee for the NYC premier

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Click here to buy tickets for the August 12th performance in New York.

Countdown to Ethiopia’s Millennium: Rethinking Our Sense of Time

Models pose for the Ethiopian Millennium Tee by Bernos. Read about Bernos’ Ethiopian Millennium PhotoShoot.

By Ayele Bekerie, PhD

“Ethiopia has existed for 3,000 years. In fact, it existed ever since the first man [person] appeared on earth.” (Emperor Haile Selassie responding to an interview question by Italian journalist Oriana Fallaci on Sunday, June 24, 1973).

A Japanese historian observes that those who control their time, control their destiny. As we approach our millennium, it is appropriate to take inventory of our time, our historical time. How old are we? What is the significance of the human fossil discoveries in the Afar region of southeast Ethiopia that are dated in millions of years? How can we integrate different reckoning of time by our people into an Ethiopian sense of temporality? Such questions, responses to them and the consensus we reach are useful in shaping the present and planning for the future. The purpose of this article is to rethink the Ethiopian sense of time and to suggest an alternative organization of it.

Since the middle of the twentieth century, our understanding of historical time has changed, thanks to the scholarly works of archaeologists, paleontologists, historians, biologists, and geologists. Our sense of time has been stretched to seven digits into millions. Even though we are preparing for a grand celebration of the Ethiopian millennium, we all agree, thanks to the works of paleo-anthropologists, our time begins with the beginning of humanity. The evidence obtained from the Afar region, among other useful sites in the vast Rift Valley, suggests that southeast Ethiopia may have been the cradle of human beings. In other words, our sense of time has expanded beyond the 2000 years we want to acknowledge with grand celebration. Simply put, we are a million years old people. Such a time scale should help us to place our present language based differences in a proper perspective. We are time-endowed people with a claim to uninterrupted long human development.

Reckoning of time in the past, primarily concentrates on the events and traditions of northern Ethiopia. Of course, we salute the contribution of the Ethiopian Orthodox Church in the establishment and keeping of the time period that we know as Amate Mehret (Year of Mercy). We are grateful to them mapping out a time scale that embraces our conception and understanding of werat (months), ametat (years), and zemenat. We are also appreciative of the Church for the maintenance of Zemene Fitrit (Era of creation). Just as we recognize the diversity of our people, it is equally important to recognize the diverse reckoning of time by Ethiopians. Thanks to the Ethiopian Muslim chroniclers, time and events in the lowlands, coastal regions and in the southeastern part of the country have been recorded based on Islamic calendar. The Oromos have Gada system of time and community organizations based on age-grade. There may be numerous other ways of time reckoning in our country and we should study them and find ways of incorporating into our Ethiopian collective sense of time.

As I pointed out earlier, it is increasingly becoming clear that our sense of time has been greatly influenced by the discovery of early human fossils in the southeast part of the country. Dinqnesh (She has multiple names, including Lucy) has permanently registered in our psyche a sense of ancestral and resultant diversity. We do not argue about the ethnic origin of our eponymous ancestors. Time has placed them at the center of our origin and it will not be honest if we fail to include the ancestors in our calculation of self and community regardless of our immediate identity. Besides, Dinqnesh (Lucy) is the mother of all mothers and all the 6 billion people on earth can claim her. She is the universal ancestor and it is exciting to note that our beginning, given its universal dimension, as I stated earlier, is postmodern, postpositive, if I may use the discourse of our age. The tribal and ethnic entity that we currently debate about is subdued by time. Time ties us together.

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A full-sized model of Dinqnesh (Lucy), the 3.2 million-year-old member of the Australopithecus afarensis, is displayed at the Houston Museum of Natural Science in Houston, Texas, on Aug. 29, 2007. Photographer: Craig Hartley/Bloomberg News

To organize our time, we may want to establish four general divisions: millions, thousands, millenniums, and centuries. Millions refer to the time period for the emergence of our ancestors. The foundation of our diversity is established during this period. Our ancestors moved in and out of our motherland in search of suitable locations for habitation. Significant human evolution has also taken place during this period.

Thousands coincide with the emergence of modern human beings. Researchers such as Sileshi Semaw have found reliable evidence to affirm our modernity. During this time, there was a movement out of Africa to populate the rest of the world. The process continued until thirty or forty thousand years ago.

Millenniums are regarded as a revolutionary period because the ancestors of this period succeeded in domesticating plants and animals. They were even credited for establishing one of the original sources of plant and animal species. Thanks to their diligent work, we now have four main occupations associated with our ecology: grain producers, meat and milk producers, inset producers and fishers. Oral traditions have also identified, together with some recorded history, the period as time of empire and international trade. Here I am particularly referring to Queen Makeda and her journey to Jerusalem.

Centuries are a time period measured in centuries. This is the period of great written and oral records. It is a period of events, including reorganization, tumultuous interaction, royal rule and egalitarian social formation. As we transition to the Ethiopian millennium, we should strive to cultivate participatory democracy.

Let me make another observation regarding the Ethiopian chronology or detailed recorded time lines of our past. The study of ancient Egypt begins with ancient Egyptian chronology, which was developed by Manetho in the third century B.C., at least 2, 800 years after the establishment of the first dynasty. Manetho identified thirty Egyptian dynasties in the historical period of 3100 years. The dynasties were divided into three major kingdoms: old, middle and new Egyptian kingdoms. Regardless of the location of the capitals of the dynasties, they always remained Egyptian dynasties and not Memphite, Thebite, or Napatan dynasties. The benefit of the Egyptian chronology is that it ties all the dynasties as one historical epoch. This is not what we find with Ethiopian chronology.

The name of the chronology shifts with the changing capitals of the Ethiopian rulers. We have chronological time calculated on the basis of events that took place in the northern part of Ethiopia, such as Damot, Aksum, Zagwe, Gondar, and Shoa. Even then the names of the different periods in the chronology give an impression as if there is no continuity or relations.

Furthermore, the chronology does not present the whole historical time encompassing all Ethiopian historical events. I am proposing to reckon and organize Ethiopian time in such a way that we will have Ethiopian Time I at Afar (4.4 million years to 18, 000 years), Ethiopian Time II at Teffland, Ensetland, and Pastoral land (18, 000 years to 1, 000 years), Ethiopian Time III at Damot (1,000 years to 300 BCE), Ethiopian Time IV at Aksum (300 BCE to 1,000 CE), Ethiopian Time V at Zagwe (1200 to 1400 CE), Ethiopian Time VI of Oromo Kingdoms, Afar Sultanates and others (1400 to 1600 CE), Ethiopian Time VII at Gondar (1600 to 1800), Ethiopian Time at Kaffa, Konso, Anuak, Shoa and other states as well as the movement towards a federal republic (1800 to Present). This new proposal also helps us to incorporate all Ethiopian autonomous states, such as Kaffa kingdom, Jotte kingdom, Afar Sultanate, particularly in the southern part of Ethiopia.

As we prepare to celebrate the Ethiopian millennium, it is perhaps appropriate to place our historical time in order. It is also important to organize our historical time so as to promote “the cardinal rule of unity in diversity.”

Our sense of time should assist us to develop a sense of unity. It is important to remember that we are celebrating our second millennium where we can demonstrate continuous and free living. It is an important mark of time that certainly deserves a big celebration. However, we should always be aware of the fact that our age is measured in millions of years. That should also help us to place all our immediate differences in some kind of proper perspective.

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About the Author:
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Ayele Bekerie was born in Ethiopia, and earned his Ph.D. in African American Studies at Temple University in 1994. He has written and published in scholarly journals, such as , ANKH: Journal of Egyptology and African Civilizations, Journal of Black Studies, The International Journal of Africana Studies, and Imhotep. He is an Assistant Professor at the Africana Studies and Research Center of Cornell University. He is also a regular contributor to Tadias Magazine.

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Gebrselassie wins NYC Half Marathon

Stuart Ramson / AP Photo

From the Associated Press

By RICK FREEMAN
AP Sports Writer

NEW YORK — Haile Gebrselassie already showed he can make it anywhere; he can add New York to his list. Running in the Big Apple for the first time, the 34-year-old Ethiopian won the New York City Half Marathon in 59 minutes, 24 seconds Sunday – the second-fastest time in the United States and his eighth win in eight half marathons.

“I was dreaming just to run in New York City. The dream has come true this morning,” said Gebrselassie, probably the world’s greatest distance runner. “Wow, I’m so happy!”

Abdi Abdirahman of the United States was second, more than a minute behind. Two-time Boston Marathon champion Robert Cheruiyot of Kenya was third in the second running of the race.

Hilda Kibet of Kenya won the women’s race in 1:10:32, outsprinting defending champion Catherine Ndereba by 1.15 seconds. Nina Rillstone of New Zealand, a surprise leader until the final quarter-mile when the two Kenyans passed her, was 2.60 back in third.

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Stuart Ramson / AP Photo – Haile Gebrselassie, from Ethiopia, crosses the finish line for first place with an official time of 59 minutes, 24 seconds, at the 2nd annual New York City Half-Marathon, Sunday, Aug. 5, 2007.

Gebrselassie, a two-time Olympic gold medalist, emerged from Central Park after the 7-mile mark, along with Cheruiyot Abdirahman. Gebrselassie and Abdirahman dropped Cheruiyot when the Kenyan went for water, and before the American knew it, he was in Gebrselassie’s wake, too.

“I thought I was going to recover my surge and then just maintain the pace but it wasn’t that way,” Abdirahman said. “I didn’t give up, no way. We know Haile’s the greatest, but at the same time, this is sports.”

Gebrselassie didn’t see it quite the same way.

“Right after the park, I just said ‘OK, this is my race,'” he said.

All that was left was a Sunday morning jog. He took a moment to gawk at Times Square, like any tourist would, as he breezed through, then he trotted down the West Side of Manhattan to Battery Park, occasionally looking back to see if anyone was gaining on him.

Of course, no one was, even though Abdirahman’s time of 1:00:29 was a personal best. Cheruiyot was taken to a hospital as a precaution after he finished in 1:00:58. In October, the Kenyan slipped while crossing the finish line of the Chicago Marathon and spent two days in the hospital with a concussion.

The women’s race wasn’t decided until Kibet turned it on at the finish. The Kenyan, who said she will probably compete for the Netherlands in the 2008 Olympics, discovered her finishing kick this year in a race when she had to beat her sister over the final 100 meters or so.

“You know when it comes to sprinting, when you’re just a few meters from someone, then you feel very strong,” Kibet said. “You’re just fighting to win.”

Ndereba was confused by marshals pointing to different routes at the finish for men and women, and didn’t see a sign indicating how close the runners were until 200 meters remained. It wasn’t enough to catch Kibet, who also beat Ndereba by more than 30 seconds in a 10-kilometer race in July.

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Stuart Ramson / AP Photo – Hilda Kibet, from Kenya, center, the first woman to cross the finish line at the 2nd annual New York City Half-Marathon, stands next to Catherine Ndereba, left, 2nd place from Kenya, and Nina Rillstone, 3rd place from New Zealand, Sunday, Aug. 5, 2007. Kibet’s official time was 1 hour, 10 minutes and 32 seconds.

“I didn’t know who to go with,” Ndereba said. “I’m not disappointed. I never get disappointed for this kind of thing. … I count it as something to work on.”

The temperature was a comfortable 70 degrees after a week of oppressive heat and humidity, helping Gebrselassie set the course record.

Gebrselassie, who holds world records in the 10K and 20K, won gold in the 10,000 meters in Atlanta in 1996 and Sydney in 2000. His time Sunday (a half-marathon is slightly more than 21 kilometers) was second-best in the U.S. only to his own 58:55 in Tempe, Ariz., last year. It was the 16th-fastest half marathon.

In the days before the race, Gebrselassie soaked up the bustle of the city. On Sunday morning, he ran through mostly deserted streets.

“Yesterday, I was in Times Square. I was there,” he said. “It was very busy. Today, nobody. Amazing.”

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Shiho Fukada / AP Photo – Ethiopian distance runner Haile Gebrselassie poses for photographers in Times Square in New York, Friday, Aug. 3, 2007. Gebrselassie will be making his New York racing debut on Sunday in the NYC Half-Marathon.

Does this mean he’ll run the New York City Marathon?

“Not this year,” Gebrselassie said. “I’m thinking 2008 or 2009. I’m thinking I’ll run the New York Marathon before I stop running, surely.”

Related News and Links

She Did It Again! Photo Highlights from Tirunesh Dibaba’s Victory in the Big Apple
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Mesgana Dancers Arrive in New York

Photo by Steven Dyer of VicRae Inc. for Tadias Magazine.

New York – The much anticipated young dancers of Ethiopia (pictured above with actor/singer Leon yesterday) have arrived in New York to kick-off their millennium celebration tour in the United States.

After a morning appearance on NBC’s The Today Show, they were hosted by actor Leon, best known for starring roles in The Temptations, The Five Heartbeats, Cool Runnings and The Little Richard Story, for a bus tour of New York City.

The troupe of 11 girls, ages 7 to 12, will also be hosted by Reverend Calvin Butts of the Abyssinian Baptist Church, one of the oldest, largest and most affluent African American churches in the United States.

According to the church’s official history, in 1808, Ethiopian merchants in New York alongside a few African Americans established the Abyssinian Baptist Church, a.k.a. (ABC).

The church’s official logo, an Ethiopian Cross, was personally presented by Emperor Halie Selassie in highly publicized ceremony in 1954 in Harlem, New York.

Meanwhile, ABC has announced that it is sending 200 churchgoers, dignitaries and media to Ethiopia in September to celebrate the millennium in commemoration of the Church’s 200 years anniversary.

The dance troupe is scheduled to perform at New York University’s Skirtball Center for Performing Arts on Sunday, August 12th.

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Mesgana (an Amharic for gratitude), “represents the hope this tour will bring to the girls of Ethiopia”, says the press alert released by the Children of Ethiopia Education Fund, a non-profit organization based in Murray, Utah, and the tour’s primary organizer.

The group is also scheduled to perform in Washington, DC, Columbia, MD, Evanston (Chicago), IL, Atlanta, West Orange, NJ, Denver & Boulder, CO, Salt Lake City, Murray, & St. George, UT, San Jose, Palo Alto, Ontario/Upland, and Los Angeles (San Fernando), CA.

According to the tour organizers, for two hundred to five hundred dollars a year sponsors can send a student to a private school in Ethiopia.

Currently 800 students are enrolled in the program.

The tour also benefits Ethiopia Reads, another non-profit organization founded in 2003 by Yohannes Gebregeorgis and led by the celebrated children’s author Jane Kurtz. The group establishes libraries in schools in Ethiopia and has published many books in Amharic.

Tadias Magazine is proud to be the media sponsor of the New York Tour. To buy tickets for the New York show, CLICK HERE.

Idan Raichel to perform at Stanford

By Janet Silver Ghent
(Palo Alto Weekly)

Palo Alto, CAThe Idan Raichel Project is musical proof that Israel may be the most multicultural country in the Middle East. With Caribbean-inspired rhythms, ancient Yemenite lyrics infused with electronic beats, Hebrew prayers, Eastern European and Gypsy strains, and Amharic (Ethiopian) chants, the music blasts preconceptions of what it means to be Israeli.

While some may call it world music, that’s a term Idan Raichel avoids.

“For us, we’re doing Israeli music,” he says during a phone interview from Tel Aviv. “It’s not world music for us. It’s based on the sounds of the streets of Tel Aviv. For people outside Israel, they consider it world music. They can hear the blend, the melting pot.”

Accompanied by seven musicians and vocalists, Raichel will bring that unique Israeli blend to Stanford University’s Memorial Auditorium on Nov. 4. The event, the Idan Raichel Project’s second concert at Stanford, is supported in part by Hillel at Stanford and the Taube Center for Jewish Studies.

While the musicians’ cultures include Surinamese, Uruguayan, Georgian, Iranian and Ethiopian, all are Israeli. Raichel’s talent lies in fusing elements from a variety of traditions in a single album, sometimes within a single song.

“Mi Ma’amakim” (“Out of the Depths”) contains a counterpoint from a traditional Ethiopian song, “Nanu Nanu Ney.”

“Bo’ee” (“Come With Me”), with electronic instrumentation, features an Ethiopian chorus as well as spoken word, while “Brong Faya” (“Burn Fire”) is unabashedly Caribbean. “Ulai Ha’Pa’am (“Maybe This Time”), by contrast, is a lyrical ballad of heartbreak with a more traditionally Israeli melody line.

“A lot of their songs have been a major instrument in bringing people together,” says Samuel Alemayehu, a Stanford senior and Hillel board member from Ethiopia. Raichel, he says, gives new life to the music he grew up with in Ethiopia, taking it “to a new level, with Hebrew lyrics and modern musical instruments,” along with the traditional verses and instrumentation. After Raichel’s first album came out five years ago, it was “the first time the Ethiopian Jewish community was celebrated and highlighted in Israeli pop culture. (Now) the minority culture is getting center stage.”

Read the full story at Palo Alto Weekly

Video: Watch the Idan Raichel Project: Nanu Nanu Ney

New Wave of Ethio Bloggers

From Mik Awake’s blog: Unusually Tired

Publisher’s Note: Mik Awake is a contributing editor of Tadias
Magazine. He lives in Brooklyn, New York. The following commentary
is from his personal blog.

The Brain Drain in Action

I get this Ethiopian news feed on my rss, and whenever I click through I end up at this pretty suspect site called Ethioblog, which is somehow related to a fairly reputable Ethiopian news site called Nazret.com.

The articles are straightforward, if mundane; I get the feeling they pretty much run a Google news search on the word “ethiopia” or “ethiopian” and then they post the first ten links or so. Most of the time, it’s crappy stuff about Ethiopian guys in Kentucky getting arrested for robbery. But as with many sites I visit, more than the actual articles, I find that I spend more time reading the comments to them.

Can I just put this out there: there are some crazy fucking Ethiopians with internet access. You don’t believe me? Read on!

Below are excerpts from a string of comments written by various people to a single post on this Ethioblog site. I have rendered them exactly as they appear on the site, spelling mistakes, emoticons and all. Very important to keep in mind: the original post everyone’s responding to is about how a newspaper in Addis Ababa INCORRECTLY stated that 50 Cent and Janet Jackson would be performing at the heavily-anticipated millennium celebration in Ethiopia, which will occur in September of this year.

(N.B. Ethiopia runs on an ancient calendar that’s seven years behind the Western one, and Ethiopian New Year has always fallen, coincidentally, on September 11. Perhaps it’s no surprise that in recent years Ethiopians–with our swarthy, Semitic looks and our Arabic-sounding language–have tried to keep stateside celebrations on the low-low.)

What I love about the comments, which are usually written in all caps with emphatic syntax and punctuation, is the vehemence with which they all seem to be written. You get the sense that whoever wrote them was gnashing his teeth and pounding out the words on a keyboard, the space bar splitting in half. So, it’s not unusual to read a comment in response to an article, say, about Ethiopia’s Prime Minister that reads: “Death to the rotten Meles vampire and all of the Tigray tribe. Blood of their children will be drink by winners of democracy.”

Anyway, just so that this is clear, I have to repeat it. The article these comments are responding to is about how Fifty and Janet will most likely NOT (I repeat, NOT) be performing in Ethiopia.

People complain about the great brain drains that are afflicting many developing nations like Ethiopia. Sadly, after reading these, I think they might be on to something.

Sigh…

“That is what i call millenium.”

“I dought it that they will go in to their grave.”

“Go 50 cent and show them whats up for my ppl and yo will be remember forever.”

“how about country music ? that is for G”

“I heard the rapper Game and Jarule going to be there too, Fidy needs to watch his back..ain’t no Federal police going to help him.”

[Mik: Halfway down the page, where at last count there were 24 comments, a person simply identified as “Man” left a message that seemed to redeem everything that came before it. Here’s what he said:]

“lol send John bolton, thats what ethios love…not 50.”

[Mik: At first, when I read this, I was thinking, Wow, that’s a bit cryptic, but pretty deep. You want America to send the cantankerous Bush crony, John R. Bolton, who was the US Ambassador to the UN during the lead-up to Iraq? Are you being serious or sarcastic? Why do Ethiopians love him? Do you think Ethiopians want to give him a talking to? Do you want him to explain why he resigned in 2006 after Bush offered him another position? Please don’t leave us hanging, Man!]

[Mik: Then he ruined everything by commenting again.]

Man: “I meant michael bolton…the dead singer….”

[Mik: Sigh. Regardless of what people on hold or in elevators may wish, Michael Bolton is still alive.]

“Fifty don’t risk your life in Addis. There are many angry people over there. It is going to be heavy. Heavier than New York street. We have got a lot of time bombs to waiting to pop up. Some don’t see it coming…Soda Pop. Da Da”

“who gives a dum”

“That is a good expectation.Welcom both of you for the biggest ever event in Ethiopian history, the millennium festival. I can’t wait to happen it.”

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Message From the Tadias Team
marcus_cover.jpg

Dear Tadias Reader:

We are happy to share that it is finally here!! We would love to send you the Print issue of our pre-millennium issue. It is the biggest and the best designed issue we have produced since the magazine was conceived four years ago. We are also happy to announce that we will be traveling to Addis to producing a special Millennium issue from Ethiopia in September. Please subscribe to Tadias for an annual payment of only $19.99. Click Here

Best Regards,
The Tadias Team
—————————————//———————————

Tadias TV: Music video of the week

Above: Hip Hop Graffiti, New York.

Publisher’s Note:

Welcome to Tadias TV! Our music video of the week highlights Teddy Yo, an emerging Ethiopian hip-hop artist. He is part of a new generation of prolific artists that are making the rounds on You Tube and other popular Ethiopian music websites, lead by Addis Live. Teddy Yo proves that hip-hop, which began 30 years ago in the South Bronx, a borough of New York City, translates to any language and any culture. His use of Amharic lyrics with sprinkles of various indigenous languages and cultural dances, makes his style organic Ethiopian. Tadias’ Music Video of the Week goes to…

Ethiopian best Amharic hip hop (You Tube)
If you would like to advertise with us, please send us an e-mail: info@tadias.com

Who Will be Crowned Miss Millennium?

New York – The Ethiopian Diaspora will be given an opportunity to select the beauty “queens of the new millennium”, organisers of the Ethiopian Millennium Pageant in Addis Ababa have announced.

The organizers of the pageant have put together a voting system where viewers can vote online.

“In the first of it is kind for an Ethiopia beauty pageant, over 3500 Ethiopians in the Diaspora will be emailed links to the web site”, said the press alert sent to Tadias Magazine.

According to the press release, the contestants will vie for five titles: Miss Millennium, Miss Millennium World, Miss Millennium Tourism, Miss Millennium International, and Miss Millennium Intercontinental.

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The jury panel will include “six VIP judges” from other African countries, according to Andy Abulime, president and CEO of The Ethiopian Life Foundation, the organization that owns all the major international pageant franchises for Ethiopia.

He told the The Daily Monitor on Wednesday that the VIPs will include Nakajima Jial, Miss Tourism Sudan, Diane Mizumi, Miss Tourism DR Congo, Misel Uku, Miss Tourism Nigeria, Sibeso Nailele, Miss Tourism Zambia, and Rachel Nyameyo, Miss Tourism Kenya.

Related news and links:
Interview with Miss World Ethiopia
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Brook Kassahun: This Issue’s Featured Model
brook_big.jpg

Interview with Dina Fekadu
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—————————-//——————————————-
Message From the Tadias Team
marcus_cover.jpg

Dear Tadias Reader:

We are happy to share that it is finally here!! We would love to send you the Print issue of our pre-millennium issue. It is the biggest and the best designed issue we have produced since the magazine was conceived four years ago. We are also happy to announce that we will be traveling to Addis to producing a special Millennium issue from Ethiopia in September. Please subscribe to Tadias for an annual payment of only $19.99. Click Here

Best Regards,
The Tadias Team
—————————————//———————————

Queens, Spies, and Servants: A History of Ethiopian Women in Military Affairs

Above: These female war veterans are pictured in Addis
Ababa’s Menelik Square in 1973 at a ceremony to commemorate
an early victory against the Italians. Photo by Shemelis Desta
(BBC)

By Tseday Alehegn

Chronicles of war and military prowess are plentiful in Ethiopia’s historical literature. Growing up we are effortlessly taught the virtues of honor and duty, which have bestowed sovereignty to generation after generation of Ethiopians. Countless retelling of tales depicting the early and decisive victory at the battle of Adwa remain ever fresh in our proud minds and hearts; the feeling only to be outdone by the resoluteness of heroes who ended the Italian occupation of Ethiopia during the Second World War. Indeed, it is as the 17th century writer Almeida wrote of us: “In war they are reared as children, in war they grow old, or the life of all who are not farmers is war.”

The emphasis on military virtues becomes more palpable when we recognize the unique manner in which Ethiopians chose to fight off their external enemies. From earliest times, both women and men were encouraged to participate in mobilization and preparation efforts. Depicting the atmosphere during the battle of Adwa in 1896, historian G.F. Berkeley observes how the Ethiopian army was not merely organized as a segment of the population, but rather as an entire collective that had integrated the occurrence of war into its normal day-to-day activities. He points out, “It’s not an army [it is] an invasion, the transplanting of the whole people.” No one was left behind. While men served as soldiers they brought along with them their wives who in turn became involved either as civilian participants or as military combatants. What rights, titles, honors men claimed for their valor women were able to do the same.

Females were traditionally not allowed to inherit land unless the father died before the daughter married or there were no sons in the family. However, women would be able to claim property after serving in military mobilization efforts. In an uncommon way, the ability of women to participate on the warfront initiated change to their otherwise lower societal status. Not all participation in war, however, was voluntary as is clearly depicted in the following 19th century edict by the leader Ras Gugsa: “One who does not join the army of Gugsa, man and woman, will lose his genital and her breast respectively.”

Historians have estimated that an average of 20,000 to 30,000 women have participated in the campaign of Adwa alone. While the majority served in non-violent chores such as food preparation and nursing of the wounded, a significant portion served as soldiers, strategists, advisors, translators, and intelligence officers. Women from the aristocracy worked alongside maids and servants thereby breaking norms in class separation.

Female Military Strategists & Combatants:

At a time when women in most parts of the world were relegated to household chores, the number of Ethiopian women in the late 17th century participating in war expeditions against foreign aggressors was on the rise. Whereas most war decrees at this time encouraged all Ethiopians to fight occupation attempts, in 1691 Emperor Iyasu issued one of the first proclamations to curtail the rapid growth of women soldiers. The chronicles report:

“The king had the herald proclaim that the girls of the country must not ride
astride mules, because at this time these girls had adopted the practice of doing
so, tightening the belts of their shirts, covering their heads with their shammas and holding a long spear in their hand..marching in expeditions like men.”

Queen Yodit is one of the earliest-mentioned Ethiopian female leaders who fought spiritedly in battles. She successfully overthrew the powerful Aksumite kingdom, but because many churches and historically important sites were destroyed in the process her reign is infamously described as the dark era. Between 1464 and 1468, under the leadership of King Zere Yaqob, women’s expansion into political positions became more evident. Historian Richard Pankhurst notes how Zere Yaqob “established a women’s administration by appointing his daughters and relatives to key provinces.”

King Zere Yaqob’s wife, Queen Eleni, was an equally formidable and astute military strategist, and was largely responsible for the arrival in 1520 of the Portuguese as one of the first diplomatic missions. Predicting the appetite of Turks in invading Ethiopia’s coastline she proposed a joint attack strategy to the Portuguese leadership against the Egyptians and the Ottoman Turks. Sylvia Pankhurst records her letter to the Portuguese summoning a coalition. Queen Eleni is to have written:

“We have heard that the Sultan of Cairo assembles a great army to attack
your forces…against the assault of such enemies we are prepared to send
a good number of men-at-arms who will give assistance in the sea bound
areas…If you wish to arm a thousand warship we will provide the necessary
food and furnish you with everything for such a force in very great abundance.”

The Turks were soundly defeated. Years later Queen Seble Wongel was able to draw on the help of the Portuguese in defeating Ahmed Gragn’s muslim expansion into Ethiopia. In February 1543 her army fought at the battle of Woina Dega where Gragn succumbed to his death.

Harold Marcus documents Queen Worqitu’s history as the warrior queen who helped Menelik gain his crown. In 1865 Queen Worqitu of Wollo granted Menelik a safe route through her territory as the future monarch successfully escaped from King Tewodros’ prison.

The effect of her support in aiding Menelik to power is recorded in Ethiopia’s ensuing transformation from a ‘land of kings’ to a nation ruled by a ‘king of kings.’

Perhaps the most famous queen involved in military affairs is Empress Taitu, wife of Emperor Menelik II. In the battle of Adwa Empress Taitu is said to have commanded an infantry of no less than 5,000 along with 600 cavalry men and accompanied by thousands of Ethiopian women. Her strategy to cut off the invading Italian army’s water supply led to the weakening of the enemies warfront.

Following her example, Itege Menen avidly participated in battles taking places during the ‘Era of the Princes.’ Fighting against the incursion of the Egyptians, she is said to have had 20,000 soldiers under her command. Likewise, during the Italo-Ethiopian occupation, Princess Romanworq Haile Selassie upheld the tradition of women going to the battlefront and she fought alongside her husband.

Intelligence Officers, Advisors, and Translators:

Intelligence work was key in Ethiopia’s gaining the upper hand against fascist Italy and here too women played a significant role in information gathering. Through the establishment of the Central Committee of ‘Wust Arbegnoch’ (Inner Patriots) women members helped provide soldiers with intelligence information as well as arms, ammunition, food, clothing, and medicine. Sylvia Pankhurst also records how the female patriot Shewa Regged had organized an elite Ethiopian intelligence service to gather more arms while leading the Ethiopian guerilla fighters to the locale of Addis Alem to defeat an Italian fortification. Pankhurst recounts Shewa Regged’s resilience in her biography as follows:

“She was captured by the Italians and tortured by them with electricity to compel her to disclose her accomplices; despite all their cruelties, she preserved silence.”

Queen Taitu’s role as advisor is also well known. In depicting the wariness and foresight of Queen Taitu, historian R. Greenfield records her advise to Emperor Menelik and his cabinet regarding the Italian encroachment. She warns:

“Yield nothing. What you give away today will be a future ladder against your
fortress and tomorrow the Italians will come up it into your domains. If you
must lose lands lose them at least with your strong right arms.”

Her dedication and subsequent victory in preserving Ethiopia’s sovereignty won her the title “Berhane ZeEthiopia” (Light of Ethiopia). Her official seal bore this distinguished title.

In the role of translator, Princess Tsehay Haile Selassie served her country by accompanying the Emperor to the League of Nations and aiding in Ethiopia’s call for support from the International Community. The Plea falling on deaf ears the League soon dissolved as the Italians persisted on invading the last free African stronghold. Plunged into war, Empress Menen is to have asserted “Women of the world unite. Demand with one voice that we may be spared the honor of this useless bloodshed!”

Non-Combatant Efforts:

The role of women in Ethiopian military history will remain largely untold if their work as non-combatants is not recalled. It is in this position that the majority of women of the lower class contributed in strengthening Ethiopia’s defense. While some uplifted the morale of the fighting contingent through popular battle songs and poetry, others labored for the daily nourishment and overall well-being of the soldiers. The record of Ethiopia’s long-standing independence will be incomplete without the recognition of thousands of women servants who accompanied women and menfolk of the aristocracy in battle after battle. Maids and servants were responsible for the gathering and preparation of food and other administrative roles. The traveler and writer James Bruce stresses the diligence of these women during war expeditions. He writes in earnest:

“I know of no country where the female works so hard… seldom resting
till late at night, even at midnight grinding, and frequently up before
cockcrow. Tired from the march, no matter how late, water must be brought,
fuel collected, supper prepared by the soldiers’ wife…and before daylight, with
a huge load, she must march again.”

When not involved in presiding over day-to-day affairs women helped out in the clearing of roads, digging of trenches, and nursing of the wounded. In the same spirit, during the Italo-Ethiopian war, Princess Tsehay Haile Selassie helped mobilize women of all classes in efforts to provide gas masks, clothes, rations and bandages to the civilian population to protect against frequent Italian air raids and mustard gas attacks.

In commemoration of the anniversary of the Battle of Adwa, it is appropriate to recognize the achievements of Ethiopia’s women who helped in the creation of a one-of-a-kind defense system, which has successfully deterred foreign aggression not for a few years, but for thousands.

For original referenced-version of this article please click here

About the Author:
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Tseday Alehegn is the Editor-in-Chief of Tadias Magazine. Tseday is a graduate of Stanford University (both B.A. & M.A.). In addition to her responsibilities at Tadias, she is also a Doctoral student at Columbia University.

In a Relationship Sex is the Key

In a Relationship Sex is the Key

By Dr. Tseday Aberra

Nature has decided that men are more susceptible to sex than women. Women are blessed with taming their sexual appetites far efficiently than men. So when you ask women why they marry, they tell you it is for the affection and companionship. Men also tell you for companionship, but it is primarily for the availability of sex. Affection and companionship in a marriage includes sex for men. But I’m not so sure it is so for women.

People say marriage is difficult. Wrong. I say a husband and a wife make it difficult. Marriage is difficult for anyone who fails to understand what it means to be in one, and what it takes to make it fulfilling. It takes commitment and work, indeed, but it is certainly not difficult. At least it does not have to be.

Marriage requires understanding. It is an agreement based on an understanding between a husband and a wife. It is an entity that is created in order to give them meaning that otherwise does not exist. This meaning is completely subjective since its foundation is based on the unique agreement created by the two in the marriage. It requires both to participate and contribute willingly and completely. Otherwise, it would not exist in fulfilling form.

No one can definitely tell you what marriage is and what it is suppose to mean other than what I have just told you. You make of it what you want. The difficulty that comes with this freedom is knowing the limitations of what you can make of it. You cannot make it yours nor can he make it his. It belongs to you both. Once it is created, it has its own life and its purpose is to give you meaning. To create it, however, both of you are required to provide certain instruments that will keep it alive and fulfilling. These instruments are not negotiable. Among all of them, the most important is sex.

When a husband and wife decide to settle down, after having picked a mate of their choosing, what they do to keep each other depends on how committed they are to fulfilling the agreement. Their commitment in contributing the necessary instruments in giving life to the marriage and maintaining its viability is most crucial.

Times have changed. The 21st century has leveled the playing field so that the only thing a husband and a wife require from each other is companionship. The one element that will not be equalized, however, is a husband’s need to go to his wife for sex. Therefore, a husband comes into a marriage, having lost all his bargaining power, with a promise of one thing and one thing only: sexual companionship. A wife who is committed to her marriage ought to know the position of her husband. She ought to know his predicament. Being in a powerful position, a wife ought to know her husband is at her complete mercy. She also ought to know how she uses her power determines the vitality of the marriage.

If by some chance, a wife does not care to her husband’s needs enough and often, he will have a hard time acknowledging whether there is a relationship tailored to meet his benefits. Now remember, a husband comes into a marriage willingly, and should also be willing to give all that he has. He has volunteered to commit and participate. And in return, he expects sex. When I say all that the husband has to give, it encompasses all the instruments he contributes to create and maintain the marriage. A husband will not hold back whatever is needed to make his marriage a place of sanctity.

A wife comes into this marriage expecting affection and companionship. However, she has to come with a special instrument in particular. Yes, there are other instruments that she has to bring also, but…on a serious note…, she has to bring one thing…the IT…and the willingness to use IT and make IT available. Without going into detail what a husband brings as instruments to create and maintain a marriage because they are not as important as what the wife brings specifically, the instrument that a wife brings is by far the most essential piece of the marriage. The IT is sacred and essential. If you toy with IT, you will lose the marriage. If you hold on to IT, you will lose the marriage. If you ration IT, you will lose the marriage. Guaranteed!

Having already lost his bargaining power, a husband comes into the marriage knowing and hating to be in a position where he has to rely completely on his wife for sex. When she rations sex, a husband learns that his dear wife is conniving, selfish, mean, but most of all, untrustworthy. He realizes that his wife holds all the cards of intimacy and that she can always put him back in his place. Not as a man but as a husband, he sadly realizes that he cannot rely on her. His trust is broken.

Very often a wife forgets that her vindictive behavior leaves a scar on her husband that she cannot remedy at a later time. After a fight, there is a whole lot of “forgiving” that takes place by both, but very little of “forgetting” by the husband especially. What your husband would not forget is that one of the most crucial instruments that is required to create and maintain a fulfilling marriage is actually negotiable, and that it depends on the whimsy of a wife that he just found out to be conniving, selfish, and mean.

Let me tell you, dear wife, once such a doubt creeps into your husband, not only would you lose him, but definitely you would lose your marriage. Take it from me, there is no therapy in this world that will bring back the marriage.

Next time, before you decide to hold on to sex because you had a point to make, think a moment and realize what is REALLY at stake.

—————-

About the Author:
Ethiopian-born, Dr. Tseday Aberra, is a Clinical and Forensic Psychologist. She has a private practice in the greater Los Angeles area and also works for the California Department of Corrections. She holds M.S. in Marriage, Family, Child Counseling and A Psy.D. in Clinical Psychology. She is recognized as an expert by California Superior Courts and gives seminars nationwide on marriage, relationships, and friendship. She has made a guest appearance on Court TV.

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Related Links and Tadias Stories:

Happy Couples: What’s Their Secret?
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Addis Ethiopian Restaurant: The Best Zilzil Tibs in the Bay

By Rebekah N. Kebede

Right across from the Taco Bell on Telegraph Avenue, on the border of Berkeley and Oakland, California, sits an inconspicuous building that looks like a local greasy-spoon diner. Do not let the appearance of Addis Ethiopian Restaurant fool you. This modest front does nothing to betray the culinary treasures within.

Foremost among aforementioned treasures at Addis Ethiopian Restaurant is the zilzil tibs, a dish consisting of strips of seasoned grilled beef. During several visits to the restaurant over the last six months, the zilzil tibs have been consistently fresh, well-seasoned and grilled “just so”: tender and juicy while still retaining the smoky flavor of the grill, yet never over-grilled or too dry. In a word— perfect. The zilzil tibs stands on its own, without condiments. Even huge awaze fans might find themselves forgoing the spicy sauce for fear of corrupting the superior flavor— To those nostalgic readers who are familiar with restaurants in Addis Ababa, the zilzil tibs at Addis Restaurant could give Samet Restaurant (in Old Airport) a run for its money—and that’s a compliment one shouldn’t take lightly.

That is not to say the rest of the dishes do not deserve mention. Indeed, they do. Among the most notable is the kitfo, which is just as authentic as any you might find in an Addis Ababa kitfo bet. Addis Restaurant also serves up the usual Ethiopian fare: there are ample vegetarian and meat dishes to choose from as well as some new variations like Doro tibs, increasingly popular in many Ethiopian restaurants across the country.

Should you need a beverage to accompany your meal, Addis serves the traditional tej honey wine as well as a variety of local and imported beers and wines. On a recent visit, one customer at a nearby table expressed unbridled enthusiasm for what he said was one of the newest beers on the drinks list, Bedele Pilsner Special. The Pilsner Special, a traditional Czech Pils (the Bedele factory was buil twith the assistance of the former Czechoslovakia), is a crisp brew that makes a good companion to most dishes, especially the richer and heavier meat dishes.

In addition to praise for stellar food, Addis gets points in the ambiance department. About a year ago, Addis’ interior décor sadly matched its unassuming exterior; it was not unpleasant, but its stark tile floors and fluorescent lighting gave the place a chilly feel. Since then, however, the restaurant has changed ownership and the interior has undergone a complete overhaul. Addis Ethiopian Restaurant now boasts a very cozy atmosphere with an earthy but stylish feel. The fluorescent lights are long gone, traded for smaller lamps providing warm, diffused light dispersed around the dining area. The dining space has also been divided by sleek bamboo screens, conveniently creating a private space for each table—a necessity now that the place seems to be packed every day of the week. If you have a medium to large sized party, you might also consider the bamboo mini-tukul with a traditional mesob in the far corner of the restaurant.

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If there are any downsides to visiting Addis, it might be that the number of dedicated Addis customers outstrips the number of spaces in its parking lot. On a recent weekday night, customers appeared to have adopted a system of double- parking their cars as the place filled up in the early evening. So next time you’re in the neighborhood, skip Taco Bell and instead head across the street to Addis to place your order, “Yo quiero zilzil tibs!”

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About the Author:

Rebekah Kebede is a freelance writer and photographer in New York City. Her work has appeared in the New Jersey Home News Tribune, India West, and Tadias Magazine. She is currently pursuing a master’s degree in journalism at Columbia University.

Marcus Samuelsson to Open an African Restaurant

New York – Building on his latest book, “The Soul of a New Cuisine: A Discovery of the Foods and Flavors of Africa” (John Wiley, 2006), Marcus Samuelsson, the executive chef of Aquavit, who was born in Ethiopia, plans to open Merkato by mid-September. The name is that of the largest food market in Addis Ababa, the capital of Ethiopia. He will offer his interpretation of dishes from all over Africa, with forays into Brazil and the Caribbean, in what had been Sascha: 55-61 Gansevoort Street (Ninth Avenue).

The African inspired 175-seat restaurant in the Meatpacking district is seeking a GENERAL MANAGER for immediate hire. Must have management experience in both service and hospitality, with excellent food & beverage knowledge, and strong financials and P+L’s required. Must be highly motivated, extremely detailed oriented, and possess great communication, organizational and supervisory skills. Computer proficiency and knowledge of Microsoft platforms necessary.

To apply, please email resumes to hr@townhouserg.com, or fax (212) 957-9043. Please note that you learned about it on Tadias.

Our interview with Marcus: Click Here.

Maitre Afewerk Tekle’s Odyssey

Publisher’s Note: It was the first time since the mid-1960’s that Maitre Afewerk Tekle had traveled to the United States to talk about his award-winning artwork. As the featured speaker for the annual Pioneers Forum organized by the Stanford Ethiopian Student Union, Maitre Afewerk shared his personal journey with diverse audience from Stanford and the larger Bay Area Ethiopian-American community on March 7, 2004. Here is our story from Tadias archive.

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Cover: June-July 2004

By Tseday Alehegn

Speaking about his life-long dedication to the fine arts, Maitre Afewerk Tekle instills in his audience the importance of using art to inspire people, to uplift nations and to create an optimistic view of life.

“What we do today must reflect today’s life for tomorrow’s generation and pave the way for the future generation,” he asserts with passion and reflection. He teaches us that “art is in every fabric of life.”

Few moments are as electric as when the Most Honorable Maitre Artist World Laureate Afewerk Tekle walks through a crowded auditorium at Stanford University to give an insider’s view of his accomplishments and life adventures. Elegantly clad in the sheer white of the Ethiopian national costume, Maitre Afewerk lets his artistic mind captivate the audience as he takes his red-bordered netela to demonstrate the various ways one can wear it for different public venues, including as a graduation gown. He receives an enthusiastic thunder of applause as he concludes his brief introduction.

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Afewerk Tekle at Stanford University on March 7,
2004. (Photo: Tadias Archive)

Afewerk Tekle was born in the town of Ankober in Ethiopia on October 22, 1932. Having grown up in an Ethiopia battling fascist Italian forces, Afewerk was acutely aware of the destruction of war and the need to rebuild his native home. Intent on acquiring skills that would allow him to contribute to Ethiopia’s restoration, the young Afewerk settled on pursuing his studies in mining engineering.

His family and friends, however, had already recognized his inner talent in the arts. Around town he was know for his drawings on walls using stones, and for possessing a curious and ever reflective mind. Despite his natural gravitation to the art world, at the age of 15 Afewerk was chosen to be sent abroad to England to commence his engineering studies.

Maitre Afewerk recalls being summoned by Emperor Haile Selassie to receive last-minute advice prior to his departure.

“To this day I cannot forget his words,” the Maitre says pensively. “The Emperor began by counseling us to study, study, and study.” he told the audience.

“He told us: you must work hard, and when you come back do not tell us what tall buildings you saw in Europe, or what wide streets they have, but make sure you return equipped with the skills and the mindset to rebuild Ethiopia.”

Maitre Afewerk later confides that this sermon rang in his head each time he was tempted to seek the easy life, free from the responsibility of rebuilding his nation and uplifting his people.

As one of the earliest batch of African students admitted to exclusive boarding schools in England, Afewerk faced culture shock and the occasional strife caused by English bullies. Yet he remained steadfast in pursuing his studies. He especially excelled in courses such as mathematics, chemistry and history, but it was not long before his teachers discovered his inner talent for the arts.

With the encouragement of his mentor and his teachers, Afewerk decided to focus on refining his gift and enrolled at the Central School of Arts and Crafts in London. Upon completion of his studies he was accepted as the first African student at the prestigious Faculty of Fine Arts at Slade (University of London). At Slade, Afewerk focused on painting, sculpture and architecture.

Upon returning to Ethiopia, Maitre Afewerk traveled to every province, staying at each location for a period of up to three months, immersing himself in the study of his surroundings and absorbing Ethiopia’s historical and cultural diversity. He reflected on and pushed himself to become an Ethiopian artist with world recognition.

“I had to study Ethiopian culture,” the Maitre states, “because an important ingredient of a world artist is to have in your artwork the flavor of where you were born.”

He passionately adds, “My art will belong to the world but with African flavor.”

Above all, Maitre Afewerk worked diligently in the hopes of using his artwork as a social medium with which to highlight the history, struggles and beauty of his native home. Although he was educated abroad, he fought against what he called “the futile imitation of other artists’ works, Western or otherwise.’’

With the message of rebuilding Ethiopia still ringing in his ears, Maitre Afewerk quickly decided to relinquish the ministerial post assigned to him upon completion of his university studies, and opted instead to devote his full attention to painting and exhibiting his artwork both at home and abroad.

At age 22, Afewerk Tekle held his first significant one-man exhibition at the Municipality Hall in Addis Ababa in 1954. He followed up his success by conducting an extensive study tour of art in Italy, France, Spain, Portugal and Greece, paying particular attention to collections of Ethiopian illustrated manuscripts as well as acquiring skills in stained-glass artwork.

Returning home he was commissioned to create religious art for St. George’s Cathedral. He also worked on some of the first sculptures depicting Ethiopian national heroes. His designs and inspirations were soon printed on stamps and national costumes. Most notably, he conceptualized and designed the elaborate stainedglass window artwork in Africa Hall at the headquarters of the United Nations Economic Commission for Africa.

With the income and savings he acquired by selling his artwork Afewerk designed his own 22-room house, studio and gallery, which he nicknamed ‘Villa Alpha’.

By 1964 Maitre Afewerk had held his second successful exhibition, thereafter followed by his first exhibition abroad in Russia, the U.S.A. and Senegal. Touring African nations at a time when Africa was under the yoke of colonialism, Afewerk Tekle used his paintbrush to fight for the dignity and honor of African people.

Focusing on the struggles ensnaring black people, he shared his quest for liberation and equality, naming his artwork with titles such as Backbones of the African Continent, Africa’s Heritage, and African Unity.

“Your brush can be quite stronger than the machine gun,” he says facing his audience. “I wanted to show how you can write Africa through your artwork, what it means to have liberty, to have your fellow humans completely equal.”

The theme of African independence and the interrelationship of African cultures are indelibly etched in Maitre Afewerk’s paintings.

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Afewerk Tekle at Stanford University on March 7,
2004. (Photo: Tadias Archive)

Many art critics have tried, time and time again, to label and categorize his work as having either European or African influence, and sometimes even both. However, he tells us that “you should be free and liberated in your thoughts and style. Your art should speak to you in your hidden language.”

Maitre Afewerk notes that 10% of his work is considered religious art while at least 50% echoes Ethiopian influence. But there is room for him to explore and develop his own style that speaks to his inner muse.

Today, Maitre Afewerk’s art is known and celebrated throughout the world, and indeed he has achieved his dream of becoming an Ethiopian artist with world recognition. He has uplifted Ethiopia, and at the same time his art has been infused into the daily life of his community and fellow citizens.

Walking or driving around Addis, it is difficult to miss his current art projects depicting today’s heroes such as world champion runner Haile Gebresellasie. At the bottom corner of the painting there is an Amharic phrase that says it all: Yitchalal! (It’s Possible!).

At the end of his presentation Maitre Afewerk opens a window into his private world as he shares the fact that he always spends time in the private chapel in his home prior to commencing work on a piece of art, and again after it has been completed. To him it is a place of inspiration.

“At the end of the day, my message is quite simple,” he says. “I am not a pessimist, I want people to look at my art and find hope. I want people to feel good about Ethiopia, about Africa, to feel the delicate rays of the sun. And most of all, I want them to think: Yitchalal!


Learn more about Afewerk Tekle at maitreafewerktekle.com

Report From the Sheba Film Festival

Above: Historian William Scott (left) & Beejhy Barhany (right),
director of the Beta Israel of North America Cultural Foundation.

By JODY BENJAMIN
Photos by Jeffrey Phipps & Meron Dagnew

NEW YORK – A revealing look at the multi-billion dollar coffee business and the compelling story of how Ethiopia, led by Emperor Menelik II, defeated invading Italians bent on colonization were the main features of the 4th Annual Sheba Film Festival that took place June 9 and 10 in Harlem, New York City.

The festival, which seeks to promote greater awareness of the Beta Israel, or Ethiopian Jews, as well as the history and culture of Ethiopia in general, has been drawing larger audiences each year, said its founder and director Beejhy Barhany.

“We are trying to show more aspects of Ethiopian culture and history,” said Barhany, director of the Beta Israel of North America Cultural Foundation, Inc. which sponsors the festival.

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Above: Historian William Scott (left), Beejhy Barhany, director of the Beta
Israel of North America Cultural Foundation, Inc. (middle), Liben Eabisa,
Founder & Publisher of Tadias Magazine (right).

Over the years, Barhany has screened film and videos by and about the Beta Israel community in Israel, Ethiopia, and other places worldwide.

On Saturday night, festival goers saw a preview of a new work in progress by film-maker Avishai Mekonnen, who left Ethiopia for Israel as a child during Operation Moses in 1984.

Mekonnen’s documentary, tentatively titled Judaism and Race, chronicles his journey from Africa to Israel, and finally to the U.S. Along the way, he begins to learn the intimate and inspiring stories of other African, African American, Asian and Latino Jews struggling against invisibility.

“This is so great,’’ said Mekonnen, 33, in speaking about the Sheba festival.

“This festival shows how diverse Africa is. My experience in the US is that most people here don’t understand that. They only know the negative things about Africa — that they are poor, they need money and stuff like that — but nothing about the culture or the positive things.”

On opening night, Barhany served coffee spiced with cinnamon and cloves to movie goers arriving for the screening of Black Gold: Wake Up and Smell the Coffee outside the Faison Firehouse Theater. The documentary follows the manager of the Oromia Coffee Farmers Cooperative, Tadesse Meskela, in his efforts to improve living conditions for 74,000 Ethiopian farmers. The worldwide coffee industry, worth $80 billion, according to the filmmakers, is dominated by multinational corporations while farmers and growers in many countries around the world face near starvation. Nowhere is this more true than in Ethiopia, where coffee first originated in the Kaffa region, according to the film-makers.

On Sunday, the festival continued with a re-screening of Adwa by the independent director Haile Gerima, first released in 1999. A diverse audience of about two hundred people attended the free screening in the Langston Hughes Auditorium of the Schomburg Center for Research in Black Culture.

Gerima narrates the film in Amharic with English subtitles. It opens with a dramatic shot of the jagged mountain range that in 1896 was the site of a climactic battle between Emperor Menelik II and Italian forces, with Gerima explaining that he learned the story of Adwa “while sitting at the knee of my father.” It continues by elaborating the story of a conflict that started with a treaty that the Italians tried to make with Menelik that the Emperor rejected because he felt it impinged on Ethiopian sovereignty.

Adwa also portrays the impact the battle had outside Ethiopia, noting its influence on the nascent Pan African movement across the African Diaspora. Gerima flashes photos of the first Pan African Congress and some of the major figures later associated with that movement such as W.E.B. Du Bois, Paul Robeson, Kwame Nkrumah and Marcus Garvey.

During a brief panel discussion after the screening, Howard Dodson, director of the Center for Research in Black Culture, said the battle was “one of two critical moments that transformed the consciousness of the African world.” The other was World War I, he said, which sparked the movement of black folks toward decolonization. “No battle had the impact that Adwa had,’’ said Dodson.

Historian William Scott, who has written extensively about the Italo-Ethiopian conflict of the 1930s, pointed out that the earlier battle of Adwa is less known today. At the time, however, its significance was not lost on many African Americans. According to Scott, the battle was mentioned in a popular 1906 play titled ‘Abyssinia’ that starred the legendary vaudeville performer Bert Williams. The scholar W.E.B. DuBois also incorporated elements of the Adwa story into pageants he organized to educate people about the battle against colonialism in Africa, he said.

When Italy invaded the country a second time in 1936, there were large rallies, marches and efforts to raise funds in support of Ethiopia – mostly in black communities across the United States.

“These pivotal points in our history have tended to be forgotten,” said Scott. “But the entire African world raised up in support for the Ethiopian cause. The epicenter of this rising up was right here in Harlem.”

Scott noted that African American awareness of Ethiopia was not new: it stretched back to at least the 18th century and the association enslaved Africans made with the biblical Psalm that “Ethiopia shall stretch forth her hand unto God.”

Picking up on that theme, the third panelist, rabbi Hailu Paris, noted that Ethiopia had long been an important symbol for African American Hebrews. Paris was born in Addis Ababa and adopted by African Americans that had emigrated to Ethiopia but who were forced to flee because of the second Italian attack when he was just a baby. For that reason, he was raised in New York City where he has since become a leading figure among black Hebrews.

He spoke of two early leaders among the Hebrews: rabbis Arnold Ford and Wentworth A. Matthew.

“Because of Marcus Garvey’s predictions and prophecies, Ford and Matthew saw fit to join his movement,’’ said Paris. “Matthew had a church that turned into a synagogue and the beginning of a connection between African Americans and Ethiopians, at least within a religious context, began with these two men.’’

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Above: Rabbi Hailu Paris (left), Howard Dodson, director of the Schomburg
Center for Research in Black Culture (middle), Historian William Scott (right).

After the panel discussion, folks lined up in the Schomburg lobby for an Ethiopian snack of injera bread with lentils and a cup of Tej honey wine. Drummers played in the background while people mingled. There was a palpable excitement in the room.

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Above: Monica Wiggan (left) & Liben Eabisa (right)

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Above: Benniam (NYC), Meron Dagnew, and Mesfin Addi

“I was very, very moved,’’ said Nemo Semret, as he lined up for food. “I really liked the chanting of the warriors and the singing afterwards, which is like a recounting. Just to hear the names of the heroes and what they did and the language with which they were described was inspiring. That is what it is supposed to do, no?”

Other viewers described similar reactions.

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“I enjoyed the film immensely for the historical content that was given,’’ said Bakbakkar Yehudah, of Newark. “I wasn’t familiar with this story, so I am pleased to know this history.”

One of the many smiling faces in the crowd belonged to 26 year old Ayda Girma, a graphic designer who volunteered for the festival and who was dressed in traditional Ethiopian clothing.

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“I’m not Jewish. I’m not religious in that way,” said Girma, of Brooklyn. “But it is important to encourage and support events like this for Ethiopians and non-Ethiopians that are curious,” she said.

“It was very important to show this film,’’ said Dr. Faye Bennett Moore, of Harlem. “Very few young people have read or envisioned any of this information about Adwa.”

Near the drummers sat two well-known and respected elders of the Harlem community: the Ethiopian-born historian, Yosef ben Jochannan and Mother Kefa Nepthys.

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Above: The Ethiopian-born historian Yosef ben Jochannan (left), Jeffrey Phipps
– (middle) and Mother Kefa Nepthys (right).

Asked for a comment on the day’s activities, ben Jochannan said: “It is important that Africans recognize themselves and learn from each other first.”

Mother Kefa said she was particularly pleased with the panel discussion.

“This is a beginning and I hope it will continue and that we’ll get more people to come and view these films and to hear the lectures, which are excellent.”

HOT SHOTS FROM SEATTLE

Above: Ethiopian-born Yaddi Bojia, member of the Crucialites reggae band, performing at the Northwest Folklife Festival in Seattle, Washington.

Band Members: Scott Mosher on lead vocals/hammond organ/electric piano/melodica, Yaddi Bojia (Also featured on the Art Talk section of Tadias Magazine) on vocals, Dan Meyers on guitar, Jordan Brant on bass, Dub Issachar on drums, Ricky Doxie on trombone, Tracy on Sax, Matt on Trumpet.

Venue: Mural Ampitheater (305 Harrison Street, Seattle, WA 98109)

Date: May 28th 2007

Northwest Folklife Festal is dedicated to sharing the ethnic, traditional and folk arts of the cultures of the Pacific Northwest region.

Learn more about the festival at nwfolklife.org

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Learn more about the band at myspace.com/thecrucialites

Send your hot shots to hotshots@tadias.com

First Post-graduate Dermatology Training Program in Ethiopia

Above: Ambassador Yamamoto met on May 15 with (Left to Right) Dr. Sarah Brenner, Dr. A. Bernard Ackerman, Dr. Asqual Getaneh, Dr. Fuad Temam, Ambassador Yamamoto, Ms. Hiroko Kiiffner, Dr. Ruth Leekassa, and Mr. Calvin Kiiffner..

ADDIS ABABA – The lack of dermatologists and the high prevalence of dermatological illnesses such as leprosy and leishmaniasis in Ethiopia prompted a small group of philanthropists in the United States and doctors working at the African Leprosy/TB Education and Research Training (ALERT) Center to combine their efforts to establish a post-graduate dermatology training program in Addis Ababa. The program they established seeks to double the number of dermatologists in Ethiopia within three years. In addition, dermatologists trained under the program will train general practitioners and mid-level health care workers (nurses and health officers) who provide dermatological care for the large majority of the population including those in rural areas.

Dr. Fuad Temam is the first Ethiopian dermatopathologist to be trained at the Ackerman Academy of Dermatopathology. Dr. Fuad’s training was funded through the generosity of its founder, Dr. A. Bernard Ackerman, and U.S. philanthropists Calvin and Hiroko Kiiffner. Dr. Fuad returned to Ethiopia in 2005 and is now training Ethiopian dermatologists through the AAU-ALERT dermatology program. This program is a three year clinical training in dermatology that began in 2005 with six medical school graduates. Since 2005, ten additional trainees have joined, and each year, 8-10 additional trainees are taken on. The program is delivered jointly by the medical faculty of Addis Ababa University and the ALERT Center. At present, a limited number of training slots are available for general practitioners and mid-level health care workers.

At a ceremony at the Ambassador’s Residence on May 14, U.S. Ambassador Don Yamamoto met Dr. Fuad Temam along with U.S. philanthropists Calvin and Hiroko Kiiffner, and Dr. A. Bernard Ackerman MD, dermatopathologist and founder of the Ackerman Academy of Dermatopathology in New York City. They were accompanied by Asqual Getaneh, MD, MPH, a physician at Columbia University in New York City (A regular contributor to the health section of Tadias Magazine), who brokered the connection between Dr. Ackerman, the Kiiffner’s and ALERT. Dr Ruth Leekasa, ALERT Director, also accompanied the group. Ambassador Yamamoto said during their meeting, that the efforts of this dedicated group of people is a wonderful example of U.S.-Ethiopian collaborative efforts to come up with lasting solutions for improved health care in Ethiopia. He said that programs such as this one, initiated and sustained by local experts, help to increase local capacity and respond to local needs.

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Also, on Wednesday May 16th 2007, Ms. Kim Wright, the political and economic officer at the US Embassy held a recognition event for an Ethiopian-American group which facilitated the establishment of the first post-graduate dermatology training program in Ethiopia. The event was attended by a total of 60 individuals, representatives of 10 different embassies, 15 non-governmental civil organizations, ex-patriots in academic positions and locals in the business and health sectors.

Ms. Wright gave the introduction to the group and Dr. Asqual Getaneh who linked the Ethiopian and American group provided a general description of the collaboration. Drs. A. Bernard Ackerman and Fuad Temam explained the need for the training program and provided future plans.

Tina Malone
Asqual Getaneh

Source: The Lion, The Newsletter of the American Community in Ethiopia

New Yorkers Received Rare Treat at MOBIA: Ethiopian Art from The Walters Art Museum

Tadias Magazine
By COLLEEN LUTOLF

New York – (Tadias) – Walters Art Museum Director Gary Vikan’s fascination with Ethiopian Orthodox Tewahedo Christian art began in a Washington D.C. basement during the 1960s.

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Listen on WNYC: Dr. Gary Vikan, Director of the Walters
Art Museum, talks about the significance of Ethiopian
religious icons and other objects of worship on display
at the Museum of Biblical Art.


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“I do remember going into somebody’s house in Washington [D.C.] and seeing the Virgin [Mary] with these huge, dark eyes,” Vikan said during a recent interview. “And I remember the moment I saw it and where I was standing. The memory is very strong.”

Private collections throughout the world, like those protected beneath a Washington D.C. house, inside rock-hewn Christian monasteries in Ethiopia, or above ground in a New York City SoHo loft, have provided the Walters Art Museum with a majority of its Ethiopian Orthodox Tewahedo Christian art, Vikan said.

Vikan only began collecting Ethiopian Orthodox Christian art for the Walters in 1993, the same year he curated “African Zion: The Sacred Art of Ethiopia,” an historical exhibition he said served as a “flashpoint” for the current strife occurring in Ethiopia at the time.

“In the context of doing the exhibition, it was not easy. It was a troubled moment historically” in Ethiopia, Vikan said, with Mengistu Haile Mariam’s reign of Red Terror having just ended. The trial that would prosecute members of the communist Derg, mostly in absentia, would soon begin.

“These aspects put people on edge, and they kind of spilled over, not into the exhibition itself, but the different views, it was very interesting,” he said. “The exhibition had facets that most exhibitions don’t have.”

A year later, Vikan, a medieval orthodox art scholar and trained Byzantinist, moved from chief curator to director of the Walters and began collecting Ethiopian Orthodox Christian art in earnest. The Walters now boasts the largest collection of this type of Ethiopian devotional art outside of Ethiopia in the world.

“Certainly the best, from some very interesting private collections,” Vikan said. “I was attracted to it before anyone paid much attention to it.”

When the collection of a sub-Saharan art dealer who passed away was being sold off, Vikan got a call.

“Somebody selling off the collection who knew about me – this would’ve been in 1995 in New York in a loft in SoHo – they invited me down to look at this and I thought, ‘This is really amazing,’” Vikan recalled. A stock market windfall allowed Vikan to buy a number of those pieces for the Walters, and they are now included in the museum’s 100-piece collection of metalwork, icon painting, woodcarvings and ancient manuscripts that span 1,500 years of Ethiopian Christian devotion. The collection is now the central exhibit on the medieval floor of the Walters Art Museum.

“It’s in the pride position because it is so visually powerful that nothing else could dominate it,” Vikan said. “It dominates the Byzantine art around it.”

The Ethiopian Orthodox Christian collection also shares the medieval floor with Russian, Byzantine, and Georgian Orthodox art in the Baltimore museum.

“The others revolve around Ethiopia,” Vikan said. “It would make the room look funny [if they didn’t] because the others are not as visually strong.”

New Yorkers were recently given an opportunity to view about half of the Walters’ collection when the Museum of Biblical Art in New York City hosted “Angels of Light: Ethiopian Art from The Walters Art Museum” from March 23 through May 20.

If museum-goers had a feeling they were being watched as they entered the “Angels of Light” exhibition at the MOBIA, they had good reason. Huge, dark eyes similar to those that greeted Vikan in that Washington D.C. basement over 40 years ago were looking out from various devotional icon paintings depicting Jesus Christ and the Virgin Mary, almost always flanked by angels with equally large eyes that symbolize holiness.

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Above: Anonymous painter. Triptych with Virgin and Child
Flanked by archangels, scenes from the life of Christ,
apostles and Saint George and Saint Mercurius. Ethiopia
(Gojjam?), late 17th century. Tempera on panel. 14 78 x
4 5/16 inches left; 15 1/8 x 9 inches center; 15 1/16 x 4
7/16 inches right. 36.7 museum purchased, the W. Alton
Jones Foundation Acquisition Fund, 1996, from the Nancy
and Robert Nooter Collection.

Most of the iconic paintings date between the 15th to 17th centuries in diptychs and triptychs depicting familiar Christian scenes – Christ on the cross; the Virgin Mary, seated, with the Christ child holding a book in his left hand, and embraced in Mary’s left arm with the first two fingers of her right hand pointing downward; Christ with a crown of thorns, Christ teaching the apostles.

While the compositions of these depictions can be traced to visiting missionaries and artists carrying with them Byzantine and Western examples of Christian iconic devotional paintings after the 14th century, the Ethiopian depictions are unique from any other depiction of Christian scenes in the world, MOBIA curator Holly Flora said.

“Ethiopian Orthodox Christianity has a very close relationship to angels that is not always found elsewhere,” said Flora. “Objects relating to healing as well are emphasized in Ethiopian art.”

Also unique to the art of Ethiopian Orthodoxy is the artists’ use of vibrant colors in paintings and manuscripts.

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Above: Diptych with Virgin and Child flanked by archangels, apostles,
and Saint George. Ethiopia, late 15th century. Tempera on panel.

To understand what makes Ethiopian Orthodox Christian art unique, one must understand the role African traditional religions and Judaism played in Ethiopian culture prior to the introduction to Christianity, said Ayele Bekerie, assistant professor at Cornell University’s Africana Studies and Research Center.

“The influence of ancient religious traditions are manifested in what we now call Ethiopian Christianity, particularly in reaching out to angels and visualizing the biblical stories in colors and styles inspired by the material culture and environment,” Bekerie said. “It is important to note that most monasteries and some churches are built on top of hills and mountains where you experience remarkable and colorful views of the sunrise and sunset. Besides, the landscape is always a panorama of rainbow colors.”

Ethiopian Christianity also evolved out of a Judaic culture as well, established over 3,000 years ago. Bekerie tells the story:

“Judaism is introduced to Ethiopia at the time of Empress Makeda (She is also called Azeb and Queen of Sheba) and her son, Menelik I, the founder of the Solomonic Dynasty in Ethiopia. According to Ethiopian oral tradition, Empress Makeda paid a visit to King Solomon in Jerusalem where she made a deliberate journey in order to learn from the reported wisdom of the king. She did achieve her objective and even more by giving birth to Menelik, the son of the king. Menelik’s rite of passage was to travel to Jerusalem to meet with his father. The overjoyed king asked him to become the king of Israel, but the son wanted to return back to Ethiopia.”

“His return (there are many versions) resulted in the establishment of Judaism (a new tradition of believing in one God) in Ethiopia with the most important sacred symbol of the Ark at the center of the new belief system. When later on, Christianity emerged in Ethiopia, we observe a logical evolution of the faith from Judaism. This is because the Ethiopian Christianity is the only Christianity in the world that embraces and holds the Ark of the Covenant as its defining sacred symbol.”

“Ethiopians believe the Ark of the Covenant is in Ethiopia,” Flora said. “They will tell you unequivocally the Ark is there.”

Ethiopians believe the Ark is located in the Aksumite Church of Our Lady Mary of Zion, but every church in Ethiopia and throughout the world must have a replica of the Ark in order affirm their legitimacy, Bekerie said.

Ethiopia is one of the oldest Christian civilizations in the world. The religion was practiced along the Ethiopian coastline as early as 42 A.D., Bekerie said, after a Meroë (in what is modern day Sudan) merchant introduced commoners to the religion. Due to the inclusive nature of African traditional religions, Christians were able to worship openly without fear of persecution.

Perhaps more significantly, Ethiopia became one of the first countries in the world to take Christianity as its state religion approximately 300 years later when, according to legend, Frumentius, a Christian merchant seaman from Tyre on his way to India with relatives, became shipwrecked and was delivered to the king in Axum, a powerful world empire in the fourth century, Bekerie said.

“He was raised with special care and managed to master the language and traditions of the Aksumites,” said Bekerie. When the king’s son Ezana, came to power, the long-trusted Frumentius convinced him to make Christianity the state religion.

Proof of the conversion is part of the Walters Art Museum collection. Two silver coins, slightly larger in diameter than a pencil eraser, and crafted in the 4th century, show on one side the likeness of Aksumite King Ousanas, on the other, a cross. Aksumite coins are the first in the world to carry the cross, pre-dating Constantinople.

African traditional religious practices were also incorporated into the Ethiopian Orthodox Christian religion.

Protective scrolls, made for those who were ill or believed to be possessed by demons, were created (and still are today in some remote villages, Flora said), by clerics known as däbtära. The däbtära would sacrifice a goat, sprinkle the ill or those believed to be possessed with the goat’s blood, then fashion the scroll from the sacrificed goat’s skin, Flora said.

A healing scroll from the 18th century obtained by the Walters Museum and on display there, was created for a woman named “Martha.” The scrolls combined Christian imagery with magical incantations written in Ge´ez, a liturgical language developed in Ethiopia in the 4th century. The incantations were book-ended by talismans drawn at the top and bottom of the scroll and are believed to protect their owners, Flora said. The scrolls’ recipients then wore the prayer scrolls until they were believed healed.

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Above: Prayer Scroll. Ethiopia,
19th century. Ink on parchment.
65 9/16 x 3 7/16 inches. W.788,
gift of Mr. James St. Lawrence
O’Toole, 1978.

Another prayer object that is unique to Ethiopian Orthodox Christianity and features the well-honed abilities of Ethiopian metalworkers are processional crosses. Draped in purple textiles, the MOBIA featured six such crosses, almost six feet in height, dating as far back as the 13th century. Made of gold or silver, these crosses are carried by priests during processions and feature intricate geometrical patterns, Flora said.

“Priests carried these during mass and also used them as instruments of blessing,” she said.

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Above: Hand Cross. Ethiopia, 18th–19th century.

While Ethiopian artists were almost unquestionably influenced by Western and Byzantine devotional icon painting in the 15th century, due in part, museum curators suggest, to the destruction of many church murals and liturgical objects during the Muslim invasions of the 1530s and 1540s, Bekerie said some observers are too quick to see overt Western influence in Ethiopian artists’ creative thought.

“It seems to me there is some sort of mental block not to acknowledge originality and creativity in the Ethiopian artists,” he said. “I always advise scholars to use the example of the architecture of the Debre Damo Monastery, the oldest monastery in Ethiopia.”

The monastery is constructed of stone blocks and logs, creating a distinct architectural feature, Bekerie said. Distinct painting traditions have also emerged in different regions of Ethiopia and are pursued by students over the centuries.
The monarchy and the Ethiopian Orthodox Tewahedo Christian Church were institutional pillars that guided culture and politics in Ethiopia until the monarchy’s fall in 1974, Bekerie said.

“The monarchy is gone and the church is still place,” he said. “It is true that there are other religious institutions, including Islamic, Catholic and Protestant institutions. The oldest and by far the most influential is the Tewahedo Church. [Its] influence is apparent in art, music, social relations, food habits and literature.”

And as the collection of Ethiopian art becomes more popular, the sources for these collections become fewer, said Vikan.

“All of it’s drying up and that’s a good thing,” he said. “We need this art to be shown outside of the country, but [its distribution] needs to be controlled and shown in a way that acknowledges the dignity of the culture from which it comes.”


About the Author:
Colleen Lutolf is a reporter for Tadias Magazine.

Ethiopian Monks maintain the only presence by black people in Jerusalem

Above: The roof of the Church of the Holy Sepulchre in Jerusalem, Christianity’s most holy place, where Ethiopians monks have lived for a very, very long time. This image is licensed under Creative Commons Attribution.

Publisher’s Note:

This article was first published in January 2003. The piece appeared in the context of the July 2002 brawl that erupted on the roof of Christianity’s most holy place between Ethiopian and Egyptian monks.

“Eleven monks were treated in hospital after a fight broke out for control of the roof of the Church of the Holy Sepulchre in Jerusalem, the traditional site of Jesus’s crucifixion, burial and resurrection”, wrote Alan Philps, a Jerusalem based reporter for the Daily Telegraph.

“The fracas involved monks from the Ethiopian Orthodox church and the Coptic church of Egypt, who have been vying for control of the rooftop for centuries.”

As part of our Millennium series on the relationship between Ethiopia and the African Diaspora, we have selected part of the original article from our archives with a hope that it may generate a healthy discussion on the subject.

Deir Sultan, Ethiopia and the Black World
By NEGUSSAY AYELE

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Above: Main entrance to the Church of the Holy Sepulchre. Date: 27/03/2005, Easter Sunday. This image is licensed under Creative Commons Attribution.

Unknown by much of the world, monks and nuns of the Ethiopian Orthodox Church, have for centuries quietly maintained the only presence by black people in one of Christianity’s holiest sites—the Church of the Holy Sepulchre of Jesus Christ in Jerusalem.

Through the vagaries and vicissitudes of millennial history and landlord changes in Jerusalem and the Middle East region, Ethiopian monks have retained their monastic convent in what has come to be known as Deir Sultan or the Monastery of the Sultan for more than a thousand years.

Likewise, others that have their respective presences in the area at different periods include Armenian, Russian, Syrian, Egyptian and Greek Orthodox/Coptic Churches as well as the Holy See.

As one writer put it recently, “For more than 1500 years, the Church of Ethiopia survived in Jerusalem. Its survival has not, in the last resort, been dependent on politics, but on the faith of individual monks that we should look for the vindication of the Church’s presence in Jerusalem…. They are attracted in Jerusalem not by a hope for material gain or comfort, but by faith.”

It is hoped that public discussion on this all-important subject will be joined by individuals and groups from all over the world. We hope that others with more detailed and/or first hand knowledge about the subject will join in the discussion.

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Above: Painting on the wall of the Ethiopian part of the church of the Holy Sepulcher. Photo by Iweze Davidson.

Accounts of Ethiopian presence in Jerusalem invoke the Bible to establish the origin of Ethiopian presence in Jerusalem.

Accordingly, some Ethiopians refer to the story of the encounter in Jerusalem between Queen of Sheba–believed to have been a ruler in Ethiopia and environs–and King Solomon, cited, for instance, in I Kings 10: 1-13.

According to this version, Ethiopia’s presence in the region was already established about 1000 B.C. possibly through land grant to the visiting Queen, and that later transformation into Ethiopian Orthodox Christian monastery is an extension of that same property.

Others refer to the New Testament account of Acts 8: 26-40 which relates the conversion to Christianity of the envoy of Ethiopia’s Queen Candace (Hendeke) to Jerusalem in the first century A.D., thereby signaling the early phase of Ethiopia’s adoption of Christianity. This event may have led to the probable establishment of a center of worship in Jerusalem for Ethiopian pilgrims, priests, monks and nuns.

Keeping these renditions as a backdrop, what can be said for certain is the following: Ethiopian monastic activities in Jerusalem were observed and reported by contemporary residents and sojourners during the early years of the Christian era.

By the time of the Muslim conquest of Jerusalem and the region (634-644 A.D.) khalif Omar is said to have confirmed Ethiopian physical presence in Jerusalem’s Christian holy places, including the Church of St. Helena, which encompasses the Holy Sepulchre of the Lord Jesus Christ.

His firman or directive of 636 declared “the Iberian and Abyssinian communities remain there” while also recognizing the rights of other Christian communities to make pilgrimages in the Christian holy places of Jerusalem.

Because Jerusalem and the region around it, has been subjected to frequent invasions and changing landlords, stakes in the holy places were often part of the political whims of respective powers that be.

Subsequently, upon their conquest of Jerusalem in 1099, the Crusaders had kicked out Orthodox/Coptic monks from the monasteries and installed Augustine monks instead. However, when in 1187 Salaheddin wrested Jerusalem from the Crusaders, he restored the presence of the Ethiopian and other Orthodox/Coptic monks in the holy places.

When political powers were not playing havoc with their claims to the holy places, the different Christian sects would often carry on their own internecine conflicts among themselves, at times with violent results.

Contemporary records and reports indicate that the Ethiopian presence in the holy places in Jerusalem was rather much more substantial throughout much of the period up to the 18th and 19th centuries.

For example, an Italian pilgrim, Barbore Morsini, is cited as having written in 1614 that “the Chapels of St. Mary of Golgotha and of St. Paul…the grotto of David on Mount Sion and an altar at Bethlehem…” among others were in the possession of the Ethiopians.

From the 16th to the middle of the 19th centuries, virtually the whole of the Middle East was under the suzerainty of the Ottoman Empire. When one of the Zagwe kings in Ethiopia, King Lalibela (1190-1225), had trouble maintaining unhampered contacts with the monks in Jerusalem, he decided to build a new Jerusalem in his land. In the process he left behind one of the true architectural wonders known as the Rock-hewn Churches of Lalibela.

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Above: Lalibela. This image is licensed under Creative Commons Attribution.

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Above: Lalibela. This image is licensed under Creative Commons Attribution.

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Above: Lalibela. This image is licensed under Creative Commons Attribution.

The Ottomans also controlled Egypt and much of the Red Sea littoral and thereby circumscribed Christian Ethiopia’s communication with the outside world, including Jerusalem.

Besides, they had also tried but failed to subdue Ethiopia altogether. Though Ethiopia’s independent existence was continuously under duress not only from the Ottomans but also their colonial surrogate, Egypt as well as from the dervishes in the Sudan, the Ethiopian monastery somehow survived during this period. Whenever they could, Ethiopian rulers and other personages as well as church establishments sent subsidies and even bought plots of land where in time churches and residential buildings for Ethiopian pilgrims were built in and around Jerusalem. Church leaders in Jerusalem often represented the Ethiopian Orthodox Church in ecumenical councils and meetings in Florence and other fora.

During the 16th and 17th centuries the Ottoman rulers of the region including Palestine and, of course, Jerusalem, tried to stabilize the continuing clamor and bickering among the Christian sects claiming sites in the Christian holy places. To that effect, Ottoman rulers including Sultan Selim I (1512-1520) and Suleiman “the Magnificent” (1520-1566) as well as later ones in the 19th century, issued edicts or firmans regulating and detailing by name which group of monks would be housed where and the protocol governing their respective religious ceremonies. These edicts are called firmans of the Status Quo for all Christian claimants in Jerusalem’s holy places including the Church of the Holy Sepulchre, which came to be called Deir Sultan or the monastery (place) of the Sultan.

Ethiopians referred to it endearingly as Debre Sultan. Most observers of the scene in the latter part of the 19th Century as well as honest spokesmen for some of the sects attest to the fact that from time immemorial the Ethiopian monks had pride of place in the Church of the Holy Sepulchre (Deir Sultan). Despite their meager existence and pressures from fellow monks from other countries, the Ethiopian monks survived through the difficult periods their country was going through such as the period of feudal autarchy (1769-1855).

Still, in every document or reference since the opening of the Christian era, Ethiopia and Ethiopian monks have been mentioned in connection with Christian holy places in Jerusalem, by all alternating landlords and powers that be in the region.

As surrogates of the weakening Ottomans, the Egyptians were temporarily in control of Jerusalem (1831-1840). It was at this time, in 1838, that a plague is said to have occurred in the holy places, which in some mysterious ways of Byzantine proportions, claimed the lives of all Ethiopian monks.

The Ethiopians at this time were ensconced in a chapel of the Church of the Holy Sepulchre (Deir Sultan) as well as in other locales nearby. Immediately thereafter, the Egyptian authorities gave the keys of the Church to the Egyptian Coptic monks.

The Egyptian ruler, Ibrahim Pasha, then ordered that all thousands of very precious Ethiopian holy books and documents, including historical and ecclesiastical materials related to property deeds and rights, be burned—alleging conveniently that the plague was spawned by the Ethiopian parchments.

Monasteries are traditionally important hubs of learning and, given its location and its opportunity for interaction with the wider family of Christendom, the Ethiopian monastery in Jerusalem was even more so than others. That is how Ethiopians lost their choice possession in Deir Sultan.

By the time other monks arrived in Jerusalem, the Copts claimed their squatter’s rights, the new Ethiopian arrivals were eventually pushed off onto the open rooftop of the church, thanks largely to the machinations of the Egyptian Coptic church.

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Above: The roof of the Church of the Holy Sepulchre in Jerusalem, where Ethiopians maintain the only presence by black people in Christianity’s holiest shrine. This image is licensed under Creative Commons Attribution.

Although efforts on behalf of Ethiopian monks in Jerusalem started in mid-19th Century with Ras Ali and Dejach Wube, it was the rise of Emperor Tewodros in 1855 in Ethiopia that put the Jerusalem monastery issue back onto international focus.

When Ethiopian monks numbering a hundred or so congregated in Jerusalem at the time, the Armenians had assumed superiority in the holy places. The Anglican bishop in Jerusalem then, Bishop Samuel Gobat witnessed the unholy attitude and behavior of the Armenians and the Copts towards their fellow Christian Ethiopians who were trying to reclaim their rights to the holy places in Jerusalem.

He wrote that the Ethiopian monks, nuns and pilgrims “were both intelligent and respectable, yet they were treated like slaves, or rather like beasts by the Copts and the Armenians combined…(the Ethiopians) could never enter their own chapel but when it pleased the Armenians to open it. …On one occasion, they could not get their chapel opened to perform funeral service for one of their members. The key to their convent being in the hands of their oppressors, they were locked up in their convent in the evening until it pleased their Coptic jailer to open it in the morning, so that in any severe attacks of illness, which are frequent there, they had no means of going out to call a physician.’’

It was awareness of such indignities suffered by Ethiopian monks in Jerusalem that is said to have impelled Emperor Tewodros to have visions of clearing the path between his domain and Jerusalem from Turkish/Egyptian control, and establishing something more than monastic presence there. In the event, one of the issues that contributed to the clash with British colonialists that consumed his life 1868, was the quest for adequate protection of the Ethiopian monks and their monastery in Jerusalem.

Emperor Yohannes IV (1872-1889), the priestly warrior king, used his relatively cordial relations with the British who were holding sway in the region then, to make representations on behalf of the Ethiopian monastery in Jerusalem.

He carried on regular pen-pal communications with the monks even before he became Emperor. He sent them money, he counseled them and he always asked them to pray for him and the country, saying, “For the prayers of the righteous help and serve in all matters. By the prayers of the righteous a country is saved.”

He used some war booty from his battles with Ottomans and their Egyptian surrogates, to buy land and started to build a church in Jerusalem. As he died fighting Sudanese/Dervish expansionists in 1889, his successor, Emperor Menelik completed the construction of the Church named Debre Gennet located on what was called “Ethiopian Street.”

During this period more monasteries, churches and residences were also built by Empresses Tayitu, Zewditu, Menen as well as by several other personages including Afe Negus Nessibu, Dejazmach Balcha, Woizeros Amarech Walelu, Beyenech Gebru, Altayeworq.

As of the end of the 19th and the beginning of the 20th Century the numbers of Ethiopian monks and nuns increased and so did overall Ethiopian pilgrimage and presence in Jerusalem.

In 1903, Emperor Menelik put $200, 000 thalers in a (Credileone) Bank in the region and ordained that interests from that savings be used exclusively as subsidy for the sustenance of the Ethiopian monks and nuns and the upkeep of Deir Sultan. Emperor Menelik’s 6-point edict also ordained that no one be allowed to draw from the capital in whole or in part.

Land was also purchased at various localities and a number of personalities including Empress Tayitu, and later Empress Menen, built churches there. British authorities supported a study on the history of the issue since at least the time of kalifa (Calif) Omar ((636) and correspondences and firmans and reaffirmations of Ethiopian rights in 1852, in an effort to resolve the chronic problems of conflicting claims to the holy sites in Jerusalem.

The 1925 study concluded that ”the Abyssinian (Ethiopian ) community in Palestine ought to be considered the only possessor of the convent Deir Es Sultan at Jerusalem with the Chapels which are there and the free and exclusive use of the doors which give entrance to the convent, the free use of the keys being understood.”

Until the Fascist invasion of Ethiopia in the 1930’s when Mussolini confiscated Ethiopian accounts and possessions everywhere, including in Jerusalem, the Ethiopian presence in Jerusalem had shown some semblance of stability and security, despite continuing intrigues by Copts, Armenians and their overlords in the region.

This was a most difficult and trying time for the Ethiopian monks in Jerusalem who were confronted with a situation never experienced in the country’s history, namely its occupation by a foreign power. And, just like some of their compatriots including Church leaders at home, some paid allegiance to the Fascist rulers albeit for the brief (1936-1941) interregnum.

Emperor Haile Sellassie was also a notable patron of the monastery cause, and the only monarch to have made several trips to Jerusalem, including en route to his self-exile to London in May, 1936.

Since at least the 1950s there was an Ethiopian Association for Jerusalem in Addis Ababa that coordinated annual Easter pilgrimages to Jerusalem. Hundreds of Ethiopians and other persons from Ethiopia and the Diaspora took advantage of its good offices to go there for absolution, supplication or felicitation, and the practice continues today.

Against all odds, historical, ecclesiastical and cultural bonding between Ethiopia and Jerusalem waxed over the years. The Ethiopian presence expanded beyond Deir Sultan including also numerous Ethiopian Churches, chapels, convents and properties. This condition required that the Patriarchate of the Ethiopian Orthodox Church designate Jerusalem as a major diocese to be administered under its own Archbishop.

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Above: Timket (epiphany) celebration by the Ethiopian Orthodox Tewahedo Church on the Jordan River, considered to be the place where Jesus was baptized. Jan. 1999. Photo by Iweze Davidson.

Ethiopia and Black Heritage In Jerusalem

For hundreds of years, the name or concept of Ethiopia has been a beacon for black/African identity liberty and dignity throughout the diaspora. The Biblical (Psalm 68:31) verse , “…Ethiopia shall soon stretch forth her hands unto God” has been universally taken to mean African people, black people at large, stretch out their hands to God (and only to God) in supplication, in felicitation or in absolution.

As Daniel Thwaite put it, for the Black man Ethiopia was always “…an incarnation of African independence.”

And today, Ethiopian monastic presence in the Church of the Holy Sepulchre or Deir Sultan in Jerusalem, is the only Black presence in the holiest place on earth for Christians. For much of its history, Ethiopian Christianity was largely hemmed in by alternating powers in the region. Likewise, Ethiopia used its own indigenous Ethiopic languages for liturgical and other purposes within its own territorial confines, instead of colonial or other lingua franca used in extended geographical spaces of the globe.

For these and other reasons, Ethiopia was not able to communicate effectively with the wider Black world in the past. Given the fact that until recently, most of the Black world within Africa and in the diaspora was also under colonial tutelage or under slavery, it was not easy to appreciate the significance of Ethiopian presence in Jerusalem. Consequently, even though Ethiopian/Black presence in Jerusalem has been maintained through untold sacrifices for centuries, the rest of the Black world outside of Ethiopia has not taken part in its blessings through pilgrimages to the holy sites and thereby develop concomitant bonding with the Ethiopian monastery in Jerusalem.

For nearly two millennia now, the Ethiopian Church and its adherent monks and priests have miraculously maintained custodianship of Deir Sultan, suffering through and surviving all the struggles we have glanced at in these pages. In fact, the survival of Ethiopian/Black presence in Christianity’s holy places in Jerusalem is matched only by the “Survival Ethiopian Independence” itself.

Indeed, Ethiopian presence in Deir Sultan represents not just Ethiopian Orthodox Christianity but all African/black Christians of all denominations who value the sacred legacy that the holy places of Jerusalem represent for Christians everywhere. It represents also the affirmation of the fact that Jerusalem is the birthplace of Christianity, just as adherents of Judaism and Islam claim it also.

The Ethiopian foothold at the rooftop of the Church of the Holy Sepulchre is the only form of Black presence in Christianity’s holy places of Jerusalem. It ought to be secure, hallowed and sanctified ground by and for all Black folks everywhere who value it. The saga of Deir Sultan also represents part of Ethiopian history and culture. And that too is part of African/black history and culture regardless of religious orientation.

When a few years ago, an Ethiopian monk was asked by a writer why he had come to Jerusalem to face all the daily vicissitudes and indignities, he answered, “because it is Jerusalem.”


About the Author:
Dr. Negussay Ayele is a noted Ethiopian scholar. He is the author of the book Ethiopia and the United States, Volume I, the Season of Courtship, among many other publications. He lives in Los Angeles, California.

Book Excerpt: The Beautiful Things That Heaven Bears

By Dinaw Mengestu

The Beautiful Things That Heaven Bears

Joseph’s already drunk when he comes into the store. He strolls through the open door with his arms open. You get the sense when watching him that even the grandest gestures he may make aren’t grand enough for him. He’s constantly trying to outdo himself, to reach new levels of Josephness that will ensure that anyone who has ever met him will carry some lingering trace of Joseph Kahangi long after he has left. He’s now a waiter at an expensive downtown restaurant, and after he cleans each table he downs whatever alcohol is still left in the glasses before bringing them back to the kitchen. I can tell by his slight swagger that the early dinnertime crowd was better than usual today.

Joseph is short and stout like a tree stump. He has a large round face that looks like a moon pie. Kenneth used to tell him he looked Ghanaian.

“You have a typical Ghanaian face, Joe. Round eyes. Round face. Round nose. You’re Ghanaian through and through. Admit it, and let us move on.”

Joseph would stand up then and theatrically slam his fist onto the table, or into his palm, or against the wall. “I am from Zaire,” he would yell out. “And you are a ass.” Or, more recently, and in a much more subdued tone: “I am from the Democratic Republic of the Congo. Next week, it may be something different. I admit that. Perhaps tomorrow I’ll be from the Liberated Land of Laurent Kabila. But today, as far as I know, I am from the Democratic Republic of the Congo.”

Joseph kisses me once on each cheek after he takes his coat off.

“That’s my favorite thing about you Ethiopians,” he says. “You kiss each other on the cheeks all the time. It takes you hours to say hello and good-bye because you’re constantly kissing each other. Kiss. Kiss. Kiss.”

Kenneth pours Joseph a scotch and the three of us raise our cups for a toast.

“How is America today, Stephanos?” Joseph asks me.

“He hates it,” Kenneth says.

“That’s because he doesn’t understand it.” Joseph leans closer toward me, his large moon-pie face eclipsing my view of every thing except his eyes, which are small and bloodshot, and look as if they were added onto his face as an afterthought.

“I’ve told you,” he says. “This country is like a little bastard child. You can’t be angry when it doesn’t give you what you want.”

He leans back deliberately in his chair and crosses his legs, holding the pose for two seconds before leaning over and resting both arms on his thighs.

“But you have to praise it when it comes close, otherwise it’ll turn around and bite you in the ass.”

The two of them laugh and then quickly pour back their drinks and refill their glasses. There is a brief silence as each struggles to catch his breath. Before either of them can tell me something else about America (“This country cares only about one thing…” “There are three things you need to know about Americans…”), I call out, “Bukassa.” The name catches them off guard. They both turn and stare at me. They swirl their cups around and around to make sure it looks like they’re thinking. Kenneth walks over to the map of Africa I keep taped on the wall right next to the door. It’s at least twenty years old, maybe older. The borders and names have changed since it was made, but maps, like pictures and journals, have a built-in nostalgic quality that can never render them completely obsolete. The countries are all color-coded, and Africa’s hanging dour head looks like a woman’s head wrapped in a shawl. Kenneth rubs his hand silently over the continent, working his way west to east and then south until his index finger tickles the tip of South Africa. When he’s finished tracing his hand over the map, he turns around and points at me.

“Gabon.” He says it as if it were a crime I was guilty of.

“What about it?” I tell him, “I hear it’s a fine country. Good people. Never been there myself, though.”

He turns back to the map and whispers, “Fuck you.”

“Come on. I thought you were an engineer,” Joseph taunts him. “Whatever happened to precision?” He stands up and puts his large fat arm over Kenneth’s narrow shoulders. With his other hand he draws a circle around the center of Africa. He finds his spot and taps it twice.

“Central African Republic,” he says. “When was it?”

He scratches his chin thoughtfully, like the intellectual he always thought he was going to become, and has never stopped wanting to be.

“Nineteen sixty-four? No. Nineteen sixty-five.”

“Nineteen sixty-six,” I tell him.

“Close.”

“But not close enough.”

So far we’ve named more than thirty different coups in Africa. It’s become a game with us. Name a dictator and then guess the year and country. We’ve been playing the game for over a year now. We’ve expanded our playing field to include failed coups, rebellions, minor insurrections, guerrilla leaders, and the acronyms of as many rebel groups as we can find—the SPLA, TPLF, LRA, UNITA—anyone who has picked up a gun in the name of revolution. No matter how many we name, there are always more, the names, dates, and years multiplying as fast as we can memorize them so that at times we wonder, half-jokingly, if perhaps we ourselves aren’t somewhat responsible.

“When we stop having coups, we can stop playing,” Joseph said once. It was the third or fourth time we had played, and we were guessing how long we could keep it up.

“I should have known that,” Kenneth says. “Bukassa has always been one of my favorites.”

We all have favorites. Bukassa. Amin. Mobutu. We love the ones known for their absurd declarations and comical perormances, the dictators who marry forty women and have twice as many children, who sit on golden thrones shaped like eagles, declare themselves minor gods, and are surrounded by rumors of incest, cannibalism, sorcery, and magic.

“He was an emperor,” Joseph says. “Just like your Haile Selassie, Stephanos.”

“He didn’t last as long, though,” I remind him.

“That’s because no one gave him a chance. Poor Bukassa. Emperor Bukassa. Minister of Defense, Education, Sports, Health, War, Housing, Land, Wildlife, Foreign Affairs, His Royal Majesty, King of the Sovereign World, and Not Quite But Almost the Lion of Judah Bukassa.”

“He was a cannibal, wasn’t he?” Kenneth asks Joseph.

“According to the French, yes. But who can believe the French? Just look at Sierra Leone, Senegal. Liars, all of them.”

“The French or the Africans?”

“What difference does it make?”

We spend the next two hours alternating between shots and slowly sipped glasses of Kenneth’s scotch. Inevitably, predictably, our conversations find their way home.

“Our memories,” Joseph says, “are like a river cut off from the ocean. With time they will slowly dry out in the sun, and so we drink and drink and drink and we can never have our fill.”

“Why do you always talk like that?” Kenneth demands.

“Because it is true. And that is the only way to describe it. If you have something different to say, then say it.”

Kenneth leans his chair back against the wall. He’s drunk and on the verge of falling.

“I will say it,” he says.

He pours the last few drops of scotch into his cup and sticks his tongue out to catch them.

“I can’t remember where the scar on my father’s face is. Sometimes I think it is here, on the left side of his face, just underneath his eye. But then I say to myself, that’s only because you were facing him, and so really, it was on the right side. But then I say no, that can’t be. Because when I was a boy I sat on his shoulders and he would let me rub my hand over it. And so I sit on top of a table and place my legs around a chair and lean over and I try to find where it would have been. Here. Or there. Here. Or there.”

As he speaks his hand skips from one side of his face to the other.

“He used to say, when I die you’ll know how to tell it’s me by this scar. That made no sense but when I was a boy I didn’t know that. I thought I needed that scar to know it was him. And now, if I saw him, I couldn’t tell him apart from any other old man.”

“Your father is already dead,” I tell him.

“And so is yours, Stephanos. Don’t you worry you’ll forget him someday?”

“No. I don’t. I still see him every where I go.”

“All of our fathers are dead,” Joseph adds.

“Exactly,” Kenneth says.

It’s the closest we’ve ever come to a resolution.

—-
From The Beautiful Things That Heaven Bears by Dinaw Mengestu. Copyright (c) 2007 Dinaw Mengestu, Published by Riverhead Books, a member of Penguin Group (USA), all rights reserved

Interview with Miss World Ethiopia

Above: She’s got brains, beauty and a serious sweet tooth.
Meet Jiitu Abraham. Recently, we had a chance to sit
down and chat with the Ethiopian beauty queen.

Tadias: How does it feel to be crowned “Miss Ethiopia World”?

Jiitu Abraham: I feel blessed and honored. I fasted for two months prior to the competition. I asked GOD to make it clear to me if I should go, or if it was just going to be a waste of my time. I didn’t actually buy my ticket until 3 days before the competition. I am honored because I am the first American-born Ethiopian to win this title.

I was happy to see that organizers such as Andy Abulime, and the competition’s judges, were progressive enough in their thinking to understand that you don’t have to be born in Ethiopia to be an Ethiopian. The country of your birth doesn’t prevent you from taking pride or interest in the country that raised the parent(s) who raised you.

While I have received a lot of negative feedback from many, I stand my ground in believing that to be Ethiopian is something that you are born being regardless of your birth country, not something that can be given or taken away from you. With all the children being born to Ethiopian parents in the US and other countries outside of Ethiopia, there is no way that I can or will allow someone to tell me that we are not real Ethiopians, or not Ethiopian enough. We might have had different experiences growing up but that is what is going to make us a more eclectic and successful community. If encouraged and supported properly, Ethiopians, from all backgrounds, can come together and fuse their different life experiences and knowledge to better the social, economic, and political situation in Ethiopia. Being born outside of Ethiopia was not our choice, neither is being Ethiopian. It just simply IS our reality.

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Tadias: Who is your role model and why?

JA: I have different role models for different aspects of my life. As far as life goes, I don’t have to look far for a role model, because my parents, Abebe Abraham and Azenegash Hailu Abraham, are my role models. They have showed me through their actions that the only way to achieve your goals is through hard work and determination. They taught me that there is no speed-pass to success. True success can only be earned through hard work. They also made sure to instill in me the importance of trying to live your life for God, because without him nothing is possible.

When it comes to pursuing a career in entertainment, I would say my role model has been Will Smith. I specifically remember one interview he did for MTV, in which the reporter commented on his acting and rapping talents. Will replied, “I might not be the best actor or the best rapper, but one thing I can say for sure is that I am the most determined.” That day I made this statement my motto. I repeated this statement to myself over and over again while competing in Ethiopia. I was so nervous. I was full of self-doubt.

The girls were so beautiful and all I can remember thinking was “You are out of your league.” But I had to keep saying to myself, “You might not be the tallest, the skinniest or the prettiest, but you CAN be the most determined.” Repeating this statement to myself over and over and over again, coupled with the constant verbal affirmation of my parents is what allowed me to give 110% to pursuing a life-long dream.

Tadias: Where do you see yourself five years from now?

JA: In five years, I would like to see myself as the President/CEO of my own entertainment company. The company would be focused on International Americans. I would like to help shape the media’s image of first-generation immigrants, like myself. Our experiences growing up are unique and have yet to be focused on by mainstream media.

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Tadias: Name three things you can’t live without… Okay, make it five.

JA: I am glad that you moved it up to five. I couldn’t narrow it down to three. First and foremost, I couldn’t live without my relationship with God. It is hard being young in the world today. There is so much more of a pull from the secular world than the religious one. It is easy for someone to get lost. I try to keep His word with me at all times, so hopefully when I am put in a tough position I can make a smart decision.

Secondly I would choose my family, my mom, Azenegash Hailu Abraham, my dad, Abebe Abraham, and my brother, Yohannes Abraham, a very handsome, Yale University student. They are my rock and my strength. I couldn’t go through all the ups and downs of life and pursue a career in the oftentimes fickle entertainment business, if I didn’t know that I will always have them there at the end.

Thirdly I would choose my friends, Dana, Betty, Tessi, Jen, Michelle, and Abbey, who are my extended family. They support me at my shows, encourage me to pursue my dreams, and most importantly, they are always there when I need to take my mind off a hard day’s work, and just have fun!

My fourth choice would be sweets! Some people have a sweet tooth, I, on the other hand, have sweet teeth (plural). If it were up to me I would eat sweets for every meal. I know my health-nut mom is cringing at this statement, but it is true. While I do my best to heed the health advice of my mother, I have yet to allow a single day of my adult life to pass without sneaking in at least one piece of cake or chocolate.

Lastly I would chose playing. While I love to get dressed up for a night on the town, I enjoy playing more. I love nothing more than spending a whole Saturday or Sunday swimming in a local lake, hiking in West Virginia, or biking. Actually, I just got back from a 3-day, 184-mile bike ride from Cumberland, MD to Georgetown, DC. It was wearisome but I enjoyed the serenity of being outside, in nature, without the hustle and bustle of everyday life.

Tadias: Is there anything else you would like our readers to know?

JA: I was named “Honorary Ambassador of Goodwill to Israel.” While my father and I were in Israel, on a religious pilgrimage, the Minister of Tourism, Mr. Avraham Hirchson, presented me with the title “Honorary Ambassador of Goodwill to Israel.” I also got a chance to meet with Senator Barack Obama, United States Senator for Illinois, and discussed my mission as Miss Ethiopia World. We also discussed ways in which to seek and gather public support and recognition for the foundation supported by the Miss Ethiopia World title, the Ethiopian Life Foundation, and its causes.

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Also, I am a senior anchor for ENBS (Ethiopian National Broadcasting Services). ENBS is currently the only Amharic and English language program focused on informing and educating the Ethiopian Community and interested public residing in the Washington, DC area. ENBS presents issues pertaining to Ethiopians, Ethiopia, and its surrounding African countries. The show airs every Saturday between 4-5pm on MHz Networks.

Book Excerpt: My Rediscovery of Ethiopia by Rebecca Haile

Tadias Magazine
By Tadias Staff

May 18th, 2007

New York (TADIAS) – The following is an excerpt from Rebecca Haile’s new book Held at a Distance: My Rediscovery of Ethiopia.

Rebecca Haile was born in Ethiopia in 1965 and lived there until she was eleven years old. When the Emperor was deposed by a military coup, Rebecca’s father, a leading academic in Addis Ababa, was shot while “resisting arrest.” Barely surviving, he escaped with his family and settled in central Minnesota where they struggled with the cultural and financial strain of their drastically changed circumstances.

Rebecca grew up in America harboring her precious childhood memories of Ethiopia. She attended Williams College and went on to graduate from Harvard Law School. In 2001, she was the first member of her family to return to Ethiopia.


Held at a Distance: My Rediscovery of Ethiopia by Rebecca Haile

“I want the two of you to pack some clothes tonight because this weekend we’re going to drive to Nazareth town to visit Ababa Haile and Tye Emete. If we don’t do that, we will probably take a plane to join your mother and father in America.”

With those casual words, my Aunt Mimi tried to prepare my sister Sossina and me to leave Ethiopia even as she downplayed the voyage by equating it with a Sunday drive to my grandparents’ home in the country. Mimi dared not promise us the trip to the United States, much less name a specific date. Those were unpredictable days in Ethiopia—days when people who disagreed with the regime didn’t know whether they would see the sun rise the following morning, days when, my uncle Tadesse swore, you couldn’t trust your own shadow. By then, government soldiers had nearly killed my father, and my parents had fled the country. How could my aunt and uncle assure us that no one would block our family’s reunion?

Now, twenty-five years after those final tense days, I am on an overnight flight back to Addis Ababa. I am sitting next to my husband, Jean, staring restlessly out the window at the inky ground below. As we cross from southern Egypt into northern Ethiopia, an hour or so before we are to land, the horizon finally begins to lighten. Soon, the sky over the vast highland plateau is awash in a deep, clay red. Jetlagged and on edge, uncertain what to expect from the country I am not sure I can still call home, I am grateful for this beautiful prologue to the month that lies ahead.

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I left Ethiopia in 1976, two years after the army deposed Emperor Haile Selassie and sent a powerful wave of turmoil and state-sponsored violence crashing across the country. Along with countless others, my parents were swept up in that wave and soon the life they had built together had been completely washed away. In the summer of 1976, my parents, my sisters and I found ourselves abruptly deposited in the United States, stripped of our possessions and expectations and left to start over financially, professionally and emotionally. I was ten when it became clear we could not stay in Addis Ababa and had just turned eleven when my sisters and I reunited with our parents in a small central Minnesota town. That first summer, as we watched our host country celebrate its bicentennial birthday with fireworks and cheers of freedom along the banks of the Mississippi, not one of us imagined how long it would be before we would see Ethiopia again. When I returned in the spring of 2001, I was the first in my family to do so.


From Held at a Distance by Rebecca Haile. Copyright (c) 2007 Rebecca Haile, Published by Academy Chicago Publishers, all rights reserved.

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I was in Zanzibar, and It Felt Like Being in Paradise: Marcus Samuelsson

Tadias Magazine

By Marcus Samuelsson
Photos by Gideon Kifle

I WAS VISITING THE BAHAMA SPICE farm, a small, private farm where the faint, musky smell of cloves and cardamom danced on the breeze. Before me stretched a riotous tangle of greenery, sprouting spices I never imagined I’d have the opportunity to see growing—much less all in one place. As a chef, seeing how the spices I use daily are cultivated was like being in my own personal garden of Eden. It was an awe-inspiring afternoon I will never forget.

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A guide walked me through the farm, challenging me to recognize the different spices that grew before us. Handing me a leaf from a large tree, he urged me to smell it to see if I could recognize the aroma. I sniffed and ventured a guess—“Cinnamon?”— and he smiled, happy to have stumped me. “No, it’s nutmeg,” he said, cracking open the mottled yellow fruit to reveal the tough brown kernel of nutmeg at its center.

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And so it went on our journey along the rambling path that ran through the spice patches. Before me, vanilla beans, ginger, cardamom, cloves, lemongrass, cocoa, cinnamon—all the magical flavors that inspire me every day—sprang from the ground, seemingly at random: a nutmeg tree here, a vanilla bean vine there, a cinnamon tree in the distance. We pulled ginger roots and lemongrass stalks from the ground, and watched our guide climb the branches of a tree to pluck a blossom that yielded tender, plump pink cloves, which would later be dried until they were shriveled and brown.

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At the end of the tour, one of the boys accompanying us twisted a length of rope into a
a figure 8, hooked his feet into it, and used it to help him shimmy up the trunk of a tall, graceful coconut tree, disappearing into the sky to send a storm of coconuts raining down on us. Back on the ground, he cracked open a coconut and handed it to me. As I sipped the fresh, warm juice, I remembered hearing that long-ago sailors passing Zanzibar used to claim they could smell the scent of cloves drifting from the island far out to sea.

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Today, Zanzibari farmers still eke out a living growing spices on small plots of land, but there was a time when spice plantations brought great riches to Zanzibar, a time whose legacy can still be seen in Stone Town, the faded but opulent heart of this vibrant island. Stone Town is one of the most magical cities I’ve ever visited. It’s a city of surprises—twisting narrow streets that seem to lead to nowhere, grand Arab palaces, Persian baths, mosques, temples, churches, hotels, restaurants, and shops, and sudden glimpses of the Indian Ocean framed between the crumbling stone buildings.

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This magical, mysterious town is the place where the African, Arab, and Indian worlds meet. Hundreds of years ago, African fishermen, Arab and Persian traders, and Indian merchants all settled on the island. The Portuguese occupied Zanzibar beginning in 1503, but were forced out by the Omani Arabs in the late 1600s. Their defeat was followed by more than two hundred years of rule by Arab sultans.

The sultans transformed Zanzibar, introducing cloves from Madagascar and building the first spice plantations. Thanks to the spice trade, the island quickly grew rich and the newly wealthy townspeople began rebuilding their mud homes with stone. The traditional Islamic modesty of these homes was accented with beautifully carved and studded doors, which are now one of the hallmarks of Stone Town. I was told these doors served a dual purpose—their ornate carving was a way for wealthy homeowners to show off their riches, while the studs were a symbol of protection for the inhabitants.

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But, as in many of the places I visited in Africa, you can’t ignore history. All this grandeur has a dark side: at the height of the slave trade, as many as sixty thousand slaves a year were transported from the mainland to Zanzibar and sold to owners in Arabia, India, and French Indian Ocean possessions. I visited one of the prisons where the slaves were held—a cramped, dark, stark contrast to the stunning palaces built by the sultans who grew rich from the sale of slaves and spices.

During my brief visit, I drank in the sights, smells, and sounds of Zanzibar: fishermen sailing off in elegant dhows as the sun set over the Indian Ocean, the scent of grilled fish wafting from Stone Town’s nightly waterfront market at Forodhani Gardens, and the calling of the muezzin—the crier who summons the Muslim faithful to prayer five times a day from the mosque near our hotel. It’s a place of magic and mystique, whose very name conjures up a sense of enchantment and the smell of spices.

Recipe compliments of Marcus Samuelsson

C H I C K P E A – E G G P L A N T D I P
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Hummus is now so ubiquitous that it’s hard to remember it was once an “exotic” food. It
was the first Moroccan food I ever had, and since that first bite I’ve grown to love the simplicity of Morocco’s many dips because they’re so easy to enjoy. You can serve this hummus-style dip on its own with warm pita wedges, as a spread on sandwiches, or as a distinctive accompaniment to grilled fish or chicken.

2 cups dried chickpeas, soaked in cold water for 8 hours
and drained
1 carrot, peeled and cut in half
1 medium Spanish onion, cut in half
4 garlic cloves, peeled
2 eggplants, cut lengthwise in half
4 cup plus 2 tablespoons olive oil
2 bird’s-eye chilies, cut in half, seeds and ribs removed
1 teaspoon Harissa (page 30)
1 teaspoon ground cumin

Combine the chickpeas, carrot, and onion in a medium saucepan, add 4 cups water, and bring to a boil. Reduce the heat and simmer until the chickpeas are very tender, about 11⁄2 hours. Drain, reserving 1 cup of the cooking liquid.

Meanwhile, preheat the oven to 300oF. Toss the garlic and eggplant with 1⁄4 cup of the olive oil and arrange on a roasting pan, eggplant cut side down. Roast for 40 minutes. Add the chilies to the roasting pan, cut side down, and roast for another 10 minutes. Set aside until cool enough to handle.

Scoop the flesh from the eggplant and transfer to a blender. Add the roasted garlic and chilies, chickpeas, harissa, cumin, the remaining 2 tablespoons oil, and 2 to 3 tablespoons of the reserved cooking liquid. Puree, adding more of the cooking liquid 2 to 3 tablespoons at a time as necessary, until the mixture is smooth and creamy. Serve at room temperature with warm Pita Bread (page 151).

MAKES 3 CUPS

You can purchase Marcus Samuelsson’s new book: Soul of A New Cuisine at Amazon.com


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Ethiodoll CEO & Founder Salome Yilma on Forbes

Above: Forbes highlight EthiDolls through an interview with
Co-Founder & CEO Salome Yilma. Video posted by Dire Tube.

Tadias Magazine
Created by Two Ethiopian Women: EthiDolls to Spread
a New Vision of Africa

By Margaret Heneghan

Updated: Monday, August 16, 2010

New York (Tadias) – As young girls in Ethiopia, Yeworkwoha Ephrem and Salome Yilma were part of the first generation to help their native land bridge into the modern world. Today, they are New York City entrepreneurs working to preserve African culture for future generations.

Through their start-up company EthiDolls™, Ms. Ephrem and Ms. Yilma are developing African signature dolls and accessories that teach history and tradition, as well as celebrate cultural diversity.

“As a child, I believed that the world had infinite possibilities because all around me women had equal responsibility for life. School, play, my mother’s work, my father’s work — all were life,” says Ms. Yilma, EthiDolls’ chief executive officer. “This notion has always grounded me and allowed me to thrive – personally and professionally – uninhibited by the many prejudices we all experience as we go through life.”

“I have my parents to thank for this precious gift; their emphasis on integrity, education and aspiration has always been my touchstone,” she says. “We at EthiDolls believe that these are the same gifts all parents wish to bestow on their children. And we hope to awaken this same spirit of leadership in today’s young African-American girls and their multicultural playmates by offering a new vision of the African experience. We believe that connection to the rich historic cultural heritage of Africa will be a good source for young people to extract a sense of pride and self empowerment.”

Video: Ethiodoll CEO & Founder Salome Yilma on Forbes

Established in 2003, EthiDolls launched its first product line in December 2006 with the “Makeda: Queen of Sheba” doll, storybook and CD narration. The line is based on the ancient legend of Makeda, “The Queen of Sheba,” the first female ruler of Ethiopia, the land known as the “cradle of civilization” because people throughout the world today can trace their roots to it.

The dolls are collector quality and hand-crafted for EthiDolls by Madame Alexander® maker of the popular collectible doll line and no detail or expense was spared to capture the Queen’s majestic image. The doll stands 16 inches tall and has 18 points of articulation from head to toe, including hair and lashes made of top-of-the-line kanekalon fiber and gold hoops and bangles for her wrists. The fabric used for the costume is rich in detail, hand woven in Ethiopia, and is an authentic representation of the traditional Ethiopian dress still worn today.

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The accompanying items are of equal quality. The storybook is beautifully illustrated by a young Ethiopian artist, and the CD provides a compelling narration of Queen Makeda’s rise to the throne and her relationship with King Solomon.

EthiDolls launches the Queen Makeda merchandise as African culture emerges into popular consciousness and as “edutainment”— learning through a medium that educates and entertains — is on the rise. According to the Toy Institute of America, dolls rank as the toy industry’s second-largest product category in dollar volume with sales of $2.7 billion in 2005. The superior quality and authenticity of the product line also will appeal to the doll collector community, which vies with stamps and miniatures as the No.1 hobby group in the world.

“Our true aim is to enrich the lives of young girls of African heritage especially in this fast-paced and media savvy age we live in,” says Ms. Ephrem, EthiDolls’ executive vice president. “And we’re also pleased to contribute to the growing and important movement of African-American families researching heritage and re-connecting to cultural traditions. We’re eager to serve this market with upscale, quality merchandise that meets their high expectations.”

EthiDolls will launch several more dolls based on African royal figures in 2007. Currently, the company is utilizing the rapidly growing direct-to-consumer marketing and distribution channels to sell Queen Makeda merchandise. Future plans include distribution in targeted specialty shops and other locations that provide unique family experiences.

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For more information about how to purchase Queen Makeda products, visit www.ethidolls.com.

A Doctor’s Memoir: Ethiopia’s Crumbling Health Care System

Tadias Magazine
By Sosena Kebede

May 3, 2006

So I woke up at 8:45am after going to bed at 11:00pm last night and I reported to duty at Tikur Anbessa Hospital (hereto referred to as TAH).

The hospital is run down, there is barely enough lighting to see your way in the hallways, the wards reek of a mixture of antiseptics, body odors, and whatever else. Medical equipments are scarce, outdated and in some cases out of commission.

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Above: There is barely enough lighting to see your way in the hallways.
Photography by Sosena Kebede

The Out patient Clinic (OPD) is mainly run by resident physicians. Consultants usually see subspecialty patients and are available for consultations. Patient rights including a right to privacy or modesty is barely existent. Patients are examined in a semi-office type room with one stretcher in the room. There is no gown, no privacy in that small room. Patients have to undress in the full view of the doctor and the nurse as well as who ever else may be around at the time in that small room. (Oh, the cell phone of the doctors rings at times in the middle of exams and the doctor interrupts the exam while the patient is lying half naked and talks on the phone. Later on, I found out that the cell phone is used as a pager equivalent in this hospital so to be fair most calls seem to be work related). What topped my experience today was when the examining physician at one time literally pinched an older woman’s pendulous left breast by the nipple and raised the whole breast up in the air like a tent while listening to her heart! I was mortified, and I so badly wanted to slap his hand off of her.

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Above: The Out patient Clinic (OPD). Photography by Sosena Kebede.

Because not all patients can be seen by a consultant some complicated cases are seen by residents alone which made me feel uncomfortable to say the least. Today, one of the residents came to ask the cardiologist’s opinion on how to manage an elderly gentleman who apparently is in third degree heart block intermittently (A heart conduction abnormality that can be fatal). There is no pacer (a pacer, as the name implies, is a device used to” pace” the heart when its intrinsic ability to pace its own rhythm fails) and the gentleman declined admission for monitoring purposes citing financial reasons. It turned out that he couldn’t afford any medications either. Decision was made to send him out and have him come back in three weeks!! Wow. I felt helpless; as I am sure these physicians have million times over. I gave the old man some money for medications. He kissed my hands and I walked out chocked up, knowing that he is one of many, and one couldn’t possibly help all… I saw the physicians exchange glances as I walked out. Perhaps they were amused by what they perceived to be a naïve gesture on my part. Perhaps, they thought here is another American trying to be a hero.

Clearly the volume and the acuity of care is way above what these exhausted and frustrated physicians can handle. The system seems to be crumbling and I wondered how they make it day to day, patients and physicians alike.

At the end of a long day, I stood looking outside the window on 8th floor while waiting for my ride to go home. I saw a beautiful landscape of Addis. A spectacular chain of mountains cradle rows of shacks and rusty tin roofs. The high rises that pop their heads above the shacks don’t hide the story of this city. This city holds some of the wretched of this world.

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Above: 8th floor offices. Photography by Sosena Kebede.

May 4, 2006

I attended grand rounds today and was once again impressed by the quality and clarity of presentation and the professional attitudes of the residents and even more impressed by how bright they are as demonstrated by their wide differential diagnoses. I sat at the back of the conference room proud to call them my people. I don’t think my residents in America with all the information excess at their fingertips and a lot of spoon feeding could generate as much differential and show such insight into disease processes as these residents.

In the department of Internal medicine, there is one lap top and LCD projector that is kept in the main office but the residents use overhead slides for their presentations. The screen for projection is torn at the corner and is held by a wide masking tape and creates an indentation on some of the hand written words that project on its surface. I struggled to read their hand written presentation but I preferred to listen to them anyway, so it didn’t matter.

Diagnostic modalities such as CTs and echos are hard to come by. The hospital does not have an MR. The single CT scanner the hospital has, I am told is broken and has been so for the last 12 months! Patients who require CTs will have to go to private clinics to get them done. With a prohibitive cost for these diagnostic procedures most patients who need them can’t get them.

The physicians here work under some of the most emotionally devastating circumstances, with very little reward and no job satisfaction whatsoever. I found out that every physician now works at a private clinic to supplement their income at the government hospital. This includes the resident physicians as well.

There is no heart hard enough and a mind so callus that it can’t feel pain, outrage, disbelief, and despair at what I am seeing in Ethiopia.

Out of the many sad cases here are a couple that I will probably never forget. We saw a 20 some year old male who came to the cardiology clinic for follow-up of his cyanotic heart disease. He was born with “a hole in his heart” and because of this defect the oxygenated and deoxygenated blood mix and gives patients such as this one “cyanosis”( bluish hue to their coloring), which is one of the hallmarks of low oxygen in the blood. During this visit, the patient is told to continue taking his medications (which will not fix the problem!) and “try and pursue his chance to go abroad to get definitive treatment”. The only way to cure this type of defect is by surgical method and that is not available in Ethiopia. Of course this young man, who is a college student can’t go abroad and he will die here. I wondered what he is studying and how long he will stay alive. Ethiopia’s life expectancy is about 43 years of age, I don’t think he will make it that far.

An 18 year old girl who looks not a day older than 13 (she is severely malnourished) came with her dad for follow-up of her shortness of breath and trouble lying flat. During physical exam her heart looked like it’d pop out between her left sided rib spaces and you barely have to put your stethoscope on her chest to hear the loud booming murmur (a heart murmur is a sound made as blood rushes out of the heart chambers via its valves and can be a sign of heart valve problems). She had distended neck veins and is breathing heavy. This girl has a very sick heart, and you didn’t need to be a doctor to see that. I saw her echo live and the cardiologist, (who is clearly very bright and in my opinion second to none) pointed out the girl’s massively stretched heart chambers and the severe valve leakages. She is clearly a surgical case but he pointed out because of her malnourishment he didn’t think that ENAHPA (Ethiopian North American Health Professionals Association, a group of Ethiopian and non-Ethiopian health professionals from North America that are expected to come mid May to do cardiac surgeries) will consider her to be a good surgical candidate. The girl’s father who accompanied her has sad eyes and didn’t say a word and seems to have no clue as to what is going on with his daughter. The little girl spoke in whispers I could barely hear, and she kept her eyes down cast and continuously wrung her fingers that were folded on her lap. The name and the body frame may change but this case and the whole scenario was déjà vu all over again for me.

There is a frighteningly minimal amount of conversation that goes on between patients/their families and these doctors. The patients and their families who at times travel several kilometers to make it to this hospital are so mishandled starting at the hospital gate all the way to the clinics. Part of this ill-treatment that I perceive (the Amharic word “Mengelatat” I think fits the bill better than any other English term I can come up with) I believe may stem from a general lack-luster “customer service” practice in our culture. Also, my experience has been that harsh words are freely hurled by people in “authority” to people who are perceived to be either inferiors or subordinates in some ways without fear of repercussions. A hospital guard who carries a gun is at liberty to scold a family member of a patient at the hospital gate; as would an older man in car to a female pedestrian, an adult to a child or a physician to a patient, just to name a few. Added to that, the frustrations that come from working under such difficult conditions may make people appear to be heartless. Regardless, it is a sad state of affairs.

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Above: B8. Photography by Sosena Kebede.

Today, I felt overwhelmed by all I saw. After work I met with a friend of mine at a café (there is a miracle right there, my good old southern friend from Wilmington North Carolina, now sitting across the table from me in the country of my origin!) and I broke down and cried about this whole package of life in Ethiopia. He cried with me.

May 8, 2006

The residents essentially manage most of the patients. While I rounded on hematology patients with one of the Hematologist, I was impressed by these residents as they discussed the management of leukemias, multiple myelomas etc. They know the chemotherapeutic agent dosages, all the side-effects. They administer and monitor treatment after consultation with the sub specialist. Infectious diseases are plentiful in kind and number in Ethiopia. I had to acquaint myself anew with some of the tropical diseases such as Leishmaniasis and Schistosomaisis etc, which I was once taught in the US as topics of historical significance in the western world.

Before rounds I was listening to a bunch of residents discuss a case of pleural effusion (fluid in the lungs) and its managements. They know what they are talking about and the camaraderie and team play exhibited seems to be far superior to what I have seen in America. I was also very happy to overhear that they do most of the medical procedures and although limited, do have access to ultrasound guided thoracentesis,(a method by which fluid from the lungs is drained using ultrasound guidance). Most of these guys (unfortunately with the exception of two females they are all guys) seem to be highly motivated, after having arrived at this stage of their lives after much trials and tribulations. (Naturally, there are exceptions to the rule). They work under such suboptimal conditions, with very limited support system, and meager educational resources. Their motivation to learn makes me wonder if I will ever want to teach in
America again.

May 10, 2006

I had a very full day today-long rounds and lectures to the residents. What a pleasure though.

I have had some opportunities to mingle with people and form friends in the hospital and outside of it. The recurring theme among physicians and non-physicians is that people in Ethiopia are increasingly being made to abandon intellectual/ academic pursuits for entrepreneurships in order to survive. (There is nothing wrong with entrepreneurship or business if done honestly, but it should not be the only means of existence in a modern society). One young professional couple shared with me how some of their close friends who have only high school education have gone into “business” and are living large, whereas people like them who have invested a significant number of years in education are left to struggle to make ends meet. Their expertise for knowledge transfer and their contribution to pulling Ethiopians out of the dark ages of ignorance seems to be overlooked. The way I see it, Ethiopian intellectuals are given very little incentive to make this country their home.

While discussing this topic with one individual I heard very disturbing news about a parliamentary discussion that was televised recently. Apparently, the prime minister of Ethiopia was discussing with members of the parliament on how Ethiopia can improve its Chat business in the international market. Chat is a marijuana like substance that is grown in Ethiopia and has an addictive and mind altering properties. This recreational drug is now creating a huge problem among the youth and adults alike and is blamed for a significant number of road fatalities especially among long distance truck drivers who drive while under the influence. Everyone can list many bad public policies, but this one defies explanation and borders on insanity.

May 11, 2006

I saw an elderly male carrying an emaciated adolescent kid and walking up the steep hill via the Radio Fana road going to TAH today. Beside him, also was a middle aged guy carrying a plastic bag. I saw them trudging up that steep hill in silence, obviously exhausted from a long journey, and quite clearly unable to afford a taxi fare to bring a sick child to the hospital. I wondered how long they traveled today and where they came from. I wondered what illness the child had and what other “mengelatat” (harassment) awaits them starting at the TAH gate. I wondered when they will eventually be able to see a physician. I also wondered if that child was going to walk out of TAH alive…

I see many elderly and sick people climbing the stairs at TAH all the way up to the 8th floor because the only one functioning elevator (that sometimes fails to function) is reserved for those who are severely sick such as those who require stretchers. I helped carry a heavy bag for a lady walking up the stairs this afternoon. She was very happy to share the burden and was talking to me in between halting breaths until one of the ladies who works in house keeping on 5th floor addressed me as “doctor”. At that point, the lady I was climbing the stairs with took the plastic bag I was helping carry from my hands, thanked me profusely and went her way, without even giving me a chance to say that it was no big deal.

I also see rows of people sitting on the benches and on the floors of the hospital waiting for their turns to see a doctor. Some look like they need to be in ICU immediately. Not that the medical ICU which has 4 beds and the most rudimentary cardiac monitors and not much else, will avail much of anything, but at least they will be in a bed of some sort. From what I gathered there are only two mechanical ventilators in the ICU; there are two “crash carts” (carts that hold emergency medications and defibrillators in the event of cardiopulmonary arrest)-one in the ICU the other in the OPD area. Emergency medications are not always available, therefore medical emergencies in general have a predictable dismal outcome.

During lunch break today a very soft spoken and pleasant laboratory technician was talking about how tuition for her daughter has increased by 50% and she and her husband don’t know how they are going to be able to keep their only child in the same school. Everywhere I turn I hear “sekoka” (woes). Sometimes it is almost impossible to comprehend this level of social devastation in one country. The poor have clearly grown poorer over the past decade or two, and the minority of “middle class” are frantically struggling not to join others into the quick sand of poverty. There is wide spread sense of hopelessness and dejection in people of all ages, and gender. People are preoccupied with trying to figure out how they can make it from one day to another.

I talk about misery sitting in an upscale café/bookstore, eating grilled veggie sandwich, drinking green tea, and working on my lap top. I have my palm pilot and cell phone on the table, both very much operational and invaluable even here in Ethiopia. On the bottom floor of this beautiful contemporary café called Lime Tree café is a snazzy day spa called “Boston Day Spa, Where luxury and Glamour Meet”. I am very comfortable. When I am done writing this piece I will walk across the street of Bole, where rows of internet cafes, pastry shops, high end boutiques and shiny high rises are lined up. I might as well be in America. I will eventually walk into a two storey beautiful house where the maids will wait on me. Now that is much better than I have it in America. This is what I call the “artificial” life of Addis Ababa. This is a life that only a very small minority of Ethiopians live.

Many things annoy me even infuriate me, but none like people who measure developmental advances of the country using these “artificial” methods. Rome was not built in a day, and nor will Ethiopia be. I am not against road constructions and the erection of high rises. I am not necessarily against the SUV driving, designer clothing wearing, Sheraton Hotel partying, Europe vacationing crowds. I am however against those who use this minute fraction of the reality in Ethiopia to measure “development”. I am against complacency and indifference to the pressing issues of basic human needs food, shelter, clothing, health care, education and safety to all the people of Ethiopia.

May 12th 2006

There were four successive bomb blasts in Addis today. One was close to TAH and it occurred while I was giving a lecture on Sub acute Bacterial Endocarditis to the medical students. Everyone looked pretty unmoved by the whole thing and outside the building it was business as usual. People on the street either talked about something entirely different, or they casually made comments about how they believe the government itself is responsible for these blasts. Two of the four blasts happened in a taxi and a bus (I could very well have been in one of those taxis), and a total of four people died with over 20 injured, some very seriously. Waiting for a taxi to go home right after the blast I saw a group of people sitting at a café near Ambassador Hotel having a good old time. The thought that came to mind was that Ethiopians have become accustomed to death and dying of all forms including terrorist killings that they carry on their lives pretty much how the Israelis and the Palestinians must carry on. Just when I thought it couldn’t possibly get any worse…!!

May 15, 2006

I keep fairly busy at TAH, and I am enjoying getting to know people a little bit better everyday. One of the physicians asked me today why I wanted to come to Ethiopia to work. This is a well seasoned physician that has served in the institution for a long time and I think he wanted to know if I knew what I would be getting myself into. I know that Ethiopia’s problems are complex and individual efforts may be miniscule but if there is enough of us I believe the scale will eventually tip. The scale may not tip in my life time but I am willing to leave my “negligible” contribution on the offering plate.

It is easy to get overwhelmed by all that is wrong around here, but in my simplistic personal view, there is still a lot of untapped sources. These sources are easy to miss because they are not big and they don’t leave visible dents on the surface of our problems, and they certainly don’t make the headlines. Most of these sources are also not measured in monetary in kind, and thus may appear not to be that valuable. I am thinking of the power of compassion that moves us to own the pain and suffering of others and make it our own. I am thinking of daily acts of simple kindness at individual levels. I am thinking of touching other human beings, both literally and figuratively. During rounds I made sure I laid my hands on each patient and addressed them by their names. I also always asked the patients and their families if they had any questions before we left their bedside. I made it my business to communicate to them by words, attitudes and actions that their issues concern me and they matter to me. Two days ago, the father of a 15 year girl with leukemia shook my hand and said to me in Oromiffa (was translated to me by one of the residents who speaks the language) that for them to” be touched by a doctor is like medicine itself ‘.

I will always remember what someone said to me: “People don’t care how much you know until they know how much you care”. If the students and the residents I worked with this month will remember only this piece of advice my time with them has been worth it.

Talking of simple kind acts, today’s was a special one. I was leaving TAH when a woman asked me where the “cherer kifle” (radiation room) was. Of course I didn’t know where it was but since she and a young man are bringing a very sick elderly woman who could barely walk, (she was moaning and looked like she was about to collapse), I offered to investigate for them. Once I found out it was on 2nd floor, they asked if the “lift” (elevator) will automatically stop on the floor, apparently it was their first time to take an elevator. I took the elevator with them and walked them to radiation oncology and gave their chart to the nurse and inquired for them when they will be seen. There are no wheel chairs, no hospital staff that help triage these sickly patients. The radiation/oncology area it turned out was quite a walk and I kept looking behind me at the sick woman and the man supporting her and said words of encouragement such as “Ayezwot desrsenale” (loosely translated: hang in there, we are almost there”). After we arrived in the radiation room the elderly lady sat on the bench she took my hand and kissed it (for the second time in 10 days, and it brought tears to my eyes. Such deep gratitude, for such a small act…) and said some of the most beautiful merekat (blessings) to me. The one that stood out the most was “Enkifat enkwan ayemtash” (“may you not even stumble”). I loved hearing that. I bowed my head several times, in acknowledgement, Ethiopian style, and said my Amens to all the blessings. It touched me so much, that it surprised me. In a land where verbal cursing is not uncommon it is good to hear a torrent of blessing for a change.

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Above: With one of my favorite patients. Photography by Sosena Kebede.

June 16, 2006

I was rushing out through the OPD gate to meet someone for lunch when I run into one of the residents I know. We talked about what it is like to work and live in Ethiopia as a physician. My conversations with the same physician although not entirely based on a new theme gave me a reinforcement of what most intellectuals/professionals in this country are feeling. He told me that his salary rated among the highest but for a family of seven (five kids and a wife) it will be sufficient for two weeks only. Like many others he is also supplementing his income with a second job in the form of a private clinic work. He recounted that once upon a time, he too had great aspirations and dreams to bring about a change in the society. He told me after several episodes of banging his head against a brick wall he has decided to lead a quite life and support his family. This physician, who is soft spoken and accomplished, like many others has contributed a lot to that institution and to the country at large. How many peoples’ dreams and visions have died, I wondered.

I am reminded of the Biblical verse that says “a small yeast will leaven up an entire dough”. This is true of good as well as bad influence (“leaven”). I do believe, that though we might not see this happen in our generation, if we are determined we can be the leaven, the catalyst, to bring about a paradigm shift in this country. We can be the catalysts who will initiate the process of change from the cycles of poverty to self sufficiency.

I was very fortunate and truly feel honored to have met so many people that have done so much and have the potential to do so much more in Ethiopia. Some are tired, others are tiring out. That is why we need reinforcements to be deployed to them. With all the apprehensions that I feel at times, I can’t wait till I go back to Ethiopia. One of my self assigned missions now is to recruit as many as are willing to be part of that reinforcement.

About the author:
Ethiopian-born Sosena Kebede served as an Assistant Professor of Internal Medicine at Hanover Regional Medical Center until April 2006. She spent her childhood in Ethiopia, Tanzania, and Botswana before settling in the United States in 1988. She holds a B.S. from Duke University, and a Medical Doctorate from University of North Carolina. She is currently enrolled in the Public Health Program at Johns Hopkins.

Elegant Sculptures by Artist Etiyé Dimma Poulsen

Tadias Magazine
Art Talk

May 11, 2007

New York – Born in 1968, in Aroussi, a rural village in Ethiopia, Etiyé Dimma Poulsen was orphaned at age two. Adopted by a Danish friend of the family, Gunnar Poulsen, Etiyé Poulsen’s turbulent childhood led her through Ethiopia, Tanzania, Kenya, and finally to Denmark. As a remedy for the constant uprooting and difficulties of communication that characterized her childhood, she began to paint at the age of fourteen. When no other alternative existed, painting became her expressive outlet. Poulsen studied art and art history in Denmark for two years. At 22, she traveled to France to live with partner and fellow artist Michel Moglia. Inspired by Moglia, Poulsen began sculpting in ceramics to once again communicate her worldview and emotions. In 1993, she relocated her studio to Antwerp, Belgium, where she presently lives and works.

Her elegant sculpture suggests lyric elisions and manipulation of the commonplace, yielding extraordinary and personal perceptions. Simultaneously balanced between the traditional and the modern, they evince refined sensibilities that explore new aesthetic territory derived from her travels to varied cultural arenas and an awareness of the formalist sculpture sources involved with the nature of the material she uses, including it’s cultural connections. The body of her works has the force of a determined idea. They are so profoundly personal to the artist that they all but command an equally personal response. Totemic, elongated and possessing a quiet dignity with detailed facial expressions and delicately glazed bodies, the figures evolve out of a complex process in which clay is put on an iron mesh armature and then painted before it goes through the firing process. Chance also plays an important role during the firing process and accepted as a natural part of creation by the artist. This allows for the formation of cracks which give the works their distinct characteristics, a unity of paint treatment and over-all tonalities.

Poulsen’s works have been exhibited in Africa, Europe and the US including 2000 Dakar Biennale, Senegal; 2002 Alliance Francaise, Addis Ababa, Ethiopia; 2003 Museum of African Art, Smithsonian Institution, Washington DC, 2004, Museum of World Culture, Goteborg, Sweden, 2006, Skoto Gallery, New York.

She is also represented in several public and private collections such as The Herbert F. Johnson Museum, Cornell University, Ithaca, New York, Museum of African Art, Washington DC, Jean Paul Blachere Foundation, France and The Hans Bogatzke Collection of Contemporary African Art, Germany.

Defining herself as a cultural hybrid, Poulsen has always been drawn to African art and aesthetics. She attributes this attraction to an unconscious cultural memory. Consciously, she uses Ethiopian art as a tool in her creative process. She rejects the “primitive” stigmatization of artists of African descent and views it as a barrier to her own artistic expression. When language barriers grew too great, Etiye’s paintings and sculptures spoke for her. The works of Etiyé Dimma Poulsen, she stresses, are the embodiment of her vision and emotions which she attempts to communicate to the world.

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Aztec Woman, 2005, mixed media, 23x10x4 inches.

Source: Skoto Gallery. Working around Archetypes: New Sculptures by Etiye Dimma Poulsen

First Ethiopian Delegation to the U.S. in 1919 Made Headlines

Tadias Magazine

By Liben Eabisa

Updated: May 11th, 2007

New York (TADIAS) – The arrival of the first Ethiopian diplomatic delegation to the United States on July 11, 1919 made headlines in Chicago, where journalists eagerly awaited their opportunity to meet and interview the delegation.

At the time Woodrow Wilson was serving as the 28th President of the United States. In Ethiopia, Empress Zawditu, the eldest daughter of Emperor Menelik, was the reigning monarch.

Dejazmach Nadew, Empress Zawditu’s nephew and Commander of the Imperial Army, along with Ato Belanteghetta Hiruy Wolde Sellassie, Mayor of Addis Ababa, Kentiba Gebru, Mayor of Gonder, and Ato Sinkas, Dejazmach Nadew’s secretary, comprised the first official Ethiopian delegation to the United States in the summer of 1919.

The main purpose of their trip was to renew the 1904 Treaty of Amity (Friendship) between the United States and Ethiopia (brokered when President Theodore Roosevelt authorized US Ambassador Robert P. Skinner to negotiate a commercial treaty with Emperor Menelik).

The treaty had expired in 1917. This four-man delegation to the United States became known as the Abyssinian mission.

The delegation headed to the White House in Washington D.C. after their brief stay in Chicago.


Empress Zawditu of Ethiopia (In office: 1916 to 1930) and US President Woodrow Wilson (In office: March 4, 1913 – March 4, 1921). Photos: Public Domain.

The group visited the U.S. at a time when blacks were by law second-class citizens and in some places the most common crime against American blacks was lynching. Before leaving Chicago, a reporter for the Chicago Defender, an African American newspaper, asked the Ethiopian delegation what they thought about lynching in the U.S. The representatives responded “[We] dislike brutality… lynching of any nature, and other outrages heaped upon your people.”

African-Americans were inspired to see a proud African delegation being treated with so much respect by U.S. officials. Newspapers reported that in honor of the delegation’s visit “the flag of Abyssinia, which is of green, yellow, and red horizontal stripes, flew over the national capitol.”

The Chicago Defender reported that the delegation expressed their support for the struggle of American blacks and gave them words of encouragement. A member of the press had inquired if the group had advice to African-Americans. Ato Hiruy Wolde Sellassie, who spoke fluent English, replied: “Fight on. Don’t Stop.”

The Ethiopian presence at the Waldorf Astoria in New York City, dressed in their traditional white robe and pant attire attracted large attention.

Upon arriving in Washington D.C. they took up residence at the former Lafayette Hotel and awaited their formal presentation at the White House.

“It perhaps is of much interest to know that the Abyssinian religion is the oldest Christian religion in the world”, Captain Morris, the delegation’s chaperon, told reporters. “The queen of Sheba, who visited Solomon was once their queen, and the present ruler is descended from the queen of Sheba.”

The Ethiopian Mission enjoyed an overall warm welcome and before returning to Ethiopia they toured the cities of New York and San Francisco. They also visited an Irish Catholic cathedral, a Jewish synagogue, the Metropolitan Baptist Church in Harlem, and Yellowstone National Park.

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About the Author:
Liben Eabisa is Co-Founder & Publisher of Tadias Magazine.

Related:

History: US- Ethiopia Complicated Alliance

Ethiopia: US-Africa Relations in Trump Era

A Memoir of First US Diplomat’s Meetings With Emperor Menelik

African American and Ethiopian Relations

President Obama Becomes First Sitting U.S. President to Visit Ethiopia

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This Week’s Hot Shots by Photographer Ray Grist

Above: From left- Stephanie Fontenoy Tesfaye Tessema, Etiye
Dimma Poulsen, Etiye’s husband – back right, and Liben Eabisa.

Photos by Ray Grist
Event Name: Book launch & Reception for Publisher Reynold Kerr
Date: Sunday, May 6, 2007
City: Harlem, New York
Venue: Museum of Art and Origins
Address: 430 West 162 St
Phone: 212 740 8888
Host: Dr. George Preston
Note: Read Review of the book on Tadias Magazine

Send your hot shots to hotshots@tadias.com

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Above: From left – Publisher Reynold Kerr, Helen Demoz, Liben Eabisa, and Rahel

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Above: Japanese-born Ceramics artist Ayano

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Above: Etiye Dimma Poulsen and Tesfaye Tessema

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Above: Stephanie Fontenoy and Dr. George Preston

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Above: Stephanie Fontenoy, George Preston and Liben Eabisa

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Above: Liben Eabisa and Stephanie Fontenoy

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Above: Etiye Dimma Poulsen and Liben Eabisa

View more hot shots here

Sheba Tej: America’s Favorite Ethiopian Honey Wine

Tadias Magazine

By Tseday Alehegn

This feature was first published in our print issue in 2005

New York (TADIAS) — In the hamlet of Washingtonville, New York, lies the scenic campus of Brotherhood Winery, a national historic landmark and America’s oldest winery, established in 1837. According to the Washingtonville Village Historian, Edward J. McLaughlin III, the original owner John Jacques “had planted a vineyard in the rear yard of his lumber business store, shipping the harvest of grapes to the Isles of Manhattan for 15 cents a pound.” When the price of grapes fell, Jacques experimented with pressing the fruit into juice and started producing wine. Subsisting on the sale of sacramental wine during the prohibition years, Brotherhood Winery continued its winemaking legacy.

Today Brotherhood Winery is a popular site for tourists, producing a wide assortment of award-wining wines, including Chardonnay, Johannisberg Riesling, Seyval Blanc, Chelois, Cabernet Sauvignon, Merlot and Pinot Noir. Under the supervision of Cesar Baeza, an internationally-renowned Chilean winemaster and new owner of Brotherhood Winery, a new dessert wine called Sheba Tej made from pure organic honey is now part of the premium wine list. Although the honey wine may be newly introduced to the Hudson Valley, Ethiopians have known it for centuries as “Tej”.


Brotherhood Winery, a national historic landmark and America’s oldest winery, established in 1837. (Photo: TADIAS)

Tej, or honey wine, is one of the world’s earliest fermented drinks, mentioned in ancient texts and scriptures, and consumed before the time of Christ. Traditionally, in Ethiopia, Tej was prepared primarily by women. In his book A Social History of Ethiopia, Historian Richard Pankhurst writes, “None except nobility and the highest chiefs and warriors were privileged to drink Tej.”

The honey wine’s popularity, all the same, surpassed the environs of the royal courts to be enjoyed by all sectors of ancient and modern Ethiopian society. Tej became a favorite during feasts and celebrations, notably weddings. The unique wine recipe contains no sulfites nor grapes, just pure honey. Legend even has it that Tej was one of the many gifts carried by Makeda, the Queen of Sheba, to Jerusalem’s King Solomon.

Honey wine was also known as mead and enjoyed in other parts of the ancient world. According to S. W. Andrews’ accounts of mead and meadmaking, in classical Greek mythology, the ‘Nectar of the Gods’ was a honey concoction known as Melitites; and the term “honeymoon” refers to the old tradition of newly weds drinking wine and feasting on honey cakes for one lunar month after their marriage, in the hopes that their actions would make their union more fertile.

America’s oldest winery began producing one of the world’s oldest wines after an African American entrepreneur, Ernest McCaleb, met and initiated a joint collaboration with Brotherhood Winery. McCaleb is founder and CEO of Sheba, Inc., a company focusing on the production and distribution of organic Ethiopian honey wine. Prior to founding Sheba, Inc., McCaleb had spent significant time conducting and financing highly successful import/export businesses in Ghana, Nigeria, Ivory Coast, Senegal, Cameroon, Gabon and Sierra Leone. His corporate offices were located on Wall Street in New York City and Western Avenue in Lagos, Nigeria, and his import/export financing company generated over $250 million in sales of cement, rice, sugar,and other commodities to governments and major businesses in West Africa.

A chance meeting with an Ethiopian in Paris gave rise to his eventual introduction to Ethiopian honey wine. Having a great passion for Africa, its diversity, traditions, and history, McCaleb continued on his entrepreneurial quest and established Sheba in 2003 with the sole purpose of producing authentic honey wine according to ancient Ethiopian traditions. To that end, he arranged for three generations of Ethiopian women — a mother, her daughter and granddaughter — to travel from Addis Ababa, Ethiopia to New York’s Brotherhood Winery to demonstrate how Tej is prepared. Winemaster Baeza studied how this first batch of Sheba Tej was made. The careful end product was a naturally fermented, organic drink with a pleasing golden yellow hue — an ancient, spicy, semi-dry, full-bodied wine. The aroma of honey and wild flower permeated the air, and the Tej was joyously tasted by Baeza and the employees of Brotherhood Winery in conjunction with a hearty meal of Injera and Wot prepared by the three Ethiopian women.

Since then, Sheba Tej, produced at Brotherhood Winery has won awards at international honey wine festivals, and is distributed in many stores across the U.S. and the Caribbean. “Since I’ve begun doing this,” McCaleb says, “I’ve learned more about this rich history, and as I give tasting sessions I have become even more inspired. This is beyond the commercial success. It’s about pride and heritage, which those women taught us when they came to Brotherhood Winery.”


Ernest McCaleb, Founder & CEO of Sheba, Inc. (Photo: TADIAS)

The nutritional benefits and health promoting agents in honey itself are to be marveled. Honey, when stored properly, can remain edible for centuries, having almost no expiration date. According to a recent study conducted by Gross Market Research for the National Honey Board, four out of five households in America use honey in various capacities — as a sweetener, source of carbohydrate, anti-oxidant, skin cleanser, and even as an antiseptic to heal burns and wounds. Pure honey contains several important vitamins, including Thiamin, Riboflavin, Niacin, Folate, Vitamin B-6, and Vitamin C. Numerous essential minerals, such as Calcium, Iron, Zinc, Potassium, Phosphorus, Magnesium, Selenium, Copper, and Manganese, are also contained in honey. Honey continues to be used to alleviate symptoms of allergies, anemia and several chronic diseases, including asthma and high blood pressure.

Sheba Tej — prepared from pure, organic honey and preserved without the use of sulfites — retains the nutritional qualities of honey while at the same time making for an excellent wine with meals, or alone as an aperitif.

By producing and introducing Sheba Tej to the world, McCaleb and Brotherhood Winery are not only sharing in Ethiopia’s rich heritage but also fusing together the oldest tradition of winemaking in America with the ancient culture of preparing honey wine in Ethiopia. Their efforts have strengthened American and Ethiopian ties and, in the process, brought the famous ‘Nectar of the Gods’ to your dining table.

So uncork a bottle of Sheba Tej, pour generously into your cups, raise them, and proclaim the traditional Ethiopian toast, “Le tenachin!” To our health!

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About the Author:
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Tseday Alehegn is the Editor-in-Chief of Tadias Magazine. Tseday is a graduate of Stanford University (both B.A. & M.A.). In addition to her responsibilities at Tadias, she is also a Doctoral student at Columbia University.

Related:

A friend to remember – Ernie of Sheba Tej dies (December, 2007)

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Dancing in the Footsteps of Chibinda Ilunga

ABOVE: Members of Batoto Yetu, an African cultural children’s dance group based in New York. Julio Leitao is seated on center, second row.

BY GEORGE NELSON PRESTON

Batoto Yetu means “our children.”
Dancing in the Footsteps of Chibinda Ilunga

We recently had the opportunity to interview Julio Leitao, the internationally renown producer, choreographer, musicologist and consultant to governments on matters of traditional African culture.

In Swahili, the lingua franca of Eastern and much of Central Africa, batoto yetu means “our children.” In 1990 Julio Leitao, an Angolan born immigrant founded Batoto Yetu in East Harlem, New York City. Batoto Yetu is a children’s dance troupe dedicated to a cosmopolitan understanding in a post-ethnic world through the spreading of the African cultural heritage.

Preston: When did you arrive in the United States of America?

Julio Leitao: I came here from Lisbon the 7th of July, 1985 when I was 18 years old, in pursuit of a personal career in classical ballet. I studied at the Dance Theater of Harlem with Maggie Black. In 1989 I joined the Princeton Ballet.

Preston: How is it that you grew up in Portugal?

Julio Leitao: I arrived as a political refugee from Zambia in 1976 when I was 9 years old. My mother and seven brothers escaped the turmoil in Angola. We got separated from my father. We walked southerly all the way from the Kasai. We were living in a displaced person’s camp. We found out five years later that our father was dead. We were living in the Bush at Malba when we were finally rescued. From there we made our way to Portugal.

Preston: What was it like to grow up in Portugal, as an African Child from a country that had so recently won its independence through a long and bloody conflict with its former colonizer? I think I am correct to say that Portugal was the last European Colonial die-hard holdout in all of Africa.

Julio Leitao: When you are black and talented, you are perceived as special: artist, an athlete. I was a highly regarded soccer player and I embraced dance in a variety of forms from classical to folk. I had become a consistent media presence on a weekly basis. But this somehow made me more aware of my own racial reality.

Preston: You mean the dichotomy between the European’s response to the African in general and you in particular?

Julio Leitao: Yes. We Euro-Africans, born in Africa and having grown up in Europe. A people of convenience. Nowadays they’d prefer to give a job to an Eastern European.

Preston: Tell me some more about this reality that you awakened to, this paradox of identities. It seems to have been the catalyst that changed your pursuit of a personal career in dance to culture bearer to the Diaspora and beyond.

Julio Leitao: When I was sixteen years old, fate introduced me to Debbie Allen. She was in Portugal, a cultural emissary. Through my personal exposure to her during my dancing, choreographing and duties at the conservatory, I discovered the difference in how they treated her and me in their peculiar hierarchy of importance. They treated her like a goddess and I become nothing. The fact that this Black American could command so much respect made me think, I must go to New York to earn greater respect. This was during one of the major periods of intense fighting in Angola between UNITA and the MPLTA.

So by 1989 I was teaching classes for the National Black Theater in East Harlem. Then I started teaching children for free right there in the project playgrounds. I taught them dances such as mukanda from the Chokwe people’s boy’s initation rites, tshisela, another Luba dance, mutuashi, a Luba dance from the Kasai, and ndombolo, a pop dance, very commercial but great fun to watch. We did kapetula, an Angolan street culture dance and semba, from the Ovimbundu of Northwest Angola. Semba is the mother of samba. They also learned sabar from Senegal.

Preston: So we can say that Batoto Yetu was literally born of our children. What are you doing right now in addition to teaching dance and touring the U.S.A?

Julio Leitao: Since 1996 I worked with the Portuguese government to promote cultural awareness among the youth in Portugal. This is primarily a cultural service, but you can see the implications…its an important link with expanded social services as well. This is, mainly in Lisboa and Setubal.

Reflections

I mused on the cultural and family heritage of Julio. His mother’s first language was Kiluba, his father spoke Lingala, Kikongo, Portuguese, French, German and English. In the late 16th century Luba chieftains of the Ilunga dynasty began a campaign of exploration, discovery and conquest that was destined to create the cultural unification of what is now southeast DRC, northern and central Angola and west-central Zambia. Starting in eastern Lubaland , the Ilungas expanded their reach into the Katanga and Kasai of what is now the southern provinces of the Democratic Republic of the Congo (ex Zaire). Around 1600 Chibinda Ilunga, a great Luba hunter-pathfinder met Lweji, a Lunda queen, and the Ilunga lineage expanded. The Chokwe in the north central of what is now Angola were then tributary to the Lunda. In the mid nineteenth century the Chokwe broke from the Lunda and the Chokwe culture including Chibunda, Ilunga’s revitalization of sacred kingship spread amongst the neighboring Mbundu, Lwena, Inbangala, Luchazi and Luvale peoples. Peoples, nearly all of whose homelands Julio and his family were to traverse on their way to sanctuary in Zambia.

For this writer, Julio’s birthplace, his long trek through the Kasai, Katanga and the terminus in Zambia followed greatly in the literal and cultural path of the Ilunga dynasty. He and his family had traversed much of the territory unified by the Ilungas. Now, here he was in New York City, teaching the dances of these very same peoples.

I thought of the uncommonly beautiful statues of the Chokwe and Lunda chiefs who trace their franchise to rule to the Ilungas. These statutes depict Chokwe chieftains in their royal hats and seated in postures of authority. Either seated and playing a thumb piano, or standing and holding medicine horns, rifles or walking staffs. Their outsized feet remind us of their great treks through forest and savanna.

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Above: Generic Portrait of Chibinda Ilunga. These statues represent the present and pastChokwe chiefs all the way back to Chibinda Ilunga. Wood, H. 10.” Anonymous loan to the Museum of Art and Origins.

At age seven, Julio had found himself and the remnants of his family trekking along the footsteps of the Ilungas from Kasai, through Angola and finally to escape in Zambia. They had traversed the tribal territories of the Luba, Lunda, Kongo, Chokwe, Luchazi. Years later, in1989 Julio would introduce the dance steps of these peoples to the children of Africa, Europe and the Americas. All this makes me think of a phrase from the Baghavad Gita: The foot of the dance is everywhere in the whirling circumference.

African Relaxation Session

Above: D.J. Sirak spinning Afro beat, World, Hip Hop, Reggae New Groove and Ethiopian

Every Saturday is African Relaxation Session at The Shrine in Harlem, New York. A place to check out if you are African and passing through New York.

Photos by Sirak Getachew (D.J. Sirak)
Event Name: African Relaxation Session
City: Harlem, New York
Venue: The Shrine
Address: 2272 Adam Clayton Powell Blvd. (B/N 133 & 134)
Hosts: D.J. Sirak & D.J. Birane
Music: Afro beat, World, Hip Hop, Reggae, New Groove and Ethiopian
Date: Every Saturday

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Ethiopian Cooking Presentation at the World’s Largest Store

On Thursday, April 26, the audience in the Cellar Kitchen at Macy’s Herald Square, the world’s largest store, received an important lesson in cooking up flavorful Ethiopian dishes from Philipos Mengistu, owner and Executive Chef of Queen of Sheba restaurant in New York City.

Philipos demonstrated why crowds are flocking to his midtown Manhattan eatery. He was assisted by his wife Sara and Asiana Blount, manager of Macy’s Herald Square Special Events, and the staff at Macy’s Culinary Council.

Tadias was there to cover the event. Here are images from the show.

Photos by Liben Eabisa
City: New York
Event Name: Cooking demonstration by Philipos Mengistu, owner and Executive Chef of Queen of Sheba restaurant
Host: Macy’s Herald Square Special Events
Venue: Macy’s Herald Square
Address: 151 West 34th Street
Date: Thursday, April 26, 2007

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Above: Asiana Blount, manager of Macy’s Herald Square Special Events, prepares Philipos for the show.

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Above: Philipos was assisted by his wife Sara (left) and Asiana Blount, manager of Macy’s Herald Square Special Events (middle).

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The audience was treated to servings of Yebeg Tibis (Ethiopian lamb stew).

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Above: Philipos at the end of a hugely successful event.

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Above: Philipos at his midtown Manhattan restaurant. Photo by Helina Metaferia.

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New Generation of Adopted Ethiopian-Americans

Above: Tibarek’s second encounter with snow.

A New Mom Celebrates Her Ethiopian Daughter’s First Birthday in America

BY JILL VEXLER

Barely unpacked from Addis, with Tibarek, my newly adopted, almost six year old daughter, she was invited to two birthday parties for children in our building, a boy’s eighth and twin’s sixth. Speaking minimal English, their parents and I marveled at their unique way of communicating after just a few afternoons of play. I was overjoyed.

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Above: Pre-party nosh: Jill ties
an apron on Tibarek’s dress.
Photo by Jeremy Scharlack.

The first party arrived, and Tibarek went to help decorate. The party was a production. Helium balloons, magicians, balloon sculptures (her favorite), face-painting, games, gift bags, pizza, and cake. Tibarek joined in the high energy as if she had been reared on New York birthday parties. I started thinking about her fast approaching birthday. When I told her she, too, has a birthday, her expression was as if it suddenly hit her: EVERYONE has a birthday and would have a party. In my limited Amharic, I told her, her birthday was soon, “negge…negge….” (tomorrow.…tomorrow). No language gap here. Yes, friends! Yes, balloons! Yes, pizza! We listed children to invite. We knew seven kids from our building, and the Washington Square playground where I saw her gregariousness in action the first day we came.

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Above: Tibarek wearing sunglasses
like those in the gift bags she gave to her
friends on her birthday.
Photo by Jeremy Scharlack.

Entertaining is my second nature, and our loft lends itself to great parties, but a child’s birthday party was daunting. I plunged into calls to other mothers, balloon artists, and magicians. I wanted a memorable party: not too indulgent, expensive, or programmed. I was petrified by the seemingly superfluous gifts other children received. The idea: “in lieu of gifts, please make a donation to Worldwide Orphans Foundation in Ethiopia,” entered my mind but felt self-righteous and pretentious. Tibarek had not been in the US two months, maybe she should plow through wrapping paper like all the other kids. Friends might give her things that would never occur to me, and they were also “Welcome to America” gifts. I still felt I had to counter-balance the possibility of a “Barbie Invasion,” with a clever, fun, homemade celebration.

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Above: Tibarek opens gifts.
Photo by Jeremy Scharlack.

My anxiety reflected my self-consciousness about American abundance, and my newness as a mother, more than it did Tibarek’s possible temptation to materialism. I reflected on her kindness and generosity. I had seen her on the playground, giving her bubble wand to a little boy, caring for an infant as she went down the spiral slide, making sure everyone had a turn with the ball. She would easily incorporate this special day into the vast newness that engulfed her life. Deep down, then, it must have been my own pressure to make MY daughter’s party fun, “cool,” and approved of by parents who had already been to dozens. The individualist in me did want not a “cookie-cutter” occasion. A unique party for a unique daughter.

At fifty-seven, I had plunged into a wonderful, dramatic life change: creating a family. My world opened to new people, new culture, new worries, and new learning. My inner anthropologist loved the challenges culturally, and linguistically that a child from Ethiopia presented. I fell in love with the culture during a three week trip volunteering at the AHOPE Orphanage. I met Tibarek, and immediately set the adoption procedure in motion with the Minnesota Children’s Home and Family Service. New Ethiopian friends in Addis, and through them, others in New York, enriched the experience in ways that I never imagined. And here she is – charming, energetic and learning English at break-neck speed.

Creativity set in. I asked my cousin Jeremy, a professional photographer in New York, to set up a studio in the loft. I asked Eddie, who has framed ten exhibitions for me, to give me leftover matte board for kids to frame for Jeremy’s instant photographs. I went to the hobby store for glitter, glue, and treasures for collages on the frames. I called Peter and Diana, who have every costume under the sun, and the dress-up corner was born. The party was shaping up but not enough kids and way too many adults!

My dear Israeli friend and caterer Chava, has a daughter about Tibarek’s age. Chava offered to make cupcakes for kids to decorate. With Chava, they would squeeze bags of icing! I was excited when I realized that the party was the week-end after the Gala for Worldwide Orphans Foundation and the fabulous Dr. Sophie, the pediatrician who checked Tibarek’s health in Addis, would still be in New York with her two young nephews who live in New Jersey. Then, Tibarek’s New York pediatrician, the divine Dr. Jane and her terrific partner Diana would bring their two sons, one Ethiopian, one Vietnamese. Young twins of new Ethiopian friends in New York agreed to come, as well as Meron, an Ethiopian little girl adopted by kind Irene. A little boy from Djbouti and his sweet, supportive father, Angel from Mexico in Tibarek’s ESL class, and a cute Japanese two-year old from the playground were other guests. Tibarek’s god-mother, Terrell, would take the train from Washington. From five children, we ended up with 16, and 38 adults!

The day before the party, Saturday, was Tibarek’s “real” birthday. We went apple picking with a group of kids visiting from Ethiopia, and to a surprise party for our friend George who turned 70. He and his wife Joelle had greeted Tibarek, her godmother, and me, after the flight from Ethiopia. Tibarek adores them. As George uncovered his surprised, teary eyes, he picked Tibarek up and announced, “our newest friend who just arrived in America turns six today!” Seventy-five strangers instantaneously sang “Happy Birthday” to my child. Now I was the one with tears in her eyes.

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Above: Tibarek holding her
birthday cupcake.
Photo by Jeremy Scharlack.

After putting Tibarek to bed Saturday night, I decorated the hallway and blew balloons, wanting her to awaken to ambiance that said, “Today’s the day!”

The morning before the party seemed to last forever. Finally, Jeremy arrived with camera, lights and printer; friends brought food; we put music on. As each guest came, Tibarek became the hostess with the mostess- directing adults to go “down to that part of the house” and, with her arm around each child, she escorted each to the crafts and photography areas. She amazed us all as we watched her grace and ease as a social butterfly, speaking non-stop English! Over two hours later with more glitter on the Turkish rugs than on the photo frames, consuming of countless cupcakes, pizzas, juices, hummus, cheese, bread, and wine (adults only!), the party was a success. New friends, families of every imaginable configuration, had celebrated Tibarek’s first birthday in America. Generous and thoughtful gifts that honor her are treasures. She plowed through the wrapping paper like a natural.

She is already talking about her next birthday. Thank goodness it is still nine months away!

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Above: Tibarek and Dr. Sophie Mengistu, the pediatrician who
checked Tibarek’s health in Addis. Photo by Jeremy Scharlack.

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About the Author: Jill Vexler is a cultural anthropologist who does field work in Latin America, North Africa , Israel, Greece, Asia , Eastern Europe and New York City. She designs cultural heritage and social history exhibitions. She volunteered at the AHOPE orphanage, where she fell in love with Ethiopian culture.

Art Exhibitions to Commemorate the Ethiopian Millennium, Harlem

The inaugural show for Addis Heights millennium arts exhibition series featured 23-year-old Helina Metaferia, a U.S.-born Ethiopian-American artist from Washington, D.C.

Here are images from the opening hosted by Addis Heights Lidjoch Org. The project is sponsored by Tadias Magazine and Africalling.com.

Photos by Gideon Belete
City: Harlem, New York
Event Name: Opening of Addis Heights Millennium Art Exhibition Series
Featured Artist: Helina Metaferia
Show Title: Finding Womban – An Exploration of femininity through painting.
Host: Addis Heights Lidjoch Org.
Venue: OC West
Address: 11 Edward M. Morgan Place (157 & Broadway)
Date: Saturday, April 21, 2007

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Above: Featured Artist Helina Metaferia (left) and writer Andrea Bostan. Photo by Angelica.

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Above: Featured Artist Helina Metaferia (left) and Leah Abraha (right).

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Above: Leah Abraha

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Above: Enjoying spring weather outside OC West

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Above: Helina Metaferia and friend

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Above: Hilawe Girma

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Above: Adebola Osakwe, owner of OC.

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Above: Helina’s parents

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Above: Tizita Fekredengel

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Above: Helina’s parents

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Above: From left – Actor Freedome Bradley, Africalling’s Gideon Belete, and John

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Above: From left – Tizita , Liben Eabisa, and Eleni.

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Above: Joelle Dussek (Production & Events Consultant), on the back ground – Kidane Mariam (Ethio-Cuban Cinematographer)

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Above: Ayele

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Above: Esabel

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Above: Liben Eabisa and Helina Metaferia

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Above: From left – Freedome Bradley, Nemo Semret and Liben Eabisa

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Above: Helina Metaferia (left) and Leah Abraha

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Above: From left – Freedom Bradley, Gideon Belete, John and Nemo Semret

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Above: Part of the proceeds from the sale of the book Abyssinia of Today (Robert P. Skinner’s memoir, a narrative of the first American diplomatic mission to black Africa), helps to pay part of the production cost for the Millennium Art Exhibition Series.

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Above: Gideon Belete.

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Above: Kidane Mariam (Ethio-Cuban Cinematographer)

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Hot Shots from the Teddy Afro Concert —— San Jose, California

Photos by D.J. Fitsum
Event Name: Teddy Afro Concert
City: San Jose, California
Venue: The Rosewater Hall
Address: 1880 Murphy Ave.
Host: AGT Investment, Inc.
Date: January 20th, 2007

Email your hot shots to hotshots@tadias.com

Want to laugh? Read a poem about Hot Shots.

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Click here for events near your city or visit Liben’s Events List at www.libenslist.com

Related: Jailed Singer Teddy Afro: ‘A Political Symbol’ (LA Times)

Judiciary, Press Freedom in Ethiopia Questioned over Teddy Afro’s Trial

Bridging Cultures Through Art: A Harlem Moment with Tesfaye Tessema

Above: Tseday Alehegn during her walks through Harlem with Tesfaye Tessema

By Tseday Alehegn

Before arriving at Artist Tesfaye’s studio in Harlem, his home of twenty years, we took a tour of historic areas where Ethiopian and African-American ties runs deep and undisturbed. We traversed slowly and observantly across Adam Clayton Powell Boulevard, named after the fiery pastor of Harlem’s legendary Abyssinian Baptist Church, and walked through African Square, lined with colorful West African vendors and stores. Continuing our promenade towards Lenox Avenue, we spotted an Ethiopian-owned cafe called Settepani, a popular hangout for Harlem’s young elite. As we strolled by Jackie Robinson’s Park, a young African American man, recognizing our Ethiopian ancestry, smiled and greeted us with a hearty Tenayistelegn!
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Above: Top left, Jackie Robinson’s Park; Middle Right, Harlem’s legendary Abyssinian Baptist Church. Photos by Tseday Alehegn

Walking through Harlem with Tess (as he is known in Harlem), two things become quickly evident: The first being that this neighborhood has, as the artist tells us, “a feeling of home.” And the latter, that his love for this community fuels his art.
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Above: Tesfaye Tessema in Brooklyn, New York. Photo by Liben Eabisa

One of his recent exhibitions at Skoto Gallery in New York (one of the first galleries to specialize in contemporary African Art in the United States), was entitled Addis Improvisations: Art from Harlem. This series is an afrocentric, jazzy-expression of joint heritage.
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Above: Left, Addis Improvisation III, 2004, acrylic on canvas, 72×54 inches. Right, Addis Improvisation I, 2004, acrylic on canvas, 72″x39″. Photos courtesy of Skoto Gallery.

Tesfaye’s journey to Harlem can be traced back to his early high school days, when he was a student at Menelik High School in Addis Ababa. On one particular day, his class was excused and students were asked to attend a special gathering at the National Theatre. “We were told that an important person from Harlem had arrived, and we saw several men dressed in fancy suits setting up their musical instruments on stage. Their leader was called Duke Ellington,” he recalls. The young Tesfaye was mesmerized as the concert began with Ellington’s famous “A-Train” composition. This extraordinary opportunity to listen to Ellington play jazz remained etched in Tesfaye’s mind, his first introduction to jazz and to Harlem.

Many years later, after arriving in Washington, D.C. to pursue a Masters of Fine Arts at
Howard University, he developed lasting friendships within the African-American community, and rekindled his passion for Harlem. After completing his art studies, Tesfaye moved to Harlem. He now lives in the same building where Duke Ellington once resided. “I feel at home here,” he says. “I tell my African-American friends that, just as they look for their roots, I search for my branches. Together we form a tree.”

Harlem, and jazz in particular, have profoundly impacted Tesfaye’s art. Speaking about his career as an artist, he says, “My art lately is an improvisation. I consider myself a jazz painter. I play jazz with my brush.”
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Above: Left, 155th/Amsterdam Avenue II, 2003, acrylic on canvas, 24″x16″. Right, Addis Improvisation V, 2004, acrylic on canvas, 72″x54″. Photos courtesy of Skoto Gallery.

Art itself had also been an integral part of Tesfaye’s childhood experience. “I’ve known art since I knew myself,” he says. “While other children played together, I grew up in a household with no other children, so art became my game. I played art. I drew on walls with charcoal, and I looked around for natural objects to create color – green from leaves and yellow from mustard,” he shares. “Whenever I accompanied my mother to church, I used to stare at the paintings on the walls during prayers. To me, this art was able to express spiritual concepts that are not as easily expressed through words.” After attending Menelik school, Tesfaye longed to enter the National Fine Arts School — conveniently located right next door. He was accepted and commenced formal studies in art there before going on to pursue graduate studies at Howard.

Tesfaye Tessema is not only a master painter but also a master print maker and a muralist. He also uses etching, lithography, and mixed media. His art has been collected by prestigious institutions, such as the Library of Congress, the Smithsonian in Washington, D.C., the Schomburg Center for Research in Black Culture and the United Nations in New York City. Alongside the works of famous African-American artists such as Romare Bearden, Tesfaye Tessema’s paintings are prominently featured in the Schomburg Center’s publication Black New York Artists of the 20th Century. The United Nations transformed one of his paintings into a stamp that raised over $300,000 for famine relief in Ethiopia. He was also commissioned to paint a mural by the Museum of African Arts (the Smithsonian) on Capitol Hill. Tesfaye stands as one of the only contemporary Ethiopian artists to display his artwork at established institutions like the Guggenheim Museum in New York. His art has been exhibited at various universities throughout the U.S. as well as internationally in France,Germany, England, Japan, and many other countries.
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Above: Addis Improvisation IV, 2004, acrylic on canvas, 56″x54″. Photo courtesy of Skoto Gallery.

Throughout his career, Tesfaye has emphasized his appreciation for public art. “I think people have the right to claim my art,” he says, seeing art as his service to individuals and contribution to the public in general. He uses the sights and sounds of his two communities, Ethiopian and African-American, to make art that positively reinforces their harmony.

“I would really like the world to know that all of us are artists,” he says. “There are no special people made to be artists. What comes out on the canvas is what we’ve all taken in from our environment, expressed through our own personal interpretation.”

A Harlem moment with Tesfaye teaches us to appreciate not only the art but also the artist.

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About the Author:
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Tseday Alehegn is the Editor-in-Chief of Tadias Magazine. Tseday is a graduate of Stanford University (both B.A. & M.A.). In addition to her responsibilities at Tadias, she is also a Doctoral student at Columbia University.

The Case of Melaku E. Bayen and John Robinson: Ethiopia, America and the Pan-African Movement

Tadias Magazine
By Ayele Bekerie, PhD

Updated: April 18th, 2007

New York (TADIAS) — Seventy two years ago, African Americans of all classes, regions, genders, and beliefs expressed their opposition to and outrage over the Italian invasion of Ethiopia in various forms and various means. The invasion aroused African Americans – from intellectuals to common people in the street – more than any other Pan-African-oriented historical events or movements had. It fired the imagination of African Americans and brought to the surface the organic link to their ancestral land and peoples.

1935 was indeed a turning point in the relations between Ethiopia and the African Diaspora. Harris calls 1935 a watershed in the history of African peoples. It was a year when the relations substantively shifted from symbolic to actual interactions. The massive expression of support for the Ethiopian cause by African Americans has also contributed, in my opinion, to the re-Africanization of Ethiopia. This article attempts to examine the history of the relations between Ethiopians and African Americans by focusing on brief biographies of two great leaders, one from Ethiopia and another one from African America, who made extraordinary contributions to these relations.

It is fair to argue that the Italo-Ethiopian War in the 1930s was instrumental in the rebirth of the Pan-African movement. The African Diaspora was mobilized in support of the Ethiopian cause during both the war and the subsequent Italian occupation of Ethiopia. Italy’s brutal attempt to wipe out the symbol of freedom and hope to the African world ultimately became a powerful catalyst in the struggle against colonialism and oppression. The Italo-Ethiopian War brought about an extraordinary unification of African people’s political awareness and heightened level of political consciousness. Africans, African Americans, Afro-Caribbean’s, and other Diaspora and continental Africans from every social stratum were in union in their support of Ethiopia, bringing the establishment of “global Pan-Africanism.” The brutal aggression against Ethiopia made it clear to African people in the United States that the Europeans’ intent and purpose was to conquer, dominate, and exploit all African people. Mussolini’s disregard and outright contempt for the sovereignty of Ethiopia angered and reawakened the African world.

Response went beyond mere condemnation by demanding self-determination and independence for all colonized African people throughout the world. For instance, the 1900-1945 Pan-African Congresses regularly issued statements that emphasized a sense of solidarity with Haiti, Ethiopia, and Liberia, thereby affirming the importance of defending the sovereignty and independence of African and Afro-Caribbean states. A new generation of militant Pan-Africanists emerged who called for decolonization, elimination of racial discrimination in the United States, African unity, and political empowerment of African people.

One of the most significant Pan-Africanist Conferences took place in 1945, immediately after the defeat of the Italians in Ethiopia and the end of World War II. This conference passed resolutions clearly demanding the end of colonization in Africa, and the question of self-determination emerged as the most important issue of the time. As Mazrui and Tidy put it: “To a considerable extent the 1945 Congress was a natural outgrowth of Pan-African activity in Britain since the outbreak of the Italo-Ethiopian War.”

Another of the most remarkable outcomes of the reawakening of the African Diaspora was the emergence of so many outstanding leaders, among them the Ethiopian Melaku E. Bayen and the African American John Robinson. Other outstanding leaders were Willis N. Huggins, Arnold Josiah Ford, and Mignon Innis Ford, who were active against the war in both the United States and Ethiopia. Mignon Ford, the founder of Princess Zenebe Work School, did not even leave Ethiopia during the war. The Fords and other followers of Marcus Garvey settled in Ethiopia in the 1920s. Mignon Ford raised her family among Ethiopians as Ethiopians. Her children, fluent speakers of Amharic, have been at home both in Ethiopia and the United States.

Pan-Africanists in Thoughts & Practice

Melaku E. Bayen, an Ethiopian, significantly contributed to the re-Africanization of Ethiopia. His noble dedication to the Pan-African cause and his activities in the United States helped to dispel the notion of “racial fog” that surrounded the Ethiopians. William R. Scott expounded on this: “Melaku Bayen was the first Ethiopian seriously and steadfastly to commit himself to achieving spiritual and physical bonds of fellowship between his people and peoples of African descent in the Americas. Melaku exerted himself to the fullest in attempting to bring about some kind of formal and continuing relationship designed to benefit both the Ethiopian and Afro-American.” To Scott, Bayen’s activities stand out as “the most prominent example of Ethiopian identification with African Americans and seriously challenges the multitude of claims which have been made now for a long time about the negative nature of Ethiopian attitudes toward African Americans.”

The issues raised by Scott and the exemplary Pan-Africanism of Melaku Bayen are useful in establishing respectful and meaningful relations between Ethiopia and the African Diaspora. They dedicated their entire lives in order to lay down the foundation for relations rooted in mutual understanding and historical facts, free of stereotypes and false perceptions. African American scholars, such as William Scott, Joseph E. Harris, and Leo Hansberry contributed immensely by documenting the thoughts and activities of Bayen, both in Ethiopia and the United States.

Melaku E. Bayen was raised and educated in the compound of Ras Mekonnen, then the Governor of Harar and the father of Emperor Haile Selassie. He was sent to India to study medicine in 1920 at the age of 21 with permission from Emperor Haile Selassie. Saddened by the untimely death of a young Ethiopian woman friend, who was also studying in India, he decided to leave India and continue his studies in the United States. In 1922, he enrolled at Marietta College, where he obtained his bachelor’s degree. He is believed to be the first Ethiopian to receive a college degree from the United Sates.

Melaku started his medical studies at Ohio State University in 1928, then, a year later, decided to transfer to Howard University in Washington D.C. in order to be close to Ethiopians who lived there. Melaku formally annulled his engagement to a daughter of the Ethiopian Foreign Minister and later married Dorothy Hadley, an African American and a great activist in her own right for the Ethiopian and pan-Africanist causes. Both in his married and intellectual life, Melaku wanted to create a new bond between Ethiopia and the African Diaspora.

Melaku obtained his medical degree from Howard University in 1936, at the height of the Italo-Ethiopian War. He immediately returned to Ethiopia with his wife and their son, Melaku E. Bayen, Jr. There, he joined the Ethiopian Red Cross and assisted the wounded on the Eastern Front. When the Italian Army captured Addis Ababa, Melaku’s family went to England and later to the United States to fully campaign for Ethiopia.

Schooled in Pan-African solidarity from a young age, Melaku co-founded the Ethiopian Research Council with the late Leo Hansberry in 1930, while he was student at Howard. According to Joseph Harris, the Council was regarded as the principal link between Ethiopians and African Americans in the early years of the Italo-Ethiopian conflict. The Council’s papers are housed at the Moorland-Spingarn Research Center at Howard University. At present, Professor Aster Mengesha of Arizona State University heads the Ethiopian Research Council. Leo Hansberry was the recipient of Emperor Haile Selassie’s Trust Foundation Prize in the 1960s.

Melaku founded and published the Voice of Ethiopia, the media organ of the Ethiopian World Federation and a pro-African newspaper that urged the “millions of the sons and daughters of Ethiopia, scattered throughout the world, to join hands with Ethiopians to save Ethiopia from the wolves of Europe.” Melaku founded the Ethiopian World Federation in 1937, and it eventually became one of the most important international organizations, with branches throughout the United States, the Caribbean, and Europe. The Caribbean branch helped to further solidify the ideological foundation for the Rasta Movement.

Melaku died at the age of forty from pneumonia he contracted while campaigning door-to-door for the Ethiopian cause in the United States. Melaku died in 1940, just a year before the defeat of the Italians in Ethiopia. His tireless and vigorous campaign, however, contributed to the demise of Italian colonial ambition in Ethiopia. Melaku strove to bring Ethiopia back into the African world. Melaku sewed the seeds for a “re-Africanization” of Ethiopia. Furthermore, Melaku was a model Pan-Africanist who brought the Ethiopian and African American people together through his exemplary work and his remarkable love and dedication to the African people.

Another heroic figure produced by the anti-war campaign was Colonel John Robinson. It is interesting to note that while Melaku conducted his campaign and died in the United States, the Chicago-born Robinson fought, lived, and died in Ethiopia.

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Above: John Robinson

When the Italo-Ethiopian War erupted, he left his family and went to Ethiopia to fight alongside the Ethiopians. According to William R. Scott, who conducted thorough research in documenting the life and accomplishments of John Robinson, wrote about Robinson’s ability to overcome racial barriers to go to an aviation school in the United States. In Ethiopia, Robinson served as a courier between Haile Selassie and his army commanders in the war zone. According to Scott, Robinson was the founder of the Ethiopian Air Force. He died in a plane crash in 1954.

Scott makes the following critical assessment of Robinson’s historical role in building ties between Ethiopia and the African Diaspora. I quote him in length: “Rarely, if ever, is there any mention of John Robinson’s role as Haile Selassie’s special courier during the Italo-Ethiopian conflict. He has been but all forgotten in Ethiopia as well as in Afro-America. [Ambassodor Brazeal mentioned his name at the planting of a tree to honor the African Diaspora in Addis Ababa recently.] Nonetheless, it is important to remember John Robinson, as one of the two Afro-Americans to serve in the Ethiopia campaign and the only one to be consistently exposed to the dangers of the war front.

Colonel Robinson stands out in Afro-America as perhaps the very first of the minute number of Black Americans to have ever taken up arms to defend the African homeland against the forces of imperialism.”

John Robinson set the standard in terms of goals and accomplishments that could be attained by Pan-Africanists. Through his activities, Robinson earned the trust and affection of both Ethiopians and African Americans. Like Melaku, he made concrete contributions to bring the two peoples together. He truly built a bridge of Pan African unity.

It is our hope that the youth of today learn from the examples set by Melaku and Robinson, and strive to build lasting and mutually beneficial relations between Ethiopia and the African Diaspora. As we celebrate Black History Month in the United States, let us recommit ourselves to Pan-African principles and practices with the sole purpose of empowering African people. The Ethiopian American community ought to empower itself by forging alliances with African Americans in places such as Washington D.C. We also urge the Ethiopian Government to, for now, at least name streets in Addis Ababa after Bayen and Robinson.

I would like to conclude with Melaku’s profound statement: “The philosophy of the Ethiopian World Federation is to instill in the minds of the Black people of the world that the word Black is not to be considered in any way dishonorable but rather an honor and dignity because of the past history of the race.”

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About the Author:
Ayele Bekerie was born in Ethiopia, and earned his Ph.D. in African American Studies at Temple University in 1994. He has written and published in scholarly journals, such as , ANKH: Journal of Egyptology and African Civilizations, Journal of Black Studies, The International Journal of Africana Studies, and Imhotep. He is an Assistant Professor at the Africana Studies and Research Center of Cornell University. He is a regular contributor to Tadias Magazine.

To further explore the history of Ethiopian & African American relations, consult the following texts:

• Joseph E. Harris’s African-American Reactions to War in Ethiopia 1936-1941(1994).

• William R. Scott’s The Sons of Sheba’s Race: African-Americans and the Italo- Ethiopian War, 1935-1941. (2005 reprint).

• Ayele Bekerie’s “African Americans and the Italo-Ethiopian War,” in Revisioning Italy: National Identity and Global Culture (1997).

• Melaku E. Bayen’s The March of Black Men (1939).

• David Talbot’s Contemporary Ethiopia (1952).

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From Addis to Seattle: Paintings of Yadessa Boja

Born in Ethiopia, Yadesa, also known as Yaddi, immigrated to the United States in 1995. Yaddi showed an interest in art since his early childhood. Even though he does not remember when he started painting, as a sixth grader his school commissioned him to paint a mural.

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Above: Dreamer

Yaddi’s first exposure and memories of art was as a child gazing at murals often found in Ethiopian Orthodox churches. These murals used line drawings filled with bold, vibrant colors.

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Above: Worshippers

In Seattle, Yaddi studied art at Seattle Pacific University where he earned his Bachelors degree in Visual Communication. He also attended Seattle Central Community College and received an Associates of Art degree in Graphic Design.

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Yaddi’s exposure to African Art and western art gives him a unique opportunity to understand their relationship as well as their differences. While studying art history Yaddi examined how every art genre and classification derived or inherited from each other, and the existence of one was based on the existence of the other. He also examined the influence of African art on western art and vice versa.

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Above: Madonna

Yaddi believes his work is a byproduct of the cultural diversity he enjoyed while living in Addis Ababa and Seattle. In his work he tries to capture the life of those who are ‘invisible’ to the mainstream, and he hopes that his work will become a tool for social change.

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Above: Prisoners of Haven

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To contact the artist please write to: YADESA BOJIA, 13745 34th Ave. S. Tukwila, WA 98168 Tel: 206-501-9958

Hot Shots From Aida Muluneh’s Photography Show at the Contemporary African Art Gallery in New York

Photos by Onye Anyanwu
Event Name: Ethiopian Light: Photographs by Aida Muluneh
City: New York
Venue: Contemporary African Art Gallery
Address: 330 West 108th St, #6 (at Riverside Dr.)
Hosts: Bill & Reese Karg
Date: Thursday Nov. 2, 2006

Email your hot shots to hotshots@tadias.com

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Above – Left: Stylist/Designer Mobalji & friend, Middle: Attorney Nicole Coward (Consultant to Tadias), Liben Eabisa, and friend, Right: Photographer Andrew Dosunmu & Stylist/Designer Mobalji
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AboveLeft: Actor Freedome Bradley & Reese Karg, Middle: Africalling’s Gideon Belete, Attorney Nicole Coward & Reeses’ Mother, Right: Nemo (President of InvisibleHand Networks), Gideon, Nicole Coward & Reeses’ Mother
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Above – Left: Photographer Andrew Dosunmu, Casting Director Onye Anyanwu, Attorney Nicole Coward, Right: Gideon, & Reeses’ Mother

View more hot shots here.

Hot Shots from the West Coast

Photos by D.J. Fitsum
Event Name: Hollywood LeHabesha: Ethiopian New Years Party
City: Los Angeles, California
Music: Amharic, Hip Hop, Reggae, Old School and R&B
Date: September 9th, 2006

Email your hot shots to hotshots@tadias.com

Want some laugh? Read a poem about hot shots.

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View more hot shots here.

Want some laugh? Click here to read Wogesha’s poem about hot shots.

Click here for events near your city or visit Liben’s Events List at www.libenslist.com

Brook Kassahun: This Issue’s Featured Model

Photographs by Peter Palm

Tadias: Thank you, Brook, for taking your time to do this interview with us and congratulations for being our featured model on this issue. Please tell our readers when and how you started modeling?

Brook: Thank you, Tadias, for this interview and the opportunity to address your readers. It is a great honor to be this issue’s featured model in Tadias.

My modeling career started about five years ago following my brief involvement with a modeling contest search called “The Face of Africa”. I had been dreaming about modeling for a long time; but knew very little about the actual work and I certainly did not have any contacts to speak of. I entered the contest in Ethiopia just for fun, and to my delight, I was chosen as one of the two winners at the national level – from a talent pool of over 300 contestants!

In preparation for the regional contest in Uganda, we received very thorough training in all aspects of modeling: from makeup and hairdo to the catwalk and posing for the photo shoots. I learned so much in this short period during the photo shoot and had the most fun I ever had. I did not win in Uganda but I felt like a winner because by now I had fallen in love with modeling and discovered my passion.

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Tadias: What are your interests and what do you enjoy doing the most?

Brook: My interests have revolved around modeling; I love fashion magazines; I don’t just look at the pages, I study each page, how well the fashion item is presented, the models’ make-up, their poses, their smiles, and what makes them stand out.

Tadias: What is the best part of being a model?

Brook: It is so much fun! I love the hectic activities backstage, the friendship among the models, and wearing beautiful clothes that I used to admire in magazines. I love the exciting atmosphere and my professional role in it. And then I always end up making new friends.

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Tadias: What is the hard part for you?

Brook: The hard part is the inability to get the kind of work that can get you noticed by the top international agencies. It is a very competitive business as you know, but it is very frustrating when you can’t even get the opportunity to compete because of work permit issues and the like. I have worked hard to capture the attention of some important modeling agencies, only to be ruled out due to my foreign status.

Tadias: People tend to think that models have high self esteem because they have put themselves in that glamorous field. Is that true for you?

Brook: I think people have high self esteem because they have been raised in a loving environment that nurtured and supported them. Authentic self esteem comes from within and is independent of glamour and glitter. I have been blessed with a network of family and friends that believes in me no matter what field I choose.

Tadias: What is your career ambition and where do you see yourself 5 years from now?

Brook: My ambition is to achieve my highest potential in the career that I love and enjoy. Five years from now, I see myself as a top model on international runways. I am certain that I will achieve my dream because I believe in myself and I am prepared to work hard and do whatever it takes to succeed.

Tadias: Who is your role model and why?

Brook: That’s easy! My ultimate role model and inspiration is Liya Kebede, an Ethiopian success story, international supermodel for top designers, the “Face of Estee Lauder”, wife and mother of two, humanitarian who gives back to Ethiopia, and still humble. She is beautiful inside and out, and I am so proud of her. When it gets a little tough for me, I just remember Liya and I’m encouraged to keep going.

Tadias: Name three things that you can’t live without…ok make it four.

Brook: I can’t think of THINGS that I couldn’t live without. But clearly, my lifeline is my family and friends whom I love and who love me back unconditionally. Of course, my passion for fashion and modeling comes next. I love all kinds of fashion and I love to experiment with my own creations, combining different pieces and coming up with entirely different looks. Next on my list would be Ethiopian food; my soul-food. Last, but not least, I couldn’t live without laughter. I love to laugh and even when things get rough, I remember not to take myself too seriously and laugh at the circumstances.

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Tadias: If people from the fashion industry want to get in touch with you for work, how can they reach you?

Brook: For now my primary means of contact remains my email address, bruktawitk@yahoo.com. God willing, I’ll join the ranks and have an agent to represent me in the future.

Tadias: Is there anything else that you would like our readers to know?

Brook: I want to express my gratitude to your readers for their show of interest in me and my career. I recognize the importance of your support in this business. It keeps me humble while at the same time it encourages me to succeed and honor your readers as well.

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New Film Highlights Bob Marley’s Birthday Celebration in Addis Ababa

Above: Bob Marley in concert at Convocation Hall in Toronto,
Canada. Photo by Erin Combs for Toronto Star / Zuma Press.

Tadias Magazine
Events News

Apr 10, 2007

New York – On Saturday night, the New York African Film Festival hosted an evening of Ethiopian films at Lincoln Center. There was a series of short films to close the night, but the evening opened with the star-studded premiere of Africa Unite, Stephanie Black’s new documentary about the 2005 concert in Addis Ababa. Black previously directed the celebrated anti globalization film Life and Debt.

Highlighting the vision for African unity to which Bob Marley was devoted, the Africa Unite concert was performed for over 350,000 people gathered in the historic Meskel Square of Addis Ababa, Ethiopia, to celebrate what would have been his sixtieth birthday. The twelve hour concert, featuring internationally acclaimed artists, is interwoven throughout this film, illuminating the global influence of a man who defined his own aim as “spreading the message of unity and equality, to end the needless suffering of mankind.”

Click here to read more about the event.

Related:
Addis Gessesse: The Man Behind the Africa Unite Concert (Tadias)

Photos from the the 2005 concert in Addis Ababa (Tadias)

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Above: Some came by road from at least as far as Kampala to
attend the Africa Unite Concert in Addis Ababa in 2005. (Tadias)

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Above: Japanese Rastas were among those enjoying the
festivities. Photo from Tadias Archives.

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Above: Cedellia Marley Booker, Bob Marley’s mom,
flew in from Florida to perform at the opening night
of Africa Unite. Photo from Tadias Archives.

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Above: The beats of the Stone Love Sound System inspire
dancing. Photo from Tadias Archives.

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Above: Members of the Rastafarian community came from Sheshemene,
about 250km south of Addis Ababa, to attend the concert. Photo/Tadias.

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Above: Angelique Kidjo performs at the event. Photo/Tadias.

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Above: Two Rastafarian brothers pose for the camera. (Tadias)

Profiling Addis Gessesse: The Man Behind Bob Marley’s Birthday Celebration in Addis Ababa

Above: Addis Gessesse, the person behind the 2005 concert in
Addis Ababa, Ethiopia. Photo by Ayda Grima for Tadias Magazine.

Tadias Magazine
Outside With the Insider
By Mik Aweke
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Posted: Apr 6, 2007

New York (Tadias) – Hanna Gessesse points to a photograph in one of her father’s albums. The photograph was taken two years ago in Addis Ababa and shows the main stage of the Africa Unite concert, which was the brainchild of her father, Addis. On the giant backdrop behind the stage hangs a larger-than life mural of a legendary reggae singer.

“That’s Bob Marley,” says Hanna. At three years old, Hanna is like most children her age. She complains when a certain reporter steals her father for an interview in their backyard. “I want to go with you, Daddy,” she cries. “Daddy, pleeeeease!”

But in being able to recognize Bob Marley’s likeness, even when drawn rather crudely as it was on the backdrop, she is definitely unlike most other toddlers her age. But perhaps it’s not so surprising to those who know her father, Addis Gessesse – music manager of Rita Marley and most of the Marley family and man behind the landmark Africa Unite concert. The concert, and the other month-long series of events, saw half-a-million people crowd the streets of Addis Ababa to watch the Marley Family, the I-Threes, Baaba Maal, and Angelique Kidjo perform in celebration of Bob Marley’s 60th Birthday.

One of the biggest and most star-studded African concerts the continent has ever seen started out, six years ago, as little more than a vague dream in the mind of Addis Gessesse.

Addis Gessesse took a long and winding road through the music business, a road that included as much struggle as good fortune. A road that begins with his life as a struggling immigrant student from Ethiopia and shepherd of his younger brothers in Chicago, then to life as an established entity in Jamaica and New York, working with acts like Ziggy Marley and Earth, Wind, and Fire, and then full-circle back to the extravagant concert in Addis Ababa two years ago.

That same long and winding road eventually leads down a quiet, tree-lined street in the residential neighborhoods of Jersey City, New Jersey – to a big, musty, old-fashioned Victorian house. There is ivy growing up the windows in the front and a small, weedy yard in the back. Addis is short, stocky and has a moustache. He wears clothes typical of an unassuming father from the suburbs, though with a somewhat boyish flair: crisp Nike running shoes, khaki shorts, and an open flannel shirt exposing a thin gold chain underneath.

Over three decades ago, Addis left behind his family and his three brothers to attend college in the United States. Not long after he graduated with a degree in management, his brothers, who happened to be musicians, followed him and began life anew in Chicago.

“Their arrival here totally changed my whole life,” says Addis. His voice is soft, calm. “Because I loved my brothers and I was doing everything to make them successful in this country. While doing that, I got immersed in their music.”

With a degree in management still fresh in his pocket, Addis made the decision that changed the course of his professional and personal life: to devote himself to his brothers and their music. “My brothers really have a lot to do with it,” he says.

The group that his brothers formed was called Dallol. Addis managed the group, which along with his brothers included a few of their friends from Addis Ababa University, and though they started out playing traditional Ethiopian music, soon after moving to Chicago and coming into contact with different styles, they made the transition towards reggae. With the support of a professor at Northwestern University, a fellow Ethiopian named Abraham Demoz, who acted as a surrogate father to the young men, Addis and his brothers were able to secure a rehearsal space on the campus and cultivate their sound.

In 1982, while steadily carving out a name for themselves in Chicago, Dallol got the break that they had been waiting for, an invitation from Rita Marley to play in Jamaica. Acting as their manager, Addis brought the group to Kingston where they played at the first Bob Marley birthday celebration after the reggae superstar’s death in 1981. It was in Jamaica that his working relationship with Rita and the Marley family began.

“At the time Rita gave us everything that we needed, including financial support and she was very excited for us as Ethiopians to come and perform in Jamaica. At the time she was still grieving the death of her husband and she felt we became a sort of support for her.”

Still, as significant as his contribution was to Rita’s life at the time, Addis cannot compare it with the influence Rita has had on his. “I owe a lot to that woman. She was very instrumental in helping me make music as a career. Very few people do that for you.”

Addis spent a year in Jamaica in the early eighties, which he remembers with much fondness. He lived down the street from what many consider the Mecca of reggae music, Bob Marley’s Tuff Gong headquarters at 56 Hope Road. This was back in the days when the Wailers were still making music and Ziggy had yet to finish high school. Addis would go on, in the following years, to organize with Rita the world tour for Bob Marley’s posthumous Legend album. The tour included the Wailers and the I-Three’s and helped spur sales of the album, which to this day remains one of the bestselling albums of all time.

From 1988 to 1991, Dallol was the official band for Ziggy Marley. The group, Addis makes it a point to remind me, has the distinction of being the first band of Ethiopian musicians to reach platinum record sales with Conscious Party (1988), as well as a gold record with Ziggy’s follow- up album, One Bright Day (1989).

After the world tours and a brief stint in Los Angeles, where he worked with Earth, Wind, and Fire, Addis returned with his brothers to Chicago, but his professional drive and his desire to travel had not died with the tours. “As we went along, Dallol wanted to do their own thing and I didn’t want to stay in Chicago,” he says. “So I moved to New York.”

“You know we all go in our own little phases of doing things,” he continued. “And my project became more or less, like, anything higher level, anything big.” What followed was a project called Race Against Racism, a series of largescale concerts, along the lines of Africa Unite, which took place in Europe and drew half a million people to concerts in Paris, Rome and Milan.

For Addis, who remains humble about his success, finding someone influential to believe in you is the key ingredient (along with discipline, he adds) to a successful career in music – though the insight might very well apply to any number of industries. Just as Rita Marley gave him his start in the business all those years ago, Addis is intent on discovering new, young talent. In particular, he wants to bring undiscovered Ethiopian musicians out of the tight orbit of the Ethiopian community into the larger universe of world music.

Besides being a lifelong friend of the Marley family and manager of Ziggy, Rita, and Stephen, Addis is the man behind the careers of some of the biggest names in contemporary Ethiopian music. He discovered Teddy Afro, who is still one of Addis’s clients. “Teddy is my major project right now,” he says, as a U.S. tour and record release are underway.

His New York-based artist management firm, Addis Management, has helped launch the careers of some of the biggest names in Ethiopian pop. His interest in bringing Ethiopian music to a larger arena started with a chance encounter that took place in the backyard of his quiet New Jersey home. Midway through reciting his impressive list of clients, Addis stops: “And then this young lady came into the picture.” The “young lady” he is talking about is Palm recording artist, Gigi.

“Gigi came to me, to this house. Some guys brought her in. I didn’t know who the hell she was and I wasn’t too crazy about anything at the time, because I was doing a lot of things. She sat down out here and she started singing. And I saw talent.”

It would be only a matter of time before he took hold the reins of her career, first advising her to move to New York (she was living in San Francisco at the time) and then introducing her to his network of music industry contacts.

“I said to Gigi, ‘I don’t want to brag about who I know or what I can do for you, but I can put you on the map.’” He eventually introduced the young singer to Chris Blackwell, and Blackwell, the innovator who founded Island Records and guided the careers of artists like Bob Marley & The Wailers, U2, and Melissa Etheridge, signed Gigi to a multi-album deal with his Palm record label. (Through Addis, Blackwell also signed Teddy Afro to a similar deal, which is currently in the works.)

While we talked, he kept his cell phone at arms length. At any moment, he could get the call that would send him to Ethiopia to attend to one of his numerous business ventures. In recent years, Addis has not limited himself to managing artists and arranging concerts overseas. His portfolio is quite diverse, with a list of obligations that range from a reggae club in Chicago, which he opened with his brothers several years ago, to a farm in the Ethiopian countryside, to an ambitious school building project in the villages of Ethiopia through the One Love Africa Foundation.

Part of the appeal of throwing a concert like Africa Unite in his homeland was the positive exposure it would give to Ethiopia. Says Addis, “Nothing positive comes out of that country, and we wanted to change that. And I think with our own little contribution we achieved that. To where people started saying, things can be worked out in Ethiopia, things can work in Ethiopia.

“When you have half a million people in one location for a concert no matter which country you’re in, from the most advanced nation to the worst voodoo society on earth, there’s always going to be an incident. But everybody came, enjoyed the music, and went back home without a slight incident. This to me shows the pride that I have in my culture. You cannot find that anywhere.”

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About the Author:
Mik Awake is a writer based in New York.

Ethiopia’s Feedel Writing System Inspires Mobile Applications for Indian and Chinese Scripts

By Samuel Kinde , Tewodros Kidane, and Girum Kifetew

Ethiopia has the world’s lowest number of text messages sent per day, but recent development of the first Ethiopic text messaging (SMS) has inspired texting in widely used scripts, such as Hindi and Chinese.

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Two challenges conspired to make mobile communication in Ethiopia, particularly, text messaging (SMS) a late-comer in the world scene. The first challenge is that the Ethiopic writing system (also called Feedel, Fidel or Geez), consists of more than 340 characters. Mapping these characters on a 12-keypad was un-attempted. Overcoming this challenge of displaying Ethiopic characters on any existing cell phone whether from Motorola, Nokia, or Siemens requires some tricky solutions – not impossible; but nonetheless difficult. The second challenge has nothing to do with technology but is a direct result of an unfortunate political environment, where fear of technology forced the country’s telecom company to discontinue even English-language SMS, in this country of 75 million people. This gives Ethiopia the distinction of being the only country in the world where mobile text messaging (SMS) is officially banned.

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So, faced with these two challenges, how does one develop a solution that makes Ethiopic SMS a reality right now? The unlikely technical solutions to these two problems are what inspired us – by seeking language commonalities – to extend our work to languages and scripts of more global and market importance.

The solution to the first challenge is to find ways to embed these Ethiopic characters or letters such as fidel6.jpgfidel7.jpginto the mobile phone – any mobile phone carried by the majority of mobile phone users inside and outside Ethiopia. This requires developing a technology in processing fonts in some innovative form and uploading them into the mobile phones through various means such as data cable, Bluetooth technology, or through a mobile phone’s web browser. This solution which makes almost all phones in the market become Ethiopic-aware for text messaging purposes by simply downloading a program called FeedelSMS has – we later found out – an interesting implication. As we tested the program on many mobile phones, it became apparent to us and to our technology partners and advisors that the same technology could be used to make any phone in the world – say Hindi-aware , Arabic-aware, or even Chinese-aware. To prove this point, we had to actually learn (by ourselves) the rudimentary basics of the alphabets of some of these languages – particularly Arabic and Hindi. To our utter amazement, it turns out that Hindi (also called Devanagari) falls under the so-called Abugida abugida.jpg or syllabic writing system classification just like our own Ethiopic! The linguists define Abugida as a writing system in which consonants are associated with a following vowel as every Ethiopian school kid knows. Lucky for us, almost half-of the world’s scripts like the majority of Indic (Indian) languages, Arabic, Hebrew, etc fall under the Abugida system. To make things more interesting, we learnt that at least some of the Hindi characters are very similar to Ethiopic characters.

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Take the case of the Hindi character ‘क’, for example. If you remove the “hat” on top of this character, you will immediately notice that it is the same as – you have guessed it right – the Ethiopic q.jpg.

It gets interesting. If you see the other derivatives such as कु =qu.jpg कि =qi.jpg का =qa.jpgकॅ =qa.jpg Therefore, in a totally unexpected way, our own writing system, Feedel, inspired us to develop a mobile software called HindiSMS in 2006 that can be downloaded to any mobile phone around the world and turn it into – in an instance – a Hindi-aware cell phone. This is not to say that there was no Hindi SMS prior to our product. What it means is that our product fills in a lucrative niche market for consumers who buy cell phones with no pre-installed Hindi fonts.

The solution to the second challenge (banned SMS in Ethiopia) also opened up opportunities for us to discover the application of our software in the global mobile market. Faced with this man-made barrier where we can not use Ethiopia’s telecom network to send or receive SMS messages, we came up with a solution that involved buying and configuring our own (cheap) servers that let customers employ mobile data access (called GPRS or EDGE) to exchange SMS messages. This marriage of the traditional wireless network with the mobile internet – it turns out – had numerous advantages that fit very well to the vision of universal SMS – sending SMS to and from anywhere in the world in any desired language. The beauty of this approach – we later understood very clearly – was that it breaks any barrier imposed by carriers knowingly as is the case in Ethiopia or unknowingly. Furthermore, this approach of using a combination of mobile internet with wireless network also flattens the price structure of SMS. In other words, Ethiopic SMS message sent between Addis Ababa and Nazret will cost the same amount as a Chinese SMS sent from Beijing to San Francisco. To our product’s credit, the HindiSMS product developed by our group became the first mobile application to demonstrate the successful sending and receiving of live Hindi SMS message from India to users in the US in October, 2006. In the live test-run, a user in Mumbai, India and a subscriber of AirTel became the first person to ever send & receive a Hindi SMS from a mobile phone in India to a user in California.

Looking back at the progress of the technology in the past year and the steady acceptance of Ethiopic SMS among Ethiopians, and across-border Hindi SMS among Indians, it is with a sense of some satisfaction that we note that the living script, Ethiopic, has been the source of inspiration for a vital and – what some think of as a substantial – contribution to mobile technology.

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For more info visit feedelix.com.

A Conversation with Dinaw Mengestu

A Conversation with Dinaw Mengestu

Dinaw Mengestu was born in Addis Ababa, Ethiopia, in 1978. In 1980 he immigrated to the United States with his mother and sister, joining his father, who had fled the communist revolution in Ethiopia two years before. He is a graduate of Georgetown University and of Columbia University’s MFA program in fiction. A former intern at The New Yorker, he is the recipient of a 2006 fellowship in fiction from the New York Foundation for the Arts. He has also recently reported stories for Harper’s and Jane magazine, profiling a young woman who was kidnapped and forced to become a soldier in the brutal war in Uganda, and for Rolling Stone on the tragedy in Darfur.

The following is a conversation about The Beautiful Things that Heaven Bears, the debut novel of this immensely gifted young writer who eloquently evokes the experience not only of Ethiopian and African immigrants in general, but of African-Americans, and of all Americans whose identities are being redefined in a quickly evolving society.

How much of your own story and your family’s story is in this novel? How did you learn about your family’s experience?

The novel is definitely a blend of fact and fiction. The parts of the narrative that are true were told to me over the course of many years, sometimes by accident, sometimes deliberately. As is often the case with fiction, a certain factual detail becomes the starting point from which the rest of the narrative takes off. My uncle, for example, was a lawyer in Addis, and he was arrested and died during the government’s Red Terror campaign. The details of his death, however, are entirely unknown to me or anyone else in my family. Similarly, another uncle who was a teenager at the time did flee Ethiopia for Sudan during the Revolution, and while we’ve discussed his journey, it’s always in relatively vague and general terms, and that’s partly where the fiction element comes. It allows you to create the details that can bring a story to life.

Why do you think that the lives of African immigrants in the United States have been so little explored in fiction until now?

There have clearly been dozens of wonderful novels written by Africans about Africa. The African diaspora experience in America, however, is still in its early stages, especially with Ethiopia. My generation is the first to grow up in America, to know it well enough to write about it from “inside” the culture, so to speak, and I imagine as the years go on, there will be plenty of other similar narratives.

Although your book is written from the point of view of an African immigrant from Ethiopia, it is also in a sense an African-American novel, set in a primarily black neighborhood in Washington, D.C. Can immigrants from Africa offer a new perspective on race relations in the United States?

I wouldn’t say that this is an African novel, or African-American novel. To me, it’s a novel about America, with all of its competing and sometimes conflicting identities. Of course, growing up black and African in America has shaped my writing and experiences in more ways than I could possibly state, and yet I have to argue for the singularity of my opinion and perspective on this, which is to say I grew up and continue to live in different communities, some predominately white, some predominately African-American or African. Personally, for me, if there is a new perspective on race relations that comes from being an African immigrant it stems from this sense of never wholly identifying with one category.

More specifically, can you talk about some of the different ways that African-Americans and African immigrants experience American society? What is the relationship between the two communities like?

Obviously there is no simple or short answer to that question. If anything though, I would have to say it’s easy for people not to understand just how removed and disempowered many minority communities, particularly African immigrants and African-Americans feel from the country’s power structures, political, social, and economic. As for the relationship between the two communities, like any two closely intertwined communities there is a give and take, with ample room for misunderstanding and disappointment. In DC, for example, many within the African-Americans community were angered at a proposal to rename a part of the historically black U street corridor “Little Ethiopia.” That anger, of course, is entirely understandable, and in its simplest form, comes out the question, whose experience in America matters more?

Sepha Stephanos, your narrator and main character, has a very tentative romantic relationship with a white woman who moves in next door. Are the barriers to their relationship primarily personal, racial, economic, or some inextricable combination of all those?

In Sepha’s case, the barriers are very much a mix of all these factors, but perhaps most important to the novel is that mix of race and economics. I wanted to show how together the two can create vast, seemingly inseparable gulfs between people. Recently much more attention has been paid to the growing class and economic divide within America, and that divide, when coupled with race, magnifies the tensions even more.

The neighborhood in which you set your story is Logan Circle, which is rapidly being gentrified. More bluntly, prosperous white people are moving in and bringing economic pressures to bear on the poor black people who already live there. Can this sort of change ever go well?

Gentrification is one of those words in constant circulation these days, not only in DC but also in New York and I’m sure many other cities throughout the country. When it means mass displacement, the type of which is happening throughout DC and New York, where entire communities are being turned over, then no, I don’t think these changes ever really go well. At the same time, however, there has to be room for economic revitalization and rebuilding, the type that allows for a community to rebuild its own resources—schools, homes, businesses—while allowing for new growth.

Judith, the white woman in the novel, is a professor of American history, and one of her favorite quotation is from Tocqueville’s Democracy in America: “Among democratic nations new families are constantly springing up, others are constantly falling away, and all that remain change their condition; the woof of time is every instant broken and the track of generations effaced.” Does this quotation still describe the essential dynamic of American society, for immigrants and native-born citizens alike?

My interest with Tocqueville comes in large part from how accurate I think many of his observations about America still are. Tocqueville, while at times highly critical of America and its democratic spirit nonetheless respected the country’s inherent dynamic nature. Families, language, all of these are in a constant state of flux and evolution, which is a part of the great American myth—and I don’t use that term pejoratively—that each individual has the ability to change their circumstances, better their lives, and make themselves an entirely knew man or woman. Of course that ties in directly with one of the more common criticisms about America, which is its lack of regard for history.

Do you think there’s something new about the latest wave of American immigrants over the past few decades? Are their experiences in some ways fundamentally different from the experiences of the European immigrants of the early twentieth century, for example?

Obviously America’s ethnic make up is rapidly changing. The Hispanic community has become the largest minority community in the country, while at the same time there have been an ever-increasing number of African immigrants. Undoubtedly their experiences are going to be different, while at the same time, they will also be marked by some of the same burdens ranging from discrimination to low-paying jobs.

What do you think your novel has to say to all Americans, regardless of ethnic or racial background, about national identity?

I don’t know if novels are supposed to say anything. I think they exist to complicate and expand upon our understanding of the world and it is up to the reader to create their own personal meaning out of the narrative.

Is it ever possible for an immigrant to overcome the sense of being stuck between two worlds that Sepha feels? How is it done? What is the price that must be paid?

I’m sure many immigrants can and do overcome that sense, although I can’t say I personally know any. I was born in Ethiopia but I’ve grown up entirely in the United States and yet I’ve held on deliberately, at times fiercely, to a country that I hadn’t seen in twenty-five years. Many other immigrants I’m sure have a much stronger sense of the country they left behind and so perhaps for them it has less to do with being stuck between two worlds as it does with moving between two different realities. In Sepha’s case, Ethiopia has been physically left behind and he lives with that absence and refuses to let it go because nostalgia and memory are all he has.

Your title is taken from Dante’s Inferno. Can you recite that passage and explain how it is related to your story?

The passage comes from the last few lines of the Inferno, just as Dante is preparing to leave Hell. “Through a round aperture I saw appear, some of the beautiful things that Heaven bears, where we came forth and once more saw the stars.” I read the Commedia as an undergraduate, and then read parts of Robert Pinsky’s translation years ago. The last lines always stuck with me, as many wonderful lines in poetry often do. In this particular case it was the idea of beauty that struck me most. It’s an idea central to the novel, and it’s a word repeated throughout the narrative. Dante still has not made it to heaven yet, and won’t until passing through purgatory, and so there is an ambiguity to the language. The beautiful things are not named or described, and won’t be until Dante finally reaches heaven. And yet of course he can see a hint of what that beauty is. He knows it’s there even if he has not attained it. Joseph, one of the novel’s central characters, latches on to that idea of a visible but not yet attained heaven as a metaphor for his understanding of Africa.

Although your novel does not take place in a single day, Sepha goes on a crucial day-long journey through the streets of Washington that inevitably calls to mind Leopold Bloom’s journey in Ulysses. Was that a correspondence you were consciously seeking to evoke?

I wasn’t thinking of Ulysses explicitly while writing this novel, although of course I was aware of Bloom’s one-day journey through Dublin. The novel that probably proved the most influential in imagining Sepha’s trip through Washington DC was Saul Bellow’s Herzog. I’m sure even subconsciously the letters that Sepha reads were an echo of the letters that Herzog is constantly writing in his head as he wanders through New York and his own past.

Another work of literature that figures significantly in the novel is The Brothers Karamazov, which Sepha reads to Naomi, Judith’s bright young daughter. Are there thematic parallels between that work and your own?

The Brothers Karamazov was one of those novels that once read, never leave you, but I can’t say I chose it out of any obvious thematic parallels. I’m not even sure I would ever want to think of the novel in terms of thematic resonance. Alyosha’s speech that Sepha commits to memory at the end of the novel does tie in with a lesson that Sepha wants to pass onto Naomi, and of course himself, namely that we all seek some form of salvation from who we are and what we’ve become and that it’s possible to find that salvation in a memory of who we once were.

Sepha and his only friends, two fellow African immigrants named Ken and Joseph, regularly play a sarcastic game together. One of them names an obscure African dictator, and the others have to name his country and the date of the coup that put him power. Why are they so bitter and hopeless about their home continent?

I don’t actually think of them as being hopeless. Bitter, yes, but if anything it’s a bitterness born out of love. If they did not love and mourn for their home countries, and for the continent as a whole, they would never spend so much time mocking and eulogizing Africa. They are all realists, to one degree or another, and what they will not do is romanticize any of the continent’s failures, most notably those of its leaders.

You recently wrote a major piece about the crisis in Darfur for Rolling Stone, and you’re headed off now to Uganda on another assignment. What’s your own view about Africa’s future?

I still see more hope and potential in Africa than I do despair, and I say that after having seen it at its very worst. Part of why I went to Darfur and now northern Uganda is because like many Africans, I was tired of seeing the continent’s conflicts described as “hell,” or “hellish.” Yes, there is more misery and suffering than any one person should ever have to bear, but even in the case of Darfur, that is not the entire story. Underlying that misery and violence are remarkable people who continue to endure and survive despite their corrupt leaders.

When and how did you decide to become a writer?

I don’t think most writers ever decide to write. For me, it was something that I did because I had to. It’s been my way of managing and making sense of the world I live in.

Are you planning another novel yet? Can you describe what it’s about?

I am working on another novel, but it’s in such an early stage that I would hate to say what it will or will not become. I’m still figuring that out, which is part of the joy of writing.

Read here excerpt from The Beautiful Things That Heaven Bears

Fregenet Foundation: Creating a Future for Our Children Through Education

By Azeb Tadesse

The Fregenet Foundation works with a most vulnerable, often overlooked population: children. The foundation is named for a girl’s dream of returning to Ethiopia and working with disadvantaged children.

Fregenet was exceptional, and touched lives of many around her. Her friends remember her as “…friendly, good-natured, and showed good sense.” To her family she was a “symbol of all happiness, love and warmth.” She had decided on completion of her education to work for a non-profit. Her dedication brings to mind the saying, “Upon our children – how they are taught – rests the fate – or fortune – of tomorrow’s world.” The day before her tragic accident, she interviewed for a children’s non-profit, graduating from Metropolitan State University, with a degree in accounting, a month earlier. On that faithful day, she was blocks from home when a car fleeing police clipped her SUV causing it to roll, and fatally injuring Fregenet.

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Above: Fregenet Tafesse, 1974-2003

Rather than let her dream die, Fregenet’s family resolved to keep her alive by picking up where she left off, and realizing her vision of working with children. A friend eulogized her by saying, “If we talk today about Fregenet’s smile, her warmth, her love, her generosity, her compassion, her humility, or her courage, it’s not just to praise her, but to speak to you, the people left behind, the people who have to live in this world. Gifts like her, granted to us from heaven, come few and far between. Do not let her go without deep contemplation on what you have learned from her.”

What her family learned was the importance of caring for the less fortunate, and for the future generation. They established a foundation dedicated to providing education to children from low-income families in Ethiopia. The first Fregenet School (Fregenet Kidan Lehitsanat) opened its doors in the fall of 2004, and enrolled children between the ages 4 to 6 from a small, impoverished community in Addis Abeba.

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Above: Students at Fregenet Kidan Lehitsanat

Importance of early education

Nelson Mandela said that, “Education is the great engine to personal development. It is through education that the daughter of a peasant can become a doctor, that the son of a mineworker can become the head of the mine, that the child of a farm worker can become the president of a great nation.” Early education is when a child’s emotional, physical, and intellectual environment has profoundest impact on their future. In the West, the importance of early childhood education have been documented and integrated into public education. In Ethiopia, kindergartens are not part of the public school system, therefore only available to a few children. It is up to private institutions and individuals to invest in pre-school and kindergarten. According to the Ethiopian Ministry of Education, in 2003, only 2 percent of kindergarten age children are in school.

In the US, research indicates students who had early scholastic exposure are employed sooner, less likely to be on welfare, and less likely to have a punitive experience courtesy of the criminal justice system. Programs such as Head Start illustrated the impact of early childhood stimulation. A study by the Abecedarian Project, which provided pre-school for 111 African-American families in Chapel Hill, North Carolina found:

35 percent attended a four-year college before age 21
By 21, 65 percent were either still in school, or gainfully employed.
At age 3, I.Q. scores were 17 points above average.

Importance of early education in Ethiopia

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Ameliorating the plethora of Ethiopian problems in the future requires an investment in high-quality education today. Studies imply preschool and kindergarten education can decrease early pregnancy and the consequent female dropout from basic education, help overcome economic barriers, and increase aspiration for higher education. Within the national education plan, preschool and kindergarten are not a priority. Most resources are directed towards grades one to eight, and to vocational education. Provisions for early education are provided by non governmental organizations a nominal fee, and for a significant fee by private institutions.

Fregenet Kidan Lehitsanat (an NGO) is attempting provide children in one neighborhood in Addis Ababa with the elements for a successful life. Children learn academically: math, English and art, as well as hygiene and social IQ. Many are from extremely disadvantaged households where often times there is just one parent struggling to make ends meet. If not for the school, many of the children would be left to their own devices and spend the day on the streets. Instead, they are nurtured and cared for by dedicated staff and their families in turn have a peace of mind knowing their child is safe.

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As Fregenet foundation celebrates its third anniversary this September, it would seem that Fregenet’s promise to the children is being fulfilled through the foundation. In the years since its opening, the school has increased enrollment from 31 to 100 students, it has moved to a larger location and has even added a first grade class to accommodate its first graduates. Future plans include programs for the children’s parents such as computer labs, library and even a clinic. These new programs are intended to improve the home and family lives of the students and extend their learning and growth from school to home. Most importantly, the expansion of the programs to include parents acknowledges that children’s environment plays a big part in their education and future development and to be effective one must also work with their larger environment for “[E]ducation commences at the mother’s knee, and every word spoken within the hearing of little children tends towards the formation of character.”

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To find out more about Fregenet and the Fregenet Foundation please visit: fregenetfoundation.org

Hot Shots from Tadias Magazine 12th Issue Release Party @ Tsinoa Gallery in Harlem, New York

Above Left: Sirak Sabahat (Ethiopian-Israeli Actor), Middle: Liben Eabisa (Founder & Publisher of Tadias), Right: Mesfin Addi (Founder of Akukulu Academy)

Photos by Teseday Alehegn
Event Name: Tadias Magazine 12th Issue Release Party
City: Harlem, New York
Venue: Tsiona Gallery
Hosts: Linda & Yohannes with Tadias Magazine

Email your hot shots to hotshots@tadias.com

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AboveLeft: Meron Tesfa Michael & friend, Tony Kassa, Henock Temesgen, Right: Mesfin Addi and friends

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AboveLeft: Mesfin Addi & Ernest McCaleb, Right: Fekade Mengistu & Henock Temesgen

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AboveLeft: Adam Saunders & Lydia Gobena, Middle: Italian Photographer Paulo Toby & friend, Right: Ethiopian-Israeli Actor Sirak Sabahat

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AboveLeft: Peggy Williams & Ernest McCaleb (Founder & CEO of Sheba Tej), Right: Nathan, Aster Yilma and Linda (Tsiona Gallery)

View more hot shots here.

Click here for events near your city or visit Liben’s Events List at www.libenslist.com

Hot Shots From the The 4th Annual Blen Art Show in Washington, D.C.

Above – Left: Blen II Catalogue contributors Robel Kassa,
Middle:
Salem Berhanu, Right: Blen Art Show Coordinator Ephrem M. Girma

Photos by Helina Metaferia
Event Name: The 4th Annual Blen Art Show
City: Washington, D.C.
Venue: Artful Gallery
Hosts: The Blen Team

Email your hot shots to hotshots@tadias.com

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Left: Woodcut work by Abebe Zelelew participating from Dallas, Texas
Right:
Zena Tesfaye Teferra

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Left: Professor Achamyeleh Debela and his wife
Right: Azeb Mengestu (Member of The Blen Team)

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Left: Participating artist Meseret Desta
Right: Participating artist Mekbib Gebretsadik (Meseret Desta’s husband)

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Left: Masai Haileleul (Addis Art Gallery) and artist Solomon Asfaw
Right:
Robel Belete & Rahel Woldemariam

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Left: Painting by Martha Mangestu participating from Ethiopia
Right: Ruth Ayenew and participating artist Elsa Gebreyesus

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Click here for events near your city or visit Liben’s Events List at www.libenslist.com

Hot Shots from Habesha Relaxation Session – Harlem, New York

Photos by Sirak Getachew (D.J. Sirak)
Event Name: Habesha Relaxation Session
City: Harlem, New York
Venue: The Shrine
Address: 2272 Adam Clayton Powell Blvd. (B/N 133 & 134)
Hosts: D.J. Sirak & D.J. Birane
Music: Afro beat, World, Hip Hop, Reggae and New Groove
Date: Every other Saturday

Email your hot shots to hotshots@tadias.com

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View more hot shots here.

Click here for events near your city or visit Liben’s Events List at www.libenslist.com

Addis Heights Millennium Arts Exhibition Series to be launched in Harlem, New York.

Above: Photo by Matthew E.

Helina Metaferia – This Issue’s Featured Artist

Born in Washington D.C. to Ethiopian parents, Helina Metaferia is a painter, a yogi and graphic artist. She attended Temple University’s Tyler School of Art and Morgan State University, where she obtained her BA in Fine Arts. She has exhibited her work at the Eubie Blake Cultural Center, the World Space Center, and the James Lewis Museum.

She is selected to appear as the first guest artist at the upcoming Addis Heights Millennium Arts Exhibition Series in Harlem, New York.

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Above: Free Womban, acrylic, pastel and charcoal on paper, 18” x 24”

Artist’s Statement:

The most sacred part of a woman is now reduced to a dirty word. What has once been celebrated and understood as a source of power and creativity is now being cut, abused, and condemned. Many women are taught to be ashamed and embarrassed of their own bodies, especially their wombs. A lack of emotional and spiritual connection to one’s womb is the basis for physical disease, painful or irregular menstruation, misplaced sexuality, poor self-esteem, and other imbalances.

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Above: Intuitive Womban, acrylic, pastel, and charcoal on paper 18” x 24”

The mixed media series, Finding Womban, is the visual depiction of women who are on a journey of liberation by healing and rejoicing in their own femininity. The striking and raw faces of women on a quest for soul identity are interwoven with rich subliminal backgrounds of abstracted wombs. The women in the paintings wear explorative expressions, each one seeking to reclaim a power beyond their gender and sexual nature. As the viewer searches for the abstracted wombs within the paintings, the viewer experiences a similar quest to the portrayed woman who, in turn, is searching for her own feminine essence.

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Above: Water Womban, acrylic, pastel, and charcoal on paper 25” x 35”

Creating these works of art has been a very vulnerable, intimate experience for me. I birthed each painting so I could begin the process of undoing negative conceptions, self-heal, and find strength in my own womanhood. Inspired by Queen Afua’s book Sacred Womban, Finding Womban is about a journey that each female must endure to feel whole and free.

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Above: Opening Womban, acrylic, pastel, and charcoal on paper 18” x 24”

Learn more about the artist at: metaartist.com
For details about Helina’s upcoming show, visit libenslist.com

Book: Review of Our Mother Africa

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By George Preston

Publisher Reynold Kerr originally may have conceived of Our Mother Africa as a primary school primer on the common origin of all humanity in the horn of Africa. But it is much, much more. In fact, adults may gain more from this book than children. Here is why: it presents a science based explanation of the origins of mankind in Africa, their global dispersal and ostensible physical differences readily grasped educative and entertainingly by all readers from early childhood through adulthood.

To begin with, Our Mother Africa, the book, is the child of Mother Africa; the exhibition of classical African sculptures of maternity figures which was on view at the Schomburg Center in Harlem, New York (2002) before it traveled to the prestigious Centro Conde y Duque in Madrid (2004), accompanied by a symposium of internationally recognized scholars that included participation by the American, C. Daniel Dawson, Rogelio Martinez Fure of Cuba. The title of the catalog companion to the exhibition Mother Africa bears the name of the art exhibition and magisterially serves African motherhood with 96 superb photographs of sculptures from the length and breadth of the continent.

Our Mother Africa is a great foreign language primer. It is written in English, Spanish, French and Norwegian. Short paragraphs never longer than about fifty words each describe a single aspect of human similarity within diversity. The editing of syntax and the prodigious use of cognates actually allows a speaker of one of these four languages to teach himself any one of the other three.

A photograph of a classical African maternity figure accompanies each of these paragraphs from the original exhibit and an illustration by the painter and sculptor Gustavo Lopez-Armentia. Mr. Lopez-Armentia was a representative of Argentina to the Sao Paulo Biennale and exhibits annually at Reese Galleries on NYC’s 57th street, making this a contemporary fine art book in its own.

It gets even better. Our Mother Africa is an excellent primer for the novice collector of African art or college students interested in getting a feel for the art styles of West, Central and East Africa. Thirty one illustrations of regional, ethnic and chronological styles including Coptic Ethiopia, sculptures of well known styles such as Baule, Yoruba and Kongo and lesser known works from the Sukuma, Kwere and others are accompanied by a descriptive text and locater maps. And now this: the public school system in the Dominican Republic has just ordered 20, 000 copies of Our Mother Africa.

Title in Amharic lettering: Addis Heights Font

A Memoir of the First U.S. Ambassador to Ethiopia in 1903

Abyssinia of Today

A Book By Robert P. Skinner (The First U.S. Ambassador to Ethiopia)

For over a century now close relations between the United States and Ethiopia have endured nearly uninterrupted.

The extraordinary relationship between the two countries begun in 1903 when President Theodore Roosevelt Authorized 37-year-old Robert P. Skinner to negotiate a commercial treaty with Emperor Menelik.

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Upon returning home from this historic trip to the Emperor’s Court, Skinner wrote a remarkable memoir recounting his two-month journey to Ethiopia. Abyssinia of Today is a fascinating narrative of the first American diplomatic mission to black Africa.

Those who do not have a copy of Ambassador Skinner’s original issue of Abyssinia of Today will find this completely authentic centennial reprint a valuable piece of Ethiopiana.

To order your copy, send an email to books@tadias.com, or call 646-920-3211.
Price: $19.99, plus shipping and handling.

Gender and Ethiollywood: A Review of ‘Kezkaza Wolafen’ and ‘Etse Beles’

Tadias Magazine
By Meron Tesfa Michael

Updated: March 24th, 2007

New York (TADIAS) – Kezkaza Wolafen (2003) by Tewodros Teshome and Etse Beles (2004) by Kidist Bayelege are two blockbuster movies that were released by the recently blooming Ethiollywood film industry. By design, the women of Etse Beles are survivors, independent, and in charge of their destiny; while the women of Kezkaza Wolafen are mainly victims, dependent, and vulnerable, whose existence is defined by the men in their lives. Between Kezkaza Wolafen’s reductive and Etse Beles’ superwoman representation these two films brilliantly identified areas where modern feminism meets traditional values in Ethiopian society. While the commonality of these links is obvious, the interpretation articulated by the filmmakers’ depiction of gender roles draws one’s attention to the discourse of womanhood in contemporary Ethiopian society.

Kezkaza Wolafen is a story about an educated and professional young woman whose middle class lifestyle has been sustained by men who sought to marry her. First, we are introduced to the “bad guy” who financially supported the family because the young woman’s hand was promised to him by her late father. What is supposed to be evil about him is his insistence of marriage against her will, and his plan to avert her from her higher education, and impregnate her – in other words he symbolizes an obstacle to the idea of progress. Later, we are introduced to another man – the lover boy who rescued her from the bad guy. He helped her to finish school, found her a job in his company, provided for her family, and even taught her how to drive. The young woman of Kezkaza Wolafen is portrayed as a good student, obedient daughter, and loyal friend. She is also timid and passive; rage is not in her nature. At one point when the going gets tough, she is seen attempting to commit suicide.

Etse Beles is about the life of undocumented Ethiopian immigrants in America. The story revolves around a young woman and her three roommates – two girls and a guy. Disillusioned by the harsh reality of life as illegal aliens, where dreams are crushed and fantasies unfulfilled, these four turn to alcohol and drugs to fill the void in their lives. Before long, scoring, apparently a very expensive habit, becomes the highlight of their bleak existence. If you thought a marital fall-out, or being an illegal immigrant, or HIV positive are the worst things that can happen to these characters, you would be mistaken. For these four, once the habit kicks in, life spirals downward until they hit rock bottom and their miserable lives crumble. Etse Beles is about choices, adversity, despair and endurance. The main character is not an intellectual and she doesn’t represent any moral superiority. On the contrary, she lies, cheats, and steals. There is also no doubt that she is in charge of her existence, and blunt, brash, dauntless and dopey all at the same time, owns her virtues and shortcomings. In Etse Beles, when the going gets tough, the woman’s task is not to coil-n’-hope to die, but to play the card she has been dealt with and fight it out.

It is incontrovertible that both Kezkaza Wolafen and Etse Beles carry deep and valuable social messages by addressing human torments and dilemmas that are common in the community they are targeting. In both films male and female characters suffer from the consequences of their choices as well as from social injustice. However, the apparent difference between these movies lies in the degree to which roles are defined by the characters’ sexuality. Ethiollywood’s response to gender is not outright offensive, brutal, or degrading. Nevertheless, in most cases Ethiollywood films are full of subtle insinuation and stereotyping that are to the detriment of womanhood. In a social environment where there is no defined collective awareness that is guided by gender-just concerns, the message that movies convey may be crucial because they depict the institutionalization of ideas and meanings. Neither of the two films discussed here claims to be blatantly propagandist for one cause or another when it comes to “the battle of the sexes.” All the same, when viewed from a female perspective, it is clear that one is ostensibly progressive but conformist and the other truly but silently radical.

Subtle stereotyping, relatively invisible, is insidious because it is still demeaning and patronizing. In Kezkaza Wolafen, the heroine is mostly portrayed as someone striving for some sort of intellectual enlightenment, first as a university student and later as a professional woman. Such generous attribution is obviously an attempt to bring the stereotype of modern woman into the discourse. However, the unfortunate aspect of this is that the addition may not be as progressive as one could imagine, because the young woman’s own competency is never allowed to be established by her actions. For example, not once has she been allowed to take the higher moral role within her community. Rather, the source of her “progressiveness” is trivialized by her total lack of control over her destiny. In spite of all the effort made to glorify her as an intelligent woman, toward the end she is diminished by a Shakespearean suicide-plot over something that may or may not have happened – once again providing an opportunity for her lover boy to rescue her. The act of suicide instead of promoting fortitude, conveys the idea that she is an incompetent quitter, who is for someone in her social position, extremely naive.

The other danger of subtle stereotyping is its power to promote masculinity as a value. In both films the norm of male power is projected through roles of bosses, fathers and other authority figures. By depicting these male-roles as something to be feared, admired or sympathized with, honor and glory are linked to masculine identity. For instance, all of the young woman’s achievements in Kezkaza Wolafen are due to the intervention and generosity of men. This undercuts any notion that we could have had of her capability as a competent member of society, and we are led to assume that she is not an independent young protégé, but rather a person in need of protection and help. We may initially assume that this is a gender-neutral manifestation of the power-mongering that is common in traditional and underprivileged societies. But then again, the fact that in Kezkaza Wolafen the message ‘manly men control and protect their women’ floats effortlessly, and the fact that characters and roles were not allowed to grow beyond the customarily defined boundaries promotes the operating assumption that men are the real wielders of power and women are passive dependent bodies to be possessed.

On the other hand, Etse Beles, ingeniously questions this notion by offering an alternative reality, where there are no defined roles or boundaries and women are active participants in their own destiny. The women of Etse Beles do not claim to represent progressive or traiditional social roles. By distributing power and guilt equally among the male and female characters, by allowing the female characters to live in their own world, make their own choices, fail and survive on their own terms, the film weakens the force that promotes chauvinism.

While Kezkaza Wolafen invokes a superficial gestures towards progressive attitudes in women, in hindsight it is not as revolutionary as Etse Beles. Rather, it is a film that engages with the legacy of our socio-cultural chauvinism in a non-confrontational way. Thus, while Kezkaza Wolafen constructs a somewhat positive view of women, the overall image of victimhood and incompetence promotes existing ideas of woman’s disparate position in society. In contrast, Etse Beles – certainly not a 21st century feminist manifesto – is a breath of fresh air to this notion of womanhood. What is revolutionary about the main character of Etse Beles is that in the process of performing her roles as a sister, wife, daughter and girlfriend, the plot allows her to play the often forgotten but most vital role — herself. With no man to be blamed for her failures or come to her rescue, she is allowed to be a being with a soul – reckless, vital and competent – a woman determined to claw her way out of the pit she has dug herself into.

We watch movies because we find them interesting, not because we find them particularly useful or relevant to our personal lives. But then why should we care about the images portrayed by something that is purely meant for entertainment purposes and only requires a couple of hours of our time? We care because films are to society what candy is to our teeth — though sweet, a diet in excess will rot one’s perception of reality. Popular culture’s entertainment is escapism and voyeurism. Concern with popular culture arises when people realize that a movie is a snapshot of reality that is extracted, recast, and marketed. Even when we recognize them as unrealistic, continued exposure influences our view of reality.

In Kezkaza Wolafen both the heroine and the hero have close friends. These brilliant supporting actresses and actors party too much and are irresponsible in their sexual quests. From various dialogues we are made to believe that he does it for fun, and she is just a gold-digger. Later we watch the female character’s health deteriorate and eventually die of HIV/AIDS. On the same token, we are presented with a scene where the male character learns of his HIV positive status. Interestingly, rather than watching him die, within minutes of finding out his status, he declares that he is going to teach the public how to protect itself from the disease. While the idea of his transformation is commendable, the disgraceful death of the woman’s faith and nobility to him is open to a number of interpretations. Should her death be perceived as a woman’s due for flouting the code of social conduct?

The point here is that filmmakers are in a unique position to selectively appropriate gender issues contextually in conjunction with the dominant socio-political norms, and gender representation is open to the influence of competing tendencies, be it the market, cultural capital, communalism, or women’s empowerment articulations. However, with the shortage of female-centered films in the Ethiollywood, with the dearth of positive role models and the brute reality of hundreds of millions of women internalizing the roots of their own destruction, would not a film that plays down the negation within female consciousness be more useful? The danger with films like Kezkaza Wolafen is that a sympathetic representation leads the audience to empathize with, rather than question, such negations. It begs the question: Is Ethiollywood ready for strong, free, unique female characters?

Ethiollywood filmmakers are currently standing at the crossroads between modern feminism and traditional values and are confronted with two possible routes when it comes to designing our symbolic reality. Either they will challenge our attitudes with the possibility of a reality that exists outside past legacies, or reinforce the patriarchal chauvinism attitude that denies a woman’s right to be recognized as a proactive entity — with more options than suicide. Unfortunately, Kezkaza Wolafen is careful in looking after the comfort of its audience and misses an opportunity to articulate the forward-thinking that society would expect from its intellectual women. Etse Beles, while it certainly is not making any cognizant claims within a feminist emancipation context, by allowing the heroines to take center stage, allows us to take a peek at a world where women – even those that are social outcasts – have freewill and, somewhere between the good and bad, have an overwhelming desire to live onscreen.

My agenda is not to challenge the legitimacy of either one of these films on moral grounds. On the contrary, it is to uphold their efforts and to highlight the ways in which their formal preoccupations reflect the obsessions of the society which produced them. Filmmakers, without being obnoxious, can question these obsessions. Between these two films, to which category an Ethiopian woman identifies herself with is entirely up to her perception of self. However, promotion of stereotypes and symbols by drawing from a ready reservoir of gender differentiating myths and legends is not going to help anybody, especially when it is projected by a medium that is considered egalitarian, secular and, in many ways, larger than life.

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About the Author:
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Meron Tesfa Michael is a Ph.D. candidate in Political Science. Her area of research interest includes the politics of gender identity, ethical partiality, and social stratification in new-fangled democratic states. She lives in Harlem, New York.

Hot Shots: Photos From Rooftop Reggae Fridays in New York City

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This is an event organized by The Mic Goes Global (Bridging the Cultural Gap Through Music) – the brainchild of Ethiopian-born Sirak Getachew (D.J. Sirak) & his friend Bintou of Staka Productions. Arriving from Addis Ababa to the graffiti-filled streets of the Bronx, D.J. Sirak was introduced to the hip-hop phenomenon at an early age.

“I remember arriving at New York’s JFK airport at the age of nine and settling in a Bronx neighborhood. Being the only Ethiopian on the block and at school, it was hard to keep my own culture alive”, he says.

“As time went on, however, hip-hop became my means of bridging the cultural gap between myself and my new community.”

In the short time since the program began, it has gained recoginition from various media organizations including, MTV, The Source, The Village Voice, Tadias Magazine and local TV stations.

“Hip-hop has helped me fuse my past and my heritage with my present in an artistic and socially meaningful way”, he tells us. “Its time to get global!”

Click here to see photos from this and other events or visit Liben’s Events List at www.libenslist.com

Treasures of Ethiopian Art To Shine at Museum of Biblical Art

Above:Church, Mädhane Aläm at Mäjate, Ethiopia, 1892-1893; Private Collection, France, before 1973; Sam Fogg, London; Walters Art Gallery, Baltimore, 1998, by purchase.

New York, NY — The Museum of Biblical Art examines the exhilarating artistic heritage of one of the world’s oldest Christian kingdoms in Angels of Light: Ethiopian Art from the Walters Art Museum, opening Friday, March 23, 2007.

For the showing, towering metalwork crosses, brilliantly colored icon paintings, decorated manuscripts, and other rare objects have been drawn from one of the largest and finest collections of Ethiopian art outside of Addis Ababa—that of the Walters Art Museum in Baltimore, Maryland.

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Angels of Light covers a vast sweep of time, from the 4th century, when Ezana, the King of Aksum, converted to Christianity, to the 19th century. Altogether, 44 masterworks speak to the manner in which Ethiopian artists infused their works with a unique sense of form and color, continually absorbing and transforming influences from other cultures.

“Ethiopia’s artistic heritage defies expectation, blending Semitic oral traditions and African colors and patterns with Italian narratives and Byzantine icon forms. I believe that many visitors will be amazed by what they see, from the hot yellow and red colors of the painted icons to the dramatic processional crosses, draped in fabric,” says Ena Heller, director of MOBIA.

Ethiopian culture has deep roots: the first Ethiopian emperor is even said to have been the son of the Queen of Sheba and King Solomon. According to tradition, it was he, Menelike, who brought the Ark of the Covenant to the country from Jerusalem, thus crowning Ethiopia as the new Israel.

“Today, too often we forget that Ethiopia was a world power, along with Rome and Persia, for much of the first millennium of the common era,” says Gary Vikan, Director and Curator of Medieval Art at the Walters Art Museum. “The Walters’ collection of Ethiopian art is a relatively new addition to the Museum—initiated only in 1993. Yet the power of these objects has already earned them an invaluable place in the story we tell of the cultures of Eastern Orthodoxy, alongside the Byzantine, Greek, and Russian cultures.”

By the 15th century, Ethiopia had developed a tradition of icon painting that rivaled the production of icons in Byzantium and Russia, and the new kind of painting emerging in Renaissance Italy. Representing this high point in the history of Ethiopian art in Angels of Light are nine rare panel paintings, diptychs, and triptychs, each representing a distinct style or iconology. One is a large tempera on panel called “Our Lady Mary with Her Beloved Son and Archangels Michael and Gabriel,” which is thought to have been created by a painter of the royal court between 1445 and 1480. The artist suggests an easy, human affection between Mary and Jesus in the way he depicts the pair locked in a rapt gaze and holding hands, encircled by folds of cloth. The choice of the Virgin and Child as a subject here, and the use of forms familiar from Byzantine or Italian models, confirm that Ethiopian artists were aware of Western traditions. Even more directly linked to the art of the Mediterranean is a triptych painted approximately 200 years later, depicting the Virgin and Child flanked by the archangels and scenes from the life of Christ, the apostles, Saint George, and Saints Honorius, Täklä Haymaont, and Ewostatewos. The central panel is based on a famous icon from the Roman basilica of Santa Maria Maggiore that was believed to have been painted by Saint Luke the Evangelist.

The illuminated books and scrolls in Angels of Light are especially powerful reminders of the passionate faith of medieval Christians in Africa. In particular, a pair of illuminated charts dating to the late 14th century or early 15th century bring to light an exercise of scholarship and devotion that seems mind-boggling in today’s “Google” age. On a single sheet of parchment, framed by classical arches surmounted by birds, the Canon Tables provided priests with an early cross-referencing system to reconcile the different accounts of Christ’s life. Also in this section of the exhibition is a 16th-century gospel book, in nearly pristine condition, which features full-page portraits of the Evangelists painted in bright bold color and an assured line.

Eight medieval bronze processional crosses will be stationed together in the MOBIA gallery, their varied geometric patterns offering a delight to the eye and mind. Meant to be seen against the sky or by candlelight, their abstract shapes are a hybrid of Byzantine and Islamic forms, incised, perforated, welded, and /or cast by master artisans. In one cross from the late 12th or early 13th century, the sign of Christ, as described in the Gospel of Matthew, can be made out in the curved abstracted form. Upon close inspection, 13 small crosses emerge from a seemingly unbroken weave of tiny interlocking circles in a 15th-century staff.

Ideally situated near the Red Sea, and encompassing one of the branches of the Nile river, Ethiopia was able to establish strong ties in both trade and religion with nations around the Mediterranean Sea. A prayer book with its worn leather satchel, a parchment scroll in its leather carrying case, folding icons (diptychs) and small books speak to the benefit of a portable gospel faith in a cosmopolitan center of trade.

Learn More at The Museum of Biblical Art

MALUWA: Scroll and hung paintings

By George Nelson Preston

On Friday April 27, the solo exhibition of NYU’s Artist-in-Residence, Maluwa opens at the Kimmel Center in New York City.

Maluwa brings more than just a fresh look to the silhouette. Those with a weak sense of art history are likely to think of Kara Walker when looking at Maluwa because both artists work in silhouette. The silhouette is the contrivance of the French Minister of Finance and amateur Etienne de Silhouette (1709-67). In its original form it was a profile portrait filled in with black, thereby eliminating all features except the contour of the profile. Thus, the derogatory adjective, silhouette, suggesting an empty policy. The silhouette is a child of its originator’s recall of Italian quattrocento portraits.
These portraits in turn were derived from the —so to speak– high profile personages depicted on ancient coins.

This is why it is impossible to look at a silhouette without nostalgically recalling the content of First or Second Style Renaissance portraits in profile. You would ask, what happened to the beautiful faces of Ghirlandaio’s Giovanna Tornabuoni, those profile portraits by Pollaiuolo and Botticelli and what about Mantegna’s magnificent talking profiles of the Duke of Montefeltro and his wife?

So anyone working in silhouette had better come up with something of formal (or contra-formal) integrity. You can use this dilemma as a point of departure for the works of both Maluwa and Walker. Beyond that, the two are as different as night and day. Maluwa’s contour is rendered in studied neglect in contrast to Walker’s emulation of the precision of Renaissance contour in scissor cut images. Then, there is the place of the text which in Walker is indispensable to the image, didactic and intellectualized.

Maluwa’s silhouettes in contrast speak to an ancestral presence, the spirit or ethos of a culture and less to how that culture and its people has been brutalized. Here, there is cosmic memory, ancestral recall, not a history lesson in picture-text juxtaposition.

The images may sometimes be the shadows of forgotten or praised ancestors whose stillness recalls the Egyptian law of frontality but break away from it in body torsion contained in the flatness of the silhouette. References to the stars and stripes place some of these works in a very contemporary political context but the feeling that comes across is not of the present but of those aspects of our culture desired but still elusive: the American dream as something dreamed a long time ago. Maluwa uses some devices that could attain a greater degree of clarity or intent. We often see symbols that remind us of: greater than, less than, absolute value, is contained in, contains, member of, logical sum, divided by, plus, minus —and so forth. These along with the Egyptian sensibility seem to evoke hieroglyphs. The the symbols are rendered so casually that one cannot tell if they are meant to be taken literally or are just a sketchy compliment to the silhouettes.

Learn more about the artist at maluwa.org

LIVE AND BECOME: A film by Radu Mihaileanu

The year is 1985. “Operation Moses” is at its peak — the massive airlift of thousands of “Falasha,” Ethiopian Jewish refugees, who are fleeing oppression in their native country. One Jewish boy, marked for a rescue-flight to Israel, dies as the story begins. Another boy, a Christian (Moshe Agazai), secretly takes his place. He does so with the tacit cooperation of both the dead boy’s mother, and his own mother. At age 9, “Schlomo” (as he is renamed; we never learn his earlier name) is too young to realize his life is being saved. He knows only that he is being cruelly separated from his real mother, and that he must never ever reveal his true identity to anyone. Israeli authorities are very severe about deporting pretenders they discover among the rescued. His adoptive mother dies, apparently of tuberculosis, very shortly after their arrival. Schlomo is now completely on his own. He proves a gifted but difficult student. He learns Hebrew easily, but refuses to eat. In his heart, he speaks to his mother in Africa each night by addressing his thoughts to the moon, overhead. He picks fights with schoolmates. He finally even flees the dormitory one night, headed south to Ethiopia wearing little more than a bedsheet. The authorities overtake him. They then arrange for Schlomo to be adopted by a liberal, French-Israeli couple, Yael (Yael Abecassis) and Yoram (Roschdy Zem). And so begins the most hopeful, and healing journey of Schlomo’s young life. The way is still fraught with difficulty. He not only has new parents, but new siblings. (He also has a warm, droll new grandfather, played by Rami Danon.) They all adjust to one another by stormy degrees. However, a deep and mutual love is gradually forged, especially between the boy and his new mother, Yael. She becomes his ferocious protector when the parents of Schlomo’s schoolmates recoil from his color, or what they pre-judge to be his lack of intellect, or what they imagine to be the diseases he may have brought with him from Africa. Yael will have none of it. She curses their pettiness, and wins the confrontation.
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His adoptive father Yoram is no less fierce in his love, especially when a group of fundamentalist clerics at the Chief Rabbinate of Jerusalem manhandle the boy in a misguided effort to ritually “cleanse” him (attempting to take a drop of blood from his penis), in tandem with every other Ethiopian they can lay hold of. Through this episode, which triggers a riot and afterward sparks vigorous marches of protest, we become privvy to rich layers of conflict and nuance in Israeli society which are seldom communicated in the American news media. Around this time, the boy pays a visit to a prominent Ethiopian rabbi he sees on television, Qes Amhra (Yitzhak Edgar). Qes agrees to write letters to Africa for the boy. If the old man suspects that his new young friend is secretly a gentile, he lets it pass. As a teenager, circa 1989, Schlomo (now played by Mosche Abebe) grows tall and princely. He falls in love with a local beauty Sarah (Roni Hadar). She is as much in love with him, but her father vehemently, even brutally, opposes the match. Racial prejudice is a factor. Yet Sarah’s father also intuits something we and Schlomo know to be true — that deep down, he is inauthentic. Schlomo counteracts this by mastering the Torah. He enters a steep intellectual competition known as The Controversies, in which he must debate profundities of Scripture with no margin for error. Qes tutors him in nuances of spiritual law, but advises him to understand it from his heart. Schlomo is obliged to debate the skin-color of Adam. The very topic is a pointed insult aimed at him by Sarah’s father, one of the judges, yet Schlomo speaks to it beautifully. Nevertheless, her father remains unmoved by his triumph. Sarah still loves him, but as he becomes an adult (played by Sirak M. Sabahat), Schlomo keeps her at arm’s length. However deeply he has assimilated, however passionately he has embraced the spiritual and intellectual rigors of Judaism, there is no one he feels he may trust with his secret. Moreover, he longs to be reunited with his biological mother. The eventful, surprise-filled climax of Schlomo’s journey centers on the reconciliation of these particular sufferings, and his bold actions toward healing …

“The Wogesha Will See You” Traditional Ethiopian Medicine, Then and Now

Tadias Magazine

By Dr. Worku Abebe

New York (TADIAS) — Traditional medicine has been defined by the World Health Organization (WHO) as “the sum total of all knowledge and practices, whether explicable or not, used in the diagnosis, prevention and elimination of physical, mental or social imbalances and relying exclusively on practical experience and observation handed down from generation to generation, whether verbally or in writing.” This system of health care is also known as folk medicine, ethnomedicine, or indigenous medicine. In some countries, including the US, the terms complementary or alternative medicine are used interchangeably for traditional medicine.

It is generally accepted that traditional Ethiopian medicine is the outcome of long and dynamic interactions among African, Greek, Arabic, and Hebrew traditions. These interactions, combined with the variations in the country’s unique ecology and diverse ethnic groups, make the traditional medical system in Ethiopia very rich and complex. Records show that the existence of such a health care system can be traced back to the period prior to the 16th century. Although the expansion of modern medicine appears to influence some aspects of the traditional system, traditional Ethiopian medicine remains rooted in magico-religious beliefs and empirical knowledge from the natural environment.

An estimated 80% of the Ethiopian population relies on traditional medicine. Socio-cultural appeal, accessibility, affordability, and effectiveness against a number of health problems seem to foster its widespread use. Consistent with the increasing global interest in alternative medicine, the demand for traditional medical therapies in Ethiopia is on the rise. In 1986 over 6,000 practitioners were registered with the Ministry of Health. More recently, the Ethiopian Traditional Healers’ Association, which was established in 1987, reported a membership of 9,000 healers. A few experts estimate the number of traditional medicine practitioners, vendors, and collectors in the country at more than 80,000.


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African American & Ethiopian Relations

Above: Commandment Keepers Synagogue in Harlem, NYC.
Photography by Chester Higgins. ©chesterhiggins.com

By Tseday Alehegn

Ethiopia, also called Yaltopya, Cush, and Abyssinia, stands as the oldest, continuous, black civilization on earth, and the second oldest civilization in history after China. This home of mine has been immortalized in fables, legends, and epics. Homer’s Illiad, Aristotle’s A Treatise on Government, Miguel Cervante’s Don Quixote, the Bible, the Koran, and the Torah are but a few potent examples of Ethiopia’s popularity in literature. But it is in studying the historical relations between African Americans and Ethiopians that I came to understand ‘ Ethiopia’ as a ray of light. Like the sun, Ethiopia has spread its beams on black nations across the globe. Her history is carefully preserved in dust-ridden books, in library corners and research centers. Her beauty is caught by a photographer’s discerning eye, her spirituality revived by priests and preachers. Ultimately, however, it is the oral journals of our elders that helped me capture glitters of wisdom that would palliate my thirst for a panoptic and definitive knowledge.

The term ‘Ethiopian’ has been used in a myriad of ways; it is attributed to the indigenous inhabitants of the land located in the Eastern Horn of Africa, as well as more generally denotive of individuals of African descent. Indeed, at one time, the body of water now known as the Atlantic Ocean was known as the Ethiopian Ocean. And it was across this very ocean that the ancestors of African Americans were brought to America and the ‘ New World.’

Early African American Writers

Although physically separated from their ancestral homeland and amidst the opprobrious shackles of slavery, African American poets, writers, abolitionists, and politicians persisted in forging a collective identity, seeking to link themselves figuratively if not literally to the African continent. One of the first published African American writers, Phillis Wheatly, sought refuge in referring to herself as an “Ethiop”. Wheatley, an outspoken poet, was also one of the earliest voices of the anti-slavery movement, and often wrote to newspapers of her passion for freedom. She eloquently asserted, “In every human breast God has implanted a principle, it is impatient of oppression.” In 1834 another anti-slavery poet, William Stanley Roscoe, published his poem “The Ethiop” recounting the tale of an African fighter ending the reign of slavery in the Caribbean. Paul Dunbar’s notable “Ode to Ethiopia,” published in 1896, was eventually put to music by William Grant Still and performed in 1930 by the Afro-American Symphony. In his fiery anti-slavery speech entitled “What to the Slave is the Fourth of July?” prominent black leader Frederick Douglas blazed at his opponents, “Africa must rise and put on her yet unwoven garment. Ethiopia shall stretch out her hand unto God.”

First Ethiopians Travel to America

As African Americans fixed their gaze on Ethiopia, Ethiopians also traveled to the ‘New World’ and learned of the African presence in the Americas. In 1808 merchants from Ethiopia arrived at New York’s famous Wall Street. While attempting to attend church services at the First Baptist Church of New York, the Ethiopian merchants, along with their African American colleagues, experienced the ongoing routine of racial discrimination. As an act of defiance against segregation in a house of worship, African Americans and Ethiopians organized their own church on Worth Street in Lower Manhattan and named it Abyssinia Baptist Church. Adam Clayton Powell, Sr. served as the first preacher, and new building was later purchased on Waverly Place in the West Village before the church was moved to its current location in Harlem. Scholar Fikru Negash Gebrekidan likewise notes that, along with such literal acts of rebellion, anti slavery leaders Robert Alexander Young and David Walker published pamphlets entitled Ethiopian Manifesto and Appeal in 1829 in an effort to galvanize blacks to rise against their slave masters.

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Above: Reverend Calvin Butts.
©chesterhiggins.com

Adwa Victory &‘Back to Africa’ Movement

When Italian colonialists encroached on Ethiopian territory and were soundly defeated in the Battle of Adwa on March 1, 1896, it became the first African victory over a European colonial power, and the victory resounded loud and clear among compatriots of the black diaspora. “For the oppressed masses Adwa…would become a cause célèbre,” writes Gebrekidan, “a metaphor for racial pride and anti-colonial defiance, living proof that skin color or hair texture bore no significance on intellect and character.” Soon, African Americans and blacks from the Caribbean Islands began to make their way to Abyssinia. In 1903, accompanied by Haitian poet and traveler Benito Sylvain, an affluent African American business magnate by the name of William Henry Ellis arrived in Ethiopia to greet and make acquaintances with Emperor Menelik. A prominent physician from the West Indies, Dr. Joseph Vitalien, also journeyed to Ethiopia and eventually became the Emperor’ trusted personal physician.

For black America, the early 1900s was a time consumed with the notion of “returning to Africa,” to the source. With physical proof of the beginnings of colonial demise, a charismatic and savvy Jamaican immigrant and businessman named Marcus Garvey established his grassroots organization in 1917 under the title United Negro Improvement Association (UNIA) with branches in various states. Using the success of Ethiopia’s independence as a beacon of freedom for blacks residing in the Americas, Garvey envisioned a shipping business that would raise enough money and register members to volunteer to be repatriated to Africa. In a few years time, Garvey’s UNIA raised approximately ten million dollars and boasted an impressive membership of half a million individuals.

Notable civil rights leader Malcolm X began his autobiography by mentioning his father, Reverend Earl Little, as a staunch supporter of the UNIA. “It was only me that he sometimes took with him to the Garvey U.N.I.A. meetings which he held quietly in different people’s homes,” says Malcolm. “I can remember hearing of ‘ Africa for the Africans,’ ‘Ethiopians, Awake!’” Malcolm’s early association with Garvey’s pan-African message resonated with him as he schooled himself in reading, writing, and history. “I can remember accurately the very first set of books that really impressed me,” Malcolm professes, “J.A. Rogers’ three volumes told about Aesop being a black man who told fables; about the great Coptic Christian Empires; about Ethiopia, the earth’s oldest continuous black civilization.”

By the time the Ethiopian government had decided to send its first official diplomatic mission to the United States, Marcus Garvey had already emblazoned an image of Ethiopia into the minds and hearts of his African American supporters. “I see a great ray of light and the bursting of a mighty political cloud which will bring you complete freedom,” he promised them, and they in turn eagerly propagated his message.

The Harlem Renaissance & Emigrating to Ethiopia

In 1919 an official Ethiopian goodwill mission was sent to the United States, the first African delegation of diplomats, in hopes of creating amicable ties with the American people and government. The four-person delegation included Dadjazmatch Nadou, Ato Belanghetta Herouy Wolde Selassie, Kantiba Gabrou, and Ato Sinkas. Having been acquainted with African Americans such as businessman William Ellis, Kantiba Gabrou, the mayor of Gondar, made a formal appeal during his trip for African Americans to emigrate to Ethiopia. Arnold Josiah Ford, a Harlem resident from Barbados, had an opportunity to meet the 1919 Ethiopian delegation. Having already heard of the existence of black Jews in Ethiopia, Ford established his own synagogue for the black community soon after meeting the Ethiopian delegation. Along with a Nigerian-born bishop named Arthur Wentworth Matthews, Ford created the Commandment Keepers Church on 123rd Street in Harlem and taught the congregation about the existence of black Jews in Ethiopia. Meanwhile, in the international spotlight, 1919 was the year the League of Nations was created, of which Ethiopia became the first member from the African continent.The mid 1900s gave birth to the Harlem Renaissance. With many African Americans migrating to the north in search of a segregation-free life, and a large contention of black writers, actors, artists and singers gathering in places like Harlem, a new culture of black artistic expression thrived. Even so, the Harlem Renaissance was more than just a time of literary discussions and hot jazz; it represented a confluence of creativity summoning forth the humanity and pride of blacks in America – a counterculture subverting the grain of thought ‘separate and unequal.’

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Above: Commandment Keepers Synagogue. ©chesterhiggins.com

As in earlier times, the terms ‘Ethiopian’ and ‘Ethiop’ continued to be utilized by Harlem writers and poets to instill black pride. In other U.S. cities like Chicago, actors calling themselves the ‘National Ethiopian Art Players’ performed The Chip Woman’s Fortune by Willis Richardson, the first serious play by a black writer to hit Broadway.

In 1927, Ethiopia’s Ambassador to London, Azaj Workneh Martin, arrived in New York and appealed once again for African American professionals to emigrate and work in Ethiopia. In return they were promised free land and high wages. In 1931 the Emperor granted eight hundred acres for settlement by African Americans, and Arnold Josiah Ford, bishop of the Commandment Keepers Church, became one of the first to accept the invitation. Along with sixty-six other individuals, Ford emigrated and started life anew in Ethiopia.

Ethiopian Students in America: Mobilizing Support

In November 1930, Taffari Makonnen was coronated as Emperor of Ethiopia. The event blared on radios, and Harlemites heard and marveled at the ceremonies of a black king. The emperor’s face glossed the cover of Time Magazine, which remarked on “negro newsorgans” in America hailing the king “as their own.” African American pilot Hubert Julian, dubbed “The Black Eagle of Harlem,” had visited Ethiopia and attended the coronation. Describing the momentous occasion to Time Magazine, Hubert rhapsodized:

“When I arrived in Ethiopia the King was glad to see me… I took off with a French pilot… We climbed to 5,000 ft. as 50,000 people cheered, and then I jumped out and tugged open my parachute… I floated down to within 40 ft. of the King, who incidentally is the greatest of all modern rulers… He rushed up and pinned the highest medal given in that country on my breast, made me a colonel and the leader of his air force — and here I am!”

Joel Augustus Rogers, famed author and correspondent for New York’s black newspaper Amsterdam News, also covered the Coronation of Haile Selassie and was likewise presented with a coronation medal.

After his official coronation, Emperor Haile Selassie sent forth the first wave of Ethiopian students to continue their education abroad. Melaku Beyan was a member of the primary batch of students sent to America in the 1930s. He attended Ohio State University and later received his medical degree at Howard Medical School in Washington, D.C. During his schooling years at Howard, he forged lasting friendships with members of the black community and, at Emperor Haile Selassie’s request, he endeavored to enlist African American professionals to work in Ethiopia. Beyan was successful in recruiting several individuals, including teachers Joseph Hall and William Jackson, as well as physicians Dr. John West and Dr. Reuben S. Young, the latter of whom began a private practice in Ethiopia’s capital, Addis Ababa, prior to his official assignment as a municipal health officer in Dire Dawa, Harar.

Italo-Ethiopian War 1935-1941

By the mid 1930s the Emperor had sent a second diplomatic mission to the U.S. Vexed at Italy’s consistently aggressive behavior towards his nation, Haile Selassie attempted to forge stronger ties with America. Despite being a member of the League of Nations, Italy disregarded international law and invaded Ethiopia in 1935. The Ethiopian government appealed for support at the League of Nations and elsewhere, through representatives such as the young, charismatic speaker Melaku Beyan in the United States. Beyan had married an African American activist, Dorothy Hadley, and together they created a newspaper called Voice of Ethiopia to simultaneously denounce Jim Crow in America and fascist invasion in Ethiopia. Joel Rogers, the correspondent who had previously attended the Emperor’s coronation, returned to Ethiopia as a war correspondent for The Pittsburgh Courier, then America’s most widely-circulated black newspaper. Upon returning to the United States a year later, he published a pamphlet entitled The Real Facts About Ethiopia, a scathing and uncompromising report on the destruction caused by Italian troops in Ethiopia. Melaku Beyan used the pamphlet in his speaking tours, while his wife Dorothy designed and passed out pins that read “Save Ethiopia.”

In Harlem, Chicago, and various other cities African American churches urged their members to speak out against the invasion. Beyan established at least 28 branches of the newly-formed Ethiopian World Federation, an organ of resistance calling on Ethiopians and friends of Ethiopia throughout the United States, Europe, and the Caribbean. News of Ethiopia’s plight fueled indignation and furious debates among African Americans. Touched by the Emperor’s speech at the League of Nations, Roger’s accounts, and Melaku’s impassioned message, blacks vowed to support Ethiopia. Still others wrote letters to Haile Selassie, some giving advice, others support and commentary. “I pray that you will deliver yourself from crucifixion,” wrote one black woman from Los Angeles, “and show the whites that they are not as civilized as they loudly assert themselves to be.”

Although the United States was not officially in support of Ethiopia, scores of African Americans attempted to enlist to fight in Ethiopia. Unable to legally succeed on this front, several individuals traveled to Ethiopia on ‘humanitarian’ grounds. Author Gail Lumet Buckley cites two African American pilots, John Robinson and the ‘Black Eagle of Harlem’ Hubert Julian, who joined the Ethiopian Air Corps, then made up of only three non-combat planes. John Robinson, a member of the first group of black students that entered Curtis Wright Flight School, flew his plane delivering medical supplies to different towns across the country. Blacks in America continued to stand behind the Emperor and organized medical supply drives from New York’s Harlem Hospital. Melaku Beyan and his African American counterparts remained undeterred for the remainder of Ethiopia’s struggle against colonization. In 1940, a year before Ethiopia’s victory against Italy, Melaku Beyan succumbed to pneumonia, which he had caught while walking door-to-door in the peak of winter, speaking boldly about the war for freedom in Ethiopia.

Lasting Legacies: Ties That Bind

Traveling through Harlem in my mind’s eye, I see the mighty organs of resistance that played such a pivotal role in “keeping aloft” the banner of Ethiopia and fostering deep friendships among blacks in Africa and America. I envision the doors Melaku Beyan knocked on as he passed out pamphlets; the pulpits on street corners where Malcolm X stood preaching about the strength and beauty of black people, fired up by the history he read. The Abyssinia Baptist Church stands today bigger and bolder, and inside you find the most exquisite Ethiopian cross, a gift from the late Emperor to the people of Harlem and a symbol of love and gratitude for their support and friendship.

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Above: Emperor Haile Selassie,
Reverened Adam Clayton Powell, Jr.,
on May 27, 1954.

Several Coptic churches line the streets of Harlem, and the ancient synagogue of the Commandment Keepers established by Arnold Ford continues to have Sabbath services. The offices of the Amsterdam News are still as busy as ever, recording and recounting the past and present state of black struggles. Over the years, the Schomburg Center for Research in Black Culture has carefully preserved the photographic proofs of the ties that bind African Americans and Ethiopians, just in case the stories told are too magical to grasp.The name ‘Ethiopia’ conjures a kaleidoscope of images and verbs. In researching the historical relations between African Americans and Ethiopians, I learned that Ethiopia is synonymous with ‘freedom,’ ‘black dignity’ and ‘self-worth.’ In the process, I looked to my elders and heeded the wisdom they have to share. In his message to the grassroots of Detroit, Michigan, Malcolm X once asserted, “Of all our studies, history is best qualified to reward our research.” It is this kernel of truth that propelled me to share this rich history in celebration of Black History Month and the victory of Adwa.

In attempting to understand what Ethiopia really means, I turn to Ethiopia’s Poet Laureate Tsegaye Gabre-Medhin. “The Ethiopia of rich history is the heart of Africa’s civilization,” he said. “She is the greatest example of Africa’s pride. Ethiopia means peace. The word ‘ Ethiopia’ emanates from a connection of three old black Egyptian words, Et, Op and Bia, meaning truth and peace, up and upper, country and land. Et-Op-Bia is land of upper truth or land of higher peace.”

This is my all-time, favorite definition of Ethiopia, because it brings us back to our indigenous African roots: The same roots that African Americans and black people in the diaspora have searched for; the same roots from which we have sprung and grown into individuals rich in confidence. Welcome to blackness. Welcome to Ethiopia!

About the Author:
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Tseday Alehegn is the Editor-in-Chief of Tadias Magazine. Tseday is a graduate of Stanford University (both B.A. & M.A.). In addition to her responsibilities at Tadias, she is also a Doctoral student at Columbia University.

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